44 percent: Children's book on Little Haiti, reviving a long-gone Overtown nightclub
At the top of the month, I mentioned prioritizing Black joy. For me, that joy has been watching 'Beyond the Gates,' the Black soap opera that airs on CBS at 2 p.m. EST. and streams on Paramount+.
It is everything we deserve in a Black soap, the first in more than 35 years: legacy Black talent with Tamara Tunie and Clifton Davis serving as matriarch and patriarch of the Dupree family; a beautiful cast reminiscent of when Victoria Rowell, Shemar Moore, and the late Kristoff St. John graced our TV screens; and a riveting plot line (no spoilers). And trust me, this does not give beautiful gowns, but it does give wonderful wigs!
It has been such a wonderful experience being at the start of a soap opera and a Black one, no less. This has been one of many joyous moments for me, but I hope you all take a minute to watch it. And I'd be remiss if I didn't note that the celebration of Blackness and Black history doesn't begin or end with the month of February. For me, as I'm sure it is for a few of you, it's a year round appreciation of who I am, where I'm from and the love of my people.
INSIDE THE 305:
'That was our place': Miami author teaches history of Little Haiti in children's book
Born in Little Haiti, author Eunice Flowers was raised to appreciate her Blackness. It's something she's also worked to instill in her children. Flowers has created a book series that will do that while preserving the local Black history of Miami.
As I reported: Flowers decided to create Maya and Xavier's Adventures, a book series that chronicles elementary school children as they visit historically significant sites in Miami's Black history. The first book in the series, 'Maya and Xavier's Adventures in Little Haiti,' follow the children Maya and Xavier as they visit the Little Haiti Cultural Center and the The Toussaint L'Ouverture Monument.
Those two destinations are among the few remaining symbols of Little Haiti's identity, which has undergone gentrification in recent years. 'I want to preserve that,' she said. 'The fact that that's where we were made to belong, that was our place.'
The Trump administration is ending TPS for Haitians. Here's what you need to know
More than half a million Haitians in the United States could be at risk of deportation after President Donald Trump's administration revoked a Temporary Protected Status extension, Haiti Correspondent Jacqueline Charles reported. She has written a primer on TPS and what to do if this affects you.
OUTSIDE THE 305:
Trump administration answers invite of Caribbean Community leaders; visit being planned
Plans are in the work for the Trump administration to visit the Caribbean and its leaders, which follows a five-nation tour by Secretary of State Marco Rubio. Jacqueline Charles reported:
Days after Caribbean leaders announced plans to invite President Donald Trump for a visit, his administration is taking them up on their offer — sort of. Secretary of State Marco Rubio, whose recent five-nation tour through the region included only one Caribbean country, the Dominican Republic, plans to visit the wider Caribbean region next month, said Mauricio Claver-Carone, Trump's special envoy to the Americas. 'We're going to go,' Claver-Carone, who will join the secretary on the visit, told the Miami Herald.
New jazz fellowship honors the genre's elders and gives them an unrestricted $100,000 grant
Bertha Hope and several other elder jazz musicians are receiving a fellowship with grant funds to help them continue their work in the jazz space among other things. Hope's husband Elmo Hope worked with Sarah Vaughan (pictured above) and Fort Lauderdale's Cannonball Adderley. As the Associated Press reported: Though Bertha Hope, now 88, has toured extensively, recorded several albums and helped support the legacy of her late husband, the jazz pianist Elmo Hope, her talent still needs nurturing. And a new initiative dedicated to the preservation of jazz and the artists who helped build it plans to provide support for Hope and dozens of others.
The Andrew W. Mellon Foundation and The Jazz Foundation of America on Tuesday announced the Jazz Legacies Fellowship — a new $15 million program that will give 50 artists who are 62 years or older a lifetime achievement award that includes a $100,000 unrestricted grant, professional support and performance opportunities.
