Book Review: In Holly Brickley's debut novel 'Deep Cuts,' love and music clash
Holly Brickley's debut 'Deep Cuts' is a book for music lovers. Not just any type of music lovers — diehard music fans who enjoy analyzing every element of a song's composition as well as its origin story.
Taking place in the early 2000s, this novel follows music writer Percy and her love interest Joe, an aspiring musician, as they progress from college students to working professionals. Brickley explores the push-pull dynamic between a critic and her criticized as the characters walk the line between intimate connection and superficial renown, as well as the greed that comes with both. The novel is a coming-of-age in its own right, delving into the pain points of becoming a young adult.
With each chapter title the name of a different song, 'Deep Cuts' becomes a series of music essays breaking down both form and the evolution of popular music genres as they relate to Percy's fictional life. The title is a reference to the concept of 'deep cuts,' or songs by popular musicians unfamiliar to the public but revered by critics.
Percy is a self-described 'sidekick,' and she stays that way throughout the novel, taking a backseat to the intricacies of other characters' lives. Joe, on the other hand, has a compelling backstory and complicated emotional wounds. The reasons they can't be together get increasingly frustrating as Percy inserts unnecessary conflict.
'Deep Cuts' contains a similar music composition subplot as 'Daisy Jones & The Six' by Taylor Jenkins Reid, as well as the cultural and technological setting of 'My Year of Rest and Relaxation' by Ottessa Moshfegh. Brickley's lived experience is apparent as she references people, places and things with realistic detail.
The book uses mixed media, like Instant Messages, blog posts, notebook entries, and even an external music playlist to immerse readers. Using songs as chapter titles is a charming way to bring audiences into the story, though hard to keep up with at times. Brickley does a good job breaking down each song for those less familiar with the book's discography or music theory in general.
Ultimately, music wins out over love in 'Deep Cuts' as Percy and Joe discover their place in the music industry — and each other's lives.
___
AP book reviews: https://apnews.com/hub/book-reviews

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


San Francisco Chronicle
23 minutes ago
- San Francisco Chronicle
Misty Copeland broke barriers in ballet. Now she's retiring and moving to ‘the next stage'
NEW YORK (AP) — Ten years ago this month, Misty Copeland sat in front of a hastily arranged news conference at American Ballet Theatre, fighting back tears of pride over her new role: principal dancer. 'This is it,' she said, with emotion. 'This has been my dream since I was 13.' The occasion was highly unusual — normally, when a dancer is promoted, a brief press release is issued. But this was Copeland, a crossover star with fame far beyond the insular world of ballet. And now she was becoming the first Black female principal in the company's 75-year history — just days after her New York debut as the lead in 'Swan Lake' brought a refreshingly diverse, packed audience to the Metropolitan Opera House. Now, a decade and many accomplishments later, Copeland is retiring from the company she joined as a teenager. 'It's been 25 years at ABT, and I think it's time,' Copeland, 42, told the Associated Press last week ahead of Monday's official announcement of her move. 'It's time for me to move to the next stage.' The company is planning a splashy farewell on Oct. 22, featuring performances by Copeland — for the first time in five years — and other dancers. There will be speeches and film clips. And Copeland, who's been heavily involved in the planning, will get a chance to venture one more time onto that balcony in Verona; she'll dance again in the beautiful 'Romeo and Juliet' pas de deux. Honorary chairs for the evening will be Caroline Kennedy and Oprah Winfrey. A lot has happened in a quarter-century. Copeland, whose success brought new energy to an art form that has always been overwhelmingly white, has authored a number of books, including a memoir and and several works for young people. The second installment of 'Bunheads' arrives in September, and more are already planned in a series she calls 'a reflection of my journey, showing the range of cultures and types of people that can be a part of the ballet world.' Copeland has also made a short film with her production company. And her philanthropic organization, The Misty Copeland Foundation, works on increasing diversity in the dance world and giving more kids who grew up economically disadvantaged, like she did, the chance to dance. 'It was so important for children growing up and seeing somebody like Misty and saying, 'Oh my gosh, she looks like I do,'' says Susan Jaffe, ABT's artistic director, who is overseeing the farewell performance. 