logo
Iris Mountbatten broke all the rules and called herself 'the black sheep of the royal family' writes CHRISTOPHER WILSON

Iris Mountbatten broke all the rules and called herself 'the black sheep of the royal family' writes CHRISTOPHER WILSON

Daily Mail​28-05-2025

Once 13th in line to the throne, Iris Mountbatten broke all the rules. She called herself 'the black sheep of the Royal Family ' – and no wonder.
She married a Catholic and was booted out of the line of succession. She quit Britain for a new life in America, but got deported for bouncing a cheque.
She wheedled her way back into the States but high society turned its back and she married a jazz musician.
She became close to all the great jazz artists of the day, including Louis Armstrong, Duke Ellington and Count Basie - so close, in fact, that people claimed she preferred black men in her bed.
And so, despite being born the great-granddaughter of Queen Victoria and growing up in Kensington Palace, Iris Mountbatten ended up scraping a living in New York and California as a film publicist, sales girl, dancer, model, and briefly TV host.
She had the looks, the personality – but she couldn't stick at anything.
'A problem child,' was how one family friend described Iris. But then Iris barely ever saw her parents – she was ushered in by her nanny at teatime to be inspected, then taken away again. So by the time she was a teenager, she'd 'gone to the dogs and [was] completely hopeless', according to the friend.
'She wanted to be royal, but at the same time mix with ordinary folk,' explained another friend. Nobody within the tight-knit royal circle could understand that.
Iris's father, known as Prince Alexander of Battenberg until the First World War forced him to ditch his German title and call himself the Marquess of Carisbrooke, was an 'irritating, nervous' man who preferred the company of men and was besotted with a promiscuous man called Simon Fleet.
Her mother, the former Irene Denison, daughter of the Earl of Londesborough, was no better – she ignored Iris, despite the girl being her only child.
However, Iris initially remained part of the tight royal circle, and at the age of 14 she was bridesmaid to Princess Marina of Greece and Denmark at her wedding to Prince George, the Duke of Kent.
Three years later, at the 1937 Coronation, she was one of six train-bearers to Queen Elizabeth, wife of King George VI.
She went on to be a famous and much-photographed debutante – and hoped to find in marriage the family life she'd so sadly lacked at home. In 1941, at the age of 21, she married Hamilton Keyes O'Malley, an Irish Guards officer.
It was a disastrous mistake. First, O'Malley was a Roman Catholic – which meant that, though Iris had been in line to the throne, she was removed from the order of succession under the terms of the 1772 Royal Marriages Act.
Later, she stated she did not mind this loss of prestige, adding: 'A plague would have had to hit the f***ing Palace before I'd become Queen!'
But early on in her marriage, she discovered her husband was a bully and a wife-beater. 'It was a total disaster, a nightmare,' she recalled later. 'I could never tell a divorce court all the horrible, ugly things that happened – things I still refuse to tell.'
And so, instead of Iris bringing a court action to end the marriage, her husband divorced her. It was a scandalous thing to happen to such a high-born woman, since the custom of the day in their elevated circle was that the husband would always take the blame.
That scandal – and the huge fuss created when Iris renounced her right to the throne – made her a marked woman, no longer acceptable in high society. Because of her divorce, she was banned from attending her grandmother Princess Beatrice's funeral.
She fled to the United States. Newly arrived and not understanding how US banks worked, she wrote a cheque which bounced – and was arrested. She was then ignominiously ordered to leave the country – and her title of 'royal black sheep' was born.
With no place to call home in Britain – her parents had washed their hands of her – Iris managed to get herself back into the US as a tourist. Tossing aside her privileged background she went to work, doing anything to earn a dollar.
She became an actress and model, appeared as a hostess for a live TV children's programme Versatile Varieties: Junior Edition, and also featured in TV ads endorsing Pond's Creams and Warren's Mint Cocktail Gum. For a time it looked as though she'd made a success of her escape from the royal circle.
She married a jazz guitarist, Mike Bryan, who'd played with Benny Goodman's band - but the marriage lasted just months. Drawn into this world, she came to know many of the jazz greats of the 1940s and 1950s – Duke Ellington, in his last concert appearance, dedicated one of his songs to 'Iris Mountbatten, that satin doll'.
But the quirky good looks and cheeky glamour for which she was so famed as a debutante started to fade early on, and Iris took to the bottle. 'Sex with jazz players? These are my buddies, buddies, BUDDIES,' she blurted out to one journalist. 'There are always these insinuations that I keep hopping in and out of bed with them. Why do people think, because I love them, it has to mean sex?'
'Not quite like the home life of our own dear Queen,' commented the columnist sourly.
She moved to Toronto, and started a new life with actor and announcer William Kemp – but, again, it didn't last. As a thrice-divorced royal, she waited in vain for an invitation to Charles and Diana's 1981 wedding. And when the Queen Mother paid a visit to Canada, her suggestion that they should meet was cold-shouldered by courtiers.
The black sheep had become an outcast.
Low on cash and happier in the company of those who drank a great deal, Iris Mountbatten died a sad death at the age of 62 from a brain tumour.
Her ashes were brought home to the Isle of Wight for interment in the Battenberg Chapel, in St Mildred's Church at Whippingham. The Royal Family sent no representative to visit her resting place.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Elon Musk takes Trump feud to next level with more Epstein files claims as aides try to broker peace: Live updates
Elon Musk takes Trump feud to next level with more Epstein files claims as aides try to broker peace: Live updates

