
Unfamiliar with classical music? Violinist Danny Koo is determined to reach out to you
With matinee concert series at Lotte Concert Hall, versatile Korean American musician hopes to make classical music more approachble
Korean American violinist Danny Koo has become a familiar face on South Korean television, particularly through his appearances on 'I Live Alone.' For younger audiences, he serves as a classical music guide, hosting the 'Pinkfong Classical Music' series, where he and Pinkfong introduce children to the world of classical music.
He participates in these activities to bridge the gap between classical music and today's audiences.
'I feel that the classical music world is becoming a bit smaller. I think one of the reasons is that, as artists, we often find ourselves waiting -- waiting for people to come to us, thinking that if we put something out there, the audience will eventually come,' Koo told reporters during a press conference on Monday at Lotte Concert Hall.
Hoping to make classical music less intimidating and more relevant to diverse audiences, Koo is presenting Lotte Concert Hall's matinee concert series, L Concert, this spring, spanning three months starting March.
Danny's Playlist
For the first installment of 'Danny's Lite,' Koo, 33, has curated a selection of iconic melodies from beloved movies.
The program on March 20 includes 'Over the Rainbow' from 'The Wizard of Oz,' 'Everything Happens to Me' from 'A Rainy Day in New York,' and 'Por Una Cabeza' from 'Scent of a Woman,' along with the theme song from action film 'Mission: Impossible.' Bandoneonist Koh Sang-ji joined in the arrangement of these pieces and singer Son Tae-jin will join the concert as a guest.
On April 17, Koo and Ditto Chamber Orchestra will present a concert under the theme of spring, featuring Bach's Orchestral Suite No. 3 in D Major, BWV 1068 and Concerto for 2 Violins, BWV 1043 and "Spring" from Piazzola's 'The Four Seasons of Buenos Aires.'
On May 15, the lunchtime concert will be a jazz and classical crossover featuring jazz pianist Cho Yoon-seung, blending classical pieces with jazz improvisation.
Koo believes his matinee concerts, taking place at 11:30 a.m. on Thursdays, create a more relaxed atmosphere, allowing audiences to engage with music in a different way.
Born in Chicago and raised in Philadelphia, Koo received his bachelor's and master's degrees from New England Conservatory. He moved to South Korea in 2022.
'I feel completing all the violin concerts of Bethooven is not necceeary for me. I'm constantly thinking about diverse, fresh and uniquely my own pieces and selections,' he said.
The L Concert series previously featured pianist Kim Jeong-won, pianist Baek Hye-seon, and conductor Choi Soo-yeol. Ticket prices for the L Concert series range from 10,000 won ($6.90) to 45,000 won.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Korea Herald
4 days ago
- Korea Herald
dotmill, Korean immersive content specialist, creates content for the Las Vegas Sphere
- Content direction and production for the world's largest spherical LED display, the Sphere - Co-produced with Galaxy Corporation, demonstrating Korea's immersive content capabilities on the global stage SEOUL, South Korea, June 4, 2025 /PRNewswire/ -- South Korea's immersive content specialist dotmill participated in the content direction and production for the world's largest spherical LED display, the Sphere, located in Las Vegas, USA. This project was carried out in partnership with Galaxy Corporation, making dotmill the first Korean company to directly produce content for the Sphere. The Sphere is an ultra-large spherical media façade measuring 157 meters in diameter and 111 meters in height. It stands as the world's only immersive LED screen capable of a full 360-degree panoramic display. Due to its enveloping structure and curved surface, the platform demands sophisticated graphic design and spatial analysis, making it an iconic stage accessible to only a few global content producers. dotmill collaborated closely with Galaxy Corporation across the entire project spectrum—from planning and direction to production—crafting a new form of immersive content optimized for the Sphere's structural characteristics and immersive environment. The final content serves as part of a major Korean financial group's brand campaign. It opens with a scene where the "Daisy" motif and logo, symbolic of the brand's model, visually converge in outer space. Viewers are then immersed in the brand message through expressive digital artwork and cinematic production techniques. "The Sphere is not merely a colossal screen but a platform that requires an entirely new approach to content, both in terms of its physical structure and viewing environment. This project demanded technical interpretation and visual strategies vastly different from traditional video production processes, and we believe it is highly meaningful that we were able to meet those challenges successfully. Through our collaboration with Galaxy Corporation, we were able to demonstrate that dotmill's technological prowess and creativity are truly competitive on the global stage," a dotmill spokesperson commented. dotmill is a South Korean media-tech firm specializing in immersive content, including extended reality (XR), interactive media, and production and operations of theme attractions powered by digital twin technology. With a strong portfolio spanning major exhibition halls, urban content, and multi-purpose cultural spaces, the company plans to further solidify its global market position following the Sphere project. - About dotmill (KRX: 464580 KQ) Founded in 2015, dotmill is a leading South Korean immersive content specialist that plans, produces, and operates content based on extended reality (XR), interactive media, and digital twin technologies. With a unique blend of technical expertise and creative storytelling, dotmill is driving innovation in the global immersive content industry. The company has built a strong global reputation through a diverse portfolio of high-profile projects. These include content production for BLACKPINK's debut stage in 2016, holographic stage direction for BTS at the 2017 Mnet Asian Music Awards (MAMA), immersive content production for the opening and closing ceremonies of the 2018 PyeongChang Winter Olympics, and the planning and production of the BTS exhibition series from 2023 to 2024. More recently, dotmill directed content for Samsung Electronics' THE WALL showcased at ISE 2025 and participated in the Las Vegas Sphere content project in 2025—further cementing its position as a pioneer in immersive media on the global stage. In addition to commissioned works, dotmill develops and operates its own immersive attraction IPs, including Lunafall, OPCI, Glow Safari, and Waterworld, offering innovative experiences that seamlessly blend physical spaces with digital content. Headquartered in Seoul, dotmill was listed on the KOSDAQ in 2024 and continues to expand globally with the vision of transforming the immersive content landscape—from planning and production to promotion and marketing.


