McDonald's celebrates McFlurry's 30th birthday with Canada-only treat. See what US is missing
No stranger to adding new sweet treats to the menu (cookie tote boxes, anyone?), McDonald's unveiled yet another spin on the classic McFlurry. This one, however, isn't available in the U.S.
Here's a look at the dessert that's only available in Canada.
McDonald's new birthday cake McFlurry comes weeks after the restaurant chain dropped its Cadbury Egg Creme McFlurry Easter dessert, which was also only available in Canada. The new birthday-themed dessert celebrates the 30th anniversary of the McFlurry being invented in Canada.
Made with vanilla soft serve, Canada's birthday cake McFlurry is blended with frosted cake-flavored confetti cookie dough pieces and birthday cake-flavored syrup. A regular serving is 680 calories.
Right now, the birthday cake McFlurry is only out for a limited time in Canada, with no talks of it appearing on American menus anytime soon.
Food Instagram page page Mouth Attack posted that "McDonald's hasn't confirmed if it'll expand to other markets like the U.S." so you'll have to make a trip to get across the border if you want to grab one before it's gone. However, Delish notes that some of McDonald's Canadian menu items have migrated south in the past, so there could be hope for the birthday cake McFlurry to make a similar journey.
In the U.S., McDonald's McFlurry flavors include Oreo and M&M's, but the chain is known to introduce unique flavors like its KitKat banana split McFlurry.
There are 615 McDonald's restaurants in Ohio, the fifth-highest number of locations in the nation, according to the web scraping tool ScrapeHero.
The McFlurry was first created by a Canadian McDonald's franchisee in Bathurst, New Brunswick, in 1995. According to a McDonald's fan page, Oreo, Heath, Nestle Crunch, M&M's and Butterfinger were the original flavors, but that number has since expanded to more than 20 different flavors globally.
This article originally appeared on Cincinnati Enquirer: See the McDonald's birthday McFlurry treat the US won't get
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(The lyrical fragment likely comes from juré, the call-and-response music of Louisiana that predates zydeco; it shows up as early as 1934, on a recording of the singer Wilbur Shaw made in New Iberia, Louisiana.) Many interpretations of the phrase have been offered over the years. The most straightforward is that it's a metaphorical way of saying 'Times are tough.' When money ran short, people couldn't afford the salt meat that was traditionally cooked with snap beans to season them. The Stones' version of 'Zydeco Sont Pas Salé' opens with St. Julien, Chenier's longtime drummer, playing a backbeat with brushes. He's 77 now, no longer the young man Jagger saw in Watts in 1978. 'I quit playing music about 10 years ago, to tell the truth,' he said when we spoke this spring, but you wouldn't know it by how he sounds on the track. Keith Richards's guitar part, guttural and revving, meets St. Julien in the intro and builds steadily. The melody is introduced by the accordionist Steve Riley, of the Mamou Playboys, who told me he'd tried to 'play it like Clifton—you know, free-form, just from feel.' It's strange that it doesn't feel stranger when Jagger breaks into his vocal, sung in Creole French. His imitation of Chenier is at once spot-on yet unmistakably Jagger. From the May 1971 issue: Mick Jagger shoots birds I asked him how he'd honed his French pronunciation. 'I've actually tried to write songs in Cajun French before,' he said. 'But I've never really gotten anywhere.' To get 'Zydeco Sont Pas Salé' right, he became a student of the song. 'You just listen to what's been done before you,' he told me. 'See how they pronounce it, you know? I mean, yeah, of course it's different. And West Indian English is different from what they speak in London. I tried to do a job and I tried to do it in the way it was traditionally done—it would sound a bit silly in perfect French.' Zydeco united musical traditions from around the globe to become a defining sound for one of the most distinct cultures in America. Chenier, the accordionist in the velvet crown, then introduced zydeco to the world, influencing artists across genres. When I asked Jagger why, at age 81, he had decided to make this recording, he said, 'I think the music deserves to be known and the music deserves to be heard.' If the song helps new listeners discover Chenier—to have something like the experience Jagger had when he first dropped the needle on Bon Ton Roulet! —that would be a welcome result. But Jagger stressed that this wasn't the primary reason he'd covered 'Zydeco Sont Pas Salé.' Singing to St. Julien's beat, Jagger the rock star once again becomes Jagger the Clifton Chenier fan. 'My main thing is just that I personally like it. You know what I mean? That's my attraction,' he said. 'I think that I just did this for the love of it, really.'