GSK resolves patent lawsuit against Pfizer over RSV vaccines
April 3 (Reuters) - British pharmaceutical giant GlaxoSmithKline (GSK.L), opens new tab and rival Pfizer (PFE.N), opens new tab have agreed to end a lawsuit that alleged Pfizer's respiratory syncytial virus (RSV) vaccine Abrysvo violated GSK's patent rights in its competing RSV shot Arexvy, according to a Thursday filing in Delaware federal court.
GSK and Pfizer said in the filing, opens new tab that they would dismiss the case with prejudice, which means it cannot be refiled. Spokespeople for the companies did not immediately respond to requests for comment and more information, including whether the case was settled.
Keep up with the latest medical breakthroughs and healthcare trends with the Reuters Health Rounds newsletter. Sign up here.
GSK, Pfizer and Moderna (MRNA.O), opens new tab have developed RSV shots approved by the U.S. Food and Drug Administration, with GSK's Arexvy responsible for the majority of U.S. RSV vaccine sales. The respiratory disease typically causes cold-like symptoms, but it is also a leading cause of pneumonia in toddlers and older adults.
GSK sued Pfizer in 2023, arguing that the New York-based company's vaccine infringed GSK patents related to antigen technology. GSK said in the lawsuit that Pfizer began working on its RSV program around 2013, at least seven years after GSK began developing its shot.
Pfizer denied the allegations and argued GSK's patents were invalid. It convinced a London court to invalidate related UK patents owned by GSK in a separate case last year.
GSK has also sued Pfizer for patent infringement in the U.S. over technology in Pfizer's blockbuster COVID-19 vaccine Comirnaty. That case is still ongoing.
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Scottish Sun
26 minutes ago
- Scottish Sun
Sweet-toothed fans are racing to Iceland for retro snack inspired by iconic 2000s drink
Nestle has recently hiked the cost of chocolate choco lot Sweet-toothed fans are racing to Iceland for retro snack inspired by iconic 2000s drink Click to share on X/Twitter (Opens in new window) Click to share on Facebook (Opens in new window) SHOPPERS are flocking to Iceland to get their hands on a snack inspired by an iconic 2000s drink. Nesquik now comes in yogurt form, and they are bringing back some core memories for millennials. Sign up for Scottish Sun newsletter Sign up 1 Nesquik Chocoballs were spotted in Iceland Credit: Facebook / Snack Reviews The cereal treat is a split pot with a generous helping of sweet yogurt made from 83 percent milk and crunchy chocolate balls. The four-pack of 107g Chocoballs pots is being sold exclusively at Iceland for £2.80. There is also a deal on now where you can buy three packs for just £6.00 - saving yourself £2.40. Or you can mix and match them with a choice between Muller Corners or Quality Street's Toffee Dessert. One savvy shopper spotted the tasty treat in their local Iceland and shared a photo on Snack Reviews Facebook page. "I need," one wrote, adding the eyes emoji. "I want these for me, not the kids," another joked. Nesquik was a huge hit in the 2000s and is known for its range of flavoured milk drink powders, particularly the iconic chocolate variety. It has been a staple in many British households for decades, often associated with childhood memories and nostalgic comfort. In addition to the classic powders, Nesquik in the UK has expanded its product range to include ready-to-drink bottles and cereal, further cementing its presence in the breakfast and snack categories. Dunnes Stores fans set for frenzy as major new food section lands in supermarkets This comes as Nesquik's creator Nestle revealed it hiked the cost of its chocolate and coffee for customers. The Swiss company said it's raised its prices by 2.1% overall - but for some items the hikes are in the double digits. It blamed surging costs of coffee beans and chocolate. "Despite the significant level of the increases in many markets, the actions were implemented with limited customer disruption," Nestle said. Nestle produces a range of products, including chocolates, sweets, cereals, drinks, ice cream and pet foods. Among its popular brands are Aero, Milkybar, Smarties, Milo, Haagen Dazs, San Pellegrino, and Felix cat food. The company said it had better-than-expected sales growth of 2.8% in the first three months of the year. The higher prices accounted for much of the rise. Nestle said it had seen demand drop significantly following the price increases but it is now bouncing back. It also warned there could be further impacts on customers due to higher global tariffs. Donald Trump recently launched a global trade war when he announced major tariffs on dozens of countries. The move has raised fears of a global recession, sent stock markets tumbling and caused economic uncertainty for businesses trading internationally. Mr Trump has called on American companies to produce their products in the US to avoid costly tariffs. But for chocolate makers this is near impossible as the key ingredient, cocoa, can only be grown in tropical climates. On top of this, the price of cocoa has soared in recent years. Farmers in West Africa, where 70% of the world's cocoa is harvested, have been struggling with climate-related issues that have decimated their cocoa production. It's estimated 400,000 tonnes less of cocoa has been produced over the last few years, hiking the price significantly.
