'Stone Cold' Steve Austin, Eddie Hall, Rampage Jackson, Patrice Evra, On The Nose and more
Catch today's edition of "The Ariel Helwani Show" live on Uncrowned and YouTube at 1 p.m. ET/10 a.m. PT/6 p.m. UK time as Ariel Helwani and the Boys In The Back break down the latest in combat sports with a big lineup of guests. Wednesday's rundown can be seen below.
1 p.m. ET: Ariel and the gang answer all your latest On The Nose questions.
Advertisement
1:15 p.m. ET: WWE Hall of Famer "Stone Cold" Steve Austin joins the show.
2 p.m. ET: French football legend Patrice Evra previews his big MMA debut.
2:30 p.m. ET: Eddie Hall looks back at his 30-second finish of Mariusz Pudzianowski.
3 p.m. ET: Quinton "Rampage" Jackson checks in following the cancelation of his boxing match with Rashad Evans.
3:30 p.m. ET: Harrison Rogers, founder of the United Fight League, stops by the program.
4 p.m. ET: Ariel and the gang hit the rest of your On The Nose questions.
Catch all new episodes of "The Ariel Helwani Show" live every Monday, Tuesday and Wednesday at 1 p.m. ET on Uncrowned and The Ariel Helwani Show's YouTube page.
To listen to every episode, subscribe on Spotify or iTunes.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
New York Post
31 minutes ago
- New York Post
Emmanuel Macron invites wife Brigitte to stand by his side to celebrate soccer championship, week after infamous viral slap clip
French President Emmanuel Macron invited his wife to stand by his side Sunday to celebrate the Parisian soccer team winning the Champions League at the Elysee Palace, just a week after the first lady was caught slapping the president on video. Macron gently took his wife Brigitte's hand in front of dozens of cameras as the couple cheered on the victorious team, following a tense week of speculation about their relationship status amid their public quarrel. The shocking video showed Brigitte take both her hands and smash them into Macron's face as they were departing the presidential jet that had just landed in Hanoi for an official visit with Vietnamese dignitaries last Sunday. Advertisement 3 President Emmanuel Macron and First Lady Brigitte Macron stand side-by-side with the hometown championship soccer team one week removed from the viral slap. via REUTERS As they descended the stairs, the first lady appeared to mutter 'Dégage, espèce de loser' — or in English: 'Stay away, you loser' to her husband, a lip reader told the UK's Daily Express newspaper. Footage of the soccer celebration this Sunday shared by the Daily Mail shows a much happier couple. With a broad smile, the French president encouraged his wife to join him as he stood with the players from the triumphant Paris Saint-Germain team. Advertisement Macron welcomed the Paris Saint-Germain team back to the French capital Sunday after the athletes beat Inter Milan 5-0 Saturday night, hoisting the Champions League trophy for the first time in the club's history. In Sunday's more cheerful video, Macron poses for photos with the jubilant team. He shouts 'bravo' and then happily calls for Brigitte to join them. The players can be seen moving out of the way so the first lady can stand with her husband. Nasser Al-Khelaifi, president of the PSG, also encourages her to join the crowd, and moves aside for her, the clip shows. 3 Emmanuel Macron, holds up a soccer jersey, and his wife Brigitte welcomed the victorious French team. POOL/AFP via Getty Images Advertisement Then the video show Macron and his wife inviting others to join the photo op. Macron eventually steps forward to hold aloft a team jersey. The pair tried to play off last week's highly publicized slap, as playful rough housing, then as Russian disinformation, but eventually conceded that the camera caught them mid-domestic squabble. 'At the beginning, the Elysee [Palace] denied the truth of the images, suggesting a video generated by AI and relayed by pro-Russian accounts before finally authenticating the sequence which [they said] evoked a moment of 'complicity,'' said news outlet Breves de Presse in a post on X Monday. 3 The shocking moment that First Lady Brigitte Macron slaps her husband French President Emmanuel Macron. Advertisement President Trump offered up cheeky advice last week for France's first family to help keep the peace. 'Make sure the door remains closed,' Trump chuckled in the Oval Office while responding to a question about the stunning video of Madame Macron's assault. 'That was not good,' Trump said of the slap video. 'No, I spoke to him and he's fine, they're fine. They're two really good people. I know them very well. And, I don't know what that was all about, but I know him very well and they're fine.' The pleasant meeting with the team came during a tumultuous time on the streets. Two fans died and a police officer is in a coma after mass nationwide celebrations turned into violent riots, French authorities said Sunday.
