
Read our lips
You can't go wrong with a red lip — it's an effortless way to elevate your look, transforming the everyday T-shirt and jeans combo into something a bit more put-together.
Whether slicked on as part of your work-week armour, a beloved date-night ritual or simply because you feel like it, anyone who has worn the bold hue can attest to its confidence-boosting powers.
But it's also a notoriously tricky colour, leaving traces of its presence on everything from cutlery and cups to collars and cheeks.
With undertones ranging from cool blues to warm yellows, an unsuitable shade will have you looking like you've smeared Cheetos on your lips, with teeth to match.
Confronted by the plethora of choices on offer these days — glossy or matte or sheer or opaque or stain or tint or crayon — it's no wonder many of us end up feeling overwhelmed at the makeup counter.
Add to that wide-ranging price points — a Pixi tube will give you change from a $20 bill while a Chanel bullet can come close to $100 — and the decision becomes even tougher.
But don't worry: we've got your back.
In the first instalment of our new series, We Try, You Buy, the Free Press team put five red lipsticks through their paces, testing for everything from coverage and finish to lasting power, hydration and ease of removal, to help you make an informed decision.
After all, nobody wants to spend their hard-earned dough on something destined to languish at the bottom of the makeup bag.
Ilia Lip Sketch
Shade: Blue Note, $36
● They say: A long-lasting lipstick and liner with a soft-matte finish that boosts hydration over time for visibly fuller, more defined lips.
But does it live up to the hype?
● We say: Despite being described as creamy and hydrating, this highly pigmented lip crayon from ILIA sets matte and feels dry-to-positively arid. I also didn't notice any of the purported plumping effects.
A cross between a lip liner and a lipstick, it's easy to nail a crisp line but applying it to the whole lip is a bit fiddly. Smells like a pencil crayon, though not in an off-putting way.
The long-lasting claims definitely stand up. It stays put once it's on with no colour bleeding and minimal transfer while eating or drinking. I only needed to reapply once during my workday.
It was surprisingly easy to remove with just water and a cotton pad.
This particular shade — confusingly called 'Blue Note' — is billed as a cool cherry red but leans pink and landed closer to magenta with my skin tone.
I'm not an everyday lipstick wearer, so I felt a bit conspicuous sporting such a punchy colour while the sun was still up. This would be a great set-it-and-forget-it option for a night out.
★★★½ out of five
— Eva Wasney
Sephora Collection, Cream Lip Stain 10hr Liquid Lipstick
Shade: 01 Always Red, $22
● They say: A bestselling, creamy, weightless, liquid lipstick that coats your lips in flawless colour to become a transfer-proof, full-coverage, last-all-day stain.
But does it live up to the hype?
● We say: This wouldn't be my first choice for an everyday lipstick. I prefer a warmer, more subtle shade.
The last-all-day stain, which Sephora claims will stay put for up to 10 hours, certainly lives up to its name. I feared it wouldn't come off, ever. So I tested its endurance with the back of my hand and ended up wearing red smears for most of the day.
After applying first thing in the morning, the colour withstood dozens of wet kisses from an Australian shepherd puppy named Kevlar, but unfortunately couldn't hang on throughout my eggplant Parmesan lunch.
The stain feels dry and sticky, but I imagine this could have been resolved with a smear or two of lip balm on top.
★★★ out of five
— Leesa Dahl
Charlotte Tilbury Matte Revolution Hydrating Lipstick
Shade: Hollywood Vixen, $47.50
● They say: A matte lipstick that features a long-lasting, buildable and hydrating formula.
But does it live up to the hype?
● We say: I'm not usually a fan of matte lipsticks, but my melanin-rich lips soaked up this creamy, hyper-pigmented red. It certainly lived up to its moniker, adding more than a touch of glam to my usual scrunched-up hair, wrinkled T-shirt look of morning school runs.
Applying it first thing, the bullet glides on smooth, although the hydrating effect wore off pretty quickly — less than 90 minutes in and I kept wanting to lick my lips.
