A cranky Kevin Costner and a resilient Uma Thurman: 5 juicy stories from Maureen Dowd's ‘Notorious' interviews
Maureen Dowd has been profiling the rich, famous and powerful for the New York Times since the 1980s. As she writes in her new collection, 'Notorious,' 'I've always been fascinated by how powerful people wield power, how charismatic people create charisma, how talented people nurture or squander their talent.' She has a knack for asking questions that go right up to the edge of intrusion but instead yield thoughtful, intimate insights.
'Notorious' features conversations with everyone from Uma Thurman to Elon Musk, from Paul Newman to Mel Brooks. We picked five of the juiciest tidbits and anecdotes.
'They say life is just a series of snapshots,' Dowd writes. 'This book certainly is. It's pioneering, talented, brilliant people at a certain moment in their lives — and those moments can be illuminating.'
Dowd confesses that Costner was once a 'big crush' of hers. That was before she interviewed him in 1991 in New Orleans.
'Things got off to a bad start as we were walking through the French Quarter to his hotel for the interview,' Dowd writes. 'A group of sweet seniors shyly asked Costner to pose for a picture with them as he waited at a red light, tapping his cowboy boot in irritation.'
'OK,' he snapped at the women, 'but can't you see I'm being interviewed?'
Dowd writes: 'It was like watching someone kick kittens.' As the interview progressed, Costner asked Dowd, 'with cocky assurance,' if she was going to play the interview tape for her girlfriends. 'I told him starchily, 'I interviewed Paul Newman and didn't play that tape for my girlfriends. So I think I can refrain from playing yours.''
When Dowd interviewed Jane Fonda in 2020, she asked the movie star/workout queen/bête noire of the right wing if she wanted to have sex with Che Guevara. 'No, I don't think about him,' Fonda replied. 'Who I do think about, and what is a great regret, is Marvin Gaye. He wanted to and I didn't. I was married to Tom [Hayden]. I was meeting a lot of performers to try to do concerts for Tom and the woman who was helping me do that introduced me to Marvin Gaye.'
Dowd: 'Please tell me his pickup line included the words 'sexual healing.''
Fonda: 'I needed some but he didn't say that, no. But then I read, apparently he had my picture on his refrigerator. I didn't find that out until later, after he was dead.'
One of my favorite pieces in 'Notorious' is Dowd's profile of Newman. Published in 1986, shortly before the release of 'The Color of Money' (for which he would finally win his first Oscar), the story shows Newman to be a relatable and humorous conversation partner — and very self-conscious about being seen as a sex symbol. It is worth quoting at length.
'To the public, the actor's cerulean eyes have become a symbol of his stardom. To Newman, they have become a symbol of his long struggle to be thought of as a craftsman. 'To work as hard as I've worked to accomplish anything and then have some yo-yo come up and say, 'Take off those dark glasses and let's have a look at those blue eyes' is really discouraging.
'It's as though someone said, 'Open your mouth and let me see your gums,' or 'Open your blouse and let me see your chest.' The thing I've never figured out is, how do you present eyes? Do you present them coyly? Do you present them boldly? Usually, I just say, 'I would take off my sunglasses, madam, but my pants would fall down.''
In Dowd's 2018 profile of Thurman, the actress talks about dangerous encounters with two men. One is Harvey Weinstein, whose sexual assaults have been well chronicled (Thurman 'wriggled' away from his attacks). The other is Quentin Tarantino, who, Thurman says, had her drive an unsafe car on the set of 'Kill Bill,' which she crashed and was left badly injured.
'Uma Thurman said she didn't want to drive this car,' Dowd writes. 'She said she had been warned that there were issues with it. She felt she had to do it anyway.'
'The steering wheel was at my belly and my legs were jammed under me,' Thurman says. 'I felt this searing pain and thought, 'Oh, my God, I'm never going to walk again.' When I came back from the hospital in a neck brace with my knees damaged and a large egg on my head and a concussion, I wanted to see the car and I was very upset. Quentin and I had an enormous fight, and I accused him of trying to kill me. And he was very angry at that, I guess understandably, because he didn't feel he had tried to kill me.'
