
Star Wars creator solves movie mystery after 55 years
Know now do we why speaks that way does Yoda.
Star Wars creator George Lucas is peeling back the curtain on why Yoda speaks backwards in the film franchise.
'Yoda had a very distinctive way of talking, and it was done purposely because if you were speaking regular English, people don't listen that much, but if he has an accent, or it's really hard to understand what he's saying, they focus on what he's saying,' he told Turner Classic Movies host Ben Mankiewicz last week during a screening of The Empire Strikes Back at the TCM Classic Film Festival.
'He was basically the philosopher of the movie, so he was talking about all of the things in long talking scenes and stuff where I had to figure out a way to get people to actually listen, especially 12-year-olds.'
Yoda is known for his wisdom, with such lines as 'Try not. Do or do not. There is no try,' 'The greatest teacher, failure is' and 'Much to learn, you still have.'
Yoda's first appearance in the Star Wars franchise came in 1980 in The Empire Strikes Back. The character was voiced by Frank Oz, who also provided it for Return of the Jedi, the prequel trilogy and The Last Jedi. He and other actors have also voiced Yoda in various related Star Wars projects over the years.
Oz said he came up with Yoda's unusual speaking style before getting Lucas' blessing to do it.
'I was just looking at the original script of 'The Empire Strikes Back' the other day and there was a bit of that odd syntax in it, but also it had Yoda speaking very colloquially,' he told The Guardian in 2021. 'So I said to George (Lucas): 'Can I do the whole thing like this?' And he said: 'Sure!' It just felt so right.'
Oz also said he doesn't get tired of people doing impressions of Yoda, either.
'No I'm used to it. But people don't understand, anyone can do a voice. It's not the voice — it's the soul,' he said.
A new Star Wars film is due out in 2027. Earlier this month, the movie's director, Shawn Levy, revealed that Ryan Gosling will star in it.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Perth Now
9 hours ago
- Perth Now
Mia Goth joins cast of Star Wars: Starfighter
Mia Goth has joined the cast of Star Wars: Starfighter. The 31-year-old actress will reportedly join Ryan Gosling in the upcoming sci-fi movie- which is to be directed by Shawn Levy and is in development at Lucasfilms - and will begin shooting later this year before a May 2027 release, according to Deadline. Little is known about Goth's role in the film - which will act as a standalone movie within the space opera franchise - but it will be set five years after 2019's The Rise of Skywalker, with the director recently revealing it's a whole "new adventure" for fans. As quoted by Deadline, Levy, 56, said: 'There are many rumours, some true, some not. … This is not a prequel, this is not a sequel. It's a new adventure.' Gosling, 44, gushed: 'There is not a more perfect filmmaker for this particular story than Shawn." The script comes from Jonathan Tropper, who has spent the past two years working on it. The official details follow a report that Mikey Madison allegedly turned down a role in the film. The 'Anora' actress - who was named Best Actress at this year's Academy Awards - was offered a role in the flick but passed on the part, according to Variety. Levy has been working on the movie with Lucasfilm since 2022. Character and plot details remain unknown but last year, Levy said he is not planning to connect his work to any other films or TV shows in the long-running series. Speaking on the 'Happy Sad Confused' podcast, he said: "I'll say that the experience of crafting this story has forced me to think about that question. Because there's only so many times that 'Star Wars' movies can revisit the same section of the timeline, and so it's really forced me, because I don't want to do a 'Star Wars' movie that is redundant to others, nor am I interested in doing one that has to serve another movie." The filmmaker - who has teamed up with his The Adam Project co-writer Tropper on the project - added he was making the flick with "tone and characters" at the forefront. He said: "I really wanted to craft something that felt organic to me, both in tone and characters, so I think that there is certainly the Force and a connection to something bigger than our individual selves. "And the way that that can make us powerful, those themes, combined with visual delight and wish fulfilment, that's Star Wars to me."