Daily Mail​

time24 minutes ago

  • Daily Mail​

Elon Musk takes Trump feud to next level with more Epstein files claims as aides try to broker peace: Live updates

Donald Trump branded Elon Musk 'the man who has lost his mind' as the world's richest man escalated his feud with the president. Musk continued firing insults at Trump on Thursday evening on his X platform, with insiders said to be losing hope that a truce between the men can be brokered. Trump says he's 'not particularly' interested in peace talks with Musk Donald Trump was reportedly 'not angry or even concerned' about his escalating feud with Elon Musk in a phone call with reporter Jonathan Karl. Karl wrote on X that Trump branded Musk 'the man who has lost his mind', but was not concerned with speaking with the former 'First Buddy.' 'As for reports that there is going to be a Trump/Musk call scheduled for today, Trump told me he is 'not particularly' interested in talking to Musk although he says Musk wants to talk to him,' the ABC News correspondent said.

Music Review: On Addison Rae's 'Addison,' a new pop powerhouse is born
Music Review: On Addison Rae's 'Addison,' a new pop powerhouse is born

The Independent

time32 minutes ago

  • The Independent

Music Review: On Addison Rae's 'Addison,' a new pop powerhouse is born

The pop album of the summer is here. Addison Rae's debut, 'Addison,' is full, stuffed with bejeweled, hypnotic pop songs for the post-'BRAT' crowd. Hedonism has a new hero. For those who've watched her rise, it's almost impossible to believe. It wasn't so long ago – almost exactly a year into the COVID-19 pandemic – that a young Rae went on 'The Tonight Show' and taught its host Jimmy Fallon a few stiff, meme-able TikTok dance moves, then what made up the bulk of her career. It was met with almost immediate backlash, as is common for young women with viral posts. But she wielded it like a weapon: Social media celebrity begat acting roles for Rae, then a coveted collaboration with Charli XCX in the form of a 'Von Dutch' remix, and now, at age 24, her final form: becoming the hyper-ambitious, hyper-femme pop star for the current moment. As a full body of work, 'Addison' taps into the genre-agnostic zeitgeist, where pop music appears edgy and elastic. The songs speak for themselves, from the pitch-shifted trip-hop 'Headphones On' and the snapped percussion, minor chords, NSFW lyrics and vanishing synths of 'High Fashion' to the Madonna'Ray of Light'-cosplay 'Aquamarine' atop a house beat and its chantable, spoken chorus: 'The world is my oyster / Baby, come touch the pearl / The world is my oyster / And I'm the only girl.' Humor and girlhood are intertwined with less of a Sabrina Carpenter-wink and more of cheery irony. ' Money loves me,' she yells on 'Money Is Everything.' 'I'm the richest girl in the world!' Then, a giggle and a kiss. ('Girl,' to this writer's count, is uttered 20 times across the album. Across its 12 tracks, she is both the divine feminine and the girl next door. Often, they are one in the same.) Rae isn't reinventing the wheel here, but she is carefully pulling from her inspirations. Her story recalls Britney Spears: The pair are from Louisiana, became famous young, and recorded their unique, sensual, layered pop music in Stockholm, Sweden, in and around super producer Max Martin. There's the earned Lana Del Rey parity, like in the 'Born to Die'-channeling 'Diet Pepsi,' echoes of Charli in the bouncy opener ' New York,' and tinges of ethereal Enya production on the dreamy 'Summer Forever.' For 'Addison,' Rae partnered with two primary collaborators – Luka Kloser and Elvira Anderfjärd, who goes simply by Elvira – an unusually small team for a major label pop release. But that intimacy is one of the album's superpowers, a sensibility that teeters between close mic recordings and big late-night anthems. In the latter case, look no further than 'Fame Is a Gun,' an easy song-of-the-summer contender, a sunglasses-in-the-club banger with synthetic vocal textures and an unignorable chorus. In the lead up to the release of 'Addison,' Rae has positioned her early TikTok fame as a means to an end. There aren't many avenues to Hollywood from Lafayette, Louisiana, and social media, for some, is a democratizing tool. Rae used her dance training to build a name for herself on the platform, something that has no doubt laid an ideal foundation for pop superstardom – just consider how Justin Bieber did something similar with covers on YouTube not so many years ago. It feels full circle, then, that Rae's stellar debut album aims to do what her videos on TikTok attempted to do, what she's always wanted to do — dance, and get others to dance, too.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store