'Oftentimes,' Dowd writes, 'famous people are just giving you a well-rehearsed riff that they've given thousands of times before. But sometimes, you can lead them to some weird subject that gets them off script. And occasionally, they'll simply surprise you.'
One such surprise came in 2013, when Dowd interviewed Craig.
'The very cool Daniel Craig told me that he and Rachel Weisz had a ban on technology devices in the bedroom and recommended that for everyone,' she writes. ''If the iPad goes to bed, I mean, unless you're both watching porn on the internet, it's a killer,'' he said.
And scene.
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Justin Baldoni's $400M lawsuit against Blake Lively and Ryan Reynolds dismissed by federal judge. How we got here.
The Blake Lively and Justin Baldoni drama is the he-said-she-said case heard around Hollywood, with accusations flying on both sides. Lively and Baldoni are entangled in a legal battle over what may or may not have happened on the set of their Colleen Hoover adaptation, It Ends With Us, with Lively accusing her director and costar on the film of sexual harassment and a subsequent retaliatory campaign against her. Since then, the two have communicated through warring legal teams and the press as they head toward their March 2026 court case. Baldoni has denied all allegations and said that Lively's claims were false and designed to help Lively gain creative control of It Ends With Us. In response to Lively's allegations, which were reported by the New York Times and included texts between Baldoni and members of his team, he filed a $400 million countersuit against the actress, her husband Ryan Reynolds, and their publicist Leslie Sloane. The lawsuit alleges defamation and extortion, as well as a separate $250 million defamation suit against the New York Times. But on June 9, Judge Lewis J. Liman threw out Baldoni's lawsuit, ruling that the statements at the center of the suits were either privileged or lacked the necessary legal basis for defamation. Baldoni's team may amend certain claims and refile by June 23. In a statement to Deadline, Lively's lawyers Esra Hudson and Mike Gottlieb called the ruling "a total victory and a complete vindication" for Lively, as well as Reynolds, Sloane and the New York Times. 'As we have said from day one, this '$400 million' lawsuit was a sham, and the Court saw right through it," they said. "We look forward to the next round, which is seeking attorneys' fees, treble damages and punitive damages against Baldoni, Sarowitz, Nathan, and the other Wayfarer Parties who perpetrated this abusive litigation." It's all very messy — and with the case headed to court in March 2026, there is almost certainly going to be more that will unfold. But how did It Ends With Us go from being a highly anticipated adaptation of a popular BookTok novel to being one of the entertainment industry's biggest rifts to date? Here's what to know. Skip ahead: How it all began Blake Lively speaks out Justin Baldoni pushes back How Taylor Swift got involved Where Deadpool comes in Blake Lively breaks her silence in 2025 Lively drops her emotional distress claim Lively and Baldoni starred together in 2024's It Ends With Us, based on Hoover's 2016 romance novel about a woman breaking out of the cycle of domestic violence. Baldoni, who initially got the rights to the book through his production company, Wayfarer Studios, also directed the film, while Lively was also an executive producer on the project. When the movie came out in August 2024, fans noticed that Lively and Baldoni — who played a couple in the film — did not do interviews together or pose for photos at the movie's premiere, fueling speculation that there was a rift between the two. During the film's press tour, Lively faced backlash for downplaying the story's central theme of domestic violence, instead emphasizing female empowerment and the film's floral aesthetic and even weaving in promotion for her newly launched hair care line. Social media buzz turned critical against the star as old interviews resurfaced that portrayed the actress as catty or rude. Meanwhile, Baldoni — whose brand and podcast Man Enough is centered on untangling himself from toxic masculinity — received praise for including domestic violence as part of the larger conversation about the film. Lively had stayed quiet about her time on the It Ends With Us set and work with Baldoni — until December 2024, when she filed a complaint with the California Civil Rights Department. In her complaint, she claimed