The full-on opaque intensity meant it stood up well throughout the day. And although I was ready to take it off my parched lips, it had yet to budge by dinner time.
But it was no match for my Wednesday Wine and Wing night. While my glass remained trace-free, the colour couldn't stand up to the power of a sticky, sweet chili chicken drumette. Maybe I was expecting too much. At least there was no need for remover.
All in all this was a winner. Not necessarily my favourite shade — I'm more of a burgundy and plum fan — but it did make me feel super sophisticated and very grown-up.
★★★★ out of five
— AV Kitching
MAC M·A·CXIMAL Silky Matte Lipstick
Shade: Red Rock, $34
● They say: A silky matte lipstick that delivers up to 12 hours of full-coverage colour and eight hours of moisture.
But does it live up to the hype?
● We say: Calling this lipstick 'red' is a bit of a stretch. Perhaps it's just my pink complexion, but it delivers a shocking neon coral-orange, a colour that made it tough to tell if I was heading to a rave or had escaped from an old folks home.
I honestly can't speak to the length of coverage, as there was no way I could wear this shade for a full day out in public; it's that unflattering. (Note: when I wiped it off on a tan-coloured paper towel, it looked gorgeously red, so maybe it would work for those with more olive skin.)
However, it does indeed feel silky, especially for a matte-style stick, without the tacky, drying effect many of them have, and it has the usual pleasantly mild vanilla scent MAC is known for; I would try this brand in a different hue.
I usually wear the type of all-day-coverage lipstick that requires baby oil (or a Dr. Nick-approved diet of fried chicken) to remove, so anything less will feel feeble, but I was impressed with the lack of transfer to coffee mugs and water glasses.
And it definitely requires more than water to destroy all traces of its fluorescent tint; when I scrubbed it off at work, I was left looking like I'd housed an order of wings slathered in Louisiana hot sauce.
HHH out of five lipsticks
— Jill Wilson
Dior, Rouge Dior Forever Transfer-Proof Lipstick Dior
Shade: 999
$64
They say: A transfer-proof lipstick with up to 16 hours of wear, a bare-lip feel and ultra-pigmented colour with a couture matte finish.
But does it live up to the hype?
We say: Normally, I'd save such an eye-wateringly expensive lipstick for a special occasion, but I happened to be recovering from surgery when we did this test-drive, so I was forced to pair my $64 Dior with a $12 nightgown and hospital-issue underwear. Honestly, though, it was a welcome touch of glam: otherwise, I looked like I should make you solve three riddles before letting you cross a bridge.
Winnipeg Jets Game Days
On Winnipeg Jets game days, hockey writers Mike McIntyre and Ken Wiebe send news, notes and quotes from the morning skate, as well as injury updates and lineup decisions. Arrives a few hours prior to puck drop.
I immediately felt chic when I put on this velvety, can't-go-wrong red; very French, very Emily in Day Surgery. The colour is luscious — not too pink, not too orange. Major points for weightlessness; I often forgot I was wearing it. Though not 'transfer-proof,' it definitely stayed put better than most of the lipsticks in my rotation (I often wear a bold lip).
Unlike a lot of matte shades, this one isn't drying, though I recommend starting out with a moisturized and exfoliated lip — and don't mush your lips together too much before it sets. It doesn't need a lipliner. Wore really well through meals. Removal was easy, just a couple swipes of micellar water and every trace of it was gone.
I'd give it a perfect score, but it's scented, which makes it feel grown-up and vintage, but also gives it a bit of a flavour.
HHHH1/2 out of five lipsticks
— Jen Zoratti
AV KitchingReporter
AV Kitching is an arts and life writer at the Free Press. She has been a journalist for more than two decades and has worked across three continents writing about people, travel, food, and fashion. Read more about AV.
Every piece of reporting AV produces is reviewed by an editing team before it is posted online or published in print — part of the Free Press's tradition, since 1872, of producing reliable independent journalism. Read more about Free Press's history and mandate, and learn how our newsroom operates.
