logo
All In on Asparagus

All In on Asparagus

New York Times05-05-2025

Happy Asparagus Month — known sometimes, to people who aren't me, as 'May.'
The month officially kicked off this past weekend, when I laid eyes on the first purple-tipped local bunches at the farmers' market. Despite the fact that currently I'm dining out for all my dinners (and many of my lunches) as an interim restaurant critic, I still carried home a wheelbarrow's worth of the grassy green stalks. I've been enjoying them for breakfast, seared in butter and topped with fried eggs, which is also how I like to have them for dinner. Sometimes I can fit a few in as a midmorning snack. I take my work-asparagus balance very seriously.
Asparagus with eggs is one classic pairing, and asparagus and pasta is another that I can't get enough of. Ali Slagle's lemony orzo with asparagus and garlic bread crumbs has legions of fans devoted to its tangy, crunchy, savory goodness, and it takes only 20 minutes to make. Does it live up to its hype? With five stars and over 11,000 ratings, signs point to yes. It's just science, people.
Featured Recipe
View Recipe →
Grilled asparagus with burrata and furikake: More asparagus sorcery from Ali, this time paired with scallions and grilled until charred. Serve it as a show-stealing side dish (maybe with grilled chicken or fish), or with lentils or grains for a satisfying meal.
Miso-honey chicken and asparagus: You knew there'd be sheet pans in this asparagus party somewhere. In this easy meal from Yossy Arefi, asparagus and marinated chicken thighs are broiled until speckly brown, and then topped with a miso-honey sauce liberally seasoned with garlic, chile and ginger.
Want all of The Times? Subscribe.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Six Books That Prove Abstinence Can Be Abundance
Six Books That Prove Abstinence Can Be Abundance