Baldoni engaged in sexual harassment and created a hostile work environment during the film's production. Her complaint coincided with a New York Times exposé titled ''We Can Bury Anyone': Inside a Hollywood Smear Machine,' which detailed Lively's allegations — along with her legal complaint — and highlighted the alleged retaliatory actions by Baldoni's team. That included Baldoni encouraging publicists to drum up a smear campaign against the star, which Lively said was the driving force behind the sudden onslaught of negative social media comments about her. Lively was initially met with some public support following the New York Times piece — people like her Sisterhood of the Traveling Pants costars and her Another Simple Favor director Paul Feig spoke out in her favor — but in the weeks after the article, social media sentiment toward the actress remained negative. On Dec. 31, 2024, Baldoni filed a $250 million lawsuit against the New York Times. The actor claimed that the article crafted a misleading narrative that damaged his reputation using cherry-picked communications — like, say, a quoted text message that omitted an emoji indicating sarcasm. The New York Times stood by its reporting and in February 2025 filed to dismiss the lawsuit. On Jan. 16, 2025, Baldoni and his team — including Wayfarer Studios, producer Jamey Heath and PR reps Melissa Nathan and Jennifer Abel — filed a lawsuit in New York federal court. They accused Lively, her husband Reynolds and her publicist Sloane of defamation and other contract violations, while seeking a whopping $400 million in damages. In Baldoni's version of events, Lively and Reynolds wanted to gain control over the making of It Ends With Us, and, when met with resistance, attempted to damage Baldoni's reputation with a harassment claim. In the days after his lawsuit filing, Baldoni's team released footage from the It Ends With Us set in order to contradict some of Lively's complaints about harassment. Later, in March, he launched a website with information about the situation for the public to view. Also in March, Lively sought to have Baldoni's lawsuit dismissed, citing California law on misconduct claims. In May, pop superstar Taylor Swift was officially dragged into the mess, with a subpoena for the artist to appear in court. Swift is a longtime friend of Lively and her husband, Ryan Reynolds, and is also godmother to their four children. The artist entered the conversation when messages between Baldoni and Lively came to light in Baldoni's filing. In the lawsuit, she is referred to as Lively's 'megacelebrity friend,' and Baldoni claimed that Lively used her connection to Swift — whose song 'My Tears Ricochet' is in the film — as leverage to take control of the set. That is the reason Swift was subpoenaed. According to text messages between Baldoni and Lively, Swift was allegedly with Lively when she and Baldoni were discussing a scene from It Ends With Us that Lively wanted to change. In one text exchange between her and Baldoni, Lively wrote of Swift and husband Reynolds, 'If you ever get around to watching Game of Thrones, you'll appreciate that I'm Khaleesi, and like her, I happen to have a few dragons. For better or worse, but usually better. Because my dragons also protect those I fight for. So really we all benefit from those gorgeous monsters of mine. You will too, I can promise you.' Swift's reps, however, say that the singer's only involvement in the film was allowing her song to be used in the movie. 'Taylor Swift never set foot on the set of this movie, she was not involved in any casting or creative decisions, she did not score the film, she never saw an edit or made any notes on the film, she did not even see It Ends With Us until weeks after its public release, and was traveling around the globe during 2023 and 2024 headlining the biggest tour in history,' her reps said in a statement to the press, stating that the subpoena was 'designed to use Taylor Swift's name to draw public interest by creating tabloid clickbait instead of focusing on the facts of the case.' Though Swift's team said her only role in the film was providing a song for it, as other artists who were not subpoenaed had done, Baldoni previously stated that she had a larger impact. He told reporters that Swift had watched a video of Isabela Ferrer, who plays a younger version of Lively's character, and encouraged the casting decision — something that Ferrer also shared with the press. In addition to Swift, her longtime law firm Venable was also subpoenaed. The subpoena, initially served April 29, demanded all communications between Venable and Lively, Reynolds and their attorney Michael Gottlieb. It specifically named Douglas Baldridge, a Venable partner who has represented Swift since 2013. On May 12, Venable filed a motion to dismiss it, according to documents obtained by Billboard, calling it a 'fishing expedition.' The firm stated that Venable is in no way involved in the lawsuit, and that any information Baldoni seeks should be sourced from Lively and Reynolds themselves. 