Reuters
an hour ago
- Reuters
China's consumer prices extend decline for fourth month in May
BEIJING, June 9 (Reuters) - China's consumer prices fell for a fourth straight month in May while producer deflation deepened, as the economy faces headwinds from trade tensions and a prolonged housing downturn. The consumer price index dipped 0.1% last month from a year earlier, versus a 0.1% drop in April, National Bureau of Statistics data showed on Monday, slightly better than a Reuters poll forecast of a 0.2% decline. CPI slid 0.2% on a monthly basis, compared with a 0.1% increase in April, and matched economists' predictions of a 0.2% decline. The producer price index was down 3.3% in May from a year earlier, worse than a 2.7% decline in April and the deepest contraction in 22 months. That compared with an estimated 3.2% fall in a Reuters poll.
Powys County Times
2 hours ago
- Powys County Times
‘Significant challenges' in use of AI within UK screen sector
The use of artificial intelligence (AI) within the UK screen sector raises 'significant legal, ethical, and practical challenges' such as the use of copyrighted material being used without the permission of the rights holders, a report has warned. Other issues highlighted by the British Film Institute (BFI) report include the safeguarding of human creative control, the fear of jobs being lost as positions are replaced through the use of AI, and investment in training in new skills. High energy consumption and carbon emissions, and the risks to creative content around biased data, are also described as being of concern. The report, which has been carried out in partnership with CoSTAR universities Goldsmiths, Loughborough and Edinburgh, analyses how the screen sector is using and experimenting with rapidly evolving generative AI technologies. It warned that the 'primary issue' was the use of copyrighted material – such as hundreds of thousands of film and TV scripts – in the training of generative AI models, without payment or the permission of rights-holders. 'This practice threatens the fundamental economics of the screen sector if it devalues intellectual property creation and squeezes out original creators,' the report said. But it added that the UK's strong foundation in creative technology – as it is home to more than 13,000 creative technology companies – means that the UK screen sector is well positioned to adapt to the technological shift. The report – titled AI in the Screen Sector: Perspectives and Paths Forward – said generative AI promises to democratise and revolutionise the industry, with the BBC, for example, piloting AI initiatives. Meanwhile, projects such as the Charismatic consortium, which is backed by Channel 4 and Aardman Animations, aim to make AI tools accessible to creators regardless of their budget or experience. It said this could empower a new wave of British creators to produce high-quality content with modest resources, though concerns about copyright and ethical use remain significant barriers to full adoption. The report sets out nine key recommendations it suggests should be addressed within the next three years to enable the UK screen sector to thrive in using AI. These include establishing the UK as a world-leading market of IP licensing for AI training, and embedding sustainability standards to reduce AI's carbon footprint. It also calls for structures and interventions to pool knowledge, develop workforce skills and target investments in the UK's creative technology sector, while it urges support for independent creators through accessible tools, funding and ethical AI products. The BFI's director of research and innovation, Rishi Coupland, said: 'AI has long been an established part of the screen sector's creative toolkit, most recently seen in the post-production of the Oscar-winning The Brutalist, and its rapid advancement is attracting multimillion investments in technology innovator applications. 'However, our report comes at a critical time and shows how generative AI presents an inflection point for the sector and, as a sector, we need to act quickly on a number of key strategic fronts. 'Whilst it offers significant opportunities for the screen sector such as speeding up production workflows, democratising content creation and empowering new voices, it could also erode traditional business models, displace skilled workers, and undermine public trust in screen content. 'The report's recommendations provide a roadmap to how we can ensure that the UK's world-leading film, TV, video games and VFX industries continue to thrive by making best use of AI technologies to bring their creativity, innovations and storytelling to screens around the globe.' Professor Jonny Freeman, director of CoSTAR Foresight Lab, said: 'This latest CoSTAR Foresight Lab report, prepared by the BFI, navigates the complex landscape of AI in the screen sector by carefully weighing both its transformative opportunities and the significant challenges it presents. 'The report acknowledges that while AI offers powerful tools to enhance creativity, efficiency, and competitiveness across every stage of the production workflow – from script development and pre-production planning, through on-set production, to post-production and distribution – it also raises urgent questions around skills, workforce adaptation, ethics, and sector sustainability.' CoSTAR is a £75.6 million national network of laboratories that are developing new technology to maintain the UK's world-leading position in gaming, TV, film, performance, and digital entertainment. Last month stars including Sir Elton John, Sir Paul McCartney and Sir Ian McKellen, wrote a joint letter to Sir Keir Starmer, urging the Prime Minister to introduce safeguards against work being plundered for free.