Our newsroom depends on a growing audience of readers to power our journalism. If you are not a paid reader, please consider becoming a subscriber.
Our newsroom depends on its audience of readers to power our journalism. Thank you for your support.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Winnipeg Free Press
a day ago
- Winnipeg Free Press
Winnipeg-born director wins big at Canadian Screen Awards
Matthew Rankin began his speech in Farsi, took a detour into French and wound back toward English when accepting the Canadian Screen Award for achievement in direction Sunday for Universal Language, a feature film set at a dreamy intersection connecting Winnipeg to Tehran. 'This is delightful,' Rankin told the crowd at CBC's Broadcast Centre in downtown Toronto. 'I'm from Winnipeg — I'm not accustomed to winning anything — so this is really weird and sweet and nice, so thank you very much.' It's a line that Rankin will now be forced to retire: with six wins — including original screenplay, editing, costume design, casting and art direction, handed out at Saturday's industry gala for cinematic arts — Universal Language, shot in Winnipeg and Montreal, was a repeat champion on Sunday night. Chris Young / The Canadian Press Matthew Rankin won as best director; his Universal Language took home five more awards. Based for several years in Quebec, which Rankin hailed as 'one of the last places where art and culture is thought of and defended as a public good,' the director, who also co-wrote and co-starred in the film, was quick to mention his upbringing at the Winnipeg Film Group, where as a teenager he enrolled in filmmaking workshops. 'I really want to take the opportunity to thank all the weirdos of the Winnipeg Film Group,' he said, later mentioning the late Cinematheque programmers Dave Barber and Jaimz Asmundson in a message shared with the Free Press. 'This is where I learned how to make movies in an artist-run centre. Those people are really keeping Winnipeg weird, and I love that.' Universal Language, which was the Canadian submission to this year's Academy Awards for best international feature, had its world première in competition at Cannes. Last spring after a sold-out local première at the Centre culturel franco-manitobain, Rankin carved up several Jeanne's cakes with the film's title written on top in green Farsi script. In a five-star review for the Free Press, Alison Gillmor wrote that 'while the film is laugh-out-loud funny — literally — it is also, by the end, as the wandering characters are finally brought together, ineffably sad and delicate.' 'Rankin's work has always been clever and comic, but there's a new tenderness here as the filmmaker brings in autobiographical strands, fusing them into a poetic expression of regret, longing and the meaning of home and family,' she added. Rankin, who in addition to French and Farsi is also learning Esperanto, has built a stellar career playing with the narrative strands of Canadian identity and political memory. His debut feature The Twentieth Century is a fantastical reimagining of former prime minister William Lyon Mackenzie King's origin story, while short films including 2014's Mynarski Death Plummet and 2010's Negativipeg are more localized, equally rewarding experiments in semi-fiction. Monthly What you need to know now about gardening in Winnipeg. An email with advice, ideas and tips to keep your outdoor and indoor plants growing. In February, Universal Language — co-written by Rankin, Ila Firouzabadi (who took home the best casting award) and Pirouz Nemati (who lost the award for leading performance in comedy to Cate Blanchett in Guy Maddin's Rumours) — was named best Canadian feature by the Toronto Film Critics Association, earning a $50,000 prize. Academy of Canadian Cinema & Television Universal Language co-writers and co-stars Pirouz Nemati (left) and Matthew Rankin 'This is a movie we made with our whole heart,' Rankin said Sunday. 'We all know what political moment we're living in. Every day there are new Berlin Walls shooting up all around us and pitting us against each other into very cruel binaries, and if our film stands for anything, it stands for the fact that kindness can, in fact, be a radical gesture, and that's really what we believe in now more than ever.' Other Winnipeg-related winners at the awards include the locally made Wilfred Buck, which nabbed David Schmidt an award for best editing of a feature-length documentary, and local writer Scott Montgomery as part of a team of winners for best writing, animation, for the Apple TV+ prodution Snoopy Presents: Welcome Home, Franklin. The 2025 Canadian Screen Awards show, which aired live June 1 on CBC and CBC Gem, is also available to stream on Crave as of 8 p.m. Monday. Ben WaldmanReporter Ben Waldman is a National Newspaper Award-nominated reporter on the Arts & Life desk at the Free Press. Born and raised in Winnipeg, Ben completed three internships with the Free Press while earning his degree at Ryerson University's (now Toronto Metropolitan University's) School of Journalism before joining the newsroom full-time in 2019. Read more about Ben. Every piece of reporting Ben produces is reviewed by an editing team before it is posted online or published in print — part of the Free Press's tradition, since 1872, of producing reliable independent journalism. Read more about Free Press's history and mandate, and learn how our newsroom operates. Our newsroom depends on a growing audience of readers to power our journalism. If you are not a paid reader, please consider becoming a subscriber. Our newsroom depends on its audience of readers to power our journalism. Thank you for your support.


