Indigenous fashion week in Santa Fe, New Mexico, explores heritage in silk and hides
SANTA FE, N.M. (AP) — Fashion designers from across North America are bringing inspiration from their Indigenous heritage, culture and everyday lives to three days of runway modeling starting Friday in a leading creative hub and marketplace for Indigenous art.
A fashion show affiliated with the century-old Santa Fe Indian Market is collaborating this year with a counterpart from Vancouver, Canada, in a spirit of Indigenous solidarity and artistic freedom. A second, independent runway show at a rail yard district in the city has nearly doubled the bustle of models, makeup and final fittings.
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Toronto Star
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- Toronto Star
Nintendo's Switch 2 soups up the graphics, but does it deliver the games?
WASHINGTON (AP) — I'm cruising around Bowser's Castle with my old pal Toad. It's not exactly relaxing, what with all the lava pits and banana peels and turtle shells littering the road. Add 23 other characters — is that a cow driving? — who are trying to get to the finish line first, and it's chaos. The hectic, high-speed insanity of any race in the new Mario Kart World would have caused the eight-year-old Switch console to wheeze a bit. And that's why we've got the Switch 2 ($449.99), the souped-up sequel to Nintendo's popular home-and-portable hybrid.
Winnipeg Free Press
an hour ago
- Winnipeg Free Press
Nintendo's Switch 2 soups up the graphics, but does it deliver the games?
WASHINGTON (AP) — I'm cruising around Bowser's Castle with my old pal Toad. It's not exactly relaxing, what with all the lava pits and banana peels and turtle shells littering the road. Add 23 other characters — is that a cow driving? — who are trying to get to the finish line first, and it's chaos. The hectic, high-speed insanity of any race in the new Mario Kart World would have caused the eight-year-old Switch console to wheeze a bit. And that's why we've got the Switch 2 ($449.99), the souped-up sequel to Nintendo's popular home-and-portable hybrid. It looks prettier, too. The 7.9-inch portable display (up from 6.2 inches) boosts the resolution to 1020p (from 720p), and while the LCD screen isn't quite as sharp as an OLED screen might have been, it's much cleaner than the original recipe Switch. It looks even better when connected to an HDTV since it now supports 4K and HDR. Nintendo has always stood apart from the technological arms race that fans of Sony's PlayStation and Microsoft's Xbox obsess over, insisting that first-rate games don't necessarily depend on high-powered computer chips. But you could feel the strain in 2023's The Legend of Zelda: Tears of the Kingdom, with its at-times blurry graphics and sluggish framerate. The Switch 2, with a faster framerate of 120 fps, corrects much of the fuzziness. That's not to say it comes close to matching the high-definition performance of the PlayStation 5 or the Xbox X/S. If you're expecting the jaw-dropping graphics of, say, Ubisoft's Assassin's Creed Shadows … well, no. There is good news for those of us who have gotten weary of the old Switch's dinky 32 gigabytes of internal storage. The Switch 2 multiplies that by eight, for 256 GB. Of course, flashier games take up more space, so if you want more room you'll have to invest in a microSD Express card — which is a bit pricier than the standard memory card used in most portable devices. Magnets, how do they work? The Switch 2's Joy-Con controllers have undergone some tinkering. As before, you can attach them to the sides of the screen if you're playing on the go. If you're at home, you can attach them to a doohickey that feels more like a traditional joystick. Either way, they're now more firmly connected with magnets, which provide a satisfying snap. Both the left and right Joy-Cons now include an optical mouse, which you can use by placing the controller on its edge and rolling it around on a table. (Nintendo says you can also use it on your pants, but I prefer using a clipboard on my lap.) It remains to be seen how many Switch 2 games will call for a mouse, but 2K's port of Sid Meier's Civilization VII seems like a good candidate. What about the social options? And then there's a new button labeled 'C' on the right-hand Joy-Con. That calls up GameChat, which lets you start up a conversation with other players — provided you've all taken the time to register yourselves as friends. (Eventually, you'll also need to subscribe to the Nintendo Switch Online service, but that requirement doesn't kick in until March 31, 2016.) The microphone is built into the Switch 2, though if you want to upgrade to video chat, you'll need to buy a separate Nintendo camera. Finally, there's GameShare, which lets you play selected titles with other Switch users even if they don't own the software. Nintendo has been emphasizing the new social features in its marketing, though it feels like it's catching up to the competition. The kids I know who play Fortnite or Minecraft on competing consoles seem to have figured out long ago how to chat with their pals. Welcome to the 2010s? Who's got game? Weekly A weekly look at what's happening in Winnipeg's arts and entertainment scene. As with any console launch, the driving question is: Does it have the games? There are just a couple of Switch 2 exclusives out now: Mario Kart World and Nintendo Switch 2 Welcome Tour, a $10 demo package that really should have been free. There are some new-to-Nintendo ports of excellent titles like Split Fiction and Cyberpunk 2077. You can get upgrades of classics like the last two Legend of Zelda adventures. And the Switch 2 is fully backward-compatible, so you can play everything that came out for the Switch as well as a substantial library of older titles. There's no other machine that will let you play future installments of beloved franchises like Zelda, Super Mario Bros., Super Smash Bros. and Animal Crossing. None of those have been announced yet, but some marquee names — Donkey Kong and Kirby — will star in Switch 2 exclusives later this year. There's plenty of competition out there, though, and not just in the TV-connected console market Switch shares with the PlayStation and the Xbox. Nintendo no longer has the portable market to itself, thanks to Valve's SteamDeck. Some models of that device cost less than the Switch 2, and it already has a huge library of PC games. Meanwhile, Microsoft announced over the weekend that it's teaming up with Asus on the ROG Xbox Ally, a handheld that will be out before Christmas. Honestly, we'll probably have a better idea of the Switch's quality a few years down the line, after developers get a handle on what the new hardware can do. If you're dying to get back behind the wheel with Mario, Luigi and Princess Peach right now, though, you know what you need to do.