Atlantic

time16 hours ago

  • Atlantic

Six Books That Prove Abstinence Can Be Abundance

To the uninitiated, the words abstinence and divestment may connote a sense of deprivation or sacrifice. When applied to a person, they bring to mind someone who has given up, for example, salt, sugar, alcohol, smoking, or sex—and has thereby consigned themselves to a dry, joyless fate. Not so, in my experience. In my new book, The Dry Season, I recount how, in my mid-30s, after 20 years of nonstop committed relationships, I decided to spend some time being intentionally celibate. I knew I needed to take stock of and change my romantic patterns, and ended up going a year not only without sex, but without all the attendant activities, including dating and flirting. The great surprise of that period wasn't how it changed my outlook on love and sex, but how enjoyable it was. For 20 years I had been relentlessly falling in and out of love, and withdrawing from those obsessions meant devoting my recouped attention to other passions: friends, family, activism, art. I read more books and went dancing more often that year than during any other in my life. Even mundane experiences came into more vivid focus: I was taken by the tang of fresh raspberries and the crispness of clean bedsheets, along with the sweet freedom of solitude. I had always looked for the sublime in lovers, but in their absence I found it everywhere. Writing a book on the abundance of that year got me thinking about all the other kinds of reneging I've experienced, and how many of them led to unforeseen delights. As a young addict, I thought that my artistic practice relied on drugs and alcohol, only to find that my work bloomed in recovery. Similarly, when I gave up obsessive control of my eating habits, I began to truly relish food again. Rather than grimly depriving us, purposeful refusal can open us to all the bounty we have been forgoing. This realignment applies not only to attachments that rise to the level of addiction, but also to idle penchants or habits that we seek repetitively for comfort. The six books below describe other forms of abundance found, counterintuitively, through abstinence. Fasting for Ramadan, by Kazim Ali This lucid memoir originated from a journal that Ali kept while fasting during one Ramadan, and it retains the intimacy of that private beginning while evolving into a resonant meditation on hunger and worship. In the opening he writes, 'One feels, at the end of a day of fasting, like a tree branch or a bone bleached in the sun.' Readers will find sensual pleasure in his sumptuous writing about hunger, its passing, and what swells to fill that space; his tremendous poetic gifts capture that richness. 'I will miss the feeling of emptiness that foodlessness offers me,' he admits later. 'I will miss the weird focus that comes from removing consideration of this huge thing from my mental space.' In anticipation of swearing off something, we typically focus on what we give up or will lack. But the experience so often reveals the things we've been neglecting. As Ali depicts so beautifully, 'holiness is everywhere,' and sacrifice can sharpen our attunement to it. , by Pema Chödrön Probably no other book on Earth has given me more comfort over the years than this one. Chödrön is a kind of patron saint to Buddhists in the United States, and for good reason. Her warm explanations of Buddhist principles make clear their application to everyday struggles. This book is her most direct explication of the First Noble Truth—that life is suffering—and it locates the freedom of living in that truth. She instructs readers to cultivate compassion and curiosity, and to stop running from fear. This final invocation, against choosing comfort over distress, is the most challenging kind of abstinence for many of us, myself certainly included. She asks us to feel the needle of fear without slipping away with a fantasy, a snack, a book, or a lover. I once read a definition of compulsion that described it as 'an action meant to relieve a mental obsession.' As an addict, much of my life has been governed by such actions. But as Chödrön explains, when we pause before the deed 'and don't act out, don't repress, don't blame it on anyone else, and also don't blame it on ourselves, then we meet with an open-ended question that has no conceptual answer. We also encounter our heart.' Notes and Methods, by Hilma af Klint This book contains the first English translation of the writings of af Klint, a Swedish painter and mystic. Born in 1862, she was trained in painting at the Royal Swedish Academy of Fine Arts, in Stockholm, where she was among the first generation of women admitted. She painted naturalistic portraits and detailed studies until, in her mid-40s, she dove dramatically into abstraction. A student of Goethe's color theory and a member of Rudolf Steiner's Theosophical Society, she eschewed traditional painting methods in order to pursue what she encountered through séances and mediumship: an invisible life force undergirding everything. Years before Wassily Kandinsky and Piet Mondrian created their nonrepresentative canvases, af Klint assembled a massive body of abstract work marked by esoteric spiritual codes, diagrams, and symbols. Before she died in 1944, she indicated that she did not want her paintings revealed to the public for at least two decades, claiming that the world was not ready for them—and, true to her prediction, her work found a rapturous audience when it was shown in the 21st century. Notes and Methods includes a glossary of her meanings along with reproductions of her sketches and paintings. It provides a guide to the thoughts behind the great artist's works. It is also, more implicitly, an ode to the freedom found in relinquishing the need for recognition in one's lifetime. The Art of Sleeping Alone, by Sophie Fontanel This memoir describes the period of time that its author, a glamorous French fashion-magazine editor, spent voluntarily celibate in her late 20s. At the start, she imagines a life turned 'soft and fluffy'; she claims, 'I was through with being had.' Fontanel goes on to elegantly describe the gratification of aloneness, and offers keen social observations about the mistaken assumptions of others, foremost among them the idea that a woman needs a partner to find happiness. 'I don't know if love makes us blind,' she ponders, 'but I do believe that solitude allows us to see inside people's minds'—that is, it hones a person's ability to accurately perceive others, and oneself. Set against a classically Parisian backdrop, this tour through Fontanel's head is pure pleasure, especially her moving reflections on how celibacy led to healing her own relationship with her body and sexual desire: 'Could it trust me, this body, after the rough treatment I'd put it through?' She finds that it can. Drinking: A Love Story, by Caroline Knapp Knapp's memoir of sobriety is just one entry in a robust genre, standing among books such as Confessions of an English Opium -Eater by Thomas De Quincey, The Night of the Gun by David Carr, The Recovering by Leslie Jamison, Lit by Mary Karr, and The Basketball Diaries by Jim Carroll. But Drinking: A Love Story was pivotal for me; I borrowed it from a sober person when I first started trying to stop. Knapp's depiction of addiction as a doomed love affair struck home. 'For a long time,' she writes, 'when it's working, the drink feels like a path to a kind of self-enlightenment, something that turns us into the person we wish to be, or the person we think we really are.' Every book about abstinence is also, inevitably, a book about indulgence—and what lies at its bottom, eventually demanding that we go without. As Knapp puts it, 'In some ways the dynamic is this simple: alcohol makes everything better until it makes everything worse.' Her book details the glory and devastation that precedes the liberation of quitting, including the way that our excesses can subtly (or violently) affect our intimate relationships. Knapp's lushly written story illustrates the insidious way that romanticizing a dependency of any kind distorts its true impact on our lives. Writings, by Agnes Martin I had long loved Martin's famous, minimalist mid-century grid paintings, but for a long time I didn't know much about their creator. During my period of celibacy, this changed. Something of a mystic, just like af Klint, Martin found meaning and structure in artistic practice and spiritual rigor. Raised by Calvinists, she rejected formal religion but was influenced by many philosophies, particularly Taoism. Martin lived an ascetic and solitary life, and often denounced overly cerebral art. 'A lot of people will think that social understanding or something like that is going to lead us to the truth, but it isn't. It is understanding of yourself,' she said in a mid-1970s interview. Or, as she put it to a class of students at the Skowhegan School in 1987: 'The intellect has nothing to do with artwork.' Writings is full of notes, poems, micro-essays, lectures, and aphoristic passages that ring in my memory years after I first read them. Though Martin was diagnosed with schizophrenia and psychotic episodes plagued her, she never described her life as an unhappy one. She chose the path she wanted, one that structured and directed the insurmountable forces intrinsic in her and alchemized them into great art.

