
NYC Ballet principal dancer Unity Phelan moonlights as a TV star on ‘Étoile': ‘Cherry on top'
Unity Phelan's acting resume has range, to say the least.
In the last six years, she's appeared in a brutal and bloody blockbuster action film, a mind-bending auteurist drama and a fizzy TV comedy series.
But the projects have one thing in common: In all of them, she wears ballet shoes.
Advertisement
Phelan, a principal with the New York City Ballet, has become Hollywood's ballerina.
5 Unity Phelan, a principal with the New York City Ballet, appears on the Prime Video series 'Étoile.'
She was an assassin-in-training in 'John Wick: Chapter 3 – Parabellum,' starring Keanu Reeves, a dancing dream in a hallway in Charlie Kaufman's 'I'm Thinking of Ending Things' and now a sidelined star in 'Marvelous Mrs. Maisel' creators Amy Sherman-Palladino and Daniel Palladino's 'Étoile' on Prime Video.
Advertisement
'This is all a cherry on top,' Phelan, 30, told The Post after a New York City Ballet rehearsal. 'It's the best whipped cream topping to a career I could imagine.'
And she's had quite a career. Critics have called the five-foot-eight dancer 'incandescent.'
Born in Princeton, NJ, Phelan studied at the Princeton Ballet School from a young age, while also nurturing a passion for musical theater.
'I loved Broadway, and I grew up singing,' she said. 'My whole family — everybody sings. My dad's in a choir, my sister's in a choir, my parents met singing.'
Advertisement
So, while learning how to pirouette, Phelan also refined her belting and jazz squares.
'I went to a camp called Ghostlight Theater Camp [in Maine] religiously as long as I could until I got into New York City Ballet,' she added.
5 From an early age, Phelan loved singing and Broadway — even going to theater camp during the summers.
Getty Images
Those acting chops she picked up years ago have finally come in handy in 'Étoile,' an eight-episode series about the creative and romantic hijinks at two ballet companies: The Metropolitan Ballet Theater (a stand-in for the New York City Ballet at Lincoln Center) and Le Ballet National in Paris.
Advertisement
Phelan plays Julie, a star dancer who's replaced after she topples over while foolishly filming a TikTok video in high-heel Louboutins.
'It's the first time I've spoken on camera and actually acted and worked on scenes,' she said. 'The other ones I danced in I was primarily silent and did some acting with my face, but not with my voice. And so this was a tester for me.'
5 Gideon Glick, who plays choreographer Tobias Bell, 'has become a close friend of mine,' Phelan said.
©Amazon/Courtesy Everett Collection
Off-camera, Phelan got useful tips from Tony Award-nominated Broadway star and 'Maestro' actor Gideon Glick, who plays eccentric choreographer Tobias Bell.
'Gideon has become a close friend of mine,' she said. 'We had a couple scenes together. We got to hang out a lot. He's amazing and so much fun and was so giving.'
The more-experienced actors had to pick up some new tricks, too. The non-dancers, like Glick, 36, and French actress Lou de Laâge, as world-renowned ballerina Cheyenne Toussaint, had their own beginner ballet classes, Phelan said.
They worked hard to create an unusual dance story. Often backstage ballet dramas, such as the psychological horror movie 'Black Swan,' are pitch dark and filled with vicious personal vendettas and body dysmorphia. Sherman-Palladino told Phelan 'Étoile' would be different.
5 Phelan continued to dance in cities around the world during the three-month shooting process of 'Étoile.'
Penske Media via Getty Images
Advertisement
'Amy, from the beginning, she was, like, 'I'm so excited you're gonna be here,'' she recalled. ''We're not gonna do anorexia. We're not gonna do dancers stab each other in the back. We're not going to do the lipstick on the mirror in the dressing room. We're going to be as true to form as it can be while still making it dramatic.''
Phelan added that, while heightened, 'Étoile' really does look a lot like what actually goes on backstage at the David H. Koch Theater.
'Obviously it's dramatized,' she said. 'But there's moments of it where I'm like, 'Yep, that happens and that's very real and that is a lot like what our day is.''
