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Seven Books for People Figuring Out Their Next Move

Seven Books for People Figuring Out Their Next Move

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The Atlantic Daily, a newsletter that guides you through the biggest stories of the day, helps you discover new ideas, and recommends the best in culture. Sign up for it here.
A well-lived life isn't always a perfectly navigated one. Many days will evoke the feeling of choppy waters and, just as common, being completely adrift. These rudderless moments can come after joyful milestones, such as graduations and weddings, or they might be driven by unwanted changes—a breakup, for instance, or the loss of a job. Whether such pivots are expected or not, they might send us off into the unknown, make us wonder what comes next, or have us turning to others for advice. Trusted friends or mentors can help—but so can books, which can offer huge amounts of wisdom from authors we'll never meet.
When the right book finds you at exactly the right time, it can change the course of your life. A perceptive memoir or a relatable novel can shift your perspective on the troubles you're facing, or even illuminate a new way out of the doldrums. The seven titles below helped guide me during times of transition, and they're great tools for anyone trying to navigate new opportunities, new places, or new phases of life.
, by Alexander Chee
This exquisitely written essay collection is, on its face, about living a writer's life, but its true concern is self-discovery, invention, and—perhaps most important—reinvention. In these chronologically organized essays, Chee loses and finds himself again and again. As a student in a foreign-exchange program, he locates an unusual sense of belonging; later, as a queer activist in the Bay Area during the height of the AIDS crisis, he discovers his voice at a time of tremendous loss. Taken together, the essays celebrate the cumulative experiences of being alive, and, from the wise distance of Chee's 50s, argue that detours and even missteps only make life richer. I didn't discover this book until I was past 40, but I can imagine what a beacon it might have been to me if it had been around when I was just starting my adult life.
[Read: The toll of hiding one's true self]
, by Gary Zukav
Few transitions are quite as jarring as going from full-time student to working adult. After years of having school define the rules of play—where to live, what to do with your days, what to dream of—the graduate is suddenly faced with a host of independent, anxiety-provoking decisions to make, quickly. No book could be a better companion at this time than Zukav's guide to taking control of your own life. The author takes an analytical approach to spiritual growth. First, he examines how humankind has evolved into a species aware of external power; then he moves to the possibility that we can each harness our own, unique internal power, specifically by understanding consequences and aligning our actions with our intentions. Along the way, Zukav explores ideas about human potential and karmic cycles of reincarnation. His beliefs aren't universally appealing (though both Jay-Z and Oprah are fans), but they are sincere. Even if the reader doesn't fully subscribe to his worldview, his end point is a place many of us wish to reach. Through developing a sincere process of considering our motivations and goals before we make decisions, we can, Zukav promises, find ourselves in more fulfilled, less anxious lives.
, by Jennifer Egan
Egan's rightly lauded collection of linked stories found its way into my hands just as I was crawling out of a midlife mess in which I was making a lot of questionable choices. The book drops in on a highly populated world revolving around the music business, and for obvious reasons, I found myself drawn to the endearingly disastrous producer's assistant Sasha. Paradoxically, her story gave me a tremendous sense of hope that, regardless of my mistakes in the moment, everything would be okay in the end. We first meet her as a 20-something living in New York who steals a wallet while on a date. We see her teenage years as a runaway sex worker in Europe, watch her as a misanthropic college student, and ultimately glimpse her as a content and loving mother, living in California and channeling her love of music and curiosity into her children as well as artwork of her own. Sasha's life, like mine—and like all of ours—is full of low moments, but while those times shape us, they don't need to define us.
[Read: The Goon Squad gets old]
, by Alex Haley and Malcolm X
At moments when I've felt lost in the world, I've repeatedly turned to this account of a life as a political and religious awakening. The early facts are familiar: Malcolm Little was born to a poor Black family in Nebraska. His father was suspiciously murdered and his mother committed to a psychiatric institution while he was a child. Little ventured East, got involved in organized crime, and was eventually sent to prison, where he joined the Nation of Islam and rose to become a national, and then global, face of the civil-rights movement. But X's memoir is especially valuable for how it relates lesser-known, more personal milestones: He dwells, for instance, on the way a pilgrimage to Mecca caused a shift in his relationship with Islam; next to radical passages about embracing identity on your own terms and rejecting the conditions of an oppressor are self-interrogating studies of our boundless capacity to change both our life and our belief systems. X's account is a fantastic and inspiring primer on examining our past steps, recognizing when they are no longer working for us, and using that sense of discomfort to find something new—and ideally more fulfilling.
, by Marcy Dermansky
This taut, speedy novel is a delightful reminder that messy living can make for interesting lives and that, sometimes, interventions of fate are actually what get us where we need to be. Dermansky tells the story of a woman named Leah who is bequeathed a red sports car by an old co-worker. Despite having the kind of husband who makes dinner every night at home, she unexpectedly sets off, alone, from Queens to retrieve it in California. Leah's inheritance becomes the inciting incident in a series of events that unravel her life: Her trip awakens a latent violence in her husband and an invigorating independent streak in her. Every moment with the red car seems to take her further away from what she perceived was her neatly charted course but closer, in the most exciting way, to a different kind of fulfillment.
[Read: How I demolished my life]
, by Anthony Bourdain
Often, the first steps in illustrious careers are unglamorous, modest, or even incongruous. When you're at the beginning, you can easily feel that things aren't moving fast enough, or begin to suspect that you'll be stuck in that early stage forever. Bourdain got his start as a dishwasher in a watering hole in Provincetown, Massachusetts, for instance, because he was generally broke and needed beer money—but the job gave him the passion and the skills he would need to make a living as a chef in several celebrated restaurants. This clever, dishy memoir recounts that journey; it's also what launched his lauded second act as an author and a journalist. Reading Kitchen Confidential today, with Bourdain's legacy in mind, is a great reminder that it's possible to overcome your early circumstances, no matter how modest, if you know yourself, stay curious, and commit to learning along the way.
, by Candace Bushnell
Before they became the show of the same name, Bushnell's columns in the pink pages of The New York Observer documented, with light fictionalizations, the sex and social lives of New York's ambitious and powerful—and her own, though she frequently disguised her run-ins as the affairs of her 'friend,' the character Carrie Bradshaw. In this volume of collected Observer columns, most of them focused on Carrie, Bushnell reveals herself to be a sage of power and social capital, an expert on relationships and how they can be used to build careers, accumulate social clout, and stomp on feelings. For anyone with a sense of ambition, whether you're moving somewhere new or settling down where you already are, her work is both an entertaining read and an instruction manual for how even the most casual acquaintanceships can transform your life. Cultivating them intentionally, Bushnell implicitly argues, can turn even the biggest metropolis into a small town where your next opportunity (or at the very least a good party) is just a conversation or two away.
Article originally published at The Atlantic