'Through her books, through her lectures, even her endorsements, she has really been a trailblazer." Still, progress moves slowly. When Copeland exits ABT, there will no longer be a Black female principal dancer at the company — nor at many ballet companies around the globe. Copeland discussed that continued challenge in the dance world, among other topics, in the AP interview last week. Remarks have been edited for clarity and brevity. AP: What does this moment mean? Is ballet a chapter that's now ending for you? COPELAND: You know, I've become the person that I am today, and have all the opportunities I have today, because of ballet, (and) because of American Ballet Theatre. I feel like this is me saying thank you to the company. So it's a farewell. (But) it won't be the end of me dancing. … Never say never. AP: You've told your story over the years, in multiple ways, of how you rose from difficult circumstances to this unique position in dance. What impact have you seen? COPELAND: I've noticed that the conversation is not something we shy away from anymore in terms of the lack of equity, the lack of diversity in this (dance) world. That's one of the biggest shifts I've seen … a lot of young people that just can imagine being part of it in some way. They can imagine stepping into Lincoln Center and being at the Metropolitan Opera House. AP: You became the first Black female principal at ABT in 2015. But there haven't been any more named since then. Does it concern you that progress has maybe been slow in that area? COPELAND: It's definitely concerning, and I think I've just gotten to a place in my career where there's only so much I can do on a stage. There's only so much that visual representation like that can do. I feel like it's the perfect timing for me to be stepping into a new role, and hopefully still shaping and shifting the ballet world and culture. AP: Who are some of the partners you've most enjoyed working with? COPELAND: I think about my partnership with (former ABT principal) Roberto Bolle and him giving me so many opportunities to travel the world with him … (Former ABT principal) Marcelo Gomes, he's been such a such a big part of my journey, and of course Herman Cornejo. We've had a beautiful partnership throughout my career and I'm excited to dance with him again (at the October farewell,) AP: Three years ago you became a parent (to son Jackson). How has that changed your perspective? COPELAND: It's made me even more patient. I just have a lighter and brighter outlook on life because it's just such an incredible thing to experience and witness... I think ballet has prepared me for being a mother in so many ways. I think it's ... prepared me for life and being resilient and patient and sensitive and empathetic and strong, and all of these things. AP: Does your son know who you are? COPELAND: He doesn't understand at all! (laughs) He's seen very little of me dancing. … But he's very drawn to it. He is a mover. He's very athletic. He is so drawn to music. He started violin on Monday. We live in the museums. He really is drawn to art. I think he's definitely on the artist's track. AP: So you've got the foundation, you've got the writing career, the production company. Which of those areas do you think you'll be focusing most on? COPELAND: It's been pretty evenly split between all of then. I think it just depends on what's at the forefront and what needs my focus. ... But it's exciting to be able to utilize dance in so many different mediums, and to me, that's how you get true diversity — by giving people different entry points into learning about dance and feeling like they can be a part of it, which has been my goal. How do I bring dance to as many people as possible in a way that really works for them? AP: You've always not only spoken about, but acted on the importance of diversity, equity and inclusion, and initiatives that promote that. Are you concerned that this is getting more difficult? COPELAND: It's a difficult time. And I think all we can really do is keep our heads down and keep doing the work. … we're fortunate in that way that we've built great relationships and can continue to do the work right now through my foundation. There's no way to stop the people that feel passionate about this work. We will continue doing it. It is so necessary for the well-being of our societies and communities. I think there are times to speak out and yell from the rooftops. And for me, I feel like this is a time to keep my head down and really stay focused and do the work.


Hamilton Spectator
an hour ago
- Hamilton Spectator
AP PHOTOS: Boca Juniors and River Plate fans taking their passion to the FIFA Club World Cup
BUENOS AIRES, Argentina (AP) — They may not have the global stars of Real Madrid or Manchester City, but Boca Juniors and River Plate bring something else: unmatched passion in the stands. They are Argentina's most popular clubs and fierce rivals. Thousands of their fans are expected to travel to the U.S. for the month-long FIFA Club World Cup that starts Saturday, hoping to recreate the electric atmosphere of Buenos Aires' iconic stadiums, La Bombonera and El Monumental. From club-crest tattoos and towering banners to chants pledging eternal loyalty or mocking their rivals, these supporters live for their teams. Hardcore groups known as 'barra bravas' lead the noise with drums and trumpets, though some members won't make the trip due to stadium bans or legal troubles. This is a photo gallery curated by AP photo editors. Error! Sorry, there was an error processing your request. There was a problem with the recaptcha. Please try again. You may unsubscribe at any time. By signing up, you agree to our terms of use and privacy policy . This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply. Want more of the latest from us? Sign up for more at our newsletter page .