5 Amy Sherman-Palladino promised Phelan 'Étoile' wouldn't be the same old dark ballet show.
Getty Images for Jazz At Lincoln Center
Advertisement
Phelan, a cheerful workaholic, kept a packed schedule during the three-month filming process. She danced at the Kennedy Center in Washington DC and the Vail Dance Festival in Colorado, as well as in Saratoga, Mexico and Copenhagen.
But the 'Étoile' experience was a special one.
'It's still crazy to me that I got to be a part of this as an actor,' Phelan said. 'It's really cool.'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


New York Post
19 minutes ago
- New York Post
‘Jaws' did what no movie could do today — it made the entire world terrified to swim
Shark! Shark! 'Jaws,' which hit theaters 50 years ago next Friday, is known for making many splashes. It was the first hit for a 27-year-old Steven Spielberg, the man who'd go on to become one of Hollywood's all-time greatest directors. Advertisement And the innovative 1975 horror film is considered one of the earliest blockbusters. An estimated one third of Americans went to see it. Those are Super Bowl numbers. 5 'Jaws' caused an entire generation to develop an irrational fear of sharks. Courtesy Everett Collection There's composer John Williams' 'duh-dun' score that everyone can hum, and the classic ad-libbed line 'We're gonna need a bigger boat' that everyone can recite. Advertisement But my favorite feat of 'Jaws' is that the monster movie had such a powerful bite when it was released that it made the masses terrified to so much as dip a toe in salty water for months. Years! No major films come anywhere close to that kind of impact today. Sure, 'Barbie' got groups of friends to get dolled up in pink frocks, and 'Minecraft' pushed a few idiots to trash theaters for kicks on TikTok. But 'Jaws' actually changed how people lived their lives. During the summer of 1975, The Post wrote a lot of stories about the 'shark scare' along the southern coast of Long Island, from East Quogue to Fire Island, that was 'touched off by the movie version of Peter Benchley's 'Jaws'.' Advertisement 'Jaws' was set in the fictional Long Island town of Amity. Suddenly, the real place was Sharksville, USA. 5 Beaches from Long Island to North Carolina and more reported visitors being hesitant to go in the water. Courtesy Everett Collection This one's a real doozy. In August of that year, we reported that two police officers on a boat off Jones Beach encountered a 10-to-14-foot-long shark and started to open fire into the ocean — 15 rounds! — killing the fish. Imagine watching that unfold from your folding chair. Advertisement 'Everybody clapped. But when we left they were still standing on the shoreline,' one cop said of the Jaws-struck crowd. 'You know,' the wannabe Roy Scheider added, 'if it weren't for the movie, this wouldn't be such a big deal.' 5 One third of Americans are said to have seen 'Jaws' in 1975. Courtesy Everett Collection But, boy, was it. Scientists believe 'Jaws' caused an entire generation to develop an irrational fear of sharks. They dubbed it 'the Jaws Effect.' And the fin-phobia extended far away from New York state. That same month in Carolina Beach, North Carolina, a tourism chief bemoaned, 'We feel this movie is adversely affecting our coastal economy.' Films can still hurt local economies today, of course. 'Snow White' did because nobody went to see it. The reverberations of 1970s smashes such as 'Jaws,' 'The Exorcist' and 'Star Wars' were enormous beyond what we can imagine now. 5 'The Exorcist' had a major affect on the 'satanic panic' of the 1980s. ©Warner Bros/Courtesy Everett Collection Advertisement Take the ingenious demonic possession picture. One shaken man who saw 'The Exorcist' in 1973 broke three ribs during a screening. He's not sure how it happened. Ticket-buyers were vomiting at their seats. A theater in Boston kept 'a stockpile of smelling salts' to wake up patrons who fainted. William Friedkin's landmark film went on to become a huge factor in the 'satanic panic' of the 1980s, which saw thousands of unsubstantiated claims of satanic ritual abuse ripple across America. Back then, blockbusters also rocked the Oval Office. Advertisement 5 Even 'Star Wars' made its way to the White House. When President Reagan announced his 1983 Strategic Defense Initiative, a plan to use futuristic technology to prevent a nuclear attack, the press jokingly nicknamed it 'Star Wars.' The moniker stuck. I'm pretty sure we won't be reading about 'the Lilo & Stitch law' anytime soon. Obviously, the world is different. 'Monoculture,' entertainment that's experienced by everybody, no longer exists. We're inundated by niche fare and Saltine retreads. Maybe a movie just can't pack the social punch that one could 50 years ago. Advertisement Then again, no one expected 'Jaws' to explode the way it did. Implode, more likely. Production went 100 days over schedule and nearly $6 million over budget. Some thought its director would never work again. But the next time you sprint out of the water screaming because that fin you saw turned out to be a cute little dolphin, blame Spielberg.