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Prince Harry's Former Charity Suddenly Disables Instagram Comments amid Controversy
Prince Harry's Former Charity Suddenly Disables Instagram Comments amid Controversy

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Prince Harry's Former Charity Suddenly Disables Instagram Comments amid Controversy

Sentebale, an African charity cofounded by Prince Harry, has disabled Instagram comments due to "targeted online harassment" Harry and Prince Seesio of Lethoso co-founded the organization in 2006; however, they resigned as patrons earlier this year amid a leadership crisis The U.K.-based Charity Commission is currently investigating Sentebale and its chairwoman, Dr. Sophie ChandaukaPrince Harry's former charity, Sentebale, has disabled Instagram comments amid claims of "targeted online harassment." The organization, which was co-founded by Harry and Prince Seesio of Lethoso, shared a statement on Instagram on Friday, June 13, explaining the change. "Unfortunately, we have had to temporarily disable comments on this platform due to the harmful effects of recent targeted online harassment," the statement read. "Our focus remains on our mission and the communities we serve. We will not engage with misinformation or personal attacks here. The statement concluded by thanking "those who continue to support and follow the work of Sentebale." The princes founded the charity in honor of their late mothers, Princess Diana and Queen 'Mamohato Bereng Seeiso, in 2006. Sentebale's focus is on lifting up young people affected by the HIV/AIDS crisis in Lesotho and southern Africa. However, a scandal rocked the organization earlier this year. In March, the princes announced that they had made the "devastating" call to resign as patrons of Sentebale, following a breakdown in the relationships between the organization's board of trustees and its newly appointed chairwoman, Dr. Sophie Chandauka. In a joint statement at the time, Prince Harry and Prince Seeiso said, "What's transpired is unthinkable. We are in shock that we have to do this, but we have a continued responsibility to Sentebale's beneficiaries, so we will be sharing all of our concerns with the Charity Commission as to how this came about." "With heavy hearts, we have resigned from our roles as patrons of the organization until further notice, in support of and solidarity with the board of trustees who have had to do the same," they continued. "It is devastating that the relationship between the charity's trustees and the chair of the board broke down beyond repair, creating an untenable situation." Ultimately, the trustees also stepped down after Chandauka threatened to sue them for questioning whether she was the right choice to lead the organization. The princes' statement concluded, 'Although we may no longer be patrons, we will always be its founders, and we will never forget what this charity is capable of achieving when it is in the right care." On April 3, the U.K.-based Charity Commission announced that it had opened 'a regulatory compliance case' into the turmoil at Sentebale. The commission will 'gather evidence and assess the compliance of the charity and trustees past and present with their legal duties.' In response to the news, Harry issued a statement, bemoaning the fact that, amid the organizational infighting, "No one suffers more than the beneficiaries of Sentebale itself.' 'On behalf of the former trustees and patrons, we share in the relief that the Charity Commission confirmed they will be conducting a robust inquiry," he continued. "We fully expect it will unveil the truth that collectively forced us to resign. We remain hopeful this will allow for the charity to be put in the right hands immediately, for the sake of the communities we serve.' Can't get enough of PEOPLE's Royals coverage? to get the latest updates on Kate Middleton, Meghan Markle and more! At the time, Chandauka said she first reported "various governance, administration and management matters" about the organization in February 2025, promising that she would share her internal findings with the Charity Commission. 'We hope that, together, these actions will give the general public, our colleagues, partners, supporters, donors and the communities we serve comfort that Sentebale and its new Board of Trustees are acting appropriately to demonstrate and ensure good governance and a healthy culture for Sentebale to thrive," she said in her statement. 'In the meantime, our exceptional Executive team and operational staff remain focused on the day-to-day operations of the charity, ensuring continuity in our work and mission delivery," she added. 'We appreciate the patience, understanding and tremendous support we have received from our existing and prospective partners and supporters, and look forward to continuing to work together with you as we recalibrate for an ambitious future." Read the original article on People