Business Upturn
4 hours ago
- Business Upturn
Manchester City makes transfer plans ahead of the Club World Cup
Manchester City have made some transfer plans ahead of the Club World Cup which is to be started this month. By Ravi Kumar Jha Published on June 2, 2025, 08:32 IST Manchester City have made some transfer plans ahead of the Club World Cup which is to be started this month. As the transfer window has been officially opened, so City are trying hard to get two deals done. Rayan Cherki from Lyon FC and Reijnders from AC Milan are what the Blues are looking for. They want both these player to join the squad before the Club World Cup starts. City are also in good talks with Lyon over Cherki's deal and the agreement is likely to be signed soon. With the summer transfer window officially open and the FIFA Club World Cup fast approaching, Manchester City are wasting no time in reinforcing their squad. The reigning European champions have set their sights on two promising talents — Rayan Cherki of Lyon and Tijjani Reijnders of AC Milan — as they prepare for the prestigious tournament kicking off later this month. Sources close to the club suggest that City are in advanced talks with Lyon for the highly-rated French midfielder Cherki. The 20-year-old, known for his flair and creativity, has long been on the radar of top European clubs, and City appear confident of sealing the deal soon. Negotiations are said to be progressing positively, with an agreement likely to be signed in the coming days. Meanwhile, City are also pushing hard to secure the services of Dutch midfielder Reijnders from AC Milan. The 25-year-old impressed in his debut Serie A season and is seen as a player who can add depth and versatility to Pep Guardiola's midfield. Ravi kumar jha is an undergraduate student in Bachelor of Arts in Multimedia and Mass Communication. A media enthusiast who has a strong hold on communication and he also has a genuine interest in sports. Ravi is currently working as a journalist at
Yahoo
6 hours ago
- Yahoo
Snapping Tel Aviv: Alex Levac on capturing the city that never sleeps
Israel's city that never sleeps was founded over Passover, 1909, during the counting of the Omer leading up to Shavuot. Photographer Alex Levac sees things the average person on the street doesn't catch. When we meet up at his Tel Aviv apartment, a stone's throw away from the beach, I ask the evergreen octogenarian, who was awarded the Israel Prize for his groundbreaking photography 20 years ago, where the notion of snapping incongruous yet complementary overlaps first emerged. 'I don't know. Perhaps I got it from the French photographers, like Robert Doisneau and Henri Cartier-Bresson,' he suggests bringing the lauded humanist documentarists into the philosophical equation. 'But, it was mostly a British photographer called Tony Ray-Jones.' Those men were powerful sources of inspiration, who shined a bright light on his own path to visual expression, Levac says. 'I didn't invent anything. You know, you see something you like and you think, 'I'll try to do something like that.'' The above lauded trio may have sparked the young Israeli's imagination and sowed the seeds for one of his main lines of thought and endeavor, but it was something of a slow burner. 'I left Israel for London in late 1967,' he says. 'I left Israel for a year and stayed 14 years. But I came back from time to time, to visit family and friends.' And snap a few frames, he may have added. Levac studied photography in London in its Swinging Sixties heyday, and subsequently worked in the field in Britain. But the time and, in particular, the place were not aligned with Levac's native cultural continuum. 'I don't think, then, I looked for these [idiosyncratic] confluences. That didn't interest me outside the Israeli context.' But the idea of getting into that after he returned here to roost was gestating just below the surface. 'I thought that it was more interesting to do in Israel because I am more familiar with the culture and the visual language.' Evidently, there is more to what Levac does than observing quotidian jigsaw pieces align themselves and pressing the shutter release button at exactly the right happenstance microsecond. 'It is not just a combination of all sorts of anecdotal elements. There is, here, also a statement about the Israeli public domain.' The dynamics of human behavior, of course, can vary a lot between differing societies. In Israel, we are much more physically expressive than the average Brit or, for that matter, Japanese. ONCE RESETTLED in the Middle East, the mix-and-match line of photography soon took on tangible form, without too much premeditation. 'I don't remember exactly when it started but I took one of the first shots one day when I was in Ashkelon. I lived there at the time with my first wife. I started seeing a lot of contrasts on the street, coming together at the same time.' It was around that time that still largely conservative Israel got its first tabloid newspaper, Hadashot, which shook up the industry and Israeli society, and introduced it to risqué material and full-color photographs. Levac was soon on board and, before too long, also found himself in hot water as a result of the now-famous news picture he took. 'That was Kav 300 (Bus 300),' he recalls. The said snap was of a terrorist being led away from the scene after IDF soldiers stormed an Egged bus in which passengers were being held captive. The initial official IDF report was that all four Palestinian terrorists had been killed in the attack. However, Levac's picture provided irrefutable evidence that one of the terrorists was still alive after the operation was over. 'They shut the paper down for a while after that.' Brief hiatus notwithstanding, Levac had, by then, established himself as a bona fide photojournalist here. 'I had a regular column in a Hadashot supplement called 'Segol' (purple). They had very visual-oriented editors at the time, so photographers were given a lot of column space. Then I got my regular weekly spot. I've been doing that for around 40 years, every single week. That's crazy!' That may be wonderful, but it comes with a commitment to produce the visually left-field goods, week in and week out. 'Sometimes I can just pop out and I'll find something really good, very quickly. Other times, it can take a while, and there are times I come back without having taken a photograph,' he says. After all these years, Levac's sixth sense is constantly primed and ready to pick up on some unexpected sequence of events that could fuse into an amusing or captivating frame. Anyone who has seen his candid snaps, which have been running in the Haaretz newspaper for the past three-plus decades, will have a good idea of his special acumen for noting and documenting surprising, and often humorous, street-level juxtapositions. 'By now, I see those kinds of things more than I see the ordinary stuff,' he smiles. 'I also look for that, like Gadi.' GADI ROYZ is a hi-tech entrepreneur and enthusiastic amateur photographer. Levac recalls that 'Gadi came up to me one day and told me he'd attended a lecture of mine and began taking photographs,' he recalls. At first, Levac wasn't sure where it was leading. 'You know, you get nudniks telling me how much they like my photographs and all that,' he chuckles. 'You have to be nice when people do that, but it can get a bit tiresome.' However, it quickly became clear that Royz was in a different league and had serious plans for the two of them. 'Gadi didn't just want to be complimentary; he said, 'Let's do a book together.'' Producing a book with high-quality prints can be a financially challenging business. But, it seems, Royz didn't just bring boundless enthusiasm and artistic talent to the venture; he also helped with the nuts and bolts of putting the proposition into attractive corporeal practice. In fact, the book, which goes by the intriguing name of A City of Refuge, is a co-production together with Royz, who, judging by his around 40 prints in the book, also has a gift for discerning the extraordinary in everyday situations, and capturing them to good aesthetic and compelling effect. The city in question is, of course, Tel Aviv, where Levac was born and has lived for most of his life. 'Gadi said he had the money to get the book done,' Levac notes. That sounded tempting, but Levac still wanted to be sure the end product would be worth the effort. 'We sat down together, and I saw some of his photographs. I liked them, so I said, 'Let's go for it.'' And so A City of Refuge came to be. There are around 100 prints in the plushly produced volume. All offer fascinating added visual and cerebral value. There is always some surprise in store for the viewer, although it can take a moment to absorb it, which, in this day and age of lightning speed instantaneous gratification, is a palliative boon. The unlikely interfaces, which can be topical or simply contextually aesthetic, may be comical, arresting, or even a little emotive. Every picture demands a moment or two of your time and, as Levac noted in the dedication he generously wrote for me in my copy of the book, can be revisited for further pondering and enjoyment. The book is great fun to leaf through. One of Levac's more sophisticated items shows a man sitting on a bench with a serious expression on his face, which is echoed and amplified by a childish figure on the wall behind him of a character with a look of utter glumness. There's a smile-inducing shot by Royz (following in Levac's photographic footsteps) with a young, heavily pregnant woman walking from the left, about to pass behind a spiraling tree trunk with a hefty protrusion of its own. Royz also has a classic picture of Yaacov Agam's famed fire and water sculpture, in its original polychromic rendition in Dizengoff Square of several years ago. The picture shows two workers cleaning the work, each on a different level. The worker on the top level is visible from his stomach upward, while his colleague, on the street level, can only be seen from his waist down. Together, they looked like an extremely elongated character, something along the lines of a Tallest Man in the World circus performer. It is often a matter of camera angle, such as Royz's shot of a wheelie bin in Yarkon Park with a giant hot balloon-looking orb looking like it is billowing out of the trash can. And Levac's delightfully crafted frame of an elegant, long-haired blonde striding along the sidewalk led by her sleek canine pal, which appears to have an even more graceful step, poses a question about the human-animal grace divide. I wondered whether, in this day and age if – when we all take countless photos with our smartphones, of everything and everyone around us – his job has become harder. 'Quite the opposite,' he exclaims. 'Now that everyone takes pictures, people notice me less, which means I can do what I want and snap with greater freedom.' Long may that continue. ■