Yahoo
3 hours ago
- Yahoo
Inside Prince William's plans for cousins Beatrice and Eugenie once he becomes king
Princesses Beatrice and Eugenie are being 'kept on ice' ahead of Prince William's inevitable ascension to the British throne, The Post is told. As it stands, the sisters — who are ninth and 12th in line to the throne, respectively — are not working members of the Firm. However, experts have long said that the Prince of Wales, 42, could call his cousins into action once he becomes king. 'They're valuable assets and I'm certain they'll get involved with royal duties when William becomes king,' Ingrid Seward, royal author and editor-in-chief of Majesty Magazine, said via GB News. 'I'm sure they would like to do more, and they're waiting in the wings to be asked.' Seward last week said she's 'certain' that Beatrice, 36, and Eugenie, 35, will 'get involved with royal duties' once William ascends the throne. 'It makes perfect sense, because he will need them,' Seward told Hello! Magazine. 'I see them as a sort of double act, working together in the same way as married couples do. Two gorgeous Princesses working together as sisters would be very powerful. I think it would be wonderful, and I think it will happen.' Indeed, palace sources tell The Post that the sisters are 'well aware' of the plans William has in store for them. The future king, who has long championed a leaner monarchy, is reportedly crafting his own blueprint for the next generation of working royals. Experts believe William may be forced to reconsider his plans for a slimmed-down monarchy, given the absence of his estranged brother, Prince Harry. And while Beatrice and Eugenie — whose parents are Prince Andrew and Sarah Ferguson — aren't working members of the royal family, the duo often steps up in an unofficial capacity when needed. The pair last month hosted a series of garden parties at Buckingham Palace, shortly before the King's Foundation announced Eugenie as a mentor for its new '35 Under 35' network of change-makers. Beatrice, for her part, joined King Charles and Queen Camilla at an event celebrating the work of Elephant Family in Kew Gardens — a conservation charity founded by Camilla's late brother, Mark Shand. 'I think they would be open to doing more, because they like to give back,' Seward said of the sisters, adding that they are 'being kept on ice.' 'They have always been close to William, and the King is very fond of them too,' she continued. 'I see them taking on the sort of role that Princess Alexandra and the Duchess of Kent had when they were younger, working very hard doing philanthropic work, but not taking center stage.' Seward added that both Beatrice and Eugenie could be 'much higher profile' than they are currently once William becomes king. 'I think people see them as a couple of really charming young married women who are relatable and aren't entitled,' she explained. 'And I think people feel for them because they've got this family problem, with their father, which is very embarrassing and difficult for them.' Royal commentator Richard Eden previously claimed that William is 'starting to see the value' of his cousins and their potential long-term contributions to the monarchy. 'From what I'm hearing, Prince William is starting to see the value of his cousins and what, in the long term, they could give,' Eden wrote in the Daily Mail. 'They're doing more and more. They're private duties really, in terms of charity work, but I think Prince William and his father are noticing this and appreciating it.' Eden suggested that William could soon be making announcements about the sisters' future roles within the monarchy, adding that it's an 'exciting time' for them.
