Musician Judi Singh's daughter reflects on the moment her parents met
This Black History Month, we're bringing you what we call "Moments that Matter": instances when things changed. Emily Hughes is the daughter of Judi Singh — a Black South Asian musician from Edmonton who was popular in the 50s through the 70s and landed in B.C. later in life. Singh looks back at the moment her parents met.
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Yahoo
5 days ago
- Yahoo
Searching for your next book? Check out the new Read Local B.C. eBookshelf
The Association of Book Publishers of British Columbia (Books B.C.), in partnership with the B.C. Libraries Cooperative, has just announced the launch of the Read Local B.C. eBookshelf. The new eBookshelf collection will feature books that are 'either about B.C., set in B.C., or written by a B.C. author,' according to a statement. So far, 17 B.C. publishers are participating in the collection and have submitted 652 titles, with more ebooks to be added in the future. The collection is curated by B.C. librarians and includes a variety of categories, including award-winning and nominated books, travel beautiful B.C., children's and YA books, and local non-fiction, the nature of B.C. and more. All 71 B.C. public libraries are participating in the program. 'At a time when readers are eager to connect with made-in-B. C. books, we are so excited to be launching this collection. Library patrons across the province can now easily browse the Read Local B.C. eBookshelf collection and find titles that explore topics related to their communities and interests,' Matea Kulić, executive director Books B.C., said in a statement. Patrons can browse hundreds of ebooks within the Read Local B.C. guide. Titles will be added regularly across a range of genres. The collection is available via the Libby app. To help celebrate the launch of the eBookshelf, Read Local B.C. has partnered with OverDrive to give one winner a new Galaxy Tab A7 Lite. The contest is open now until June 20 and can be entered at: The winner will be announced by June 23. There will be an official public launch event at The Burnaby Public Library, McGill Branch, on June 19 at 11 a.m. B.C. authors Wayde Compton and Candie Tanaka will read from their award-winning books, and Spencer Chandra Herbert, Minister of Tourism, Arts, Culture and Sport, will be on hand to officially announce the new initiative. 'B.C. is home to amazing authors and publishers, and now it's easier than ever to find their stories. The new Read Local B.C. eBookshelf allows people across the province to explore an incredible range of local books that reflect our communities, histories, and imaginations,' said Chandra Herbert in a statement. 'As an avid reader, I am so excited to see this fantastic tool launched as it shines a spotlight on our local publishers, authors, and illustrators. It will help more B.C. stories get discovered and shared by audiences of all ages.' Is book banning coming to Canada? Libraries, book stores, authors watching closely Here are 5 B.C. books you should be reading right now Honour Black History Month with books by Black B.C. authors Here are 5 B.C. books you should read this summer Sense of smell is triggering time travel device in Vancouver writer's new Y/A novel Voices for the Islands helps readers turn apathy into action 50-year-old Harbour Publishing has just the book for you — plus its 5 greatest hits
Elle
16-05-2025
- Elle
Beyoncé's Cowboy Carter Tour Is a Reminder That Black Art—and History—Can't Be Erased
When Beyoncé initially announced the Cowboy Carter and the Rodeo Chitlin' Circuit Tour on the very first day of Black History Month, I immediately began to wonder how she planned to meet this moment in history. So much had changed in the past year since she first released the album itself. Many of her fans, myself included, were still trying to process the truths that the 2024 presidential election affirmed about America, only to be met in the new year with an onslaught of executive orders, natural disasters, plane crashes, deportations, and tariffs. The news cycle was so bleak that Beyoncé's tour announcement, and the overdue Album of the Year Grammy win she nabbed a few days later, felt like the first bits of positivity all year. The Grammy wins for Cowboy Carter, especially, were so satisfying. Music's biggest award show was giving its highest honor, as well as the Best Country Album award, to a project that received so much backlash simply because Beyoncé dared to defy genres and infuse country music motifs into her sound. Critics and the country music community reacted as if a Black woman born and raised in Houston, Texas, had no claims to the culture or sound she grew up with. As if enslaved Africans didn't create the banjo and use washboards and bone castanets to try and emulate the music of their homelands with whatever was available. As if Ray Charles, Charley Pride, and Linda Martell never existed. It's almost too on-the-nose how much the rejection she received mirrors the rejection Black women are currently feeling in America. Both the country and its namesake genre have gone above and beyond to downplay, shut out, or outright erase the fundamental ways Black people