'Venable had nothing to do with the film at issue or any of the claims or defenses asserted in the underlying lawsuit,' the firm wrote, arguing the subpoena was designed 'to distract from the facts of the case and impose undue burden and expense on a non-party.' In a May 13 court filing, Reynolds and Lively supported Venable's motion, calling it an 'abuse of the discovery process.' On May 14, however, Baldoni's lawyer Bryan Freedman came back with a letter to the judge in the case, per People, stating that the decision to subpoena Swift was necessary under the circumstances. Freedman wrote that the team received a tip from what he believes to be a highly credible source that claimed that Lively urged Swift to delete text messages between the two of them. The letter also alleged that Lively's lawyer demanded that Swift release a statement of support for Lively over the Baldoni situation, suggesting that if the singer refused, 'private text messages of a personal nature in Ms. Lively's possession would be released,' the letter from Baldoni's attorney read. In a statement to People on May 14, Lively's attorney Gottlieb denied the allegations, which he called 'categorically false' and 'cowardly sourced to supposed anonymous sources, and completely untethered from reality.' 'This is what we have come to expect from the Wayfarer parties' lawyers, who appear to love nothing more than shooting first, without any evidence, and with no care for the people they are harming in the process,' he continued. 'We will imminently file motions with the court to hold these attorneys accountable for their misconduct here.' On May 18, Lively's team filed a motion in New York's Southern District Court that alleged Baldoni's lawyer made the claim that she extorted Swift as a way "to seed harassing media narratives" against the actress. 'These public attacks, combined with the Rule 11 Plaintiffs filing numerous claims against Ms. Lively without any basis in law or fact, is willfully improper and warrants sanctions,' the legal document read, per the Wrap. Lively's team also filed a second motion to compel Wayfarer Studios to hand over documents and recordings from what they call a "disingenuous charade" of an investigation into her sexual harassment on the It Ends With Us set. The filing accuses Wayfarer of failing to properly investigate her allegations, which include Baldoni allegedly discussing his sex life and staging improvised intimacy scenes without her consent. Her team argues that if a real investigation had taken place in 2023, it would have validated her claims — and that Lively would have been "spared the retaliatory smear campaign" she alleges Baldoni incited in its wake. However, on May 22, the subpoena against Swift was dropped. A spokesperson for Lively confirmed that Baldoni's legal team has withdrawn subpoenas issued to Swift and her legal counsel — a move the spokesperson says they are pleased with. "We supported the efforts of Taylor's team to quash these inappropriate subpoenas directed to her counsel, and we will continue to stand up for any third party who is unjustly harassed or threatened in the process," the spokesperson said in a statement obtained by People. The statement also criticized the Baldoni and Wayfarer team's handling of the case, suggesting they had attempted to use Swift's fame for strategic advantage. "The Baldoni and Wayfarer team have tried to put Taylor Swift, a woman who has been an inspiration for tens of millions across the globe, at the center of this case since day one," the spokesperson said. "Exploiting Taylor Swift's celebrity was the original plan in Melissa Nathan's scenario planning document, and it continues to this day. Faced with having to justify themselves in federal court, they folded. At some point they will run out of distractions from the actual claims of sexual harassment and retaliation they are facing." Baldoni also called out Reynolds's Marvel movie for allegedly attempting to damage his reputation — specifically with the character of Nicepool, portrayed by Reynolds but credited under the name 'Gordon Reynolds.' In the film Deadpool & Wolverine, Nicepool is an alternative version of Reynolds's sarcastic superhero Deadpool who sports long hair and a bun similar to a style worn by Baldoni in the past. Nicepool also calls himself a feminist and remarks on Lively's character Ladypool's postpartum body. 