
Nathan Carter leads tributes following sudden death of 'wonderful' mum-of-two
Heartbreaking tributes have poured in following the shock death of a 'kind and considerate' mum-of-two from Co Offaly.
Christine O'Gorman, originally from Bulgaden and Co Limerick but recently of Blueball near Tullamore, passed away "unexpectedly at home" on Thursday, according to a death notice shared on RIP.ie.
Christine, a talented photographer, was married to musician, composer and arranger John Byrne, who has worked with artists including Bob Geldof and Billy Ocean, has played venues including The 3Arena and the London Palladium and has worked as score supervisor on films including Albert Nobbs, Black '47 and Room.
John is a frequent collaborator with chart-topping country music singer Nathan Carter, who said he was "devastated" to hear of Christine's shock death as he paid heartbreaking tribute to the young mum-of-two.
"Deepest Sympathies to our friend & work colleague John Byrne, his children Aaron & Caelainn & all of their extended family on the very sudden passing of their beloved Christine," Nathan said in a message shared on social media.
"I had the pleasure of working with Christine in the past, She was a lovely person and an extremely talented photographer.
"Myself, band & crew are devastated to hear of this heartbreaking news and our thoughts and prayers are with all of you. May Christine R.I.P."
Christine's sudden death has left her friends and family devastated, with tributes pouring in for the Offaly-based photographer, who has been remembered as "a beautiful person inside and out".
A close pal said: "My deepest condolences to John, Aaron, Caelainn, Pat and Anne; your family and friends on the sad passing of Christine. In school Christine was kind, considerate and a person of wonderful abilities. May she rest in peace."
Another mourner added: "Oh Anne and family I'm so very sorry to hear such sad news, Christine was a beautiful person inside and out my her very gentle soul rest in peace."
A third person said: "Sincere condolences to John, Aaron, Caelainn, Christine's family and all who knew and loved her. I've such fond memories of Christine in school and after, always up for a chat and a laugh. You're in our thoughts xx."
While a fourth added: "So so sorry to hear the passing of Christine . A beautiful young girl taken way to soon . Our deepest sympathy to Ann, Dave, Pat, and to all Christine's extended family. May she rest in eternal peace. Aidan & Shirley Fitzgerald Kilfinane."
Christine will lie in repose at her home on Sunday from 2pm until 6pm, with removal on Monday morning at 10.30am to St. Colman's Church Mucklagh, arriving for funeral mass at 11am.
Following the funeral mass, a cremation service will take place at Newlands Cross Crematorium in Dublin.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Dublin Live
an hour ago
- Dublin Live
Nathan Carter leads tributes following sudden death of 'beautiful' mum-of-two
Our community members are treated to special offers, promotions and adverts from us and our partners. You can check out at any time. More info Heartbreaking tributes have poured in following the shock death of a 'kind and considerate' mum-of-two from Co Offaly. Christine O'Gorman, originally from Bulgaden and Co Limerick but recently of Blueball near Tullamore, passed away "unexpectedly at home" on Thursday, according to a death notice shared on Christine, a talented photographer, was married to musician, composer and arranger John Byrne, who has worked with artists including Bob Geldof and Billy Ocean, has played venues including The 3Arena and the London Palladium and has worked as score supervisor on films including Albert Nobbs, Black '47 and Room. John is a frequent collaborator with chart-topping country music singer Nathan Carter, who said he was "devastated" to hear of Christine's shock death as he paid heartbreaking tribute to the young mum-of-two. "Deepest Sympathies to our friend and work colleague John Byrne, his children Aaron and Caelainn and all of their extended family on the very sudden passing of their beloved Christine," Nathan said in a message shared on social media. "I had the pleasure of working with Christine in the past, She was a lovely person and an extremely talented photographer. Myself, band and crew are devastated to hear of this heartbreaking news and our thoughts and prayers are with all of you. May Christine R.I.P." Christine's sudden death has left her friends and family devastated, with tributes pouring in for the Offaly-based photographer, who has been remembered as "a beautiful person inside and out". A close pal said: "My deepest condolences to John, Aaron, Caelainn, Pat and Anne; your family and friends on the sad passing of Christine. In school Christine was kind, considerate and a person of wonderful abilities. May she rest in peace." Another mourner added: "Oh Anne and family I'm so very sorry to hear such sad news, Christine was a beautiful person inside and out my her very gentle soul rest in peace." A third person said: "Sincere condolences to John, Aaron, Caelainn, Christine's family and all who knew and loved her. I've such fond memories of Christine in school and after, always up for a chat and a laugh. You're in our thoughts." While a fourth added: "So so sorry to hear the passing of Christine. A beautiful young girl taken way to soon. Our deepest sympathy to Ann, Dave, Pat, and to all Christine's extended family. May she rest in eternal peace." Christine will lie in repose at her home on Sunday from 2pm until 6pm, with removal on Monday morning at 10.30am to St Colman's Church Mucklagh, arriving for funeral mass at 11am. Following the funeral mass, a cremation service will take place at Newlands Cross Crematorium in Dublin. Join our Dublin Live breaking news service on WhatsApp. Click this link to receive your daily dose of Dublin Live content. We also treat our community members to special offers, promotions, and adverts from us and our partners. If you don't like our community, you can check out any time you like. If you're curious, you can read our Privacy Notice . For all the latest news from Dublin and surrounding areas visit our homepage.


