Marsh unveils insurance facility for data centre construction in Europe and UK
Marsh, the insurance broker and risk advisor under Marsh McLennan, has launched Nimbus, an insurance facility targeting the construction of large-scale data centres in the UK and Europe.
The facility is supported by a panel of insurers from Lloyd's and company markets in London and Europe.
It combines traditional construction all-risks, delay in start-up, property damage and business interruption coverage.
Nimbus offers up to €1bn in construction all-risks coverage and up to €350m for delay in start-up.
The launch aligns with a surge in data centre construction projects in the region. Technology companies are racing to meet growing demand for increased processing and storage capacity.
The facility aims to give clients access to specialised coverage to enable more efficient management of data centre construction projects.
Marsh Specialty UK Construction, Infrastructure & Surety CEO Kelly Looney said: 'Data centres are fast becoming the fourth utility and are the engine rooms of the global economy. Given the crucial role they now play in telecommunications, computer systems and data storage, it is essential that their construction is completed on time and on budget.
'Marsh is committed to enabling the technology sector to meet growing demand for data centre infrastructure; Nimbus provides clients with project-specific coverage via a streamlined process that expedites the delivery of data centre construction projects and ensures a seamless transition to operational readiness.'
This announcement follows Marsh's recent launch of its Data Centre Insurance and Risk Management Services and the introduction of CyberShore Bermuda, an excess cyber insurance facility providing up to $30m in coverage.
"Marsh unveils insurance facility for data centre construction in Europe and UK " was originally created and published by Life Insurance International, a GlobalData owned brand.
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When the brand Universal Standard launched in 2024, its CEO announced it would offer free exchanges if one of its garments lost its fit. Sustainable fashion doesn't have to mean no new purchases. Knowing some basics about different fibers and how they function can help you pick items that will best meet your needs, letting you stock your closet with things you're more likely to wear, enjoy and take care of for a long time. There are three main types of fibers used in textile production: natural plant fibers such as cotton and linen; natural animal fibers such as wool; and synthetic or human-made fibers, which include plastic-derived materials, such as polyester and nylon, and viscose, a common material made from wood pulp [see ' A Taxonomy of Textile Fiber Types ' graphic to learn more]. Each material has its merits and purposes as well as its cons. Natural fibers are renewable and, depending on how they're processed, potentially biodegradable. 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By teasing apart what appeals to you about an outfit that flashes across your social feed, you can think about how to re-create something similar with your current wardrobe rather than making a spontaneous purchase. This level of consideration 'is joyful and engaging, and it allows the consumer to feel good about themselves,' Beltempo says. Not only is it better for the environment, 'it's better for you,' she adds. To that end, Beltempo gives her followers basic tips for avoiding impulse buys, such as always shopping with a list and implementing a 24-hour pause before buying something new. 'It just gives you that space to think and serves as a trigger to be like, 'Wait, do I have anything at home that can do that job already?'' she explains. Sometimes, though, the items in our closet seem stale. Maybe the colors have faded from years of washing and sun exposure. One way to reinvigorate old clothes is to re-dye them. But not all methods are the same. 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People also send in their sheets and tablecloths (which can be tie-dyed to offset any stains)—and even their wedding dresses and precious but outdated family heirlooms. 'It's more than just a piece of clothing,' Quigley says. 'It's a piece of family history, and seeing people turn it into something that's a part of their life is really touching.' Sending in a batch of well-loved clothes to be dyed a new color doesn't take any more time or effort than sending back an impulse clothing purchase that doesn't fit. It's less expensive than buying new, and you'll still get the joy of receiving and unwrapping a package. Sustainable fashion doesn't have to be a chore or financially inaccessible or staid—you can have fun while sending a message to the fast-fashion industry. 'I think people can feel very empowered to take action to keep their own garments out of the landfill,' Quigley says. 'These are choices we can make that will have an impact on companies' sales.'
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In February 2025, Brahma, the content-tech venture backed by Malhotra, acquired Metaphysic, the generative AI startup known for its photorealistic neural performance toolset as used in feature films such as HERE, Furiosa and Alien: Romulus. The deal values Brahma at $1.43 billion, with support from Abu Dhabi's United Al Saqer Group. With 800+ engineers, Brahma is building AI-native products across video, image, and audio—bringing together DNEG's industry-leading VFX tools, Metaphysic's groundbreaking AI technology, Ziva's award-winnning technology for the creation of digital human and character simulations, and CLEARⓇ's purpose-built enterprise AI platform - and opening up new sectors beyond film & TV, including advertising, gaming and sports. 'This isn't about chasing AI trends,' Malhotra says. 'It's about building foundational infrastructure.' "We're moving from bespoke productions to modular storytelling," Malhotra says. "You don't need to fly a crew across five countries. Brahma lets you simulate the entire experience in high fidelity." This modular model opens up new frontiers—from immersive brand campaigns with AI ambassadors to personalized mental health therapy powered by emotional modeling. Brahma's infrastructure enables creators to generate, license, and monetize synthetic content at scale. Think: AWS for storytelling. Smart contracts and on-chain IP rights management ensure transparency and trust as AI reshapes media ownership. Malhotra's strategy isn't to chase features. It's to build a vertically integrated platform platform that future content runs on, spanning from pre-production to post, from data to distribution. "Whoever owns the pipes, wins," he says. "Features fade. Infrastructure lasts." Namit Malhotra In May 2025, Malhotra and the State Government of Maharashtra in India announced a $400M entertainment complex in Mumbai, combining: world-class production studios to facilitate high-end content creation, supported by a state-of-the-art digital infrastructure; live entertainment facilities, including theme parks and experience centres; and lifestyle experiences, including shopping and dining destinations. All in one global destination. 'We're creating the most advanced content hub in the world—rooted in Mumbai, made for the world,' says Malhotra. 'This new site will be a best practice example of what India can deliver in technology, creativity, and entertainment, and will become a worldwide leisure destination, right at the heart of one of the world's oldest filmmaking industries. We are bringing India to the world by bringing the world to India.' Malhotra's vision is to own the entire pipeline—from the tools to the platforms, from training to monetization. And it's global. "We're not just telling Indian stories," he says. "We're building Indian systems that can scale globally." Streaming put Indian content on the global map. DNEG, Prime Focus Studios, and Brahma aim to make India the world's content creation engine. As streaming plateaus and AI hype gives way to infrastructure wars, Namit Malhotra isn't waiting to be disrupted—he's building the infrastructure, controlling the platforms, and shaping the future of content creation. "The world doesn't need more content," he says. "It needs better systems to create it--AI content creation. That's what we're building."
