
‘Extremely graphic' sexual content found in books at K-9 schools, province says
Books found in some school libraries in Calgary and Edmonton had 'explicit sexual content,' said the provincial government, as it aims to crack-down on materials with inappropriate themes.
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The 'extremely graphic and age-inappropriate' content was found at some Kindergarten to Grade 9 schools and high schools across the Edmonton Public School Board and Calgary Board of Education, according to the province.
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Initial reports of the books came from concerned parents last November, according to the provincial minister of education and childcare.
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'I sat down with the parents, and they proceeded to show me files with multiple examples of what I would describe as being incredibly inappropriate passages,' said minister Demetrios Nicolaides in an interview Saturday.
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'I was completely shocked and taken aback,' he said.
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Most concerning of all were 'extremely inappropriate' graphic images that display sexual acts, said Nicolaides.
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Four graphic novels were named in a media release from the province: Gender Queer, by Maia Kobabe; Fun Home, by Alison Bechdel; Blankets, by Craig Thompson; and Flamer, by Mike Curato.
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However, those were just the 'most severe' cases, according to Nicolaides.
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'We didn't have an opportunity to look at the entire list. There (were) maybe dozens and dozens of books that were flagged by some of these parents,' he said.
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Some of the books contained mature content such as sexual activities, sexual nudity, nudity, molestation, profanity, suicidal commentary, alcohol use, drug use, derogatory terms, violence and self-harm.
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Several excerpts from each graphic novel were shown in a news release from the province, depicting the above themes in different instances.
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It's unclear how long the books have been in some schools. In a direct message, Nicolaides' press secretary confirmed the books were found in a total of 57 schools across Calgary and Edmonton, but did not disclose which ones.
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'I cannot think of any rationale or reason why they should be available in a school for a child,' said Nicolaides. 'The biggest concern of mine, is that many of these books exist in elementary schools.'
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No data on how often ‘sexually explicit' books accessed by Alberta students: minister
Alberta Education Minister Demetrios Nicolaides joins us to break down the recent controversy involving certain reading material in schools


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What's at stake if Alberta removes certain books from its school libraries?
Social Sharing Last week, the government of Alberta revealed plans to introduce new guidelines that will determine what books will be allowed on the shelves of school libraries across the province. The province's education minister, Demetrios Nicolaides, invited Albertans to take part in an online survey to help shape the new rules that will take effect this fall. The move comes after Nicolaides said he received complaints from parents about four particular books that concerned them: Gender Queer by Maia Kobabe, Fun Home by Alison Bechdel, Blankets by Craig Thompson, and Flamer by Mike Curato. Three out of four of these discuss 2SLGBTQ+ themes, leading many advocates to worry that queer literature would be unfairly targeted under the new guidelines. Today on Commotion, guest host Amil Niazi speaks with Mel Woods, senior editor at Xtra Magazine, and Laura Winton, president of the Library Association of Alberta, to discuss what's at stake for Alberta children and libraries. We've included some highlights below, edited for length and clarity. For the full discussion, listen and follow Commotion with Elamin Abdelmahmoud on your favourite podcast player. WATCH | Today's episode on YouTube: Amil: Mel, there's 2,200 schools across Alberta. Those books that [Nicolaides] mentioned only appear in 58 schools, and those books are not new books. So why do you think this particular concern is happening right now? Mel: Yeah, I think that's the biggest thing that we have to be really clear about with this, is that while the Alberta government has been framing this announcement as some discovery of this lewd material that's been unearthed, the only new thing here is the Alberta government's decision to care about this right now. And we have to look at the larger political context at play here. Nicolaides was saying that he heard from concerned parents. Reporting from the Investigative Journalism Foundation last week showed that those concerned parents were the Christian advocacy group, Action4Canada, which was involved in the Freedom Convoy. And also played a huge role in getting the school pronoun policies in both Saskatchewan introduced and New Brunswick, and the gender-affirming care attacks that the Alberta government's already taken. So this doesn't come in a vacuum. It's not just some genuinely, earnestly concerned parents calling up the government and saying, "Get these books out of libraries." There are coordinated movements and efforts to target these books in specific. These books on this list have been targeted in the States before. There are lists of these books that go around within these types of organizations, and they target specific governments who might seem willing to help them with those campaigns. And we look at the larger political context of what's happening in Alberta right now. [Premier] Danielle Smith and her government are looking at these separatist folks to the further right, to the further socially conservative, and are worried about their base fracturing…. These groups and organizations are coming to governments with intent to get these sorts of policies introduced, and to stoke a culture war, and to stoke a moral panic. We can never talk about these things and take what they're saying at face value and be like, "Oh, some genuinely concerned parents. We're just so worried about these lewd books." No, there are coordinated email writing campaigns. There are very influential political actors involved here, and that's an important context to have. Amil: Laura, how would you have preferred the province initiate a discussion like this? Rather than just jumping to the survey, is there something the Library Association would have preferred to see first? Laura: Yeah, absolutely. I think, first and foremost, we would have loved a conversation — at least a heads up. The Library Association of Alberta wasn't contacted. None of the public school boards were contacted as well. So this came as a total surprise to all of us. If the government had concerns about material that was in school libraries, it seems most appropriate to me that they would have approached school boards, potentially approached the Library Association of Alberta to get a bit more information on what the current processes look like, and then conversations could happen from there. Amil: So the books that we're talking about include Gender Queer by Maia Kobabe, Fun Home by Alison Bechdel, and Flamer by Mike Curato, all of which discuss and depict 2SLGBTQ+ relationships…. The government's position is that certain books have no place in school libraries. What is the case for keeping books like the ones I mentioned on the shelves? Laura: It's worth noting that these are all award-winning graphic novels. These have been reviewed in major publications. Here's a quote from Publishers Weekly about Gender Queer: "This heartfelt graphic memoir relates with sometimes playful honesty the experience of growing up non-gender-conforming. It's sure to spark valuable discussions at home and in classrooms." So this material is intended to be put in front of children. One of the books, Blankets, I studied in library school years ago in a children's literature class. And what we were talking about in that class was very specifically, "How do we use this as material to help children understand their experiences?" So librarians know how to do this. We're thinking carefully about it. And there is consensus from experts on these books. This is not, as the minister has said, equivalent to a Hustler magazine. This is an award-winning text.


