logo
Sledgehammer-wielding Musk critics smash up Tesla in London art project

Sledgehammer-wielding Musk critics smash up Tesla in London art project

The Guardian10-04-2025

Protective helmets were donned and sledgehammers wielded as Elon Musk critics vented their frustration at the Tesla boss and billionaire by smashing up a disused Tesla bound for the scrap heap.
The public art project was organised by the social media campaign group Everyone Hates Elon. A 2014 Tesla Model S was provided by an anonymous donor 'to create a debate about wealth inequality', a spokesperson for the group said.
The participants gathered at Hardess studios in south London on Thursday to take it in turns to swing at the car with sledgehammers and baseball bats. The destroyed electric vehicle, which retails for about £14,000, will be auctioned in the next few weeks, with all proceeds going to food bank charities.
'We're giving Londoners a chance to stand up to far-right hatred and billionaires and express how they feel about the current state of the world,' said the group. 'Therapy is expensive, but this is free.'
Talia Denisenko, a 32-year-old writer, wore a Ukrainian flag as she took a hammer to the car's bonnet as Britney Spears's Hit Me Baby One More Time blared from a speaker. 'My family is Ukrainian and Elon Musk wants to keep us occupied,' she said. 'Things feel very disempowering at the moment. This is a little bit of therapy.'
Alice Rogers, a 24-year-old University of Cambridge researcher from Illinois, said: 'Musk is acting in ways which violates our constitution. I'm very concerned by what I'm seeing – he's gutting agencies and cutting USAID. This felt really cathartic. I'm not normally a smasher, but that felt really good.'
Everyone Hates Elon, which garnered attention this year for distributing stickers with the slogan 'Don't buy a Swasticar', said it had made clear that the stunt, called London vs Musk, should not be replicated outside the event.
'This is a private event with a used Tesla that was destined for the scrapyard – it's a supervised, controlled art piece and there are proper safety measures in place,' said a spokesperson. 'We urge people not to damage other Teslas or any other cars.'
The battery of the scrap car had been removed and recycled.
'I'm just aghast at what I see going on in America at the moment,' said Lee Woods, a 45-year-old university lecturer who had travelled two hours from Hampshire for the event. 'I think Musk is using his obscene wealth to promote the far right.'
Musk, the world's richest person, leads the Trump administration's 'department of government efficiency' (Doge), which the president tasked with drastically reducing US government jobs and cutting national debt.
Tesla's shares dropped 13% in the first three months of 2025 – an indication of buyer backlash as a result of Musk's rightwing politics. Protests calling for a boycott of the electric vehicle company have been taking place on both sides of the Atlantic in recent months, including a global day of action where hundreds of Tesla branches were targeted by protesters from the US group Tesla Takedown.
'My opinion [on Musk] has changed hugely,' said Giles Pearson, 32, who dealt the first blow on Thursday. 'Since buying Twitter he's become seriously rightwing and alienated a lot of people by doing so. I would never normally do something like this … but I've always wanted to smash a car.'
Tesla was approached for comment.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Beyoncé's London Cowboy Carter show made me homesick for a US that doesn't exist
Beyoncé's London Cowboy Carter show made me homesick for a US that doesn't exist

