
Black history story turned 'spy thriller' takes the stage as play penned by Windsor, Ont., author
Windsor, Ont. author Carlos Anthony was not planning to write his first theatrical play last year, much less play the lead role.
But weeks away from The Price of Freedom premiering, he's balancing both.
The homegrown play tells a localized Black history epic remade into a spy thriller, and has already sold out its school showing. More than 400 students and faculty from the Catholic and public boards are on a wait list.
The story focuses on John Anderson, a man who escaped slavery in Missouri in September 1853. He evaded capture after stabbing a slave owner who tried to recapture him on his journey north to Windsor seeking freedom. It was that narrative that gave Anthony fresh inspiration for his first theatrical play.
"I knew this was a story that I had to tell and I wanted to tell it like a spy thriller, rather than the traditional triggering, traumatic underground railroad story," said Anthony.
"[We introduce] secret societies, I jump off of boats and trains, we have like four fight scenes. It's not going to be typical."
Lead actor Carlos Anthony (left) wrestles with a castmate in rehearsal for one of the play's several fight scenes. (Photo provided by Arts Collective Theatre)
Arts Collective Theatre (ACT) first approached Anthony about the project last year, as a part of their 'ACT Co-lab' initiative, this year partnering with the Amherstburg Freedom Museum to mark the local Black history museum's 50th anniversary.
"[The museum] approached us, asking if we could do something, a ten or fifteen minute production," says director Chris Rabideau.
"In that moment I realized where we would go next. Not a ten minute production, but a fully realized show. [Let's] go to the museum, look at what's happening and what stories need to be told. And Carlos came back with the idea of John Anderson."
Rabideau and Anthony worked in tandem with local historians to bring the John Anderson story to life and capture the imagination of Black Canadian youth in a way unconventional for a typical historical play.
Director Chris Rabideau with ACT (left) and lead actor and playwright Carlos Anthony (right) in rehearsal. (Photo provided by Arts Collective Theatre)
The story highlights what was at the time a technicality in the Webster-Ashburton Treaty, which allowed extradition back to the United States from British North America for certain crimes. John Anderson walked free after the stabbing incident was debated to be in self-defence as part of his escape.
"I had never heard of a story where an enslaved person was able to get away with murder, in self-defence, change laws in Canada and our relationship with Americans," said Anthony.
Anthony says he didn't originally intend to fill in the role, but after other actors fell through he stepped in initially as a joke.
"[Chris told me] there's six weeks left until the show. We're going to need you to make a decision. And I decided to accept it. I'm taking it as a learning experience."
Director Chris Rabideau (far right) directs a scene at 'The Price of Freedom' rehearsal. (Photo provided by Arts Collective Theatre)
For Anthony, the experience going from pen to stage has added an additional layer of navigating his own traumas when it comes to depicting someone like John Anderson, a story he wrote and researched extensively.
"[Being] one of three Black kids in school, anytime we learned about the underground railroad or the transatlantic slave trade, my peers looked at me as if I was an enslaved person," he said.
"It was very uncomfortable, and not much changed in high school," said Anthony. "That's the reason why we need to change the narrative. More Black youth in Canada are going to be proud of their culture, rather than being ashamed of it or scared."
The Price of Freedom opens to the public at The Capitol Theatre Friday, Feb. 28, with additional shows on March 1 and 2.
