Latin music artist Zion to open fusion restaurant in Wynwood (Photos)
Wynwood will soon welcome another fusion restaurant that blends Latin and Japanese flavors, but this time it's backed by a reggaeton star.
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San Francisco Chronicle
11 hours ago
- San Francisco Chronicle
Rarely performed Sondheim musical speaks volumes in our tariff era
To feel the scourge of imperialism, listen to a song that doesn't dictate feeling at all. In the musical 'Pacific Overtures,' an unlikely governor in Japan ticks off the Western imports that have wormed their way into his life since Americans forced open his country to trade in 1853. 'It's called a bowler hat,' Kayama (Nick Nakashima) sings in Kunoichi Productions' show, his eyes wary yet curious as he regards the foreign object. Two verses later: 'It's called a pocket watch.' Before long, the samurai is looking for his own bowler hat, drinking too much white wine and replacing his sword with a pistol. Stephen Sondheim's lyrics stay light and jagged, and his music sounds like waves heaving back and forth, thrashing the passage of time. Suddenly, a way of life is gone, a man transformed, and all it took was a song. That's one of the finest moments in the rarely performed show, which opened Friday, May 30, at Brava Theater. Another comes shortly before, when nobles warn Lord Abe (Lawrence-Michael C. Arias) about the growing population of Westerners in their midst. Their method is to have a storyteller deliver a fable, in the ritualized style of traditional Japanese theater, about a young king on a hunting party who thinks he's encountering a tiger, only to be confronted by a pack of beastly men. Herein, actor Ryan Marchand glides about the stage in swooshing steps, sweeping his arms in surgically precise arcs. In a drawn-out chant, his voice mines the lower depths of his body cavity, resounding like a hollow redwood, and ratchets up in pitch to transport the whole stage to some kind of liminal space, like we're listening to an emissary from the beyond. His hyper-focused gaze practically has physical force. It's as if he pictures very specifically all the long-term ramifications of opening borders to the West, and he's holding you in place till you see it, too. The show isn't an easy one, though. Often, Sondheim's score doesn't ingratiate itself with the ear. If you're not well schooled in dissonant music, it can be difficult to pick out what distinguishes his chords from a random mashing of fist against keys. And while Nick Ishimaru's direction contains some flashes of genius, including othering the infringing Americans as caricatures by costuming them in garish masks, staging feels incomplete. When Kayama and his wife Tamate (Sarah Jiang) fret about his impossible-seeming mission to keep the Americans offshore, lest they taint sacred Japanese soil, it's as if the actors haven't been told to either move or stay still, so they hover in an unsatisfying in-between state. Singers muddle their pick-ups and cut-offs. Breath support staggers, the musical equivalent of water instead of soup. In the repetitive song 'Someone in a Tree,' the actors fail to justify why one character, recalling his observation of the first meeting of the Japanese and Americans, sings that he was 'younger then' six times. Sitting in the audience, you start to dream up possibilities. Maybe he's senile. Maybe he's overexcited or fond of hearing his own voice. Maybe his listener would be indulgent at first, since she yearns to hear his tale, only to grow confused, then impatient, then exasperated. But the actors don't explore these possibilities or any other, probably better ones. Each iteration feels the same. Still, in our own era of tariffs and isolationism frankensteined to would-be imperialism (see Greenland, Canada and the Gulf of Mexico), the 1976 musical makes for a provocative revisit. Closed borders relegate the rest of the world to 'somewhere out there.' Open borders sully or sever connection with heritage. But history, 'Pacific Overtures' suggests, tends to move only in one direction. You can't put the genie back in the bottle, so open with care.
Epoch Times
13 hours ago
- Epoch Times
Denzel Washington Receives Surprise Honorary Palme D'Or Award at Cannes
CANNES, France—Actor Denzel Washington received a surprise honorary Palme d'Or award at the Cannes Film Festival on Monday evening in recognition of his outstanding career, according to organizers. Washington, 70, was in southern France for the premiere of director Spike Lee's latest film 'Highest 2 Lowest,' an adaptation of legendary Japanese filmmaker Akira Kurosawa's 'High and Low,' which also celebrated its premiere on Monday.