She became a ‘hotshot' wilderness firefighter to write about being on the front lines
She became a ‘hotshot' wilderness firefighter to write about being on the front lines

Los Angeles Times

time3 days ago

  • Los Angeles Times

She became a ‘hotshot' wilderness firefighter to write about being on the front lines

This week, we are jumping into the fire with Kelly Ramsey. Her new book, 'Wildfire Days: A Woman, A Hotshot Crew, and The Burning American West,' chronicles her time fighting some of the state's most dangerous conflagrations alongside an all-male crew of Hotshots. The elite wildland firefighters are tasked with applying their tactical knowledge to tamp down the biggest fires in the state. We also look at recent releases reviewed by Times critics. And a local bookseller tells us what our next great read should be. In 2017, Ramsey found herself in a holding pattern. Living in Austin, with an MFA from the University of Pittsburgh under her belt, she didn't know what or where she wanted to be. So she took a nanny job. 'I was spending all my time outdoors with these kids,' she told me. 'I thought, is there a job that would allow me to be outside all the time?' Ramsey landed a volunteer summer gig working on a fire trail crew in Happy Camp, Northern California, on the Klamath River. While Ramsey was learning the delicate art of building firebreaks, a large fire broke out just outside the town. 'My introduction to California that summer was filled with smoke,' says the author. 'This is when I got the bug, when I started to become interested in fighting fires.' Ramsey became a qualified firefighter in 2019, joining an entirely male crew of fellow Hotshots. Ramsey's book 'Wildfire Days' is the story of that fraught and exciting time. We talked to Ramsey about the 'bro culture' of fire crews, the adrenaline surge of danger and the economic hardships endured by these frontline heroes. Below, read our interview with Ramsey, who you can see at Vroman's on June 23. This Q&A has been edited for length and clarity. (Please note: The Times may earn a commission through links to whose fees support independent bookstores.) What was it like when you confronted a big fire for the first time? It was the Bush fire in Arizona. I was so incredulous, just marveling at what was happening. 'Look at that smoke,' and 'that helicopter is making a water drop.' It was kind of a rookie move, because all the other crew members had seen it thousands of times. To see a helicopter up close making a drop, it looks like this gorgeous waterfall. I had to get acclimated to the epic nature of fires. And that wasn't even a big fire, really. In the book, you talk about entering into a pretty macho culture. How difficult was it for you to gain acceptance into this cloistered male world of the fire crew? It was definitely shocking at first, to be in an entirely male space. The Forest Service had some sexual harassment scandals in 2017, so everyone was on their best behavior at first. It took me some time before I was accepted into the group. I had to perform over-the-top, irrefutably great, just to prove to them that I was OK. It's an unfair standard, but that's the way it was. I wanted to shift the way they saw women, or have better conversations about gender and fire. You write about the pride and stoicism of the fire crew members, the ethos of actions rather than words. No one brags or whines, you just get on with it. Why? When my editor was going through the book, he insisted that I mention the 75 pounds of gear I was always carrying on my back, and I resisted, because you don't complain about that kind of thing when you're out there. But I realized that readers would want to know these details, so I put them in. I was inclined to leave them out. You also write about the difficulties of re-entering civilian life. I don't know of any firefighters who don't struggle with the idea of living a normal, quiet life. It's just a massive letdown after the adrenaline rush of the fire season. What was shocking to me reading 'Wildfire Days' is that fire crews are essentially paid minimum wage to work one of the most dangerous jobs in the state. It was $16.33 an hour when I was in the crew. And most firefighters that I worked with didn't have other jobs. They would take unemployment until the next fire season rolled around. You would just scrape by. During the first month of the season, everyone would be flat broke, eating cans of tuna. The joke is that you get paid in sunsets. But we all love being out there. The camaraderie is so intense and so beautiful. Hamilton Cain reviews National Book Award winner Susan Choi's new novel, 'Flashlight,' a mystery wrapped inside a fraught family drama. 'With Franzen-esque fastidiousness,' Cain writes, 'Choi unpacks each character's backstory, exposing vanities and delusions in a cool, caustic voice, a 21st century Emile Zola.' Jessica Ferri chats with Melissa Febos about her new memoir, 'The Dry Season,' about the year she went celibate and discovered herself anew. Febos wonders aloud why more women aren't more upfront with their partners about opting out of sex: 'This radical honesty not only benefits you but it also benefits your partner. To me, that's love: enthusiastic consent.' Carole V. Bell reviews Maria Reva's 'startling metafictional' novel, 'Endling,' calling it 'a forceful mashup of storytelling modes that call attention to its interplay of reality and fiction — a Ukrainian tragicomedy of errors colliding with social commentary about the Russian invasion.' Nick Owchar interviews Nathan Marsak about the reissue (from local publisher Angel City Press) of 'Los Angeles Before The Freeways: Images of an Era, 1850-1950,' a book of vintage photos snapped by Swedish émigré Arnold Hylen and curated by Marsak. Owchar calls the book 'an engrossing collection of black-and-white images of a city in which old adobe structures sit between Italianate office buildings or peek out from behind old signs, elegant homes teeter on the edge of steep hillsides, and routes long used by locals would soon be demolished to make room for freeways.' And sad news for book lovers everywhere, as groundbreaking gay author Edmund White died this week at 85. This week, we paid a visit to the Westside's great indie bookstore Diesel, which has been a locus for the community in the wake of January's Palisades fire. The store's manager, Kelsey Bomba, tells us what's flying off the store's shelves. What books are popular right now: Right now, Ocean Vuong's 'The Emperor of Gladness' is selling a ton, as [well as] Miranda July's 'All Fours' and Barry Diller's memoir, 'Who Knew.' What future releases are you excited about: Because I loved V.E. Schwab's 'The Invisible Life of Addie LaRue,' I'm excited to read her new book, 'Bury Our Bones in the Midnight Soil.' 'The Great Mann,' by Kyra Davis Lurie — we are doing an event with her on June 11. What are the hardy perennials, the books that you sell almost all the time: 'One Hundred Years of Solitude' by Gabriel García Márquez, Rick Riordan's Percy Jackson series and the Elena Ferrante books, especially 'My Brilliant Friend.' Diesel, A Bookstore is located at 225 26th St., Suite 33, Santa Monica CA 90402.

