logo
University of Delaware sends off class of 2025

University of Delaware sends off class of 2025

Yahoo24-05-2025

The University of Delaware class of 2025 is off into the real world.
The university community of administrators, faculty, staff, graduating students and their loved ones poured into Delaware Stadium in Newark on a crisp morning May 24 to celebrate this year's graduating class. Almost 6,500 graduates make up the class.
Of the total number, more than 4,800 are undergrads, and more than 1,600 are graduate students. About 42% of the class are Delawareans. UD President Dennis Assanis gave this class a unique distinction in his speech.
"Congratulations to the amazing class of 2025," he said to the crowd. "The best class to ever graduate from the University of Delaware."
It's his last commencement ceremony as the president of the university. He has served as president since 2016 and oversaw the expansion of the Science, Technology and Advanced Research Campus; introduced new research opportunities; and oversaw the elevation of the school's athletic program into Conference USA.
"Over the years, we've been so impressed and so inspired by the drive, the dedication to the amazing talents of UD students," he told students. "Thank you for the transformative and memorable time that we spent together."
ASSANIS LEAVING UD: University of Delaware president plans to step down after this semester
He thanked the university community and ended his remarks by taking a selfie from the stage with the students in the background.
He was awarded an honorary doctorate at the ceremony. Other people who received honorary distinctions were Wilmington Mayor John Carney, former MBNA executive John Cochran III, biologist and former UD Provost Robin Morgan, professor emerita of theatre and dance Lynette Young Overby, and ABC Action News anchor and guest speaker Matt O'Donnell.
UNIVERSITY OF DELAWARE NEWS: Newark is a Gov. Matt Meyer signature away from being able to levy a per-student tax on UD
O'Donnell was tasked with this year's guest speaking gig, following Joe Flacco in 2024, former astronaut Mae Jemison in 2023 and then-leader of the free world Joe Biden. O'Donnell's speech related to students at his alma mater, UD, and challenged them to continue being authentic.
"You are doing these things because you are trying to experience what we took from you as parents when we gave you smartphones way too early and stopped allowing you to go out on your own; you are seeking authenticity," he said in his speech. "You might be the anxious generation, but personally, I define you as something different. You are the disruption generation."
GRADUATION PHOTOS: See Delaware State University's 2025 commencement ceremony
One graduate, Devin Jiang from Brandywine Hundred, is looking toward the nation's capital. At UD, he said he learned about politics and its inner workings and has worked in the White House and state Legislature during his Blue Hen tenure. He was a delegate to the Democratic National Convention in 2024, the second Chinese-American to represent Delaware. He is now a staff assistant for Delaware's senior senator, Chris Coons.
"I just want to learn as much as I can about the federal government and represent Delaware on the national stage," he said in an interview.
Shane Brennan covers Wilmington and other Delaware issues. Reach out with ideas, tips or feedback at slbrennan@delawareonline.com.
This article originally appeared on Delaware News Journal: UD President Assanis thanks school community at his final graduation

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

What happened in Sean ‘Diddy' Combs's trial: $100K payment, freak-offs and more this week
What happened in Sean ‘Diddy' Combs's trial: $100K payment, freak-offs and more this week

Washington Post

time15 minutes ago

  • Washington Post

What happened in Sean ‘Diddy' Combs's trial: $100K payment, freak-offs and more this week

Drug-fueled freak-offs described in graphic detail, testimony of a $100,000 bribe and the judge's threat to kick Sean 'Diddy' Combs out of the proceedings are among the most prominent moments captured in the sex-trafficking trial of the hip-hop impresario this week. Since May 12, prosecutors have been building their case that Combs allegedly wielded his enormous power in the entertainment industry to coerce women into sex trafficking and used manipulation and bribery to coax his employees and other witnesses into helping him get away with crimes including physical assault and prostitution. In previous weeks, witnesses have included singer Cassie Ventura, rapper Kid Cudi and former Danity Kane singer Dawn Richard. In a case this sprawling and this high profile, it can be tough to keep up — or weed out misinformation. Here's what you need to know.