Winnipeg Free Press
6 days ago
- Winnipeg Free Press
Artist uses ancient technique to tell historical stories
Last September, Winnipeg-based visual artist Tim Schouten travelled to Linklater Island in northern Manitoba. He was there to attend a Treaty 5 memorial gathering and the inauguration of Michael Birch as the Grand Chief of the Island Lake Tribal Council (Anisininew Okimawin). He was also there to document the site where an adhesion was made to Treaty 5 in 1909 as part of a long-term art project he's been working on for decades. MIKAELA MACKENZIE / FREE PRESS Artist Tim Shouten adds coloured pigments to hot wax in a process called encaustic painting. Schouten's latest exhibition, The Island Lake Paintings (Treaty 5) — on view at Soul Gallery until June 13 — is a series of large-scale encaustic works based on photographs Schouten took while on his trip. They are the latest entries in The Treaty Suites, Schouten's ongoing project to research and photograph the exact locations of the signings of each of the 11 numbered treaties between First Nations and the Canadian government between 1871 and 1921, and create suites of paintings related to each one. Schouten and his wife travelled to Eastern Europe in the 1990s, and he was overwhelmed by the sense of history and landscape there. He was also ready for a transition in his own work. 'I just happened to be reading a Polish edition of Flash Art Magazine with an article about a German painter Anselm Kiefer, who became a huge influence on my work going forward. His work focused on landscape and memory, which is sort of where this work comes out of,' says Schouten, 72. 'I came back to Canada and I had this idea to start thinking about the landscape as a historical document.' His own scenery had changed at that time as well: Schouten and his wife moved to Winnipeg from Toronto shortly after their trip. 'There were a couple of things I encountered. First of all, the Indigenous presence in the city was quite new to me. Just standing on street corners and people were talking in Cree and Ojibwa — that was something quite new to me,' he says. 'And travelling around the province, I became very conscious of the isolation of a lot of First Nations communities, and also the level of racism that was so obvious everywhere in this city.' The Treaty Suites began after a visit to Lower Fort Garry, where Treaty 1 was signed in 1871, and expanded from there. Schouten has spent the last 20 years travelling all over the province and painting what he's seen. Going to these places —actually being in these places — is the point. His works are not historical renderings; Schouten wanted to paint these sites as they exist today. 'I kind of shifted my thinking to focus on the landscape in my work, but I was conscious of the colonial aspects of landscape painting itself, just in depicting the wild landscapes of colonized territories,' he says. MIKAELA MACKENZIE / FREE PRESS The Island Lake Paintings (Treaty 5) depict where Treaty 5 was signed on Linklater Island in northern Manitoba. Schouten's preferred medium of encaustic painting — an ancient technique in which coloured pigments are added to hot wax — allows for a different approach to landscape painting as well. 'The way I build these paintings, I build layer upon layer and then scrape back into them. I scrape off and remove and paint back in. And part of my thinking is, as I've often said before, is that just over the course of their creation, they sort of develop a history of their own,' he says. As a settler artist, Schouten is not trying to tell Indigenous people's stories with The Treaty Suites. Wednesdays A weekly look towards a post-pandemic future. 'I think when people encounter this work and learn that it's a non-Indigenous guy that's making this work, it's like, well, why is this guy talking about treaties?' he says. It's because we are all treaty people, Schouten says. 