HIGH CULTURE:
For one night, Miami can relive the heyday of Overtown's famous Black hotel
The heyday of popular Overtown nightclub the Knight Beat inside the Sir John Hotel have faded into obscurity. But it was once a place where Black performers sang and danced after headlining in Miami Beach, where they could not stay because of their skin color. Tonight, an event at the African Heritage Cultural Arts Center called A Night at The Sir John's Knight Beat, will try to resurrect the energy of gone but not forgotten club, with live performances, dances and poetry.
Where does 'The 44 Percent' name come from? Click here to find out how Miami history influenced the newsletter's title.

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Yahoo
36 minutes ago
- Yahoo
Trump booed and cheered at the Kennedy Center while attending 'Les Misérables'
WASHINGTON (AP) — The drama in the audience rivaled the spectacle on stage on Wednesday at the Kennedy Center, where President Donald Trump went to the opening night of 'Les Misérables' as he tightens his grip on the venerable performing arts institution. It was his first time attending a show there since his election, and he was booed and cheered as he took his seat alongside first lady Melania Trump. Near the end of the intermission, someone loudly cursed his name, drawing applause. Several drag queens were in the crowd, their presence a protest against Trump's complaints that the Kennedy Center had hosted too many drag shows in the past. Despite the condemnation, the event had a MAGA-does-Broadway feel. Ric Grenell, the Trump-appointed interim leader of the Kennedy Center, was there, as were Vice President JD Vance and his wife, Usha. Before the show began, Attorney General Pam Bondi chatted with guests and Health and Human Services Secretary Robert F. Kennedy Jr. took selfies. Laura Loomer, the conspiracy theorist who has advised Trump on personnel decisions, posted a video from a seat near the stage. Trump walked the red carpet with the first lady when they arrived at the Kennedy Center, which he's been remaking in his image while excising what he describes as liberal ideology. 'We want to bring it back, and we want to bring it back better than ever,' Trump said. The Republican president has a particular affection for 'Les Misérables,' the sprawling musical set in 19th-century France, and has occasionally played its songs at his events. One of them, 'Do You Hear the People Sing?,' is a revolutionary rallying cry inspired by the 1832 rebellion against the French king. The three-hour production featured singing and dancing, with the sounds of explosions and gunfire filling the theater as protesters and soldiers clashed on stage. For Trump's critics, it was an unnerving echo of what's unfolding in Los Angeles, where Trump has deployed National Guard troops in response to protests over his deportation policies. 'Someone explain the plot to him," California Gov. Gavin Newsom, a Democrat, wrote on social media. Terry Gee, a bartender, bought his ticket for the show in November and didn't mind Trump's presence. It's his sixth time seeing 'Les Misérables,' and he said, 'I'm going to enjoy the show regardless." Hannah Watkins, a nurse, only learned that Trump would be there when the Kennedy Center distributed information about extra security and she searched online to see what was happening. 'I've seen a lot of famous people so far, which is exciting,' said Watkins, who had claimed a spot near the VIP entrance with her mother. 'Honestly, we just like 'Les Mis' and are excited to be here.' Before Trump, presidential involvement in the Kennedy Center's affairs had been limited to naming members to the board of trustees and attending the taping of its annual honors program in the fall. But after returning to office in January, Trump stunned the arts world by firing the Kennedy Center's longtime director and board and replacing them with loyalists, who then named him as chairman. Trump promised to overhaul its programming, management and even appearance as part of an effort to put his stamp on the national arts scene. His latest moves have upset some of the center's patrons and performers. In March, the audience booed the Vances after they slipped into upper-level seats to hear the National Symphony Orchestra. Trump appointed Usha Vance to the Kennedy Center board along with Bondi, White House chief of staff Susie Wiles and Fox News Channel hosts Maria Bartiromo and Laura Ingraham, among other supporters. Sales of subscription packages are said to have declined since Trump's takeover, and several touring productions, including 'Hamilton,' have canceled planned runs at the center. Actor Issa Rae and musician Rhiannon Giddens scrapped scheduled appearances, and Kennedy Center consultants including musician Ben Folds and singer Renée Fleming resigned. Understudies may have performed in some roles Wednesday night because of boycotts by 'Les Misérables' cast members, but Trump said he wasn't bothered by anyone skipping the performance. 