Why ‘Good Night, and Good Luck's' 1950s story of media intimidation is eerily relevant in Trump's America
Why ‘Good Night, and Good Luck's' 1950s story of media intimidation is eerily relevant in Trump's America

CNN

time15 minutes ago

  • CNN

Why ‘Good Night, and Good Luck's' 1950s story of media intimidation is eerily relevant in Trump's America

The historical echoes in 'Good Night, and Good Luck' are extraordinary. Some might even say they're eerie. On Saturday at 7pm ET, viewers around the world can see for themselves when CNN televises the blockbuster hit Broadway play starring George Clooney. The play transports viewers back to the 1950s but feels equally relevant in the 2020s with its themes of unrestrained political power, corporate timidity and journalistic integrity. Add 'Good Night, Good Luck' on CNN to your calendar: Apple / Outlook or Google The real-life drama recounted in the play took place at CBS, the same network that is currently being targeted by President Donald Trump. That's one of the reasons why the play's dialogue feels ripped from recent headlines. Clooney plays Edward R. Murrow, the iconic CBS journalist who was once dubbed 'the man who put a spine in broadcasting.' Murrow helmed 'See It Now,' a program that pioneered the new medium of television by telling in-depth stories, incorporating film clips and interviewing newsmakers at a time when other shows simply relayed the headlines. Get Reliable Sources newsletter Sign up here to receive Reliable Sources with Brian Stelter in your inbox. In the early '50s, Murrow and producing partner Fred Friendly were alarmed by what Friendly called in his 1967 memoir the 'problem of blacklisting and guilt by association.' At the time, the country was gripped by Cold War paranoia, some of it stoked by Senator Joseph McCarthy's trumped-up claims about communist infiltration of the government, Hollywood and other sectors. In a later era, McCarthy would have been accused of spreading misinformation and attacking free speech. Murrow and Friendly thought about devoting an episode to the senator and his investigations, but they wanted a dramatic way to illustrate the subject. They found it with Milo Radulovich, an Air Force reserve officer who was fired over his relatives' alleged communist views. Radulovich was a compelling, sympathetic speaker on camera, and Murrow's report on him not only stunned viewers across the country, but it also led the Air Force to reverse course. 'The Radulovich program was television's first attempt to do something about the contagion of fear that had come to be known as McCarthyism,' Friendly recalled. That's where 'Good Night, and Good Luck' begins — with a journalistic triumph that foreshadowed fierce reports about McCarthy's witch hunts and attempted retaliation by the senator and his allies. Clooney first made the project into a movie in 2005. It was adapted for the stage last year and opened on Broadway in March, this time with Clooney playing Murrow instead of Friendly. Both versions recreate Murrow's actual televised monologues and feature McCarthy's real filmed diatribes. 'The line between investigating and persecuting is a very fine one,' Murrow said in a pivotal essay about McCarthy, uttering words that could just as easily apply to Trump's campaign of retribution. A moment later, Murrow accused McCarthy of exploiting people's fears. The same charge is leveled against Trump constantly. 'This is no time for men who oppose Senator McCarthy's methods to keep silent, or for those who approve,' Murrow said, sounding just like the activists who are urging outspoken resistance to Trump's methods. In April, Trump issued an executive order directing the Justice Department to investigate Miles Taylor, a former Trump homeland security official who penned an essay and a book, 'Anonymous,' about the president's recklessness. This week Taylor spoke out about being on Trump's 'blacklist,' using the same language that defined the Red Scare of the '50s and destroyed many careers back then. 'People are afraid,' Taylor said on CNN's 'The Arena with Kasie Hunt.' He warned that staying silent, ducking from the fight, only empowers demagogues. Murrow did not duck. Other journalists had excoriated McCarthy earlier, in print and on the radio, but Murrow met the medium and the moment in 1954, demonstrating the senator's smear tactics and stirring a severe public backlash. Afterward, McCarthy targeted not just Murrow, but also the CBS network and Alcoa, the single corporate sponsor of 'See It Now.' McCarthy threatened to investigate the aluminum maker. 'We're in for a helluva fight,' CBS president William Paley told Murrow. The two men were friends and allies, but only to a point. Paley had to juggle the sponsors, CBS-affiliated stations across the country, and government officials who controlled station licenses. In a Paley biography, 'In All His Glory,' Sally Bedell Smith observed that two key commissioners at the FCC, the federal agency in charge of licensing, were 'friends of McCarthy.' The relationship between Paley and Murrow was ultimately fractured for reasons that are portrayed in the play. Looking back at the Murrow years, historian Theodore White wrote that CBS was 'a huge corporation more vulnerable than most to government pressure and Washington reprisal.' Those exact same words could be written today, as CBS parent Paramount waits for the Trump-era FCC to approve its pending merger with Skydance Media. Billions of dollars are on the line. The merger review process has been made much more complicated by Trump's lawsuit against CBS, in which he baselessly accuses '60 Minutes' of trying to tip the scales of the 2024 election against him. While legal experts have said CBS is well-positioned to defeat the suit, Paramount has sought to strike a settlement deal with Trump instead. Inside '60 Minutes,' 'everyone thinks this lawsuit is an act of extortion, everyone,' a network correspondent told CNN. In a crossover of sorts between the '50s and today, Clooney appeared on '60 Minutes' in March to promote the new play. He invoked the parallels between McCarthyism and the present political climate. 'ABC has just settled a lawsuit with the Trump administration,' Clooney said. 'And CBS News is in the process…' There, Jon Wertheim's narration took over, as the correspondent explained Trump's lawsuit. 'We're seeing this idea of using government to scare or fine or use corporations to make journalists smaller,' Clooney said. He called it a fight 'for the ages.' Trump watched the segment, and he belittled Clooney as a 'second-rate movie 'star'.' On stage, Clooney as Murrow challenges theatergoers to consider the roles and responsibilities of both journalists and corporate bosses. Ann M. Sperber, author of a best-selling biography, 'Murrow: His Life and Times,' found that Murrow was asking himself those very questions at the dawn of the TV age. Murrow, she wrote, sketched out an essay for The Atlantic in early 1949 but never completed it. He wrote notes to himself about 'editorial control' over news, about 'Who decides,' and whether the television business will 'regard news as anything more than a saleable commodity?' Murrow wrote to himself that we 'need to argue this out before patterns become set and we all begin to see pictures of our country and the world that just aren't true.' Seventy-six years later, the arguments are as relevant and necessary today.