Yahoo
3 hours ago
- Yahoo
Why this year's Trooping the Colour is a defining moment for King Charles and the royals
LONDON — A new royal dawn is upon us. This year's Trooping the Colour comes at a moment when the British monarchy is in desperate need of a show of strength — and King Charles III is determined to prove he's robust, stoic and unshaken despite his ongoing health battles. Saturday's event may be steeped in pomp and pageantry, but it carries deeper meaning — symbolizing resilience and stability, and sending a clear message that the 76-year-old monarch is intent on projecting endurance, family unity, and unwavering duty to the British public. Trooping the Colour is a batch of ceremonial events that mark and celebrate the birthday of King Charles III — though the monarch's actual birthday is in November. While His Majesty continues his cancer treatment, palace aides were nonetheless directed to ensure this year's ceremony matched the grandeur, spectacle and tradition of previous years, The Post hears. So, what makes this year's event more special than ever for the King? With fewer working royals in the picture, not to mention the continued scrutiny of the monarchy's role in modern Britain, this year's ceremony carries extra weight. 'It's a show of strength,' a palace source tells The Post. 'The King is serving his country, and he's not going to let a diagnosis get in the way of that.' Insiders tell the Post that Charles insisted on a hands-on approach in planning this year's event, with some help from the future King, Prince William — underscoring the pressures of succession and maintaining public confidence in the monarchy. 'For the King, Trooping has always been important,' the King's former personal butler, Grant Harrold, exclusively told The Post. 'It's when all the royal family get together to show a united front.' This year's ceremony will also see Charles forfeit riding horseback — something he did for the first time last year. Typically, Charles would ride on horseback from Buckingham Palace to Horse Guards Parade. In 2023, the King rode Noble — a black mare horse presented by the Royal Canadian Mounted Police — during the ceremony. The move marked the first time a monarch had ridden in the parade since Queen Elizabeth II in 1986. However, given his ailing health, the monarch will be driven to the parade in a carriage so that he can watch the ceremony from a podium. Since announcing his cancer diagnosis to the world in February 2024, the King has been receiving weekly outpatient treatment at the London Clinic. The Post is told that Charles is not looking to ride horseback at an official engagement ever again. 'Charles won't be on horseback but in a carriage for the second time this year,' Harrold said. 'It's important to note that Queen Elizabeth transitioned to carriages even earlier than Charles.' 'I think Charles would like to be on horseback,' Harrold said. 'But they've decided it is better for him to be in the carriage. It will likely become more of a tradition moving forward.' While the same level of splendor as previous years is sure to take place, the Buckingham Palace balcony lineup looks a little different these days. Charles, and his wife, Queen Camilla, 77, will stand in the middle of the balcony, and the couple will be joined by the Prince and Princess of Wales, as well as their children Prince George, 11, Princess Charlotte, 10, and Prince Louis, 7. 'Last year, it was the Edinburghs, Princess Anne, the King and Queen, the Prince and Princess of Wales, and their family,' Harrold notes of 2024's Trooping the Colour ceremony. 'It's certainly been scaled back in recent years, which aligns with the King's wish to have a more streamlined royal family.' Notably missing are Prince Harry, his wife Meghan Markle, and their two children Prince Archie, 6, and Princess Lilibet, 4. With tensions between the Windsor and Sussex families deeper than ever, the public glimpse of the monarchy under William's future reign may already be unfolding. 'Harry has very much distanced himself from the family, and there's some tension, so there's no sign of him coming back at the moment.' 'Nevertheless, we'll see all the senior royals on the balcony, which is a much smaller family than we've had in the past,' added Harrold, who worked for Charles for seven years when he was the Prince of Wales. As his family's united front and show of solidarity takes center stage Saturday, The Post is told that the Duke of Sussex will not be reaching out with congratulatory messages to his estranged father. 'I don't think Harry will be in touch, even though it's the King's official birthday,' Harrold said on behalf of Fruity King, 'his actual birthday is at the end of the year.' With the continued absence of the Invictus Games founder and the 'Suits' alum, one senior member of the royal family is guaranteed to be stepping up to the plate: Princess Anne. The Princess Royal, 74, who is widely regarded as one of the hardest-working royals within the Firm, is expected to ride horseback at ceremony alongside William and Prince Edward. Anne, who turns 75 in August, is not letting the injury she sustained last year get in the way of her showing support for her brother. The beloved royal spent a total of five days in the hospital with head injuries following a horse-related incident last June. The ordeal had left her concussed, prompting her to experience subsequent memory loss after she was struck by a horse on the grounds of her Gatcombe Park estate. Speaking about the ordeal last July, Charles' only sister said the experience taught her that 'every day is a bonus.' 'You're jolly lucky…if you can continue to be more or less compos mentis, and last summer I was very close to not being. Take each day as it comes, they say.'