
Actor William Levy arrested on charges of trespassing and public intoxication
Cuban - American telenovela star William Levy was reportedly arrested on Monday in Southern Florida on charges of disorderly public intoxication and trespassing.
The 44-year-old actor, known for playing the romantic lead in a variety of Spanish -language romance dramas and for reaching the final of Dancing with the Stars in 2012, was picked up by authorities in the city of Weston before being booked into Broward County's Main Jail, according to arrest records seen by local news outlets.
Levy remained behind bars as of Tuesday morning. That afternoon, however, he appeared in court with a judge setting his bond at $500. No other details about his arrest were available.
The Independent has contacted Levy's representatives and the Broward County Sheriff's Office for comment.
Born in Cuba, Levy eventually moved to Miami in his teen years before going on to land his first on-screen role in the 2005 telenovela Olvidarte jamás as Germán Torres. The following year, he was invited to star in two episodes of Carla Estrada's Pasión, which ended up being his breakthrough in Mexican telenovelas.
Some of his other notable telenovela roles include Larry Irázabal in Acorralada, Maximiliano Sandoval in Triunfo del amor, Juan Miguel in Cuidado con el ángel, Alejandro Lombardo in Sortilegio, and Damián Fabré in La Tempestad.
Beyond his telenovela career, Levy has also starred in a number of movies, such as 2016's action-horror Resident Evil: The Final Chapter, 2017's action sci-fi The Veil, and 2019's thriller romance Killing Sarai.
He even appeared in Jennifer Lopez's 2011 'I'm Into You' music video as her love interest, and made a cameo as himself in 2017's movie Girls Trip, starring Queen Latifah, Regina Hall, Jada Pinkett Smith and Tiffany Haddish. In 2012, he competed on season 14 of Dancing with the Stars, where he and his partner, Cheryl Burke, placed in third.
More recently, Levy co-led the one-season drama Vuelve an mí opposite Mexican actor Samadhi Zendejas.
He remains active on Instagram, often sharing photos and videos of his two children, 19-year-old son Christopher Alexander and 15-year-old daughter Kailey Alexandra, whom he shares with his ex-partner, actor and model Elizabeth Gutiérrez.
The former couple had been in a long-term on-and-off relationship since 2003 — when they first met on the set of the reality show Protagonistas de Novela. After 20 years together, they confirmed their split in 2024.
In his latest post, Levy celebrated his son's achievement of being named Southern Florida's Sports Illustrated Player of the Week.
'Here we go !!!!! Your 'SPORTS ILLUSTRATED PLAYER OF THE WEEK IN SOUTH FLORIDA'!!! One more time baby !!!! I've seen your struggle and your sacrifice day by day. Going 'AGAINST ALL ODDS' You are a true hero champ. You are my inspiration every day! I'm so proud of you,' Levy captioned the March 11 post, alongside a photo of his son in his college baseball uniform.
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New Statesman
2 hours ago
- New Statesman
Bruce Springsteen faces the end of America
Photo montage by Gaetan Mariage / Alamy When I met Patti Smith soon after Donald Trump's first victory, she said she'd ended up next to him at various New York dinners over the years, back in the Seventies, when he was pitching Trump Towers. 'We were born in the same year, and I have to look at this person and think: all our hopes and dreams from childhood, going through the Sixties, everything we went through – and that's what came out of our generation. Him.' Smith's sing-song voice was in my head at Anfield Stadium in Liverpool on one of the final nights of Bruce Springsteen's Land of Hope and Dreams tour. Springsteen was born three years after Trump and will also have sat at many New York dinners with him. Those with half an eye on the news would be forgiven for thinking that Bruce has been lobbing disses at the president from the stage between his hits, but his latest show is heavier than that: a conscious recasting of two decades of his more politicised music, with a four-minute incitement to revolution in the middle. Here is a bit of what he says: 'The America I love and have sung to you about for so long, a beacon of hope for 250 years, is currently in the hands of a corrupt, incompetent and treasonous administration. Tonight we ask all of you who believe in democracy and the best of our American experiment to rise with us, raise your voices, stand with us against authoritarianism and let freedom ring. In America right now we have to organise at home, at work, peacefully in the street. We thank the British people for their support…' Clearly few in the US are speaking out like this on stage, and Trump has responded by calling Springsteen a 'dried-out prune of a rocker (his skin is all atrophied!)' and threatening some kind of mysterious action upon his return. Springsteen, the heartland rocker, was never exactly part of the counter-culture, though he did avoid Vietnam by doing the 'basic Sixties rag', as he put it, and acting crazy in his army induction. Yet he has become a true protest singer in his final act. He wears tweed and a tie these days, partly because he's 75 and partly, you suspect, to convey a moral seriousness. When I last saw him, two years ago, I thought I saw some of Joe Biden's easy energy. Well, Bruce still has his faculties. The feeling is: listen to the old man, he has something to say. Springsteen's late years have been something to behold. At some point in the last decade he stopped dyeing his hair and started to talk in a stylised, reedy, story-book voice. The image of the America he seemed to represent shifted back from Seventies