Why ‘Good Night, and Good Luck's' 1950s story of media intimidation is eerily relevant in Trump's America
Why ‘Good Night, and Good Luck's' 1950s story of media intimidation is eerily relevant in Trump's America

CNN

time16 minutes ago

  • CNN

Why ‘Good Night, and Good Luck's' 1950s story of media intimidation is eerily relevant in Trump's America

The historical echoes in 'Good Night, and Good Luck' are extraordinary. Some might even say they're eerie. On Saturday at 7pm ET, viewers around the world can see for themselves when CNN televises the blockbuster hit Broadway play starring George Clooney. The play transports viewers back to the 1950s but feels equally relevant in the 2020s with its themes of unrestrained political power, corporate timidity and journalistic integrity. Add 'Good Night, Good Luck' on CNN to your calendar: Apple / Outlook or Google The real-life drama recounted in the play took place at CBS, the same network that is currently being targeted by President Donald Trump. That's one of the reasons why the play's dialogue feels ripped from recent headlines. Clooney plays Edward R. Murrow, the iconic CBS journalist who was once dubbed 'the man who put a spine in broadcasting.' Murrow helmed 'See It Now,' a program that pioneered the new medium of television by telling in-depth stories, incorporating film clips and interviewing newsmakers at a time when other shows simply relayed the headlines. Get Reliable Sources newsletter Sign up here to receive Reliable Sources with Brian Stelter in your inbox. In the early '50s, Murrow and producing partner Fred Friendly were alarmed by what Friendly called in his 1967 memoir the 'problem of blacklisting and guilt by association.' At the time, the country was gripped by Cold War paranoia, some of it stoked by Senator Joseph McCarthy's trumped-up claims about communist infiltration of the government, Hollywood and other sectors. In a later era, McCarthy would have been accused of spreading misinformation and attacking free speech. Murrow and Friendly thought about devoting an episode to the senator and his investigations, but they wanted a dramatic way to illustrate the subject. They found it with Milo Radulovich, an Air Force reserve officer who was fired over his relatives' alleged communist views. Radulovich was a compelling, sympathetic speaker on camera, and Murrow's report on him not only stunned viewers across the country, but it also led the Air Force to reverse course. 'The Radulovich program was television's first attempt to do something about the contagion of fear that had come to be known as McCarthyism,' Friendly recalled. That's where 'Good Night, and Good Luck' begins — with a journalistic triumph that foreshadowed fierce reports about McCarthy's witch hunts and attempted retaliation by the senator and his allies. Clooney first made the project into a movie in 2005. It was adapted for the stage last year and opened on Broadway in March, this time with Clooney playing Murrow instead of Friendly. Both versions recreate Murrow's actual televised monologues and feature McCarthy's real filmed diatribes. 'The line between investigating and persecuting is a very fine one,' Murrow said in a pivotal essay about McCarthy, uttering words that could just as easily apply to Trump's campaign of retribution. A moment later, Murrow accused McCarthy of exploiting people's fears. The same charge is leveled against Trump constantly. 'This is no time for men who oppose Senator McCarthy's methods to keep silent, or for those who approve,' Murrow said, sounding just like the activists who are urging outspoken resistance to Trump's methods. In April, Trump issued an executive order directing the Justice Department to investigate Miles Taylor, a former Trump homeland security official who penned an essay and a book, 'Anonymous,' about the president's recklessness. This week Taylor spoke out about being on Trump's 'blacklist,' using the same language that defined the Red Scare of the '50s and destroyed many careers back then. 