Tony Awards 2025: From Francis Jue's tux to a musical cut-off in Kara Young's speech
Gather the brightest stars of stage and song under one roof, and you get a night to remember—exactly what the 2025 Tony Awards offered in dazzling measure.
With Wicked star Cynthia Erivo at the helm—bringing the same commanding presence that made her 2015 turn in The Colour Purple unforgettable—the evening unfolded as a stirring tribute to theatre's enduring magic.
From Sarah Snook's emotionally raw acceptance speech to Audra McDonald's soul-stirring performance of 'Rose's Return,' and Francis Jue's gentle, heartfelt homage, the ceremony struck a perfect chord between celebration and remembrance. Francis Jue
Francis Jue, who won best actor in a featured role in a play for his work in a revival of Yellow Face, said he was gifted the tuxedo he was wearing by another Asian actor, the late Alvin Ing, who wanted him to wear it to the Tonys.
Jue shared that Ing had the tux made for himself for the opening of Pacific Overtures on Broadway in 1976. 'When he gave it to me 20 years ago, he told me he wanted me to wear it when I accepted my Tony Award,' he said in his acceptance speech.
Jue concluded his speech saying, 'I'm only here because of the encouragement and inspiration of generations of wonderful, deserving Asian artists who came before me. To those who don't feel seen, I see you.' Kara Young accepts the Best Performance by an Actress in a Featured Role in a Play award for Purpose
Kara Young, the first Black female actor to be nominated for a Tony Award in four consecutive years, became the first Black person to win two Tonys consecutively, with the featured actress in a play trophy for her work in Purpose.
As she was wrapping up her acceptance speech after calling the theatre a 'sacred space,' host Cynthia Erivo's voice started playing over it.
In fairness, Erivo had already jokingly earned that anyone taking more than 90 seconds for their acceptance speech will be played off to her singing. But the timing was just not-so-ideal. Lin-Manuel Miranda and the cast of Hamilton
The original cast of Hamilton reunited at the Tony Awards after 10 long years. They performed a "mixtape" of the songs from the hit musical.
The returning performers included the show's creator Lin-Manuel Miranda, Daveed Diggs, Renee Elise Goldsberry, Jonathan Groff, Christopher Jackson, Phillipa Soo, and Leslie Odom, Jr. Jonathan Groff, center, performs a medley from 'Just in Time'
Jonathan Groff performed an unforgettable medley from Just in Time.
Midway through a medley of 'Mack the Knife,' 'That's All,' and 'Once in a Lifetime,' he leapt into the audience and playfully straddled his The Matrix Resurrections co-star Keanu Reeves. Fully embracing the moment, Reeves flashed rock-'n'-roll hand signs and gamely joined in on the fun. Sarah Bareilles, left, and Host Cynthia Erivo perform 'Tomorrow' during the In Memoriam segment
Cynthia Erivo briefly stepped away from her hosting role to join Sara Bareilles for a moving rendition of 'Tomorrow.' The duo harmonised on the beloved Annie classic as the room honoured industry peers lost over the past year, including James Earl Jones, Gavin Creel, Maggie Smith, and others. Oprah Winfrey at Tony Awards
First-time host Cynthia Erivo kicked off the show from her dressing room in Radio City Music Hall, urged by the stage manager to get to the stage. He asked if she had an opening number and she replied she hadn't figured it out yet.
As she made her way through the backstage warren, she ran into various people offering advice until she reached Oprah Winfrey, who advised, 'The only thing you need to do is just be yourself.'
It turned into a heartwarming moment as Oprah Winfrey re-enacted the now-iconic Wicked scene where Ariana Grande playfully grabbed Cynthia Erivo's finger—an interaction that had quickly captured fans' hearts.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Hindustan Times
32 minutes ago
- Hindustan Times
Tom Felton opens up about JK Rowling's political remarks, says he's not particularly ‘attuned' to the conversation
With the magic of Harry Potter still casting spells long after the final credits rolled, few characters remain as polarising as Draco Malfoy. Now, more than a decade since the cinematic series ended, Tom Felton is ready to don the Slytherin robes once more. But as he steps into his role in the Broadway production of Harry Potter and the Cursed Child, the return to Hogwarts comes with more than just stage fright — it comes with the shadow of J.K. Rowling's ongoing political controversies. At this year's Tony Awards, Felton spoke candidly with Variety's Gordon Cox, addressing the swirling conversations around Rowling's outspoken political views, including her widely criticised statements on gender identity and trans rights. Felton's response was rather telling. Felton admitted that he was not particularly 'attuned' to the conversation and when asked if the conversation around Rowling impacted his work in the franchise, Felton's opinion was that he 'can't say it does.' It's a statement that won't go unnoticed. In an era when many actors, including his former castmates Daniel Radcliffe and Emma Watson, have publicly distanced themselves from Rowling's views in support of the trans community, Felton's more neutral tone feels like a stunted choice. Of course, Felton didn't stop there. He further emphasised what he sees as Rowling's enduring legacy — one that goes beyond politics and social media firestorms. 'The only thing I always remind myself is that I've been lucky enough to travel the world — here I am in New York — and I have not seen anything bring the world together more than 'Potter,'' he reflected. 'And she's responsible for that, so I'm incredibly grateful.' It's a sentiment that may divide fans. On one hand, Felton is clearly trying to separate the art from the artist and on the other, in a fandom known for its progressivism, neutrality can read as complicity. Felton's return to The Cursed Child — where he reprises Draco Malfoy, now a father navigating parenthood and legacy — adds another layer to the discussion. The story, set 19 years after the original books, sees the next generation of Hogwarts students facing new challenges. For fans, the show offers nostalgia wrapped in fresh drama but for Felton, it's a return to a universe now complicated by controversy.


