
NZTrio's Magnifique concert captivates with Schubert and Vasks
Schubert's one-movement Notturno offered eight minutes of total beguilement, delivered with true Viennese charm, its gentle hesitations hinting at a Strauss family waiting in the wings.
The truly magnificent and beating heart of the programme came with Episodi e canto perpetuo, a 1985 work by Latvian composer Peteris Vasks, an intensely moving response to Messiaen's classic Quartet for the End of Time.
There were close and specific parallels with the Messiaen, from a seat's edge, feverish dance in driving unisons to two oases of purest song, showcasing violinist Amalia Hall and the trio's new cellist Matthias Balzat.
These culminated in a heart-stopping finale, uncredited in the printed programme, that moves irrevocably upwards, as if to heaven, Vasks having achieved his 'song of love' after travelling a 'difficult road through evil, delusion and suffering'.
Here is a composer who navigates with enviable ease from traditional scoring – Bartok being inevitably referenced in two Burlesca movements – to the freer notations and effects of the later Lutoslawski.
Yet he has been woefully under-represented in our concert halls. In my many decades of concert-going, I only recall one instance: cellist David Geringas in 2011 stunning a town hall audience after his Dvorak concerto with a short Vasks encore.
After interval, Linda Dallimore's commissioned Self Portrait was short, agreeably astringent, and very much to the point, even if the young New Zealand composer had made more of its boppy final section, marked 'soulful, joyful, bluesy'.
Saint-Saens' Second Piano Trio proved a workout of Olympian proportions for pianist Somi Kim.
This is a sparkler of a score, with Hall and Balzat elegantly weaving around Kim's shifting, evanescent textures. All three musicians contributed equally to the brittle wit of its second movement, coming together in full strength for a thrilling, purposeful finale.
How pleasing it is to heartily recommend this concert before the NZTrio take Magnifique to Cambridge on Wednesday, Rotorua on Thursday and Whakatāne on Friday.
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The Spinoff
27-05-2025
- The Spinoff
Review: NZSO's Echoes of Home uses the Christchurch Town Hall to its full potential
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Scoop
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Scoop
26-05-2025
- Scoop
NZSO Classical Hits Tour From Kerikeri To Blenheim Begins 31 May
Journey from the hall of the mountain king to the Viennese countryside with a selection of classical music's greatest hits performed by the New Zealand Symphony Orchestra in Wellington, Blenheim, Nelson, Manukau and Kerikeri from 31 May. Masterworks: Mozart, Beethoven & Haydn is part of the NZSO's annual Setting Up Camp tour, which includes daytime community performances and events in each centre where the orchestra plays. Led by NZSO Music Director Emeritus James Judd and featuring NZSO Concertmaster Vesa-Matti Leppänen as soloist for Mozart's exquisite Fifth Violin Concerto, Masterworks is an unmissable musical experience. The tour programme has been tailored for each centre. Along with Mozart's Violin Concerto, Wellington and Blenheim feature Grieg's Peer Gynt Suite No. 1, including the instantly recognisable In the Hall of the Mountain King, Beethoven's beloved Sixth Symphony Pastoral and the world premiere of Kiwi composer Briar Prastiti's The Garden. The Manukau and Kerikeri concerts feature The Garden, Peer Gynt and Pastoral, along with Haydn's magnificent Symphony No. 100 Military. Nelson audiences will enjoy Military, Mozart's Fifth Violin Concerto and, as a special treat, Mozart's The Abduction from the Seraglio Overture. 'New Zealand is unrivalled in producing so much wonderful new music of all genres. Our programme includes The Garden by Briar Prastiti, a SOUNZ/Tarling Trust commission which establishes, alongside Grieg's Peer Gynt, an underlying presence of the natural world in our programme,' says Maestro Judd. 'Beethoven's love of nature inspired his Sixth Symphony, not merely at times as a vivid picture but more so representing the personal feelings we experience through the spirit of nature. 'Mozart's Violin Concerto No. 5, written at the age of 19, features as soloist the superb Concertmaster of the NZSO, Vesa-Matti Leppänen. Listen out for the third movement of this concerto with its delights from Türkiye.' Beyond the concerts, Setting Up Camp daytime performances and events include, in Nelson (6 June) and Manukau (10 June), NZSO Relaxed Concerts which cater for neurodivergent people of all ages who may feel uncomfortable in a traditional concert environment. Schools' Concerts take place in Wellington (29 May), Manukau (11 June), Whangārei (12 June) and Kerikeri (13 June). Side-by-Side concerts, where local musicians perform alongside NZSO players, will be held in Nelson (7 June) and Whangārei (12 June). Tickets to Masterworks range from $17 to $48. For more information go to COMING UP NYO Adventure: Rachmaninov & Strauss – conductor Adam Johnson, soprano Madison Horman. Wellington (5 July), Auckland (6 July). – conductor Emilia Hoving, piano Javier Perianes. Wellington (17 July), Christchurch (19 July).