'I couldn't care less,' he said. Since returning to the White House in January, Trump has adopted a more aggressive posture toward the arts. The White House has taken steps to cancel millions of dollars in previously awarded federal humanities grants to arts and culture groups, and Trump's budget blueprint proposed eliminating the National Endowment for the Arts and the National Endowment for the Humanities. Trump has also targeted Smithsonian museums by signing executive orders to restrict their funding and by attempting to fire the director of the National Portrait Gallery. The president characterized previous programming at the Kennedy Center as 'out of control with rampant political propaganda' and said it featured 'some very inappropriate shows,' including a 'Marxist anti-police performance' and 'lesbian-only Shakespeare.' The Kennedy Center, which is supported by government money and private donations, opened in 1971 and for decades has been seen as an apolitical celebration of the arts. It was first conceived in the late 1950s during the administration of Republican President Dwight Eisenhower, who backed a bill from the Democratic-led Congress calling for a National Culture Center. In the early 1960s, Democratic President John F. Kennedy launched a fundraising initiative, and his successor, President Lyndon B. Johnson, signed into law a 1964 bill renaming the project the John F. Kennedy Memorial Center for the Performing Arts. Kennedy had been assassinated the year before. ___ Associated Press writer Mark Kennedy in New York contributed to this report. Darlene Superville And Chris Megerian, The Associated Press


Newsweek
an hour ago
- Newsweek
Donald Trump Booed at Kennedy Center, Drowned Out By 'USA' Chants
Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content. President Donald Trump got a mixed reception at the Kennedy Center theater, where he watched the opening night performance of "Les Misérables" on Wednesday evening, but the boos and jeers were soon drowned out by chants of "USA". Trump waved and clapped as he entered the theater to the sound of both cheering and booing, a video posted to social media showed. A woman in another video can be seen shouting "felon" and "rapist" at Trump as another theatergoers urges her to "stop it". The president attended the performance with First Lady Melania Trump. .@realDonaldTrump gets cheered and booed at the Kennedy Center. — Jeff Mason (@jeffmason1) June 11, 2025 "I couldn't care less" is what @realDonaldTrump said when asked what his response was to some Les Mis cast and crew potentially boycotting his attendance at the @kencen tonight This was the reaction to him walking in - a mix of cheers and boos More on @wusa9 — 𝙆𝙖𝙩𝙞𝙚 𝙇𝙪𝙨𝙨𝙤 (@KatieLusso) June 12, 2025 This is a developing article. Updates to follow.
Yahoo
an hour ago
- Yahoo
Shouts of ‘felon' and ‘we love you': Inside Trump's charged visit to the Kennedy Center
President Donald Trump drew charged reactions of both admiration and ire at the Kennedy Center's opening night of 'Les Misérables' – with a greeting of cheers and boos, drama at intermission and drag queens in the audience. When the lights came on after the end of the first act Wednesday, many people cheered and clapped as the president and First Lady Melania Trump stood up. But a woman below, seated in the orchestra section, started yelling: 'Felon, you're a convicted felon.' As cheers died down, and Trump walked out, her voice became clearer: 'Convicted felon, rapist!' A security guard quickly approached, appearing to escort her out. As the crowd waited anxiously for Trump to return to his seat, someone yelled out: 'F**k Trump,' and the crowd responded by cheering and clapping loudly. Some yelled out: 'We love you.' Others booed, and then an even louder cheer erupted when Trump appeared again. He pumped his fist in the air three times – reminiscent of how he rallied his supporters after an assassination attempt against him last year in Pennsylvania, when he made the same motion and shouted to the crowd: 'Fight, fight, fight.' The night was emblematic of Trump's approach in his second administration. Shunned from much of the cultural milieu of deep-blue Washington, DC, in his first term, he largely ignored it. This time, an