Winnipeg Free Press
an hour ago
- Winnipeg Free Press
Nina Stemme says farewell to Isolde after 126 performances
PHILADELPHIA (AP) — Nina Stemme tilted back her head after the final notes of her 126th and last Isolde performance, and her eyes filled with tears. She was hugged by tenor Stuart Skelton and mezzo-soprano Karen Cargill as the audience in Marian Anderson Hall stood and applauded Sunday evening. A few days earlier, Stemme thought back to April 2000, when Glyndebourne Festival general director Nicholas Snowman and opera director Nikolaus Lehnhoff walked into her dressing room in Antwerp, Belgium, asking her to sing in the English company's first-ever performance of Wagner's 'Tristan und Isolde.' 'I really did think they were joking,' she recalled. 'My colleague, Christopher Ventris, said, 'No. No. They're not joking. You have to be careful.'' Stemme went home to Sweden, considered the offer with vocal coach Richard Trimborn and made her Isolde debut on May 19, 2003, at the Glyndebourne Festival with Robert Gambill as Tristan and Jiří Bělohlávek conducting. She chose to sing her final two Isoldes 22 years later with the Philadelphia Orchestra and music director Yannick Nézet-Séguin, who conducted the opera for the first time on June 1 and coaxed a luminous rendition from a premier orchestra at its peak. 'I'm 62 now. I gave it to my 60s to sing these big roles and now I've dropped Elektra and Brünnhilde, and Isolde is the last daughter on stage that I'm singing,' Stemme said. 'I decided this years ago. This is how it works and every year that I was able to sing Isolde feels like a bonus and a privilege.' Connection to Birgit Nilsson Stemme was friends with Birgit Nilsson, one of the greatest Isoldes and Brünnhildes, who died in 2005 at age 87. 'I was on the verge to go down to her in south Sweden to study Isolde but of course me as a young singer with little kids at home, I never felt ready,' Stemme said. 'At that time when we got to know each other, I was singing mostly a lyric repertoire.' Skelton sang with Stemme in Wagner's 'Der Fliegende Holländer' at the Vienna State Opera in 2004 and his Tristan was paired with Stemme's Isolde in New York, Munich and Naples, Italy. 'It's as radiant now as it was when I first heard her sing it in Glyndebourne way back in the day,' he said. 'No one knew really who Nina Stemme was to a certain extent. Certainly I don't think anyone was ready for what she brought to Isolde even then.' A conductor learning from the singer Nézet-Séguin first worked with Stemme in a performance of Wagner's Wesendonck Lieder with the Royal Stockholm Philharmonic Orchestra in 2007, didn't collaborate again until performances of Strauss' 'Die Frau ohne Schatten' at the Met last fall. 'The breadth of her experience with the role is just guiding all of us, me, but also the orchestra, who is playing it for the first time in understanding the flow of the piece, understanding their shades and the colors, and that is invaluable,' Nézet-Séguin said of Stemme's Isolde. 'It was wonderful for me to benefit from it.' Singers were on a platform above and behind the orchestra, with LED lights below setting a mood: red in the first act, dark blue in the second and light blue in the third. Stemme wore a dark gown in the first and third acts and a shimmering silver dress in the second, while Skelton, baritone Brian Mulligan (Kurwenal), bass Tareq Nazmi (King Marke) and tenor Freddie Ballentine (Melot) were largely in black, and Cargill (Brangäne) in a lighter-colored costume. Showing sets and complicated directions weren't necessary, she conveyed Isolde's emptions with her eyes, smiles and nods. During the great second-act love duet, Stemme and Skelton clinked water canisters. 'Twenty-two years ago I could act the young princess that was in love or hated her love for Tristan,' she said. 'I have other colors to my voice now and I'm older so of course this interpretation will change. I feel more at home in the middle range and with age, of course, the top notes are not as gleaming as they used to be, but I can make up for that in other ways hopefully — on a good day.' Stemme's future schedule includes less-taxing roles, such as Klytämnestra in Strauss' 'Elektra' and Waltraute in Wagner's 'Götterdämmerung.' She leaves behind an outstanding recording of her Isolde, made from November 2004 through January 2005 at London's Abbey Road Studios with tenor Plácido Domingo and conductor Antonio Pappano. Lise Davidsen makes her Isolde debut next year Anticipation is building for the next great Isolde. Lise Davidsen is scheduled to make her role debut on Jan. 12 at Barcelona's Gran Teatre del Liceu and then open a new production at New York's Metropolitan Opera on March 9 with Nézet-Séguin. 'She said how happy she is to in a way symbolically pass this role, pass it on to her, in a way through me,' Nézet-Séguin said of Stemme. 'That is almost like a torch that has been carried.' After all those Isoldes, Stemme feels more a Puccini heroine than a Wagnerian star. 'At heart,' she said, 'I'm still Madama Butterfly or Mimì.'