Boston Globe
an hour ago
- Boston Globe
2025 Tony Awards: Watch the original ‘Hamilton' cast, Cynthia Erivo, and all of the night's performances
Advertisement Audra McDonald proved once again why she's Broadway royalty Audra McDonald performs "Rose's Turn" from "Gypsy" during the 78th Tony Awards on Sunday at Radio City Music Hall in New York. Charles Sykes/Charles Sykes/Invision/AP Although she came up short in the best actress in a musical category, Broadway legend Audra McDonald once again showed why she's one of the stage's top stars with her performance on Sunday night. McDonald, who scored a record-setting 11th career Tony nomination for her role in 'Gypsy,' performed the song 'Rose's Turn' from the production, and boy did she deliver. There's a reason why McDonald has the most Tony wins for a performer, and Sunday's song and dance was just the latest example of her incredible talent. Advertisement Cynthia Erivo kicked off the show in style Host Cynthia Erivo, center, performs during the 78th Tony Awards on Sunday at Radio City Music Hall in New York. Charles Sykes/Charles Sykes/Invision/AP Tony-, Emmy-, and Grammy-winning star Cynthia Erivo made a strong case for being the go-to MC for every awards show with her incredible debut hosting the Tonys. After getting some help from Oprah Winfrey in the evening's cold open, Erivo took the stage and kicked off the ceremony with a stunning opening song, an original tune that paid homage to Broadway and the nominees. Backed by a choir clad in white (and then soliciting brief vocal cameos from audience members like Kristin Chenoweth and Adam Lambert), Erivo earned a standing ovation for her flawless opener. Cynthia Erivo and Sara Bareilles performed a tearful in memoriam tribute Sara Bareilles, left, and Host Cynthia Erivo perform "Tomorrow" during the In Memoriam segment during the 78th Tony Awards on Sunday at Radio City Music Hall in New York. Charles Sykes/Charles Sykes/Invision/AP The show took an emotional turn during the in memoriam segment, with Erivo teaming up with singer Sara Bareilles for a duet of 'Tomorrow' from the show 'Annie.' The tribute honored artists and members of the theater community who've recently died, including James Earl Jones, Charles Strouse, Gavin Creel, and 'Cheers' star George Wendt. Bareilles was in tears after the song, with Erivo embracing the singer following their powerful performance. Nicole Scherzinger wowed — and won big Nicole Scherzinger performs "As If We Never Said Goodbye" during the 78th Tony Awards on Sunday at Radio City Music Hall in New York. Charles Sykes/Charles Sykes/Invision/AP It was going to take a powerhouse performance to compete with McDonald for best actress in a musical, and according to Tony voters, that's what Nicole Scherzinger delivered in 'Sunset Blvd.' In addition to taking home the big prize for her role in the musical revival, earlier in the evening, the actress and singer brought the audience to its feet with her passionate and commanding rendition of 'As If We Never Said Goodbye,' easily one of the night's top moments. Jonathan Groff got up-close and personal with Keanu Reeves Jonathan Groff and the cast of 'Just In Time' performed at the Tony Awards live from the legendary Radio City Music Hall in New York City on Sunday. Michele Crowe/Michele Crowe/CBS Pulling double duty on Sunday, Groff got his own time to shine before the big 'Hamilton' reunion. Nominated for best actor in a musical, Groff performed a medley of songs from his Bobby Darin musical 'Just in Time.' He even got Keanu Reeves in on the fun, going out into the audience for an up-close and personal moment with the 'John Wick' actor during the number. Advertisement David Hyde Pierce and the cast of 'Pirates!" set sail Tthe cast of 'Pirates! The Penzance Musical' performed at Tony Awards live from the legendary Radio City Music Hall in New York City on Sunday. Michele Crowe/Michele Crowe/CBS Who knew David Hyde Pierce could play a washboard so well? The former 'Frasier' star joined his fellow cast mates from 'Pirates! The Penzance Musical' for an energetic performance of 'We Sail the Ocean Blue.' The production was nominated for best revival of a musical, ultimately losing out to 'Sunset Blvd.' 