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13-year-old girl reported missing in Kansas City

13-year-old girl reported missing in Kansas City

Yahoo28-03-2025

KANSAS CITY, Mo. — A 13-year-old girl has been reported missing in Kansas City.
According to Kansas City police, family members last heard from Jamea Mitchell on Thursday, March 27 around 2 p.m. She is believed to have been in the area of Ruskin Park between 6 and 7 p.m.
Joe's Blog: Severe weather risk late Saturday
Mitchell is described as a Black female, 5 feet 5 inches tall, weighing around 200 pounds, with black hair and brown eyes.
Family members told police that they are concerned for her safety.
Anyone with information about the teen's whereabouts is asked to call KCPD's Missing Persons Section at 816-234-5043.
Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

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New '1984' Foreword Includes Warning About 'Problematic' Characters
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New '1984' Foreword Includes Warning About 'Problematic' Characters

Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content. The 75th anniversary edition of George Orwell's novel 1984, which coined the term "thoughtcrime" to describe the act of having thoughts that question the ruling party's ideology, has become an ironic lightning rod in debates over alleged trigger warnings and the role of historical context in classic literature. The introduction to the new edition, endorsed by Orwell's estate and written by the American author Dolen Perkins-Valdezm, is at the center of the storm, drawing fire from conservative commentators as well as public intellectuals, and prompting a wide spectrum of reaction from academics who study Orwell's work. Perkins-Valdez opens the introduction with a self-reflective exercise: imagining what it would be like to read 1984 for the first time today. She writes that "a sliver of connection can be difficult for someone like me to find in a novel that does not speak much to race and ethnicity," noting the complete absence of Black characters. She also describes her pause at the protagonist Winston Smith's "despicable" misogyny, but ultimately chooses to continue reading, writing: "I know the difference between a flawed character and a flawed story." "I'm enjoying the novel on its own terms, not as a classic but as a good story; that is, until Winston reveals himself to be a problematic character," she writes. "For example, we learn of him: 'He disliked nearly all women, and especially the young and pretty ones.' Whoa, wait a minute, Orwell." That framing was enough to provoke sharp critique from novelist and essayist Walter Kirn on the podcast America This Week, co-hosted with journalist Matt Taibbi. Kirn characterized the foreword as a kind of ideological overreach. "Thank you for your trigger warning for 1984," he said. 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"Love heals? In 1984?" Taibbi asked. "The whole thing ends with Winston broken, saying he loves Big Brother," the symbol of the totalitarian state at the heart of the book. Kirn laughed and added, "It's the kind of revisionist uplift you get from a book club discussion after someone just watched The Handmaid's Tale." Photographs of Eric Blair, whose pen name was George Orwell, from his Metropolitan Police file, c.1940. Photographs of Eric Blair, whose pen name was George Orwell, from his Metropolitan Police file, c.1940. The National Archives UK Perkins-Valdez, a Black writer, Harvard graduate and professor of literature at American University, also noted the novel's lack of racial representation: "That sliver of connection can be difficult for someone like me to find in a novel that does not speak much to race and ethnicity at all." Kirn responded to that sentiment on the show by pointing out that Orwell was writing about midcentury Britain: "When Orwell wrote the book, Black people made up maybe one percent of the population. It's like expecting white characters in every Nigerian novel." Richard Keeble, former chair of the Orwell Society, argued that critiques of Orwell's treatment of race and gender have long been part of academic discourse. "Questioning Orwell's representation of Blacks in 1984 can usefully lead us to consider the evolution of his ideas on race generally," he told Newsweek. "Yet Orwell struggled throughout his life, and not with complete success, to exorcise what Edward Said called 'Orientalism.'" Keeble added, "Trigger warnings and interpretative forewords... join the rich firmament of Orwellian scholarship—being themselves open to critique and analysis." Cultural Overreach The 75th anniversary edition of George Orwell's 1984 has become a lightning rod in debates over alleged wokeness, censorship and the role of historical context in reading classic literature. The 75th anniversary edition of George Orwell's 1984 has become a lightning rod in debates over alleged wokeness, censorship and the role of historical context in reading classic literature. Newsweek / Penguin Random House While critics like Kirn view Perkins-Valdez's new foreword as a symptom of virtue signaling run amok, others see it as part of a long-standing literary dialogue. Laura Beers, a historian at American University and author of Orwell's Ghosts: Wisdom and Warnings for the Twenty-First Century, acknowledged that such reactions reflect deeper political divides. But she defended the legitimacy of approaching Orwell through modern ethical and social lenses. "What makes 1984 such a great novel is that it was written to transcend a specific historical context," she told Newsweek. "Although it has frequently been appropriated by the right as a critique of 'socialism,' it was never meant to be solely a critique of Stalin's Russia." Dolen Perkins-Valdez. Dolen Perkins-Valdez. Courtesy American University "Rather," she added, "it was a commentary on how absolute power corrupts absolutely, and the risk to all societies, including democracies like Britain and the United States, of the unchecked concentration of power." Beers also addressed the role of interpretive material in shaping the reading experience. "Obviously, yes, in that 'interpretive forewords' give a reader an initial context in which to situate the texts that they are reading," she said. "That said, such forewords are more often a reflection on the attitudes and biases of their own time." While the foreword has prompted the familiar battle lines playing out across the Trump-era culture wars, Beers sees the conversation itself as in keeping with Orwell's legacy. "By attempting to place Orwell's work in conversation with changing values and historical understandings in the decades since he was writing," she said, "scholars like Perkins-Valdez are exercising the very freedom to express uncomfortable and difficult opinions that Orwell explicitly championed."

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Former DC police officer sentenced to 18 months for lying about leaking info to Proud Boys leader

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