Pittsburgh to Thirties California: the bare-armed steelworker became the Marlboro Man, and in 2019 there was a Cowboy album, Western Skies, with an accompanying film in which he was seen on horseback. His autobiography Born to Run revealed recent battles with depression. And it is depression you see tonight in Liverpool – in the wince, the twisted mouth, the accusing index finger; in his entreaty to Liverpool's fans to 'indulge' his sermon against the American administration, delivered night after night, to scatterings of applause. It is a depression I recognise in older American friends who fear they're going to the grave with everything they knew and loved about their country disappearing. But depression is also the stuff of life, of energy. Springsteen has been particularly angry since the early Noughties, since the second Bush administration, but this is his moment somehow, and his song of greedy bankers – 'Death to My Hometown' – is spat out with new meaning in 2025, an ominous abstraction. The father-to-son speech in 'Long Walk Home' feels different in this politically charged world: 'Your flag flying over the courthouse means certain things are set in stone/Who we are, what we'll do and what we won't'). A furious version of 'Rainmaker' ('Sometimes folks need to believe in something so bad, so bad, they'll hire a rainmaker') is dedicated to 'our dear leader'. As much as I admire Springsteen and seem to have followed him around and written about him for years, the Land of Hope and Dreams tour made me realise I hadn't fully known what he was for. When I saw him in Hyde Park in 2023, the first 200 yards of the crowd were given over to media wankers like me, with the paying fans at the back: every single person I had ever met in London was there, mildly pissed up and whirling about with looks of mutual congratulation. Springsteen had become, to the middle classes and above, a global symbol of right-thinking, summed up by his long stint on Broadway at $800 a ticket. His dull podcast with Barack Obama was the American version of The Rest Is Politics with Rory Stewart and Alastair Campbell: men saying stuff you want them to say, to confirm what you already think about stuff (Obama was in awe of Bruce). Subscribe to The New Statesman today from only £8.99 per month Subscribe Politics was easy for Springsteen when politics consisted of external events happening to innocent people, rather than something taking place on the level of psychology, in a movement of masses towards a demagogue. The job he adopted, back in the Seventies, was to set a particular kind of American life in its political and historical context: to tell people who they were, and why they mattered. His appeal as a rock star always lay less in his words than in how sincerely he embodied them: his extraordinary outward energy, his mirroring of his audience, his apparent concern with others over himself. After 9/11, someone apparently rolled down a window and told him, 'We need you now,' so he wrote his song 'The Rising' from the viewpoint of a doomed New York fireman ascending the tower. A recent BBC documentary revealed he'd donated £20,000 to the Northumberland and Durham Miners Support Group during the strikes of 1984 – rather as he donated ten grand to unemployed steelworkers in Pittsburgh the previous year. His self-made success and songs about freedom were the Republican dream, but when Reagan tapped him up for endorsements it was a right of passage for Springsteen as a Democrat rocker to rebuff them (I'm pretty sure they tried to play 'Born in the USA' at Trump rallies too). He is quoted as saying that the working-class American was facing a spiritual crisis, years ago: 'It's like he has nothing left to tie him into society any more. He's isolated from the government. Isolated from his job. Isolated from his family… to the point where nothing makes sense.' Now, Trump has taken Springsteen's people (the Republicans were doing so long before Trump), and the interior life of the working man that Springsteen made it his job to portray has been exploited by someone else. 'For 50 years, I've been an ambassador for this country and let me tell you that the America I was singing about is real,' he says, possessively, on stage. Springsteen, like Jon Bon Jovi, sees his fans as workers. The distances travelled, the money spent, the babysitters paid for: that's what the three-hour gigs are all about. It is part of the psyche of a certain generation of working-class American musician to consider themselves in a contract with the people who buy their records. It is not a particularly British thing – though time and again I am impressed by the commitment required to see these big shows, especially when so many punters are of an age where they would not longer, say, sleep in a tent: £250 a night for a hotel, no taxis to the stadium, a huge Ticketmaster crash that leaves hundreds of fans outside the venue fiddling with their QR codes while Bruce can be heard inside singing the opening lines of 'My Love Will Not Let You Down'. Yet the relationship between a rock star and his fan is not a co-dependency: the fan is having a night out, but the rock star needs the fan to survive. It is hard to underestimate the psychological shift Springsteen might be undergoing, in seeing the working men and women of America moving to a politics that is repellent to him. He has not played on American soil since Trump's re-election and it is likely that this kind of political commentary there will turn the 'Bruuuuuce' into the boo. A Springsteen tribute act in his native New Jersey was recently cancelled (the band offered to play other songs, and the venue said no). Last week, a young American band told me they won't speak out