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a day ago
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How characters from Alison Bechdel's past shook her out of her memoir-writing kick
Nearly 20 years after her breakout memoir, Fun Home, American cartoonist Alison Bechdel is still unearthing new truths about that period of her life. But this time, she's taking a look at her personal story through fiction, with her new comic novel, Spent. In Spent, she explores the life of a cartoonist, also named Alison Bechdel, who grapples with her complicated relationship with capitalism, community and activism after the success of her memoir and its subsequent TV adaptation. "When I was younger, I did lead a more communal life," Bechdel said on Bookends with Mattea Roach. "I lived in a communal house. I went out and did political activities and was involved in my community. Over time, I really stopped doing that — and it's a bunch of factors. Part of it's getting older, part of it is being in a relationship, but a big part of it was that I was living very much on the edge until I was in my 40s, until Fun Home came out, and slowly saved my financial bacon." "Then I started making a lot of money, which was a very weird experience for someone who had formed their sense of self as an outsider and especially as a poor outsider." Bechdel, who is also known for her comic strip Dykes to Watch Out For and books Are You My Mother? and The Secret to Superhuman Strength, joined Roach to revisit her debut memoir and how it shaped her return to fiction. Mattea Roach: You published your memoir, Fun Home, almost 20 years ago when you were 45. Now you're in your 60s. How has your relationship with the text evolved over the past nearly two decades? Alison Bechdel: It's funny to have this thing, this record of my life that is unchanging, like it's cast in stone. Even though I have found out lots of interesting information about various people or scenes in the book that would change the story if I were to write it now, it's done. This is the record and it's very odd to have to be constantly talking about it. The book was published almost 20 years ago, but I'm still talking about it as if it's a new thing to people. So that's a funny activity to get one's head around. How did it come about that you learned new information about some of the stuff that's depicted in the book? Was it a situation where people you knew read the book and said that's not actually how it was? I'll tell you one example of that, which is that I learned from my mother's best friend, that on the day that my father died, she had decided to not divorce him. Wow. Your dad died when he was hit by a truck and that was two weeks after your mom had asked for a divorce. And then there's some significant suggestion that it might have actually been intentional on his part. In this tumultuous time around between when I came out to my parents and when he died, which was just a couple of months, my mother had asked him for a divorce. And now I find out that she had been going to call that off. It just just casts her whole story into this really different light. It was already quite a tragic story, but now it's even worse, you know? Fun Home was made into this Broadway musical in 2015 and it won five Tonys. It's a very different work despite being adapted from your memoir. How did it feel to hand over a project that was so personal to be adopted for another medium? I didn't really know what I was doing. I knew I had sort of sidestepped an offer to option it for a film by asking for more money than they were willing to pay me. Which was a great relief. But then this offer came up for a musical and I didn't really have a connection to musicals. I've seen musicals, but I'm not like a big musical person. Somehow it seemed like it was different enough that I wouldn't mind if someone made a really bad musical out of my book — and the way that I would mind if it were a really bad film adaptation. I don't know what I was thinking now, but fortunately, that didn't happen. The people who made it did a very good job. It's a really good adaptation, but I always sort of think, "Wow, that was lucky." In my new book Spent, I explore what it would be like to really lose control of a creative project. Why did you want to explore this alternate path that you're grateful, in your real life, to not have gone down? Well, partly because once you become a writer in this world, everyone expects you to then somehow do something for TV or the great triumph is to get your book turned into a TV show and that just always strikes me as funny. Why can't we just make comic books that are comic books? I guess, obviously, because you make more money, but it's also just a cultural phenomenon. You know that if you're a writer, you have to grapple with this. Why did you want to revisit these characters from your weekly comic strips Dykes to Watch Out For who are now in late middle-age but are still living together in a communal housing situation? This book, Spent, was going to be another memoir. That's what I started doing after my comic strip. I retired the comic strip and began writing books about my life. And I thought that's what I was going to do forever because I really liked writing about actual life. Occasionally, someone would ask me, do you ever think you'll do fiction again? And I would just go blank. Fiction? How do you do that? And I couldn't even remember that I had actually done this fictional comic strip. But I realized early on in the work for this book that doing it as a memoir was going to be really boring. I just somehow didn't want to write about my actual life or actually read Marx or all the things I would have to do to intelligently discuss money or capitalism. In the moment that I threw that idea away, this other idea came in. What would really be funny is if I wrote about a cartoonist named Alison Bechdel who was trying to write a book about money and then it just all sort of sprang to life — and in that new vision, there were my old comic strip characters who were going to be my friends. It just was one of those lovely moments when something just comes into your mind fully formed, which hardly ever happens to me.