Classic rock guitarist, ‘Real American' singer Rick Derringer dies at 77
NEW YORK — Classic rock guitarist and 'Real American' singer Rick Derringer has died. He was 77 years old.
His longtime wife, Jenda Derringer, told TMZ he died 'peacefully' at a hospital in Ormond Beach, Florida, after being taken off life support following a medical emergency involving his heart. He reportedly underwent triple bypass surgery two months ago.
The Ohio native first gained fame with his band the McCoys, whose 'Hang on Sloopy' was a No. 1 hit in 1965. He went on to work with Edgar and Johnny Winters in their bands, playing on classic rock radio staples like 'Frankenstein,' another No. 1 hit.
He also collaborated with Steely Dan, 'Weird Al' Yankovic, Todd Rundgren, Alice Cooper, Barbara Streisand and toured several times with Cyndi Lauper. He played the guitar solo on Bonnie Tyler's 'Total Eclipse of the Heart,' written by frequent partner Jim Steinman.
Derringer had a solo hit of his own with 'Real American,' a song recorded for a soundtrack for the World Wrestling Federation that became Hulk Hogan's theme music for several years. Lauper provided backing vocals on the tune.
Richard Dean Zehringer was born in Celina, Ohio, on Aug. 5, 1947. He began playing music with his brother Randy in the late 1950s. Their band the McCoys was chosen by a set of record producers to record 'Hang on Sloopy,' which has since become a popular in-stadium anthem at Ohio State football games and Cleveland Guardians games.
Later in his career, he joined star-studded lineups on tours with Ringo Starr and Peter Frampton while ultimately releasing more than 25 albums, including several blues and jazz LPs.
Following a late-in-life conversion, he and his wife produced several Christian-themed albums.
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Atlantic
an hour ago
- Atlantic
The Truth About Diddy Might Be Darker Than the Rumors
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(One lawsuit naming Jay-Z was dropped after the star denied the claim; he has since countersued for defamation.) Still, the speed and sheer giddiness with which conspiracist thinking eclipsed the known details of Combs's case confirmed a few bleak realities about the psyche of a country in which economic inequality and sexual abuse are both stubbornly endemic. A whole class of politicians, commentators, and media platforms exist to exploit the resentments that everyday people hold toward the rich and famous. Meanwhile, rates of sexual harassment and assault—reportedly experienced by 82 percent of women and 42 percent of men in the United States in their lifetime—remain as high as they were when the #MeToo movement erupted in 2017. Examining the real reasons for this is less fun—and, for many, less profitable—than imagining that Hollywood is a front for ritualistic sadism. The trial itself, which began in Manhattan on May 12, has not yet revealed a network of super-famous evildoers. Although the testimony has surfaced vivid and bizarre details about the rarefied lives of celebrities, it's also told an intimate, human, oddly familiar story about how power can warp relationships in all sorts of ways. I realized that in the random conversations I'd had leading up to the trial, I'd heard a lot about the imagined villains, and very little about the people they were said to have hurt. Combs's downfall in the public eye began in November 2023, when an ex-girlfriend, the singer Cassie Ventura, filed a lawsuit alleging that he had raped and physically abused her. The suit was settled one day later out of court, but many of its details are resurfacing now. Although the federal trial against Combs is expected to last at least eight weeks and feature dozens of witnesses, Diddy and Ventura's relationship has been central to the testimony. Prosecutors say Combs ran an organized criminal enterprise that served, in part, to assist in and cover up this one woman's subjugation. Ventura, now 38, was a 19-year-old aspiring R&B singer when she met Combs around 2005. He'd heard her first-ever single, 'Me & U'; it would become a hit, but Diddy promised that he could guide her to a career of lasting success. He signed her to a 10-album deal with his label, Bad Boy Records, and released her debut album in 2006. It is still her only album to ever come out. Their relationship soon evolved from professional to romantic. The singer said she'd initially rejected the rapper's advances but that she'd felt pressured to do what he wanted because her career was largely in his hands. He also reportedly provided her with gifts, threatened her with punishment, and supplied her with drugs until she felt he controlled her life. She said that he then used that control liberally, dictating what she wore, whom she socialized with, which medications she took. He also beat her. Hotel security-camera footage from 2016 published by CNN last year—and used as evidence in the trial—showed Combs chasing Ventura down a hallway, throwing her to the ground, kicking her, and pulling her by her sweatshirt. The video is a small and terrible glimpse into their relationship. Diddy is in a towel and clearly furious; Ventura, starkly alone, makes no effort to defend herself. 'My behavior on that video is inexcusable,' Combs said in a filmed mea culpa last year; during the trial, his lawyers have acknowledged that he was violent toward her. Other witnesses in the trial have testified that the hotel assault was not an isolated incident. One former assistant, Capricorn Clark, reported seeing Combs repeatedly kick Ventura after learning that she'd been romantically involved with the rapper Kid Cudi. Another former assistant, George Kaplan, described a 2015 altercation between Combs and Ventura on Diddy's private jet. He heard the sound of breaking glass in a private area, where he then saw Combs standing and holding a whiskey glass over Ventura, who was on her back. According to Kaplan, Ventura screamed, 'Isn't anybody seeing this?' No one on the plane intervened, Kaplan said. The now-notorious freak-offs allegedly occurred against this backdrop of violence and intimidation. Ventura's lawsuit said that toward the beginning of Combs and Ventura's relationship, Combs hired a man to have sex with Ventura while Diddy watched. Encounters like that, involving sex workers and drugs, became regular occurrences that could last for days at a time. The freak-offs were, prosecutors say, 'performances' for Combs's pleasure. And they affected the performers; Ventura testified to having medical problems, mental-health issues, and drug addiction as a result of them. Combs's defense argues that Ventura willingly participated in these events. His lawyers have cited text messages in which she appears to express enthusiasm: 'I'm always ready to freak off,' she wrote to him in August 2009. Other texts suggest a more complicated picture—in 2017, Ventura wrote, 'I love our FOs when we both want it.' She and prosecutors assert that whenever she tried to resist Combs's commands, he would bring her to heel with physical violence and threats of blackmail and financial harm. Ventura's lawsuit alleged that when she tried to break up with him for good in 2018, he raped her in her home (an accusation that Diddy's defense has concertedly pushed back on during the trial). Ventura is not the only alleged victim of Combs's. His employees have shared particularly disturbing stories: Clark said that Combs kidnapped her twice; a former assistant identified as Mia testified last week that the rapper repeatedly sexually assaulted her. (Diddy's lawyers dispute that the kidnappings ever happened and have questioned Mia's credibility.) 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Since I started paying attention to the case, my YouTube algorithm has become polluted by videos with AI-generated courtroom sketches of stars such as Will Smith and Jay-Z, paired with totally imaginary testimony about their involvement in Combs's crimes. The videos are yet another sign that our society is losing any shared sense of reality. They do, however, have disclaimers stipulating that they are fiction, which raises the question: Why is this the story someone wants to hear? Perhaps because tales of demonic Hollywood cabals offer a simple, clear-cut narrative that doesn't ask us to reflect on how domestic violence and sexual coercion really get perpetuated—and perhaps because that narrative benefits certain agendas. Last month, I tuned in to Asmongold, a popular Twitch streamer who interprets the daily news for a large audience of young, often aggrieved men. He had a glazed look in his eyes as TV news footage related to the trial played on his screen. Then he said, 'I don't care about this case at all—until Diddy starts naming names.'

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2 hours ago
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Yahoo
2 hours ago
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