emboldened Trump has seized control of one of the premiere cultural spots in the city, installing allies on the board who named him chairman and announcing plans to adjust the decor and schedule to his liking. And, much like his approach to the negative reactions during the performance, he isn't expressing much concern about his critics. His supporters are more than willing to drown out the naysayers. When Trump first entered the theater, standing at the lip of the presidential box overlooking the crowd, he was met with loud cheers and boos. Then chants of 'USA, USA, USA' broke out. Darlene Webb, a self-identified Trump supporter since 2016, said the expletives and jeering just made her want to express her support more loudly. 'I just wanted to clap and yell over it, because at this type of performance I don't think it was good for them to do that, professionally,' Webb said. Cara Segur, a friend of Webb's, said she 'found it kind of ironic that he was here' given the subject matter of the musical. In the backdrop of Wednesday night's performance — the story of a former convict fighting for a second chance against a law enforcement officer's dogged pursuit to put him back in prison — Trump has deployed the National Guard and hundreds of Marines to Los Angeles to quash protests, which were sparked by the administration's immigration crackdown. 'Seeing some of the actors and actresses, it looked like they were singing at him, instead of just singing to the crowd. And it felt really powerful and I liked it,' Segur said. Not all the protests against Trump's presence at the Kennedy Center Wednesday night were vocal. Four drag queens sat below the presidential box, a visual pushback against Trump's vow that there would be no more 'woke' performances or drag shows at the Kennedy Center. One of the drag queens, Tara Hoot, said their appearance in full drag was 'a message of inclusivity. I really love musicals, I mean I'm a drag queen.' 'A lot of people have been applauding, asking for pictures,' another drag queen who goes by Vagenesis said, waving a fan with the DC flag on it. 'Some people are throwing some glances, confused about what they see, but that's always to be expected wherever we go.' Some in the audience bought tickets well before Trump decided to attend, including Carol Campion, her daughter Kristen Farren and her two grandchildren. Farren said she would like the Kennedy Center to 'remain apolitical. It's a beautiful, beautiful location that has been part of our country for a very long time, and I think it should just be dedication to the arts as it was meant to be.' The performers, who did not make any sort of statement about Trump's presence during the show, received a standing ovation from the audience. Trump and the first lady stood and clapped, as well as the entire presidential box, which included Treasury Secretary Scott Bessent, Attorney General Pam Bondi, Vice President JD Vance, Second Lady Usha Vance and Kellyanne Conway, among others. Trump left before the lights came back on. Before the show, the president and Melania Trump attended a VIP reception hosted by the Kennedy Center Board of Trustees intended to raise money to revamp the building. Gold sponsors of the event were asked to contribute $2 million for 10 premier seats, a photo opportunity with Trump and 10 tickets to the VIP reception. Silver sponsors were expected to pay $100,000 for a photo opportunity with Trump, performance seating and two tickets to the VIP reception. At the red carpet ahead of the performance, Trump said that $10 million had been raised for the Kennedy Center. Trump has taken purposeful steps to reshape power at the Kennedy Center, installing allies on the board who elected him chairman. That includes his chief of staff Susie Wiles, Usha Vance, Bondi, White House deputy chief of staff Dan Scavino and Commerce Secretary Howard Lutnick's wife, Allison. He also appointed Fox News hosts Maria Bartiromo and Laura Ingraham, as well as 'God Bless the USA' singer Lee Greenwood. 'We're going to make it incredible,' Trump said on the red carpet before the show. 'We have all the funding — we raised a lot tonight. We'll put it — lot of money, we're going to bring it back to the highest level, higher than it was ever before.' Trump was asked while entering the venue about a previous CNN report that at least 10 to 12 cast members planned to boycott the performance due to his appearance. While it was not immediately clear how many cast members followed through on those plans, Trump said he was unbothered. 'I couldn't care less, honestly I couldn't,' he replied. 'All I do is run the country – well.'