about the administration on stage because they're not all white and they're afraid of getting deported. It is the job of the powerful to do the protesting, and, like Pope Leo, Springsteen's previous good works will mean nothing if he doesn't call out the big nude emperor now. The Maga crowd will still come to see him, of course, and yell the 'woah' in 'Born to Run' just as loud as everyone else does – perhaps because music is bigger than politics, or perhaps because politics is now bigger than Bruce. Though his political speeches in Liverpool (it's UK 'heartland' only this tour: no London gigs) feel slightly out of step with a city that has its own problems, it seems fair enough for Springsteen to be telling the truth about America to a crowd who's enjoyed their romantic visions of the country via his music for 50 years. But their own personal communion is suspended tonight, and the song 'My City of Ruins' has nothing to do with 9/11 any more: 'Come on… rise up…' In the crowd, a very old man is sitting on someone's shoulders. Bruce Springsteen and the E Street Band play Anfield stadium, Liverpool, on 7 June 2025 [See also: Wes Anderson's sense of an ending] Related


Daily Mail
3 hours ago
- Daily Mail
Bindi Irwin reveals what she really thinks about brother Robert's shirtless thirst traps: 'It is rough'
Bindi Irwin has opened up about how she really feels when she sees her brother Robert participate in shirtless thirst traps online. The Wildlife Warrior, 26, said she 'can't unsee' her brother, 21, flaunting his toned torso in his recent Bondi commercial and Dancing With The Stars US announcement. However, during an appearance on the podcast Not Gonna Lie with Kylie Kelce on Friday, she went on to say she is 'proud' of Robert for all he has accomplished. 'There are some things as his sister that I can't just unsee. Because when he did the Dancing [With The Stars] announcement, he was also just shirtless,' she said. 'He recently did his Bonds commercial where he was just in his underwear. It is rough,' she added with a laugh. 'I really want to be supportive. I really am so proud of him. He is taking the message of conservation to new heights.' Bindi went on to say it is 'wonderful and extraordinary' to watch Robert 'shine' as he grabs people's attention and 'then pivots' them toward wildlife conservation. However, she added: 'Do I get a little bit scared of the girls and women and some guys that are very intense? It can be a lot.' It comes after Robert reacted to Aussie mums checking out his sultry Bonds underwear campaign which went viral earlier this year. 'It was different and pretty nerve-racking but having wild animals part of it, made it a lot more chill for me,' he said during an interview on the Today Show on Thursday. Robert explained he aims to promote conservation and he enjoys raising awareness in a variety of ways. '[The shoot] exemplified that spirit of "even in your undies, Aussies are as cool as a cucumber",' he added. He then joked the shoot was 'scarier than handling any crocodile'. View this post on Instagram A post shared by Not Gonna Lie with Kylie Kelce (@nglwithkylie) The internet went wild over images of Robert posing shirtless in Bonds underwear —flaunting his ripped torso while he cuddled up to native animals including a snake. Robert recently insisted the shoot was never about vanity, and everything he does comes back to one thing: his passion for conservation. 'I really thought in modelling Bonds underwear or doing Dancing With The Stars, that sort of thing, I could bring in a whole new audience to listen to my conservation message,' he told US Weekly. And he's sticking to that plan as just weeks ago, he announced he'd joined the cast of the US version of Dancing With The Stars, once again showing off his buff bod while cradling a snake for the promo. 'That's how I feel comfortable. That's who I am,' he said. 'It's all about this mission and I've got a real sense of purpose and passion. I got to achieve that. 'I definitely feel like I'm really lucky that now I've got a whole new audience that I can reach and hopefully just put out a bit of positivity and hopefully say, "Life's for living at 100."'


Time Out
9 hours ago
- Time Out
Win Son Bakery
In Williamsburg, Josh Ku and Trigg Brown had already made their stake on the corner of Montrose and Graham Avenues, with their full-service Taiwanese restaurant Win Son. But as their restaurant started to trend, they decided they would open a casual affair across the street, opening Win Son Bakery with Jesse Shapell and pastry chef Danielle Spencer in 2019. Years later, the bakery has become a favorite of the neighborhood due to its Taiwanese fare crossed with French and American influences. The first meal of the day starts with a riff on a BEC that we can get behind. Subbing bread for crispy fried and yet still chewy scallion pancakes, the pancakes are folded with Havarti, bacon, eggs and cheese. Plus, each sandwich comes with a gingery sauce for dipping. Lunch continues with fried chicken and shrimp on milk buns and snow pea salads with tofu skin. No matter what, a visit should always include an order of both (yeah, we said it, both!) made-to-order donuts: the millet mochi donut and the fermented red rice donut. Once you get a bite of that QQ texture, you'll understand why. The vibe: There are plenty of tables and stools here, but they are constantly in use, especially during the morning time. Luckily, the residents of Williamsburg know when it is time to give up a table, so you won't have to wait long to snag a seat. The food: Mornings call for the meaty Pork Fan Tuan or the savory Scallion Pancake BEC. Like we said, the donuts are non-negotiable—you have to order them and that's final.