'My ancestors signed these treaties, too. We're all signatories to these treaties. They're embedded in the federal laws of this country, and so I have a responsibility to that treaty relationship to make sure that it's true and genuine and honours the intentions of everyone who's signed. There was an agreement to share the land in good faith, and that's obviously failed. And I just felt like it was something I wanted to address in my work, just as a matter of conscience. 'I certainly couldn't just paint beautiful landscapes.' Jen ZorattiColumnist Jen Zoratti is a columnist and feature writer working in the Arts & Life department, as well as the author of the weekly newsletter NEXT. A National Newspaper Award finalist for arts and entertainment writing, Jen is a graduate of the Creative Communications program at RRC Polytech and was a music writer before joining the Free Press in 2013. Read more about Jen. Every piece of reporting Jen produces is reviewed by an editing team before it is posted online or published in print – part of the Free Press's tradition, since 1872, of producing reliable independent journalism. Read more about Free Press's history and mandate, and learn how our newsroom operates. Our newsroom depends on a growing audience of readers to power our journalism. If you are not a paid reader, please consider becoming a subscriber. Our newsroom depends on its audience of readers to power our journalism. Thank you for your support.


Winnipeg Free Press
27-05-2025
- Winnipeg Free Press
Trudeau's casual footwear at royal visit draws jabs for etiquette faux pas
Justin Trudeau's casual footwear at Tuesday's throne speech drew some criticism from online fashion police and royal watchers miffed to see colourful sneakers at a ceremonial event presided over by the King. Otherwise clad in a traditional blue-on-blue-on-blue ensemble with matching suit, shirt and tie, Canada's former prime minister appeared at King Charles' throne speech in what appeared to be green Adidas Gazelles. The 53-year-old drew a range of hot takes for his spin on sartorial style, with some decrying the look for being too informal and others praising the comfort-casual approach. Trudeau sat within sight of King Charles and Queen Camilla, who made a rare royal appearance for the opening of a new session of Parliament. The King wore a dark blue striped suit with the Order of Canada around his neck and an array of medals. The Queen wore a navy blue crepe silk dress by Fiona Clare with a navy blue hat by Philip Treacy and matching Chanel handbag. Others in attendance included Trudeau's mother Margaret, former prime minister Stephen Harper, and former governors general Michaëlle Jean and Adrienne Clarkson. Similar Adidas models displayed online describe the suede sneakers as 'collegiate green' with stripes in a 'preloved red' shade, available for around $100 or more. Social media comments posted to X included @IAmFantaesia's verdict that the look displayed 'no class,' and @maarjohn_ who declared the shoes brought 'style and comfort to the Senate.' Toronto etiquette expert Susy Fossati said Trudeau still represents Canada on the world stage and should have dressed more formally. 'If you're going to wear the sneakers, at least wear black,' said Fossati, director of Avignon Etiquette 'What was with the green? You couldn't more stand out like a sore thumb if you tried. It's no wonder people are interpreting this a million different ways.' A request for comment to a representative for Trudeau was not immediately returned. Weekly A weekly look at what's happening in Winnipeg's arts and entertainment scene. Bold fashion choices are not unheard of for Trudeau, also known for punctuating a staid suit and dress shoes with colourful socks. His attire raised eyebrows in 2018 when he and his family donned traditional garb during a trip to India, among them an elaborate gold sherwani Trudeau wore to a dinner with Bollywood stars who all wore dark suits. Fossati said the setting and focus of Tuesday's event, as well as its roster of royal guests and dignitaries, demanded more traditional clothes. 'He's still an important figure in our society and as such you have a responsibility, whether in the position or not, to best represent us however you can in the best way possible.' This report by The Canadian Press was first published May 27, 2025.