Dressing Up for a Day of Black Joy
Dressing Up for a Day of Black Joy

New York Times

time5 days ago

  • New York Times

Dressing Up for a Day of Black Joy

Early last Saturday morning, about 15 festively dressed Black New Yorkers gathered outside the Dyckman Farmhouse Museum on 204th Street in Upper Manhattan. Women were wearing colorful prints and head wraps, and men had on loosely fitting white shirts and white or khaki pants. Accompanied by the beat of a drum and the clang of a cowbell, they began chanting to the tune of 'Frère Jacques': 'Pinkster Stroll, Pinkster Stroll, here we go, here we go, ancestors smiling, ancestors smiling, we answered the call, we answered the call.' Then the group set off on a seven-mile walk south, which ended at the New York Historical museum along 77th Street on the Upper West Side. The march was reminiscent of a sight New Yorkers might have witnessed some 200 years ago as people celebrated Pinkster, considered to be the oldest African American holiday. Cheyney McKnight, who organized the recent Pinkster Stroll, likened historical celebrations of Pinkster to family reunions. They typically involved participants traveling together on foot or by boat to a location where, for several days, they would eat, dance, sing and crown a Pinkster King. 'It was very joyful,' she said. 'Very exciting.' Pinkster, a Christian holiday celebrating the Pentecost, was originally brought to New York by the Dutch people who colonized the area. Its name, derived from a Dutch word, is also associated with that of the pink pinxter flower, which blooms in New York and across North America every spring. Many of the Africans that were enslaved and brought to New York were also Christian (most came from Congo or Angola). Over time, they began celebrating Pinkster in their own way and, by the late 1700s, it had largely become an African American holiday. It was also the rare occasion when both enslaved and free Black people living in and outside New York City, Albany and other places could gather together. Want all of The Times? Subscribe.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store