'Reynolds portrayed Nicepool as a vicious caricature of a 'woke' feminist before concluding the character's arc with his violent shooting death at the hands of 'Ladypool,' a character voiced by Blake Lively,' the suit states. It calls the character a 'transparent and mocking portrayal of Reynolds' warped perception of Baldoni.' The It Ends With Us credits also thank 'Gordon Reynolds.' Lively and Reynolds kept a relatively low profile in the immediate wake of the lawsuit. However, the two have recently hinted at the drama at public events, one of which includes Lively and Reynolds's February appearance at the Saturday Night Live 50th anniversary on Feb. 16 — their first public appearance together since the lawsuit broke. When asked how things were going by Tina Fey and Amy Poehler, Reynolds jokingly responded with 'Why? What have you heard?' Baldoni's lawyer Freedman addressed the moment on Billy Bush's podcast, calling it 'surprising' that they would joke about such serious matters. At the 2025 Time100 Gala on April 24, where Lively was an honored guest after making its list of most influential people, she spoke about using her voice for good, saying, 'Who and what we stand up for, and what we stay silent about, what we monetize versus what we actually live, matters.' She also hinted at her legal battle, stating, 'I have so much to say about the last two years of my life, but tonight is not the forum.' In a May appearance on Late Night With Seth Meyers to promote Another Simple Favor, Lively also spoke about using her voice for change. 'What I can say without getting too much into it is that this year has been full of the highest highs and the lowest lows of my life,' Lively told Meyers. 'And I see so many women around, afraid to speak — especially right now — afraid to share their experiences. And fear is by design. It's what keeps us silent. But I also acknowledge that many people don't have the opportunity to speak. So I do feel fortunate that I've been able to. It's the women who have had the ability to use their voice that's kept me strong and helped me in my belief and my fight for the world to be safer for women and girls.' According to court documents, on June 2, Lively chose to withdraw her emotional distress claims against Baldoni, which came after the director's legal team requested access to Lively's medical records. They argued the records were central to her allegations of emotional distress. Baldoni's team stated that rather than hand over her records, Lively is withdrawing her emotional distress claim, court papers cited by Variety stated. However, Lively wants to withdraw the claims without prejudice, meaning she could refile them later should she change her mind — something that Baldoni's team has pushed back against. Baldoni's team argued that Lively is both refusing to disclose the documents needed to disprove that she suffered emotional distress, and/or that Baldoni and his production company were the cause. However, at the same time, she is maintaining the right to refile the claim "at an unknown time in this or some other court after the discovery window has closed.' As of now, they have reached an impasse. Lively's lawyers refuted that, stating that Baldoni's lawyers are not accurate in Lively refusing to hand over these documents. Instead, they said the team is "intentionally misleading to the Court" and that their "intended audience" for this "false record" was the public, alleging that Baldoni's lawyers are using this as a way to spin negative press about the actress. They stated that they are dropping the emotional distress claim to focus on other charges in court. 'Once again, this is a routine part of the litigation process that is being used as a press stunt. We are doing what trial lawyers do: preparing our case for trial by streamlining and focusing it; they are doing what they do: desperately seeking another tired round of tabloid coverage,' they said, according to TMZ. Lively's team stated that Lively still 'alleged emotional distress, as part of numerous other claims in her lawsuit, such as sexual harassment and retaliation, and massive additional compensatory damages on all of her claims.'