The Irish Sun
3 hours ago
- The Irish Sun
Furious Love Island fans ‘complaining to Ofcom' over boy's ‘disgusting, gross and disrespectful' bedroom behaviour
LOVE Island fans have vowed to complain to Ofcom in their droves in a bid to get a "gross" Islander axed from the show. Viewers of the ITV2 dating show were left disgusted by 23-year-old Ben Holborough after he laid into his villa partner Yasmin and claimed that none of the guys in the villa fancied her and he never had any intentions of pursuing anything with her. 3 Fans are complaining to Ben Holborough over his Love Island behaviour Credit: Eroteme 3 Ben appeared to get close to Yasmin in bed before ditching her The pair came to blows with Ben brutally going after Yasmin and delivered one shock comment after another. Ben told Yasmin that he had never been interested in pursuing a connection with her and that he had never "rated her". This came just one day after he got very close with her in the bedroom. The couple confirmed they enjoyed kisses during some steamy bedroom action in which Yasmin seductively whispered to him: "You don't get this with a nice girl." Read More on Love Island Now, fans have been left horrified by Ben's sudden switch and his bedroom antics with Yasmin before claiming he never was into her. Demanding that he be pulled from the villa, one fan said on Reddit: "No problem him not being into her but he basically just used her for whatever needs he needed seeing to that night in the bedroom, so gross and disrespectful." Another agreed as they echoed: "I found Bens behaviour to be very triggering. "Nothing wrong with not being into Yasmin but why did he go in on her and get aggressive. Most read in Love Island "He's incredibly toxic with his mentality and words. Nobody should be spoken to like this it was completely overreacted." A third went on to write: "Honestly I don't think I've ever heard a man speak worse to a woman on this show!!!" Love Island fans convinced couple secretly had sex after steamy bed scenes at night As a fourth penned: "We all need to complain to ofcom via their online form about Ben. "Call me sensitive but it was really uncomfortable watching Ben speak to Yasmin in that way especially since she did absolutely nothing to deserve that?" Ben sparked outrage on last night's show as he rowed with In a brutal put down, he told her: "You're lucky Shea even picked you. To be fair, I think you're lucky you're even in here now to be fair. "No one rated you when you were in here let's say. You've only come out your shell because you're in a couple with me." As she walked away, Ben shouted to the rest of the villa: "Eh, she's made content for the next three weeks lads." Love Island 2025 full lineup : A 30-year-old footballer with charm to spare. : A 22-year-old Manchester-based model, ready to turn heads. : A payroll specialist from Southampton, looking for someone tall and stylish. : International business graduate with brains and ambition. : A gym enthusiast with a big heart. : A Londoner with celebrity connections, aiming to find someone funny or Northern. : An Irish actress already drawing comparisons to Maura Higgins. : A personal trainer and semi-pro footballer, following in his footballer father's footsteps. : A towering 6'5' personal trainer. : A 25-year-old Irish rugby pro. : Love Island's first bombshell revealed as sexy Las Vegas pool party waitress. : The 24-year-old bombshell hails from London and works as a commercial banking executive. : Pro footballer and model entering Love Island 2025 as a bombshell. Giorgio Russo : The 30-year-old will be spending his summer in the sun, potentially his sister Alessia's successful tournament at the Euros in Switzerland. Departures : : Axed after an arrest over a machete attack emerged. He was released with no further action taken and denies any wrongdoing. : A model and motivational speaker who has overcome adversity after suffering life-changing burns in an accident. : A boxer with striking model looks, seeking love in the villa. : A teaching assistant from Broxbourne, Hertfordshire, who entered Love Island 2025 as a bombshell . : Works as a scaffolder day-to-day and plays semi-pro football on the side. Poppy Harrison: The bombshell broke up with her boyfriend after finding out she would be in the villa Will Means : The fourth fittest farmer in the UK according to Farmers' Weekly in 2023 entered the villa as a bombshell 3 The pair clashed with Ben brutally having a go at Yas Credit: Eroteme


Extra.ie
4 hours ago
- Extra.ie
FILM REVIEW OF THE WEEK: F1
Brad Pitt has spent recent years trying to coast through a reputational rebuild; despite serious allegations of violence during his marriage to Angelina Jolie, and the striking fact that all six of his children have reportedly cut contact with him, public scrutiny around his behaviour has remained curiously muted. F1 , his latest star vehicle, appears designed to reinforce his status as a heroic, magnetic figure – an aging icon with wisdom to impart, charisma undiminished, and a past blurred enough to avoid discomfort. It is a film about legacy and second chances, one that insists on emotional payoff while asking little of its lead actor in terms of depth or vulnerability. Directed by Joseph Kosinski (Top Gun:Maverick , Oblivion) and written by Ehren Kruger, F1 follows Sonny Hayes (Pitt), a retired Formula One driver coaxed back into the paddock to help revive a flailing team. Once a star at the peak of the sport, Sonny now exists on the margins, floating between minor consulting jobs, card games, and mythologised anecdotes, until hes approached by Ruben (Javier Bardem), a theatrical and effusive team owner who believes Sonny is the key to saving his underperforming crew. The offer comes with a condition: Sonny must mentor a rising talent, the young