Metro

timean hour ago

  • Metro

Beyoncé's London Cowboy Carter show made me homesick for a US that doesn't exist

When Beyoncé sang the American national anthem on the first night of her London Cowboy Carter tour dates, I instinctively placed my cowboy hat over my heart, unsure whether I was pledging allegiance to the US flag or Beyoncé herself. As Tottenham Hotspur Stadium filled with (nearly) 62,000 Londoners in chaps, Levi's, cowboy boots, and the occasional bolo tie, I bizarrely felt more connected to the country I left nearly three years ago than I ever did during my final decade living there. That might be because Beyoncé presents a version of the American South not as it is, but as it could be: inclusive, textured, full of contradiction and pride, defiant of unjust power structures, and rooted in the stories of people who refused to disappear – no matter how hard the world tried to erase them. This defiance is nothing new for her. Beyoncé has long navigated the delicate balance between American patriotism and protest. She's been criticized for everything from her 2016 Super Bowl performance that paid tribute to the Black Panthers, to her support of Black Lives Matter, to the visual album Lemonade, which unapologetically explored infidelity, rage, and Black womanhood. And then there's the country music establishment, which has famously tried to keep Beyonce on the outside. Which is why this concert felt revolutionary in a time of political was reclaiming a genre, a flag, and a cultural identity, not just for herself, but for everyone who's ever been told they don't belong. While I was moved to tears repeatedly by this message, I did wonder if the concert didn't strike an interesting chord with a UK crowd. Could it be alienating to anyone who didn't grow up listening to Willie Nelson in the backseat of their daddy's pickup? Maybe. But it doesn't matter. Even if the images of pioneering black country singer Sister Rosetta Thorpe were lost on you or if you didn't immediately recognise a famous Texas line dance when it broke out on stage, the power of the performance could not be ignored. While the country album's contents take up almost half the set, there was something for everyone. Fans were treated to Crazy In Love, If I Were A Boy, Single Ladies (Put A Ring On It), a very short rendition of To the Left, Daddy Lessons from Lemonade, and several hits from Renaissance. It's a goose-bump-inducing pleasure just to watch her strut the length of the stage and flip her hair, so when she joins in the choreography, it feels like staggering generosity from a star with nothing left to prove. Perhaps the most moving moment of the show came when the singer stood completely motionless in a dress that, via projection, changed colors and designs in sync with the soaring notes of the song Daughter. It's a song that references the violence and toxic Christianity woven into the fabric of Southern culture, and when she sings:'Now I ripped your dress and you're all black and blue/ Look what you made me do..' it's with all the power and perspective of a Shakespearan monologue. So when a message that read, 'THIS IS THEATRE' later flashed across the screen, it felt undeniably true. To view this video please enable JavaScript, and consider upgrading to a web browser that supports HTML5 video The pop diva spoke infrequently, but when she did, there was the delightful sense of a performer who no longer needs to worry about putting on airs or sticking too tightly to a script. Almost counterintuitively, becoming the most famous person in the world allows Beyoncé the freedom to be herself. She grinned at the crowd after every voice in the place shouted along to Box to the Left, giggling and saying into the mic: 'Did y'all know every world to that thang? Did that just happen like that?' One of the most talked-about moments of the night came during her performance of Protector. As she sang, her eldest daughter, Blue Ivy – who performs as a backup dancer throughout the show – stood just behind her. Then, to a roar of surprise and delight from the crowd, seven-year-old Rumi walked on stage and wrapped her arms around her mother in a tender hug. There had been speculation about whether Rumi would appear during the London shows, so the eruption of cheers visibly delighted the little girl, and Beyoncé's beaming smile read as nothing but genuine pride. With another artist, this level of family involvement might risk feeling gimmicky or even exploitative. But Beyoncé – who's long past the point of doing anything she doesn't want to – makes it feel like something else entirely: a mother sharing her passion with her daughters and loving them boldly, in front of the world. More Trending My only criticism worth mentioning has nothing to do with Beyonce or her crew. Bizarrely, given that it's a football stadium, the venue seemed startlingly unprepared for the crowd's exit. A chaotic queue system for the overground descended into confused chaos, and buses literally passed by crowds of concertgoers, unwilling or unable to take on the cowboy-hat-clad masses. But a two-and-a-half hour journey home is a small price to pay for a night that combined the best of stadium concerts, political commentary, theatre, and star power so bright it was almost blinding. Thanks to Beyonce, for the first time in a long time, I feel proud to be an American. Got a story? If you've got a celebrity story, video or pictures get in touch with the entertainment team by emailing us celebtips@ calling 020 3615 2145 or by visiting our Submit Stuff page – we'd love to hear from you. MORE: Beyonce suffers wardrobe malfunction as trousers drop mid-performance in London MORE: Traffic guitarist Dave Mason cancels all 2025 tour dates due to 'ongoing health issues' MORE: 'I saw Beyonce's most hot and provocative show yet – this flaw made it better'

Trial date set for three men charged over fires at Keir Starmer properties
Trial date set for three men charged over fires at Keir Starmer properties

ITV News

timean hour ago

  • ITV News

Trial date set for three men charged over fires at Keir Starmer properties

A trial date has been set for three men charged in connection with arson attacks on two properties and a car linked to Sir Keir Starmer. Ukrainian national Roman Lavrynovych, 21, and Romanian national Stanislav Carpiuc, 26, appeared together at the Old Bailey on Friday. Ukrainian national Petro Pochynok, 34, refused to attend the hearing. Two of the fires took place in Kentish Town, north London – one in the early hours of May 12 at the home where Sir Keir lived before he became Prime Minister and moved into Downing Street. A car was set alight in the same street four days earlier on May 8. The other fire was on May 11 at the front door of a house converted into flats in Islington. Lavrynovych, of Lewisham, south-east London, has been charged with three counts of arson with intent to endanger life on May 8, May 11 and May 12. Carpiuc, from Romford, east London, and Pochynok, of Islington, north London, are each accused of one count of conspiracy to commit arson with intent to endanger life between April 17 and May 13. Lavrynovych and Carpiuc appeared at the hearing via videolink from HMP Belmarsh, and spoke only to confirm their identities and dates of birth via an interpreter. Ms Justice Cheema Grubb told the court that Pochynok had refused to leave his cell for the preliminary hearing. All three defendants were remanded in custody to next appear for a plea and trial preparation hearing at the same court on October 17. A provisional trial date was set for April 27 next year in front of a High Court judge. A fourth person, a 48-year-old man, was arrested by police at Stansted Airport on Monday on suspicion of conspiracy to commit arson with intent to endanger life in connection with the incidents. The Metropolitan Police said he had been released on bail until next month.

Police officers who shot man dead in Carlisle granted anonymity
Police officers who shot man dead in Carlisle granted anonymity

ITV News

timean hour ago

  • ITV News

Police officers who shot man dead in Carlisle granted anonymity

Police officers involved in fatal shooting of 40-year-old man cannot be identified a coroner has ruled. At a pre-inquest hearing held in Cockermouth, Coroner Kirsty Gomersal ruled that two police officers identified only as Officer C and Officer L would be granted anonymity, when an inquest into the death of 40-year-old Sergii Kuzmenko takes place. She also said the officers should give their evidence behind a screen and will be seen only by the coroner, advocates and a Ukrainian translator for Mr Kuzmenko's family. Four additional officers known only as Officers B, D, M and P will also be granted anonymity to present officers C and L being identified unintentionally. Cumbria Constabulary firearms officers were called to an address on Borland Avenue around 3.30pm on Monday 19 December 2022. It had been reported that a man was making threats to kill and young children were present. Once inside, officers identified an imminent threat to a child and two officers shot and killed Sergii Kuzmenko. He died from multiple gunshot wounds. An investigation by the Independent Office for Police Conduct found that seven shots were fired by two officers and found that both officers 'acted in accordance with their training' as they told investigators they were acting under the belief there was an imminent threat to the child's life. Coroner Kirsty Gomersal ruled on 6 June 2025 that granting anonymity would not be a wholescale incursion on the principle of open justice. She said that given the geography of Cumbria and small community that the officers live and work in, the application was justified to protect the privacy of the officers and their families. Ms Gomersal also ruled that identifying the two officers would have a significant impact on their professional roles and career ambitions as fire arms officers and close protection officers, since their names and photos would most likely become publicly available online. She recognised the fundamental importance of the media's freedom of expression but ruled that the quality of evidence would be improved by granting anonymity as the anxiety of those giving evidence would be lessened.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store