contributed to their origin. We saw it in the way the Country Music Awards completely shut out the Cowboy Carter album. And we're seeing it now in the various attempts to gut all things dedicated to diversity, equity, and inclusion, and to censor our libraries and museums. So as I walked into So-Fi Stadium for Beyoncé's fifth and final L.A. tour date—a record-breaking run that spanned two weeks—I was excited to see how the greatest performer of our time would set the stage for these parallels to converge. Like the album itself, the Cowboy Carter Tour doesn't take long to let you know what it's trying to say. Opening with the LP's first two tracks, 'American Requiem' and 'Blackbiird,' it's like Queen Bee is holding her own sort of mass for our divided states. She comes straight out of the gate with messages like, 'Nothing really ends, for things to stay the same they have to change again,' 'Take these broken wings and learn to fly,' and 'You were only waiting for this moment to be free,' that address the elephant in the room and hold space for our collective emotions. This feeling is only heightened as she mixes in 'The Star-Spangled Banner' with her cover of 'Blackbird,' a Beatles song Paul McCartney wrote as a message of hope and encouragement to Black people during the Civil Rights Movement. As she sings alone on stage, a visual of the her sitting in front of a large tattered American flag with gaping holes appears on the massive panoramic LED screen behind her, then a bold message flashes into view as she holds the song's final note: 'Never ask permission for something that already belongs to you.' Before you can fully register what's happening, the beat to 'Freedom' drops, a song from her Lemonade album that also soundtracked Vice President Kamala Harris's presidential campaign videos and rallies. Its placement at the end of the medley of ballads shifts the entire energy in the stadium. Now here's Beyoncé marching down the catwalk of the stage, stomping out any and all notions of defeat with each step. Then, as the song ends, another image of Bey appears on the big screen; this time she's wearing nothing but the pageant-like sash she wears on the Cowboy Carter album cover, except this time the message reads: 'The Reclamation of America.' In this moment, it's crystal-clear we're not just experiencing a concert, we're in the midst of a revival. Before getting to the big dance numbers, stunts, props (a golden mechanical bull, flying car, and giant horseshoe awaited), and custom couture costume changes, Beyoncé was making a pointed effort to refuel our spirits and remind us of our power. Without missing a beat, she takes us right into a spirited performance of 'Ya Ya,' perhaps Cowboy Carter's most direct critique of the country at this moment in time. Visuals of the issues discussed in the song (pay inequality, wildfires, floods, freedom marches) flash across the screen to the beat, as well as poignant lyrics like, 'history can't be erased.' To close out this portion of the show, a series of video clips that feel like a short film you'd see projected in a museum begin to play on the screen as the stadium goes dark. Scenes from various facets of Black culture fill the screen: Black cowboys, country musicians, gospel choirs, jazz bands, dance parties, family gatherings; performance footage from greats like James Brown, Nina Simone, Chuck Berry, and Tina Turner; and clips of Beyoncé through the years. Then, the montage cuts to footage of talking heads on cable news (their faces blurred out) who criticized the singer's foray into country music. The video concludes with a visual of Beyoncé turning a stack of TVs off before reappearing on stage to perform 'America Has a Problem' and, the song whose music video launched #BoycottBeyoncé, 'Formation.' The mother of three is holding no punches at this point. She sees the parallels, and she's calling them out one by one. Political messages continue to be sprinkled throughout the entirety of the show, but it's really in the first 30 minutes (yes, all of this happened that quickly!) of the almost three-hour show that Beyoncé's state of the union message is clearest. Donning cowboy motifs and American flag-patterned fabrics throughout, she is the picture of a citizen loving and critiquing her home at the same time. She stands two-boots-on-the-ground down in the truth that both things are possible—and necessary—when you are from a country that was built by your ancestors, but not for them. If part of Renaissance's mission was to uplift us post-pandemic, I'd argue that this second act is here to embolden us as we embark on the difficult road ahead. The Cowboy Carter Tour reinforces the power we have to use our voice and our gifts to protect ourselves and our culture in ways that cannot be touched. I'm sure some critics will write off these moments in the show as symbolic activism, or note ways Beyoncé could be doing more (despite the millions of dollars in charity she donates annually). Some valid points might be made, and (not but) it cannot be denied that Black art is revolutionary. Much like Kendrick Lamar's Super Bowl Halftime Show, it stands as a powerful reminder that no amount of effort can erase us from the fabric of American culture.