and impatient Joshua Pearce (Damson Idris), who meets him with open hostility and an eye-roll of a nickname – grandpa' – before gradually, inevitably, softening into admiration. Brad Pitt plays Sonny with the same blend of charm, detachment, and enigmatic cool that has defined much of his late-career screen persona; his performance is polished, familiar, and watchable, but curiously vacant. While the script gestures toward a past shaped by trauma -a near-fatal crash, implied personal losses- it resists exploring those events with any specificity or weight. There are moments that seem poised for emotional revelation, scenes that should crack open the surface calm to reveal something messier or more human, yet instead we get a deflective smirk or a clipped line of dialogue, as though the very idea of vulnerability might scuff the carefully preserved myth of the character. Rather than inhabit Sonnys emotional world, Pitt appears content to suggest it, relying on charisma and cinematic shorthand in place of actual transformation. Damson Idris, in contrast, brings texture and tension to his role, despite being underserved by the scripts formulaic arc. As Pearce, he captures the prickliness and insecurity of a young athlete navigating the pressures of fame, talent, and institutional suspicion; his frustration with Sonny, while predictable in narrative terms, feels rooted in something real, and when his character begins to evolve, it carries more emotional credibility than the film seems to anticipate. Idris finds in Pearce a sense of internal life that pushes against the films slick surfaces, hinting at the stakes and stress that elite sport demands, especially for a young Black driver constantly reminded of how replaceable he is. The most compelling presence in the film, however, is our own Kerry Condon, whose performance as Kate McKenna, the teams technical director, brings a necessary sense of grounding and emotional clarity. Condon plays Kate with quiet intensity, a sharp intelligence, and a weariness that never tips into cliche; she is utterly convincing as someone who has spent years holding a team together under enormous pressure, and she resists sentimentalising the role, instead conveying strength through focus, stillness, and precision. Her real Thurles accent cuts through the film's Americanised tone with refreshing honesty, and her interactions with Pitt are some of the few scenes where the characters actually seem to be listening to each other, rather than just exchanging narrative signposts. Condon gives the film an anchor it sorely needs; her presence reminds us that real professionalism, unlike myth-making, is often quiet, procedural, and unglamorous. Javier Bardem, as Ruben, brings a burst of theatricality to the film, infusing the role with flamboyant energy and a sense of chaotic optimism; however, the character is largely functional, existing to propel Sonny back into the spotlight without ever challenging him in any meaningful way. The supporting cast (Tobias Menzies, Kim Bodnia, Sarah Niles) hover around the margins, delivering competent performances with minimal material, their characters flattened into symbols of management pressure, team loyalty, or comic relief. Kosinski, known for his sharp visual style and technical fluency, demonstrates his ability to orchestrate large-scale spectacle. The racing sequences are visually striking, shot on real Formula One circuits with a clarity and precision that lend authenticity to the speed and stakes of each lap. The sound design is immersive, Zimmers score pulses with urgency, and the choreography of each race sequence displays a deep understanding of the sports rhythms and visual grammar. These scenes are the films strongest, offering brief moments of sensory engagement that feel kinetic and fully realised. Yet despite the spectacle, the emotional impact of the racing never quite lands; the races feel beautifully staged but narratively empty, high-stakes only in theory. The films emotional terrain remains strangely flat, with no real sense of risk, internal conflict, or moral ambiguity. Formula One itself is credited as a collaborator and co-producer, and its fingerprints are all over the films pristine surfaces; this isnt a gritty expos or a character study shaped by risk, but a controlled and flattering promotional package, designed as much to protect the sports image as to tell a compelling story. Sonnys comeback is treated as inherently noble, his past simplified into a hazy backstory that is referenced but never interrogated. The script avoids exploring power dynamics, institutional politics, or even the more brutal realities of the sport; instead, it offers a smooth, reassuring vision of mentorship and redemption that resists complexity at every turn. It gestures toward struggle but refuses to inhabit it, framing transformation as something that happens through platitudes and montages rather than through real reckoning. F1 is not a failure, nor is it a breakthrough. It is a glossy, competently assembled film with moments of charm and flashes of emotional intelligence, particularly in the supporting performances; yet it is also a film that plays it safe, that chooses myth over humanity, and image over inquiry. Pitt remains a magnetic presence, but without anything to push against, he becomes a symbol of resilience rather than a character living through it. Condon and Idris do what they can to bring texture and tension and at times they succeed, but they are working against a script that too often mistakes suggestion for substance. For fans of the sport, or admirers of Kosinskis visual style, F1 may offer moments of satisfaction. But for anyone seeking a story that earns its emotional arc, it may feel more like a simulation than a race. In cinemas now. Watch the trailer below: