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Getty Images Selected as Official Photographer of 2025 Met Gala

Getty Images Selected as Official Photographer of 2025 Met Gala

Yahoo05-05-2025

A Media Snippet accompanying this announcement is available in this link.
NEW YORK, May 05, 2025 (GLOBE NEWSWIRE) -- Getty Images (NYSE: GETY), a preeminent global visual content creator and marketplace, has once again been named the Official Photographer of The Metropolitan Museum of Art's Costume Institute Benefit, more commonly known as The Met Gala. The gala, which takes place on May 5, is the premier event on the international fashion calendar, bringing together icons from the world of fashion, film, music, sports, business, and art.
For the seventh consecutive gala, Getty Images' award‑winning entertainment photographers and videographers will cover every aspect of the invitation-only event. This includes red carpet arrivals and departures, candid images from inside the party and live performance. With the addition of a remote camera set up on the red carpet, Getty Images will be able to uniquely capture the event and moments throughout from different vantage points. Imagery from inside The Met Gala will be available for license exclusively on gettyimages.com.
'We are thrilled to build on our longstanding partnership with The Metropolitan Museum of Art and Vogue and be at the forefront of delivering best-in-class imagery and videos of fashion's biggest night out to customers and fans around the globe. As an innovator in entertainment and fashion photography, Getty Images continues to elevate the stories and visuals that our team produces each year in near-real time, as well as push the boundaries of creativity,' said Getty Images' Vice President of Global Entertainment Kirstin Benson.
'The Met Gala brings together the very best talent in art and fashion for a visually arresting evening. With the immediacy of today's news cycle and social media, as well as demand for content, our unique access, photographic expertise and industry relationships are what set our coverage apart. This iconic, exclusive event continues to hold significant cultural relevance around the globe and this year's theme puts Black history, culture and fashion front and center. We're incredibly proud to capture it all and continue to elevate Black storytelling and excellence through premier events and collections on Getty Images, such as the Black History & Culture Collection and HBCU Collection,' added Benson.
With Colman Domingo, Lewis Hamilton, A$AP Rocky, Pharrell Williams and Anna Wintour serving as co‑chairs and Lebron James serving as honorary chair, the gala will celebrate the opening of The Costume Institute's spring exhibition Superfine: Tailoring Black Style. The exhibition will feature garments and accessories, paintings, photographs, decorative arts, and more from various artists—presenting a cultural and historical examination of Black style over three hundred years through the concept of dandyism. Superfine explores the importance of style to the formation of Black identities in the Atlantic diaspora, with the exhibition organized into 12 sections, each representing a characteristic that defines the dandy style—such as Champion, Heritage, Beauty, Cosmopolitanism and more.
Additionally, the 2025 Met Gala will return to having a host committee made up of famous musicians, singers, athletes, actors, authors, artists, designers, writers, playwrights, directors and producers. This year's committee includes Dapper Dan, Doechii, Janelle Monáe, Spike Lee, Audra McDonald, Usher and more.For 30 years, Getty Images' team of content creators have worked tirelessly to create award‑winning imagery and video that allows customers to set themselves apart from their competition, while including a diverse set of experiences and perspectives throughout the content creation process. In addition to The Met Gala, Getty Images content creators are at every major entertainment event globally, from awards ceremonies to fashion weeks to film festivals, covering almost 70,000 entertainment events a year and partnering with major brands on creative content strategy.
Media contact:Jenna AttardiJenna.Attardi@gettyimages.comSign in to access your portfolio

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Led by Sly Stone, with his leather jumpsuits and goggle shades, mile-wide grin and mile-high Afro, the band dazzled in 1969 at the Woodstock festival and set a new pace on the radio. 'Everyday People,' 'I Wanna Take You Higher' and other songs were anthems of community, non-conformity and a brash and hopeful spirit, built around such catchphrases as 'different strokes for different folks.' The group released five top 10 singles, three of them hitting No. 1, and three million-selling albums: 'Stand!', 'There's a Riot Goin' On' and 'Greatest Hits.' For a time, countless performers wanted to look and sound like Sly and the Family Stone. The Jackson Five's breakthrough hit, 'I Want You Back' and the Temptations' 'I Can't Get Next to You' were among the many songs from the late 1960s that mimicked Sly's vocal and instrumental arrangements. 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The sound was dense and murky (Sly was among the first musicians to use drum machines), the mood reflective ('Family Affair'), fearful ('Runnin' Away') and despairing: 'Time, they say, is the answer — but I don't believe it,' Sly sings on 'Time.' The fast, funky pace of the original 'Thank You (Falettinme Be Mice Elf Agin)' was slowed, stretched and retitled 'Thank You For Talkin' to Me, Africa.' The running time of the title track was 0:00. 'It is Muzak with its finger on the trigger,' critic Greil Marcus called the album. 'Riot' highlighted an extraordinary run of blunt, hard-hitting records by Black artists, from the Stevie Wonder single 'Superstition' to Marvin Gaye's 'What's Going On' album, to which 'Riot' was an unofficial response. But Stone seemed to back away from the nightmare he had related. He was reluctant to perform material from 'Riot' in concert and softened the mood on the acclaimed 1973 album 'Fresh,' which did feature a cover of 'Que Sera Sera,' the wistful Doris Day song reworked into a rueful testament to fate's upper hand. By the end of the decade, Sly and the Family Stone had broken up and Sly was releasing solo records with such unmet promises as 'Heard You Missed Me, Well I'm Back' and 'Back On the Right Track.' Most of the news he made over the following decades was of drug busts, financial troubles and mishaps on stage. Sly and the Family Stone was inducted into the Rock & Roll of Fame in 1993 and honored in 2006 at the Grammy Awards, but Sly released just one album after the early '80s, 'I'm Back! Family & Friends,' much of it updated recordings of his old hits. He would allege he had hundreds of unreleased songs and did collaborate on occasion with Clinton, who would recall how Stone 'could just be sitting there doing nothing and then open his eyes and shock you with a lyric so brilliant that it was obvious no one had ever thought of it before.' Sly Stone had three children, including a daughter with Cynthia Robinson, and was married once — briefly and very publicly. In 1974, he and actor Kathy Silva wed on stage at Madison Square Garden, an event that inspired an 11,000-word story in The New Yorker. Sly and Silva soon divorced. He was born Sylvester Stewart in Denton, Texas, and raised in Vallejo, California, the second of five children in a close, religious family. Sylvester became 'Sly' by accident, when a teacher mistakenly spelled his name 'Slyvester.' He loved performing so much that his mother alleged he would cry if the congregation in church didn't respond when he sang before it. He was so gifted and ambitious that by age 4 he had sung on stage at a Sam Cooke show and by age 11 had mastered several instruments and recorded a gospel song with his siblings. He was so committed to the races working together that in his teens and early 20s he was playing in local bands that included Black and white members and was becoming known around the Bay Area as a deejay equally willing to play the Beatles and rhythm and blues acts. Through his radio connections, he produced some of the top San Francisco bands, including the Great Society, Grace Slick's group before she joined the Jefferson Airplane. Along with an early mentor and champion, San Francisco deejay Tom 'Big Daddy' Donahue, he worked on rhythm and blues hits (Bobby Freeman's 'C'mon and Swim') and the Beau Brummels' Beatle-esque 'Laugh, Laugh.' Meanwhile, he was putting together his own group, recruiting family members and local musicians and settling on the name Sly and the Family Stone. 'A Whole New Thing' came out in 1967, soon followed by the single 'Dance to the Music,' in which each member was granted a moment of introduction as the song rightly proclaimed a 'brand new beat.' In December 1968, the group appeared on 'The Ed Sullivan Show' and performed a medley that included 'Dance to the Music' and 'Everyday People.' Before the set began, Sly turned to the audience and recited a brief passage from his song 'Are You Ready': 'Don't hate the Black, don't hate the white, if you get bitten, just hate the bite.'

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