The Cowardice of Live-Action Remakes
The Cowardice of Live-Action Remakes

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The Cowardice of Live-Action Remakes

The Atlantic Daily, a newsletter that guides you through the biggest stories of the day, helps you discover new ideas, and recommends the best in culture. Sign up for it here. There's a coincidental yet meaningful connection between two of this summer's buzziest movies. The new Lilo & Stitch and How to Train Your Dragon are both remakes; beyond that, they're both live-action adaptations of animated films—each of which happened to have been co-directed by Dean DeBlois and Chris Sanders. Lilo & Stitch has made a fortune at the box office since its late-May debut; How to Train Your Dragon, which opens today, seems similarly poised for success. The two features are, if a little lacking in visual stimulation compared with their forebears, reliably entertaining. But taken together, they signal something rather alarming in Hollywood's ongoing crisis of imagination: The timeline for nostalgia is growing shorter. Since Tim Burton's big-budget take on Alice in Wonderland grossed more than $1 billion in 2010, the live-action remake has become an inevitable, pervasive cinematic trend. Fifteen years later, it seems that capturing similar financial success requires a studio to look at progressively more recent source material to work with. Disney's attempt to update the nearly 90-year-old Snow White failed at the box office earlier this year; the company shuffled efforts such as a new Pinocchio and Peter Pan off to streaming, despite the recognizable directors and casts involved. The muted response to these modern takes on decades-old classics perhaps explains the move toward reviving properties that resonate with much younger generations instead. The original Lilo & Stitch is 23 years old; How to Train Your Dragon, produced by DreamWorks Animation, is only 15. Next year, a remake of Moana will hit theaters less than a decade after the original film's release. 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The new film is again set in a Viking village that is constantly besieged by different kinds of dragons. The plucky teen son of the chief, a boy named Hiccup (played by Mason Thames), befriends a sleek black dragon named Toothless and learns that fighting the beasts isn't the only answer. The actor who voiced Hiccup's father in the animated film, Gerard Butler, returns to perform the role on-screen; in all other cases, the film uses well-suited performers to replace the voice cast. To my own surprise, I liked the new version of How to Train Your Dragon about as much as I do its ancestor. Both, to me, are above-average bits of children's entertainment that struggle with the same problems: They start to sag near the end and suffer a little from their murky color palette. I got a little choked up at the exact same point that I do while watching the 2010 Dragon, when Hiccup and Toothless take to the sky together; the boy rides on a saddle he's made for his fire-breathing pal, and the composer John Powell's excellent score soars into inspirational mode, all strings and bagpipes. If there's a difference between these redone scenes and their inspirations, it's a remarkably minor one; only good theater decorum stopped me from pulling out my phone and running the two Dragons side by side. Hollywood is struggling to get people to buy movie tickets, so I understand the impulse to offer something that a broad swath of viewers already knows and likes. But there's simply no sense of risk in making something like How to Train Your Dragon—nothing that will convince said theatergoers that the medium has a future beyond recycling. 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Such a cop-out is the underlying, depressing reality with all of these remakes: No change can be too daring, no update too significant. It's heartening that Sanders, a co-director of the original Dragon and Stitch, is one of the few people working in animation who's still committed to innovation. Last year, he directed The Wild Robot; much like How to Train Your Dragon, it is an adaptation of a children's book upon which Sanders found an exciting visual spin. The movie was a critical success, a box-office hit, and an Academy Award nominee. Cinema needs more entries like The Wild Robot—novel works that take chances and trust the audience to follow along. If nothing else, they provide fodder for more live-action remakes in the near future. Hollywood can't have these nostalgic adaptations without something to redo in the first place. Article originally published at The Atlantic