For more stories about the experiences of Black Canadians — from anti-Black racism to success stories within the Black community — check out Being Black in Canada, a CBC project Black Canadians can be proud of. You can read more stories here.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Toronto Star
24 minutes ago
- Toronto Star
Former MuchMusic VJ Juliette Powell, a ‘vibrant spirit and memorable presence,' dies at 54
Juliette Powell, former MuchMusic television host, beauty queen, tech leader and trailblazer, has died at age 54. Powell died of acute bacterial meningitis on June 3. She grew up competing in beauty pageants and became the first Black winner of the Miss Canada pageant in 1989, going on to represent Canada in Miss Universe. Powell was the first Black winner of Miss Canada in 1989. Ron Bull Powell's magnetic personality and knack for connecting with audiences made her a natural fit for television. She began as a VJ at Quebecois television broadcaster MusiquePlus in 1992, hosting the dance music show 'Bouge de là!' In 1996, she moved to Toronto and joined MuchMusic, where she became host of the shows 'Electric Circus,' a live dance music program, and 'French Kiss,' which aired French-language music videos. ARTICLE CONTINUES BELOW 'Bell Media is deeply saddened to hear the news of Juliette's passing,' wrote Justin Stockman, spokesperson for Bell Media, in a June 10 email to the Star. 'Her vibrant spirit and memorable presence for both MuchMusic and MusiquePlus, on iconic programs such as Electric Circus and French Kiss, left an enduring legacy. Juliette's warmth and energy resonated with audiences and her contributions to Canadian television will never be forgotten.' Juiette Powell interviewing dancers during a live broadcast of 'Electric Circus.' Tony Bock In 1999, she founded her own media company, Powell International Entertainment, through which she produced features with luminaries such as Nelson Mandela, Janet Jackson and Steven Spielberg. Born in New York City, Powell moved to Montreal at age eight. She returned to New York to complete a Bachelor of Arts in Sociology at Columbia University, and ultimately became a faculty member in the Interactive Telecommunications Program at New York University. Powell became an author as well, writing '33 Million People in the Room: How to Create Influence, and Run a Successful Business Using Social Networking' in 2009. In 2023, she co-authored 'The AI Dilemma: 7 Principles for Responsible Technology' with Art Kleiner, and was a founder and managing partner of Kleiner Powell International, a consultancy focusing on business strategy and the responsible use of artificial intelligence. Condolences can be left at


Winnipeg Free Press
13 hours ago
- Winnipeg Free Press
Juliette Powell, ravishing MuchMusic host turned insightful tech critic, dies at 54
TORONTO – Juliette Powell, the captivating former MuchMusic VJ and host of live dance show 'Electric Circus,' has died at 54. The television personality who became an author and technology commentator was found dead at home in New York on June 3, says Art Kleiner, the co-author of her 2023 book 'The AI Dilemma.' He said the cause of death was acute bacterial meningitis. Friends and colleagues say Powell's professional achievements often broke down barriers. As a young adult she entered beauty pageants to challenge racial biases and in 1989 she became the first Black woman to win Miss Canada. That same year she represented the country at Miss Universe. By the mid-1990s, her towering height and captivating smile landed her jobs on Montreal music video channel MusiquePlus and eventually its Toronto sister channel MuchMusic. Powell later became a business reporter at TV news channel CablePulse 24, now known as CP24, and founded media consulting company Powell International Entertainment Inc. She launched another career in the fast-evolving world of technology, where she established herself as a trusted commentator on user privacy and published two books on entrepreneurship and artificial intelligence. This report by The Canadian Press was first published June 11, 2025.