Time Business News
a day ago
- Time Business News
Saint Michael Sale Saint Michael Clothing
In an industry overwhelmed by buildup cycles and trend-driven names, Saint Michael stands separated as a streetwear brand with an unmistakable character, crude feeling, and craftsmanship at its center. Known for its bothered surfaces, otherworldly themes, and premium development, Saint Michael has developed a steadfast taking after that ranges from mold insiders to hip-hop elites. At the heart of its advertising are the brand's T-shirts and hoodies—garments that feel more like wearable relics than simple clothing. Saint Michael is the brainchild of two inventive powerhouses: Yuta Hosokawa, the originator of Japanese mold name Readymade, and Cali Thornhill DeWitt, a Los Angeles-based craftsman known for his sincerely charged text-based craftsmanship and near ties to Kanye West's DONDA imaginative camp. Launched in 2020, Saint Michael—sometimes stylized as Holy person Mxxxxxx—blends East-meets-West craftsmanship, countercultural references, and an unmistakable DIY stylish. The brand's title alludes to the lead celestial host Michael, a figure of security, equity, and otherworldly warfare—an able allegory for the brand's gritty-yet-hopeful worldview. From its initiation, Saint Michael has stood out by dismissing flawlessness. Its pieces are intentioned troubled, blurred, and worn, bringing out a sense of history and rebellion. Saint Michael's T-shirts are seemingly its signature pieces. Created from heavyweight, high-quality cotton, these shirts are more than fair basics—they're craftsmanship objects with a punk edge. Each Saint Michael T-shirt is hand-treated to accomplish a vintage see. Whether it's the broken screen prints, frayed fixes, or uneven colors, each shirt carries the marks of deliberateness blemish. This maturing handle gives the pieces of clothing a sense of lived involvement, as if they've as of now had a life some time recently coming to the customer. Designs regularly highlight strong typography, devout iconography, blessed messengers, skeletons, coarse mottos, and Cali Thornhill DeWitt's signature wonderful lines—phrases like 'There Is Magnificence in Pain' or 'Fear No Evil.' The typography is frequently spiked and uneven, bringing out the DIY zine and in-your-face punk scene stylish of the '80s and '90s. No two T-shirts are ever precisely the same, and that uniqueness is portion of the brand's reasoning: grasping flaw as beauty. Saint Michael's hoodies take after the same plan ethos, but on a somewhat bigger, more material canvas. These are larger than usual. Heavyweight articles of clothing that prioritize both consolation and nearness. Much like the T-shirts, each Saint Michael Hoodie experiences a fastidious troubling process. Hand-dyed, washed, and frayed to inspire a feeling of sentimentality and enthusiastic resonance. The hoodies regularly come in washed-out colors—earth tones, grays, blurred blacks—and include striking realistic prints, Gothic-style lettering, and otherworldly images. Numerous of them exhibit the lead celestial host Michael himself or conten. That peruses like journal sections from a tormented poet. Despite their troubled nature, the craftsmanship is premium. These aren't fast-fashion hoodies implied to drop separated after a season. They're built to final, and their vintage see as it were makes strides with wear. They feel like legacies, articles of clothing passed down with meaning. Saint Michael has earned a pined for spot in modern pop culture. Its crude visual stylish and passionate genuineness have pulled in celebrities and specialists over classes. Kanye West, Travis Scott, Playboi Carti, Balanced, and Justin Bieber have all been spotted wearing Saint Michael. Encourage cementing the brand's cachet in design and music circles. Unlike numerous brands that surge the showcase with mass-produced things, Saint Michael keeps up an discuss of restrictiveness. Its pieces are ordinarily discharged in little, curated drops, regularly offering out inside minutes. This limited-release technique includes to its persona and drives up its resale esteem on stages like Grailed and StockX. What sets Saint Michael separated isn't fair the illustrations or craftsmanship—it's the passionate gravity behind each piece. The brand talks to topics of mortality, most profound sense of being, torment, recovery, and excellence in rot. In a world immersed with sanitized, algorithm-driven design, Saint Michael feels profoundly human and soulful. By collaborating with craftsmen, performers, and social rebels, the brand remains associated to the beat of underground and avant-garde developments. It doesn't chase trends—it shapes them. Its personality is an purposefulness dismissal of commercial clean in favor of true expression. Holy person Michael doesn't fair make clothes—it tells stories. As the brand proceeds to develop, Saint Michael is gradually extending past T-shirts and hoodies to incorporate outerwear, denim, embellishments, and domestic products. Collaborations with other craftsmen and streetwear names are too in the works, with numerous insiders expecting capsule collections and worldwide pop-up experiences. Yet, the challenge remains: how to scale whereas remaining genuine to the brand's crude, individual ethos. Saint Michael flourishes on small-batch generation and passionate authenticity—two qualities that don't continuously loan themselves to mass development. Be that as it may, if its authors remain genuine to their vision, the brand seem advance into a social institution much like Chrome Hearts or Undercover—labels that adjust craftsmanship, eliteness, and underground credibility. Saint Michael is not fair a mold brand—it's an creative explanation. With its hauntingly excellent T-shirts, rough hoodies, and candidly charged plans, it has re-imagined what cutting edge streetwear can be. In a world where numerous brands yell for consideration, Saint Michael whispers—with a voice full of verse, coarseness, and otherworldly defiance. TIME BUSINESS NEWS
