Spring for Easter brunch at these O.C. restaurants
On Easter Sunday, hop over to one of these Orange County restaurants serving brunch for the occasion. There are indulgent options like a four-course brunch menu that starts with caviar-topped deviled eggs, fresh choices like seasonal garden-inspired menus and even classic Mexican breakfast dishes served with fresh fruit margaritas.
Poppy & Seed350 S. Anaheim Blvd.Anaheim(714) 603-7130
This greenhouse-inspired Anaheim Packing District restaurant is a wonderful place to taste the bounty of spring. Poppy & Seed is set within an edible garden, where James Beard Award-nominated chef Michael Reed and wife Kwini host diners in an atmosphere that feels like an endless garden party. On April 20, from 10 a.m. to 3 p.m., Reed will serve an Easter brunch buffet with items like his famous buttermilk fried chicken and waffles, braised short rib hash and baked eggs, snow crab claws, shrimp cocktail, freshly shucked oysters, made-to-order omelets and scratch pastries and bakery treats. Brunch is $102 per person with optional mimosa kits that include a bottle of champagne and a trio of fresh juices priced at $65. Reservations are recommended.
Fat of the Land700 N. Main St., Unit A,Santa Ana(714) 486-2372
An intimate space on the outskirts of Downtown Santa Ana, Fat of the Land serves European-inspired tapas alongside a tightly curated wine list. Owner Robert Paetz and chef Van Duong have created a cozy restaurant for diners who want a plate of Jamon de Iberico or Cantabrian anchovies on piquillo peppers, along with a glass of Albariño. Brunch is typically served from 11 a.m. to 2 p.m. on Saturdays and Sundays, but the kitchen will open up early, at 10 a.m., on Easter Sunday. Indulge in a Spanish tortilla Benedict derived from the traditional egg and potatoes omelet with piquillo peppers and hollandaise, or orange cream French toast with Grand Marnier whipped cream.
La Vida Cantina1870 Harbor Blvd.,Costa Mesa(949) 612-2349
Enjoy Sunday brunch on one of Orange County's largest outdoor patios — equipped with fire pits and two over-sized palapas — at La Vida Cantina. Winter isn't truly over until you've sipped a beverage outdoors and this Costa Mesa Mexican restaurant and bar has fresh fruit margaritas at the ready. Sunday brunch is served from 10 a.m. to 2 p.m. and features classic Mexican breakfast dishes like chilaquiles, served in your choice of green or red sauce with queso fresco and two eggs, any style. Diners can also choose from maple syrup-drizzled French toast, huevos con chorizo, breakfast tostadas piled high with refried beans, shredded pork, poached egg and avocado or a hefty breakfast burrito that's stuffed with scrambled eggs, bacon, sausage, potatoes and Jack cheese. Bottomless mimosas are priced at $20 or select one of the many margarita options, like blueberry basil, watermelon mint or cactus fruit. For reservations call (949) 612-2349.
Marché Moderne7862 Pacific Coast Hwy.Newport Beach(714) 434-7900
Marché Modern has been a favorite fine dining destination for Orange County since 2007 and chefs Florent and Amelia Marneau continue to draw diners for their sophisticated French cuisine. While the restaurant usually only offers a regular dinner menu or chef tasting menu, Marché is bringing back its beloved Sunday brunch for a few special Sundays, including Easter. The four-course brunch menu priced at $129 per person starts with an amuse-bouche of caviar deviled egg, followed by first course options like sashimi-grade hamachi poke with pickled ginger and sweet onions, radishes and mango and jalapeño sorbet or smoked coppa ham antipasti. Second course choices include 'Everything Coconut' French toast with macadamia nougatine and coco-mango gelato, a brown butter crepe with smoked salmon, garnished with Kaluga Hybrid caviar, crème fraiche, dill, yuzu, shishito pepper, onion jam and pickled cucumbers or a Croque Madame, served with French-style truffle jambon blanc, Comté Du Jura cheese, a sunny side up egg and portobello champignon salade verte, to name a few. Finish with a dessert like black truffle vanilla ice cream or English Devon cream trifle. A supplement of boulangerie boards for two or four will also be available with fresh baked treats like croissants pur beurre, raspberry danish, Kouign Amann and Amelia's Hawaiian mango-passion sugar scone. Available from 11 a.m. to 4 p.m., you will not see brunch again at Marché Moderne until Mother's and Father's days, so reservations are highly recommended.