Cision Canada
17 hours ago
- Cision Canada
Erica Rutherford: Her Lives and Works Français
First solo exhibition by a Prince Edward Island artist at the National Gallery of Canada OTTAWA, ON, /CNW/ - From June 13 to October 13, 2025, the National Gallery of Canada (NGC) presents Erica Rutherford: Her Lives and Works, a retrospective exhibition that surveys the remarkable and multifaceted career of Erica Rutherford (b. Edinburgh, Scotland,1923—d. Charlottetown, 2008), a filmmaker, visual artist and writer, and one of Canada's first openly trans artists. To coincide with the opening, the Gallery is acquiring three of the artist's works for the collection, including the restored film African Jim, which premieres in the exhibition. Organized by Confederation Centre Art Gallery (CCAG), Charlottetown, in collaboration with the NGC, the exhibition is curated by Pan Wendt, Curator, CCAG, who spent several years studying Rutherford's work. The exhibition brings together more than 100 works of art from the various mediums—abstract collages, film, illustration, paintings, photography, prints, and theatre—the artist explored throughout her career of nearly 60 years. "We are proud to present the first solo exhibition by a Prince Edward Island artist at the NGC, especially as it opens during Pride Month in Canada," said Jean-François Bélisle, Director and CEO, National Gallery of Canada. "It also marks the NGC's first acquisitions of works by the artist, with two paintings, The Diver (1968) and The Coat (The Mirror) (1970), and the film African Jim entering the collection." "Erica Rutherford's work has gained international attention in recent years. This coincides with widespread recognition of trans people and a re-evaluation of gender categories, as well as a corresponding interest in Rutherford as a pioneer of trans memoirs and representations," said Pan Wendt. Rutherford's art has been intimately connected to her quest for authenticity and identity. She used her work as a means of working through her issues and her relationship to the world. Following her gender transition in 1976, Rutherford spent most of her time on Prince Edward Island. In 1985, she moved there permanently, where she flourished as an artist and trailblazer in the arts community for the last three decades of her life. Among the works on display are self-portraits such as The Coat (The Mirror) (1970) and The Crouched Figure (1972)—examples from her most well-known period—as well as landscapes such as Earnscliffe (1978). The exhibition also premieres the 53-minute restored entertainment movie African Jim. Produced by Rutherford in South Africa in 1949, it is the first film of this country with a Black cast intended for Black audiences. Josée Drouin-Brisebois, Director, National Engagement, NGC, and Coordinating Curator of the presentation in Ottawa, worked with African film scholar Aboubakar Sanogo, PhD, Associate Professor at Carleton University, to contextualize this work in the exhibition. The restoration of the film by the British Film Institute was made possible thanks to a generous donation from The Rennie Foundation. Erica Rutherford: Her Lives and Works opened at the CCAG, Charlottetown, PEI and will continue its tour after its presentation in Ottawa at The Rooms Provincial Art Gallery, St. John's, NL; the Owens Art Gallery, Sackville, NB; the Art Windsor-Essex, Windsor, ON; the Art Gallery of Guelph, Guelph, ON; and the MSVU Art Gallery, Halifax. Catalogue A richly illustrated bilingual catalogue accompanies the exhibition Erica Rutherford: Her Lives and Works. Published by Goose Lane Editions and edited by Pan Wendt, the 176-page hardcover book includes an interview with Rutherford's widow, artist Gail Rutherford. Available at the Boutique and online. Public programs During the exhibition run, tours are scheduled for visitors to explore the show through the eyes of the curators: Meet the Curator: Pan Wendt on June 14, 2025 and Meet the Curator: Josée Drouin-Brisebois on October 4, 2025. Additional community-led tours of the exhibition are scheduled to invite visitors to celebrate the history, resilience and achievements of the 2SLGBTQI+ community during Pride Month: My Perspective: A Tour with Cara Tierney, on June 19, 2025, and My Perspective: A Tour with Jamie Ebbs, June 26, 2025. Visit for more details. Library and Archives Complementing the exhibition Erica Rutherford: Her Lives and Works, the NGC's Library and Archives presents simultaneously a selection of Rutherford's works in print, which is what she is most well-known for by many PEI Islanders. More details here. About the National Gallery of Canada Founded in 1880, the National Gallery of Canada is among the world's most respected art institutions. As a national museum, we exist to serve all Canadians, no matter where they live. We do this by sharing our collection, exhibitions and public programming widely. We create dynamic experiences that allow for new ways of seeing ourselves and each other through the visual arts, while centering Indigenous ways of knowing and being. Our mandate is to develop, preserve and present a collection for the learning and enjoyment of all—now and for generations to come. We are home to more than 90,000 works, including one of the finest collections of Indigenous and Canadian art, major works from the 14 th to the 21 st century and extensive library and archival holdings.