Perth Now
19 hours ago
- Perth Now
‘This is scarier!': Pedro Pascal gets candid about joining MCU with The Fantastic Four: First Steps
Pedro Pascal found it scary joining the Marvel Cinematic Universe (MCU) with The Fantastic Four: First Steps. After starring in other major franchises like Game of Thrones, Wonder Woman, The Last of Us and Star Wars through The Mandalorian, the 50-year-old actor is set to become a leading figure in the MCU as Reed Richards/Mr. Fantastic, though Pascal has admitted doing so is quite the daunting task. Speaking with Collider, he said: "Each time you step into one, and you feel like this can't be scarier, you find out, 'Oh, this is scarier.' "Going into Game of Thrones, going into DC, going into Star Wars, and then the entire gaming world that introduced itself like an atom bomb to me. And in the best way, because I learned very, very quickly the incredible medium of storytelling that's happening within gaming." Even so, the Gladiator II actor added "anchoring" himself to his Fantastic Four co-stars Vanessa Kirby, Joseph Quinn and Ebon Moss-Bachrach was the "perfect antidote to the fear and to the pressure" of joining such a major cinematic franchise like the MCU. He said: "The kind of crown, top of the mountain feels like stepping into something like this. That's why the lucky thing is to anchor yourself so completely to a partnership, to your colleagues, to the original kind of authorship of this particular telling of the Fantastic Four — under, you know, basically the best in the business. "It holds you and really, really can be the perfect antidote to the fear and to the pressure and stuff like that. You just wrap yourself around that." In The Fantastic Four: First Steps, the titular team gain extraordinary powers after a cosmic accident during their exploration of outer space. As they grapple with their new identities, the Fantastic Four must unite to stop a rising threat that could destroy Earth. Pascal previously admitted playing Mr. Fantastic was "really intimidating" because he "really wants to make people happy" with The Fantastic Four: First Steps - which will be released in July. He explained to Entertainment Weekly: "It was really intimidating. I relied on the people that I was around to hold me to the experience and help get me through it. "Stepping into something like Game of Thrones and then going into the early days of Netflix with Narcos and then Star Wars and the world of video games with The Last of Us, each time I've felt like I couldn't top how intimidating the last one was. "They're all scary because you really want to make people happy, especially if it's something that's widely known with particular expectations around it because you want those expectations to be met. "You also want to be authentic to yourself so that it can be the best that it can be for anybody who wants to be entertained by a story and travel with us into this world."

Sydney Morning Herald
a day ago
- Sydney Morning Herald
Four biennials to see this northern European summer
The 'biennale' was established in Venice, Italy in the early 1900s. La Serenissima's version is still the most famous, but the biennale (or biennial in English) concept has taken hold internationally in more recent times. Hundreds of these two-yearly contemporary art festivals are now staged in cities from Reykjavik to Sydney. You don't need to be into art and design to find something enriching in these often free events. Biennials might be mostly about visual creativity, but they also offer a sticky beak into some of their city's intriguing spaces. This northern summer sees iterations of four major biennials that prove the point. The 13th Berlin Biennale starts June 14 and runs until September 14, showing new and established artists. The London Design Biennial runs throughout June. In the biennale home, Venice Biennale Architettura 2025 is on and running until the end of November, exploring the world of architecture. In the north of England, the Liverpool Biennial of Contemporary Art touted as Britain's largest of its kind, has just started and runs until the end of September. Many exhibits take over unique and otherwise publicly inaccessible spaces, or even just places you may not have considered putting on a sightseeing itinerary. The London Design Biennale, for instance, is in Somerset House, a conglomeration of historic government buildings in the heart of the city on the Strand, given over to public use and art since the year 2000. The Berlin Biennale is spread across four venues chosen for their stories. Alongside the KW Institute for Contemporary Art (founded in a derelict margarine factory in 1991), venues include Sophiensaele, an independent theatre established in the early 1900s Craftsmen's Association building, once a meeting place for revolutionaries, and Hamburger Bahnhof, a railway terminus turned into a major contemporary art gallery. The Biennale is also debuting a former 1900s courthouse on Lehrter Strasse as a new art space.