The Market by the Meat Cellar31864 Paseo Adelanto, Suite 105 San Juan Capistrano(949) 503-1548
Located at San Juan Capistrano's newest hub, River Street Marketplace, the Market by the Meat Cellar is an immersive experience. Founded by Anthony and Sara Villegas, the hybrid artisan butcher, epicurean boutique and steakhouse restaurant makes it possible for guests to shop the prime dry aged meats and specialty food items served from the Meat Cellar kitchen. On April 20, from 10 a.m. to 3 p.m., Meat Cellar invites diners to an all-you-can-eat brunch buffet. Priced at $120 per person and $45 for kids under 12, the buffet will center around a carving station featuring Moroccan spiced Colorado lamb, orange blossom honey glazed Kurobuta pork and cabernet rosemary jus glazed prime rib. There will also be seafood, including shrimp cocktail, ceviche, oyster shooters, domestic and imported cheeses and charcuterie, desserts, salads and an omelets and scramble station, made-to-order with organic eggs. Reservations are recommended but walk-ins are welcome.
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Clifton had commissioned an early prototype of the rubboard in the 1940s from a metalworker in Port Arthur, Texas, where he illustrated his vision by drawing the design in the dirt, creating one of a handful of instruments native to the United States and forever changing the percussive sound of Creole music. Within a few years, the brothers were performing at impromptu house dances in Louisiana living rooms. They'd begin playing on the porch until a crowd assembled, then go inside, pushing furniture against the walls to create a makeshift dance hall. Eventually, they worked their way through the chitlin circuit, a network of venues for Black performers and audiences. They played Louisiana dance halls where the ceilings hung so low that Cleveland could push his left hand flat to the ceiling to stretch his back out without ever breaking the rhythm of what he was playing with his right. Influenced by rock-and-roll pioneers such as Fats Domino, Chenier incorporated new elements into his music. As he told one interviewer, 'I put a little rock into this French music.' With the help of Lightnin' Hopkins, a cousin by marriage, Chenier signed a deal with Arhoolie Records. By the late '60s, he and his band were regularly playing tours that stretched across the country, despite the insistence from segregationist promoters that zydeco was a Black sound for Black audiences. He started playing churches and festivals on the East and West Coasts, where people who'd never heard the word zydeco were awestruck by Chenier: He'd often arrive onstage in a cape and a velvet crown with bulky costume jewels set in its arches. Chenier came to be known as the King of Zydeco. He toured Europe; won a Grammy for his 1982 album, I'm Here! ; performed at Carnegie Hall and in Ronald Reagan's White House; won a National Heritage Fellowship from the National Endowment for the Arts. 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Eventually, the ensemble was booking enough gigs that they gave up plumbing. Landry also embarked on a successful visual-art career, photographing contemporaries such as Richard Serra and William S. Burroughs and premiering his work at the Leo Castelli Gallery. He still got back to Louisiana, though, and he'd occasionally sit in with Chenier and his band. (After Landry proved his chops the first time they played together, Chenier affectionately described him as 'that white boy from Cecilia who can play the zydeco.') Landry became a kind of cultural conduit—a link between the avant-garde scene of the North and the Cajun and Creole cultures of the South. From the July 1987 issue: Cajun and Creole bands are conserving native music Landry is an old friend; we met more than a decade ago in New Orleans. Sitting in his apartment in Lafayette recently, he told me the story of the night he introduced Jagger to Chenier. As Landry remembers it, he first met Jagger at a Los Angeles house party following a Philip Glass Ensemble performance at the Whisky a Go Go. The next night, as luck would have it, he saw Jagger again, this time out at a restaurant, and they got to talking. At some point in the conversation, 'Jagger goes, 'Your accent. Where are you from?' I said, 'I'm from South Louisiana.' He blurts out, 'Clifton Chenier, the best band I ever heard, and I'd like to hear him again.' ' 'Dude, you're in luck,' he told Jagger. Chenier was playing a show at a high school in Watts the following night. Landry called Chenier: 'Cliff, I'm bringing Mick Jagger tomorrow night.' Chenier responded, 'Who's that?' 'He's with the Rolling Stones,' Landry tried to explain. 'Oh yeah. That magazine. They did an article on me.' It seems the Rolling Stones had yet to make an impression on Chenier, but his music had clearly influenced the band, and not just Jagger. 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