Newsweek
09-05-2025
- Newsweek
Tiger Woods Mysteriously Surfaces at White House amid Vanessa Trump Union
Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content. Since the start of the season, Tiger Woods has reportedly visited the White House twice. His first visit was in February, when he attended Black History Month celebrations and participated in discussions regarding the LIV Golf and PGA Tour merger, which now appear to have stalled. His second visit? Thursday, just two months after publicly confirming his relationship with Vanessa Trump, the former daughter-in-law of President Donald Trump. The 15-time major champion was spotted in a photo standing next to Senator Jim Banks. Tiger Woods spotted at the White House—his surprise visit sparks speculation amid romance with Vanessa Trump and PGA absence. (On X via @SenatorBanks) Tiger Woods spotted at the White House—his surprise visit sparks speculation amid romance with Vanessa Trump and PGA absence. (On X via @SenatorBanks) Twitter The news broke when Banks, 45, posted his picture with Woods on X, dressed sharply in a navy-blue suit, captioning it, "Met Tiger Woods at the White House today!" This appearance comes after Woods, 49, and Vanessa, 47, declared their relationship status with a public post stating, "Love is in the air." Their romance even received a presidential stamp of approval nearly a month ago, with Donald Trump commenting, "We have a very special, very good relationship with Tiger... I played golf with him a couple of times over the last month." Trump further added, "He's a fantastic guy and a fantastic athlete, and he told me about it, and I said, 'Tiger, that's good.'" The 78-year-old golf lover also urged the media to "let them be happy," referencing Woods' earlier request for privacy regarding his relationship. A source close to the couple shared insights into their dynamic, saying, "They're a good match; they're level-headed, they like to avoid drama, and they share a lot of the same values." While their relationship is reportedly "not too serious" at the moment, insiders suggest it is "heading in that direction." Tiger Woods' White House visit that raises eyebrows Despite the buzz surrounding his personal life, the reason behind Woods' latest White House visit remains unclear. Fans were particularly surprised, given his absence from the upcoming PGA Championship. As the post featuring Woods at the White House went viral, reactions poured in. One golf fan bluntly commented, "Awkward," while others echoed similar sentiments across social media. Awkward. — Bluberry Coconutz (@BluCoconuz) May 9, 2025 Tiger Woods has yet to make his professional golf debut this year. His last confirmed appearance was at the Genesis Invitational, an event he hosts, but his participation was overshadowed by the passing of his mother, casting a dark cloud over his family. Next, he was expected to compete in the Masters, an event title he snagged five times. However, he sadly ruptured his Achilles while training at home. While Woods' comeback remains uncertain, one thing is clear—he is preparing his son, Charlie Woods, for the future. Charlie recently showcased his improving golf skills at the U.S. Open qualifiers, where he missed qualification by seven strokes, finishing three-over-par on Thursday in Florida. More Golf: Xander Schauffele's Gift for PGA Championship Dinner Goes Up in Smoke