'Buena Vista Social Club' heated up the stage The company from 'Buena Vista Social Club" performs during the 78th Tony Awards on Sunday at Radio City Music Hall in New York. Charles Sykes/Charles Sykes/Invision/AP Winner of four Tony Awards on Sunday night, the company of 'Buena Vista Social Club' heated up the stage with its rousing performance of 'Candela' from the Havana-set production. Natalie Venetia Belcon, who won the Tony for best featured actress in a musical, showed off her vocal prowess with an impressive turn during the musical number. Megan Hilty delivered a showstopper Megan Hilty performed a song from 'Death Becomes Her' at the Tony Awards live from the legendary Radio City Music Hall in New York City on Sunday. Michele Crowe/Michele Crowe/CBS Another stage mainstay who gave it her all on Sunday was actress Megan Hilty of 'Death Becomes Her.' The best actress in a musical nominee delivered a bombastic performance of the song 'For the Gaze,' going full Broadway, complete with quick costume changes, showgirls, and backup dancers, plus some cartwheels and splits thrown in for good measure. 'Maybe Happy Ending' got its happy ending Helen J Shen, left, and Darren Criss perform "Never Fly Away" from "Maybe Happy Ending" during the 78th Tony Awards on Sunday at Radio City Music Hall in New York. Charles Sykes/Charles Sykes/Invision/AP It turned out to be a happily ever after for 'Maybe Happy Ending' on Sunday night, as the show cleaned up with six Tony wins, the most of any production this year. After the production won best musical and best actor in a musical for lead Darren Criss, its star took the stage with costar Helen J Shen for a touching performance of the songs 'Chasing Fireflies' and 'Never Fly Away.' 'Dead Outlaw' stuck to its guns Andrew Durand and the cast of 'Dead Outlaw' performed at the Tony Awards live from the legendary Radio City Music Hall in New York City on Sunday. Michele Crowe/Michele Crowe/CBS While music with a country twang isn't the first thing that comes to mind when most people think of Broadway, the company of 'Dead Outlaw' had viewers giddying up with its rockin' performance of the show's opening ballad and the song 'Dead.' The production earned seven nominations, including a nod for best musical. Advertisement 'Floyd Collins' dug deep Jeremy Jordan performed a song from 'Floyd Collins' at the Tony Awards from the legendary Radio City Music Hall in New York City on Sunday. Michele Crowe/Michele Crowe/CBS 'Supergirl' star Jeremy Jordan and the cast of 'Floyd Collins' dug deep to give audiences an emotional performance of hits from the show, which centers around the titular character's journey underground during the infamous Kentucky Cave Wars. 'Floyd Collins' scored six Tony nominations this year, with Jordan earning a nomination for best actor in a musical. 'Operation Mincemeat' brought the laughs The cast of 'Operation Mincemeat' performed at the Tony Awards live from the legendary Radio City Music Hall in New York City on Sunday. Michele Crowe/Michele Crowe/CBS The cast of the WWII-set musical comedy 'Operation Mincemeat' broke out their best shirts and ties to bring the laughs during their rendition of 'Born to Lead.' The production earned four nominations at this year's Tonys, with star Jak Malone taking home the prize for best featured actor in a musical. 'Real Women Have Curves' dazzled The cast of 'Real Women have Curves' performed at the Tony Awards live from the legendary Radio City Music Hall in New York City on Sunday. Michele Crowe/Michele Crowe/CBS Earning two Tony nominations, the cast of 'Real Women Have Curves' ( Cynthia Erivo closed out the show with a bang Cynthia Erivo performed at the Tony Awards live from the legendary Radio City Music Hall in New York City on Sunday. Michele Crowe/Michele Crowe/CBS Before the curtains closed, audience members and viewers at home were treated to one more performance by the night's host, with Erivo doing one more song as the credits rolled. She performed a parody version of 'And I Am Telling You I'm Not Going' from the musical 'Dreamgirls,' earning laughs while also packing an impressive vocal punch to end the night. Read more Tony Awards coverage: Matt Juul can be reached at