The Benefits of Refusing
The Benefits of Refusing

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The Benefits of Refusing

The Atlantic Daily, a newsletter that guides you through the biggest stories of the day, helps you discover new ideas, and recommends the best in culture. Sign up for it here. This is an edition of the Books Briefing, our editors' weekly guide to the best in books. Sign up for it here. In the U.K., when people stop smoking, they say they 'gave it up,' Melissa Febos notes in her new book, The Dry Season. In the U.S., by contrast, it's more common to hear that they 'quit.' She observes that giving something up has a different connotation; to do so is 'to hand it over to some other, better keeper. To free one's hands for other holdings.' The phrasing matters: Giving up feels gentler, and also perhaps more generative. First, here are four new stories from The Atlantic's books section: Fast times and mean girls The real message behind Les Misérables How one animal divided Europe Seven books for people figuring out their next move The Dry Season is a memoir about the year Febos spent voluntarily celibate, and this week, she wrote for The Atlantic about six books that celebrate refusal and abstinence. The titles she chose opened her eyes to 'all the other kinds of reneging I've experienced, and how many of them led to unforeseen delights,' she writes. In her own book, Febos uses a striking metaphor to explain why she took a break from sex, dating, and even flirtation. Whenever she had a partner, she writes, 'it made sense to keep the channel of one's heart narrowed the width of a single person, to peer through the keyhole at a single room rather than turn to face the world.' Febos realized that she wanted, instead, to widen her aperture, and found that removing something from her life opened her up to all the other things that had escaped her notice. In essence, her book argues, saying no to one thing allows you to say yes to something else. At a talk with the essayist and fellow memoirist Leslie Jamison earlier this week in New York, Febos said that her book is really about finding God, but she told the world that it was about sex because, she joked, it made for better marketing. Her description of discovering the sublime in daily things—such as the 'tang of fresh raspberries and the crispness of clean bedsheets,' as she writes in her recommendation list—moved me. It reminded me that spirituality can be less restrictive and more dynamic than I usually imagine it to be; that it can be found in smaller phenomena and stiller moments. My colleague Faith Hill, in her review of The Dry Season, came to much the same conclusion about the benefits of marshaling one's attention: 'Better to keep drawing it back, again and again, to the world around you: to the pinch in your shoe, to the buds in the trees, to the people—all the many, many people—who are right there beside you.' Febos's book made me wonder what narrow portals I'm looking through in my life, and what I might see if I turn away from them. What to Read When You're Ready to Say No By Melissa Febos Purposeful refusal, far from depriving us, can make way for unexpected bounty. Read the full article. , by Bae Suah The page-turning plot twists and thrills of a detective novel are often a very effective bulwark against boredom. The Korean writer Bae's novel offers those genre pleasures and more: It is, as Bae's longtime translator Deborah Smith explains in her note, a detective novel by way of a 'poetic fever dream.' Set over the course of one very hot summer night in Seoul, the book follows a woman named Ayami as she attempts to find a missing friend. As she searches, she bumps into Wolfi, a detective novelist visiting from Germany, and enlists him in her quest. Events take on a surreal quality, heightened by both an intense heat wave and the possibility that Ayami and Wolfi may have stumbled into another dimension. Summer's release from our usual timetables can quickly lead to seasonal doldrums. Untold Night and Day, set during the stretched hours of a sweaty, unceasing evening, shimmers at its edges, like midnight in July. — Rhian Sasseen From our list: Five books that will redirect your attention 📚 UnWorld, by Jayson Greene 📚 The Möbius Book, by Catherine Lacey 📚 The Sisters, by Jonas Hassen Khemiri What Trump Missed at the Kennedy Center By Megan Garber Little wonder that 'Do You Hear the People Sing?' [from Les Misérables] has become a protest song the world over, its words invoked as pleas for freedom. Crowds in Hong Kong, fighting for democracy, have sung it. So have crowds in the United States, fighting for the rights of unions. The story's tensions are the core tensions of politics too: the rights of the individual, colliding with the needs of the collective; the possibilities, and tragedies, that can come when human dignity is systematized. Les Mis, as a story, is pointedly specific—one country, one rebellion, one meaning of freedom. But Les Mis, as a broader phenomenon, is elastic. It is not one story but many, the product of endless interpretation and reiteration. With the novel, Hugo turned acts of history into a work of fiction. The musical turned the fiction into a show. And American politics, now, have turned the show into a piece of fan fic. Read the full article. When you buy a book using a link in this newsletter, we receive a commission. Thank you for supporting The Atlantic. Sign up for The Wonder Reader, a Saturday newsletter in which our editors recommend stories to spark your curiosity and fill you with delight. Explore all of our newsletters. Article originally published at The Atlantic

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