'People are afraid,' Taylor said on CNN's 'The Arena with Kasie Hunt.' He warned that staying silent, ducking from the fight, only empowers demagogues. Murrow did not duck. Other journalists had excoriated McCarthy earlier, in print and on the radio, but Murrow met the medium and the moment in 1954, demonstrating the senator's smear tactics and stirring a severe public backlash. Afterward, McCarthy targeted not just Murrow, but also the CBS network and Alcoa, the single corporate sponsor of 'See It Now.' McCarthy threatened to investigate the aluminum maker. 'We're in for a helluva fight,' CBS president William Paley told Murrow. The two men were friends and allies, but only to a point. Paley had to juggle the sponsors, CBS-affiliated stations across the country, and government officials who controlled station licenses. In a Paley biography, 'In All His Glory,' Sally Bedell Smith observed that two key commissioners at the FCC, the federal agency in charge of licensing, were 'friends of McCarthy.' The relationship between Paley and Murrow was ultimately fractured for reasons that are portrayed in the play. Looking back at the Murrow years, historian Theodore White wrote that CBS was 'a huge corporation more vulnerable than most to government pressure and Washington reprisal.' Those exact same words could be written today, as CBS parent Paramount waits for the Trump-era FCC to approve its pending merger with Skydance Media. Billions of dollars are on the line. The merger review process has been made much more complicated by Trump's lawsuit against CBS, in which he baselessly accuses '60 Minutes' of trying to tip the scales of the 2024 election against him. While legal experts have said CBS is well-positioned to defeat the suit, Paramount has sought to strike a settlement deal with Trump instead. Inside '60 Minutes,' 'everyone thinks this lawsuit is an act of extortion, everyone,' a network correspondent told CNN. In a crossover of sorts between the '50s and today, Clooney appeared on '60 Minutes' in March to promote the new play. He invoked the parallels between McCarthyism and the present political climate. 'ABC has just settled a lawsuit with the Trump administration,' Clooney said. 'And CBS News is in the process…' There, Jon Wertheim's narration took over, as the correspondent explained Trump's lawsuit. 'We're seeing this idea of using government to scare or fine or use corporations to make journalists smaller,' Clooney said. He called it a fight 'for the ages.' Trump watched the segment, and he belittled Clooney as a 'second-rate movie 'star'.' On stage, Clooney as Murrow challenges theatergoers to consider the roles and responsibilities of both journalists and corporate bosses. Ann M. Sperber, author of a best-selling biography, 'Murrow: His Life and Times,' found that Murrow was asking himself those very questions at the dawn of the TV age. Murrow, she wrote, sketched out an essay for The Atlantic in early 1949 but never completed it. He wrote notes to himself about 'editorial control' over news, about 'Who decides,' and whether the television business will 'regard news as anything more than a saleable commodity?' Murrow wrote to himself that we 'need to argue this out before patterns become set and we all begin to see pictures of our country and the world that just aren't true.' Seventy-six years later, the arguments are as relevant and necessary today.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store