Korea Herald
6 days ago
- Korea Herald
'Maybe Happy Ending' continues its Broadway ascent with Drama Desk sweep
Winning streak fuels Tony Award hopes 'Maybe Happy Ending,' the Broadway adaptation of the beloved South Korean musical, added to its accolades on Sunday, taking home six honors at the 69th Annual Drama Desk Awards in New York. Among the night's biggest winners, the show claimed outstanding musical and outstanding director for Michael Arden. Writers Will Aronson and Park Chun-hue, also known as Hue Park, achieved a sweep in the musical writing categories, winning outstanding music, lyrics, and book of a musical. These wins mark a major milestone in the show's remarkable journey from small theaters in Seoul to the heart of Broadway. Last month, 'Maybe Happy Ending' was also named best musical by the New York Drama Critics' Circle — America's second-oldest theater award after the Pulitzer Prize. Sunday's win fuels hopes for the show's prospects at the upcoming Tony Awards, for which the musical earned 10 nominations, including best musical, best direction for Arden and best actor in a musical for Darren Criss. The winners will be announced at the 78th Annual Tony Awards on June 8. Set in a near-future Seoul, 'Maybe Happy Ending' follows the story of Oliver and Claire — two outdated HelperBot androids discarded by their human owners — who find each other and form a bond neither expected. Starring Darren Criss as Oliver and Broadway newcomer Helen J. Shen as Claire, the show blends science fiction with poignant emotional realism, bringing themes of connection, obsolescence and hope to life. The show's origins go back to 2014, when it was developed with funding from Korea's Wooran Foundation. It premiered in Seoul in 2016 and ran for five seasons in small theaters in Daehagno, before its English-language adaptation made it to New York's Belasco Theatre in November 2024. Marking the 10th anniversary of its creation, the original Korean-language version of "Maybe Happy Ending" will return to the stage in Seoul in October. gypark@


Korea Herald
7 days ago
- Korea Herald
Naver, Webtoon CEOs head to Silicon Valley to meet Netflix executives
Top executives from Korea's Naver and its webtoon subsidiary are set to meet with Netflix leadership this week in Silicon Valley, signaling a potential deepening of strategic collaboration between the digital content giants. According to Naver on Monday, the IT giant's CEO Choi Soo-yeon and Webtoon Entertainment CEO Kim Jun-koo are slated to visit Netflix headquarters on Thursday at the invitation of the US streaming platform. It will mark the first meeting between Choi and Netflix executives. While details have not been disclosed, the invitation-only nature of the meeting has sparked speculation about new collaborative opportunities at both the content and platform levels. The two companies have been strengthening ties since last year. In November, Naver integrated a Netflix subscription benefit into its paid membership program. Under the deal, users paying 4,900 won ($3.55) per month for a Naver Membership were granted access to Netflix's ad-supported plan, which costs 7,000 won -- a move widely seen as a bold and innovative bundling strategy. The so-called Naver-Netflix partnership has shown tangible results. Netflix's monthly active users across the country surged from 10 million in June 2023 to over 14 million after the Naver partnership was launched. Naver saw a 1.5-fold increase in average daily new signups to its membership service. On the content side, Naver Webtoon has emerged as a key intellectual property supplier to Netflix. Original webtoon-based series such as 'All of Us Are Dead,' 'Sweet Home' and 'Trauma Center: Golden Hour' have topped the global charts, cementing the webtoon platform's value on streaming platforms. Despite market rumors, both sides denied that the upcoming talks would explore the integration of Naver Webtoon content directly into the Netflix mobile app. 'It's a meeting arranged purely within the context of a partnership,' a Naver official said. 'The CEOs are indeed scheduled to meet with Netflix executives at their invitation, but there are no predetermined agendas or confirmed outcomes,' the official added.