Hindustan Times
an hour ago
- Hindustan Times
First-time Tony nominee George Clooney shares honest take on his Broadway debut look: Nothing makes you look older...
It has to be some next-level high, to debut on Broadway at 63 years of age, and snag a nomination in one of the most coveted categories of the night. Well that's probably just what it feels like, to be George Clooney. The actor, now 64, formidably forayed into the live arc lights earlier this year with his turn as journalist Edward R Murrow in the Good Night, and Good Luck production. Not only did he deliver a smashing debut, but also landed a nomination for Best Leading Actor in a Play. George sauntered into New York's Radio City Music Hall last night, with wife Amal Alamuddin in tow, for his first stint as a Tony nominee. During a red carpet byte, the actor got candid about his very (and we don't say that lightly) controversial Broadway debut look. "...Not a good look", admitted George, adding, "Nothing makes you look older than dyeing your hair dark". Quipping about how wife Amal put up with his very brief brunette era, the actor said, "She put up with me for a while". It is worth mentioning here, that Amal was right by George's side for his Tonys stint, after weeks and weeks of an impending $300 million divorce rumours, doing the rounds of the internet. For context, George's statement salt and pepper head of hair, which has had women (and men) swooning for decades, took a temporary back seat, as he went completely brunette with not a speck of grey, in an attempt to commit to his character of Edward R Murrow. Now it's hard to make George look bad per se, but the demand for a return of the salt and pepper look, was nearly unanimous — and so just like that, it's back. A post shared by Entertainment Tonight (@entertainmenttonight) Speaking about his first Broadway stint, he recalled, "It ended up being a really fun experience, the audience seemed to dig it. We had a really good night, last night. It was hard to do a live show. It's a little nerve-wracking you know". But does THE George Clooney ever get nervous? "Yeah! I'm old, man", he laughed; "The older you get the harder it is to remember things". As far as George's Tony nomination goes, the veteran Hollywood ace, lost the win to Oh Mary! star and creator Cole Escola, who incidentally, made history with their win, as the the first non-binary nominee and winner in the said category. Well, at least we're all still winning, given that George is back in his silver fox era!


Pink Villa
an hour ago
- Pink Villa
What is Maybe Happy Ending and why are Koreans celebrating? All we know about musical winning 6 honors at 2025 Tony Awards
In a landmark moment for Korean theater and Broadway alike, the musical Maybe Happy Ending made history at this year's Tony Awards. It clinched six major honors including Best Musical. The tender and imaginative sci-fi romance is set in a futuristic Seoul and centered on two obsolete androids The musical has gone from humble beginnings in a small theater in South Korea to taking center stage at New York's prestigious Belasco Theatre. It has since gone on to dominate the American theater circuit. From Seoul to Broadway First conceived in 2014 and developed with support from Korea's Wooran Foundation, Maybe Happy Ending had its premiere in Seoul in 2016. What began as a modest production in the Daehangno theater district quickly built momentum. It eventually ran for five seasons and captivated local audiences with its delicate mix of emotional depth and speculative fiction. A decade later, the story has found its second wind and global recognition through an English-language adaptation that premiered on Broadway in November 2024. The show's successful transition to the American stage has been hailed as a milestone in cross-cultural storytelling. A story of connection in a disconnected world Maybe Happy Ending follows the quietly powerful tale of Oliver and Claire. They are two outdated HelperBot androids who meet by chance after being abandoned by their human owners. Despite their mechanical origins, the pair develop an unlikely emotional bond, discovering love, fear, and the ache of impermanence. It stars Darren Criss as the gentle, introspective Oliver and rising star Helen J. Shen as the curious and heartfelt Claire. The musical explores themes of loneliness, obsolescence, and the simple longing to matter. The show's unique story is set in a near-future version of Seoul. It blends technology and tenderness, pushing the boundaries of what musical theater can achieve emotionally and thematically. Tony Awards sweep cements the musical's legacy The 2025 Tony Awards solidified Maybe Happy Ending's status as the season's most acclaimed production. It earned six wins across major categories: Best Musical Best Leading Actor in a Musical (Darren Criss) Best Direction of a Musical (Michael Arden) Best Book of a Musical (Will Aronson and Hue Park) Best Original Score (Will Aronson and Hue Park) Best Scenic Design of a Musical These accolades come on the heels of an already triumphant awards season. The musical was honored with six wins at the 69th Annual Drama Desk Awards, including Outstanding Musical. It also took home top prizes from the 89th New York Drama Critics' Circle and the 91st Annual Drama League Awards. A homecoming to mark 10 years As Maybe Happy Ending continues to charm Broadway audiences, the production is also preparing to return to its roots. In October 2025, a special 10th-anniversary revival of the original Korean-language version is scheduled to open in Seoul, bringing the story full circle. The revival is expected to draw both longtime fans and a new generation of theatergoers who have discovered the show through its Broadway success.