Yahoo
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Jon Stewart Calls Los Angeles ‘Our Most Flammable City' Amid ICE Protests: ‘Trump Happily Lights the Fuse'
On this week's episode of 'The Daily Show,' Jon Stewart covered the ongoing protests in Los Angeles, which are fighting back against aggressive raids from the U.S. Immigration and Customs Enforcement. Stewart opened the show by joking he was in L.A. over the weekend 'getting a BBL from a celebrity doctor.' While there, he had one question for Angelenos: 'Is your city ever not on fire?' More from Variety Jon Stewart Tackles Elon Musk's Exit From the Trump Administration: 'This Guy Has Seen Some S--' Jon Stewart Slams CNN for Relentlessly Promoting Book on Joe Biden's Declining Health Amid Prostate Cancer Diagnosis: 'Doing the Story Seems Almost Disrespectful' 'Daily Show' Host Jordan Klepper Wanted to Understand Young Trump Voters: 'I Expected a Bunch of D--s ... but the Cruelty Wasn't There' 'Whether you win a basketball championship, a world series championship, whether you have an exploding piñata gender reveal gone wrong, congratulations, it's a boy and an evacuation,' Stewart joked. 'Or you're just protesting the Trump administration's expanded deportation raids. L.A. continues to be our most flammable city.' Stewart then played a clip of Donald Trump on the campaign trail saying, 'We're going to get the criminals, the murderers, the drug dealers.' He then contrasted Trump's statement with a news snippet, reporting that 'protests started following ICE raids at a Home Depot parking lot in Paramount, south of the city.' 'A Home Depot? From 'the worst of the worst' to a fucking Home Depot? Jeez, ICE, if you need assistance in arresting people, those guys are looking for work,' Stewart said. 'It's an explosive situation, on the cusp of federalism vs. states' rights. Border control vs. due process. Terrifyingly militarized sweeps vs. hard-working people in local communities.' The late-night pundit, clearly setting up a joke on Trump, added that the situation requires 'a deft touch' to calm the conflict. Stewart then hard cut to a clip of Trump at a press conference, saying that he has 'a little statement: They say, 'They spit, we hit.'' 'Predictably, these non-targeted, much broader deportation efforts in cities that feel very connected to the immigrant population [are] a tinderbox, and Trump happily lights the fuse,' Stewart said later in the show. 'Luckily, in the midst of all this chaos, there have been no fatalities. Well, human fatalities.' Another news clip then played, reporting that the self-driving car service Waymo was 'suspending service after at least five of its cars were vandalized and set on fire' during the protests. 'It took five of them before you were like, 'Should we stop sending the Waymos? Four could be a coincidence,'' Stewart joked. Watch the entire segment below. Best of Variety 'Harry Potter' TV Show Cast Guide: Who's Who in Hogwarts? 25 Hollywood Legends Who Deserve an Honorary Oscar New Movies Out Now in Theaters: What to See This Week
San Francisco Chronicle
an hour ago
- San Francisco Chronicle
Weinstein jury set to keep deliberating after tensions spill into public
NEW YORK (AP) — Jurors in Harvey Weinsteinn'ssex crimes retrial appear to be moving past some interpersonal tensions and focusing on one of his three accusers as deliberations stretch into a fourth day Tuesday. At the end of Monday's session, jurors requested to start off Tuesday with electronic copies of emails and other evidence pertaining to Jessica Mann — the accuser with arguably the most complex history with Weinstein. During days of testimony, Mann said the Oscar-winning movie producer raped her in 2013 amid a consensual relationship that continued for years afterward. Weinstein's lawyers emphasized that she kept seeing him, accepting invitations and sending warm messages to him. Mann said she 'compartmentalized' the pain he caused her. Weinstein, 73, has pleaded not guilty to all the charges in the case. In addition to the rape charge, he's accused of sexually assaulting two other women, Mimi Haley and Kaja Sokola. Weinstein didn't testify during the current trial, but maintained through his attorneys that he had completely consensual encounters with his accusers, who wanted his help building show business careers. Weinstein was one of the movie industry's most powerful figures until a series of sexual misconduct allegations against him became public in 2017, fueling the #MeToo movement and eventually leading to criminal charges. The jury is made up of seven women and five men. Their closed-door discussions began Thursday and apparently have been fractious at times. One juror asked Friday to be excused because he felt one member of the group was being treated unfairly. Monday began with two jurors giving contrasting takes on the atmosphere in the deliberation room. First, the foreperson complained to the judge, prosecutors and defense lawyers that some jurors were 'pushing" others to change their minds, talking about Weinstein's past and going beyond the charges. The foreperson didn't specify what was said. Trial evidence has included some testimony about allegations outside the scope of the current charges, such as mentions of the groundswell of claims against the ex-studio boss in 2017. Another juror soon asked to speak to the court. In her estimation, things were 'going well' and jurors were 'making headway.' By the end of Monday, the jury as a whole said in a note that it was 'making good progress.' Weinstein originally was convicted in New York in 2020 of raping Mann and forcing oral sex on Haley. Sokola's allegation was added last year, after New York state's highest court overturned the 2020 conviction and sent the case back for retrial. The Associated Press generally does not identify people without their permission if they say they have been sexually assaulted. Sokola, Mann and Haley have agreed to be named.
