
Tyler Perry accused of sexual assault by actor Derek Dixon in lawsuit
US film and TV giant Tyler Perry has been sued for $260m (£194m) by an actor who has accused the mogul of sexually assaulting him while working on his TV shows.Derek Dixon has filed a lawsuit in Los Angeles accusing Perry of using his influence in the entertainment industry to create a "coercive, sexually exploitative dynamic" while he was acting on The Oval and Ruthless.He alleges Perry promised him a successful acting career but then subjected him to "escalating sexual harassment, assault and battery, and professional retaliation" when he didn't reciprocate Perry's "unwanted advances".Perry's lawyer denied the allegations and called the lawsuit a "scam" to make money.
"This is an individual who got close to Tyler Perry for what now appears to be nothing more than setting up a scam," his attorney Matthew Boyd told the BBC. "But Tyler will not be shaken down and we are confident these fabricated claims of harassment will fail."Dixon said he met Perry in 2019 at a work event for Tyler Perry Studios in Atlanta, and the pair talked over several months about an acting career. The lawsuit states Perry also allegedly made numerous sexual comments and remarks about wanting a sexual relationship, and made several advances on Dixon - which he rejected.Perry offered Dixon a role in his show Ruthless then later in The Oval. But the lawsuit said: "Mr Perry made it clear to Dixon that if Dixon ignored Perry or failed to engage with the sexual innuendos, Dixon's character would 'die' in the next season."The case claims Perry "always held this over Mr Dixon's head, implying that [his character] 'Dale' would survive if Dixon kept Perry 'happy'".The lawsuit cites several incidents where Perry allegedly sexually assaulted Dixon. The actor accused Perry of interrogating him over his sexual interests in a trailer on the set of The Oval, before pinning him to a wall and fondling him. Dixon said he refused the advance and left the trailer. Dixon said to stop continued harassment, he elected to leave his role on The Oval and declined a job from Perry to work as a writer.
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Daily Mail
28 minutes ago
- Daily Mail
Meghan Markle says she struggled to get acting roles early in her career because of her mixed race as she appears to take subtle swipe at royals over 'truth' in podcast interview
Meghan Markle has claimed she struggled to get acting roles early in her career because she is mixed race. The Duchess of Sussex told how she would get plenty of auditions but was regularly rejected by directors - which was a 'lot to chip away at your self-esteem'. Meghan, who eventually rose to fame in US legal drama Suits from 2011, said she was often put forward for 'girl next door' roles because she was 'half white'. But she said these characters were 'typically blond-haired, blue-eyed and a certain look' – and if they 'had any sort of ethnicity, there was always a bit of an edge'. The Duchess made the comments on a wide-ranging interview with entrepreneur Emma Grede on her Aspire podcast, during which she also she would 'ask people to tell the truth' if she was able to rewrite her public narrative from scratch. Meghan, whose mother Doria Ragland is black and whose father Thomas Markle is white, said: 'When I was an auditioning actress and this was well before Suits, you have to think at that time there were certainly not a lot of mixed race parts.' Grede replied: 'Really?' Meghan then insisted: 'No' - and Grede again said: 'Really?' Meghan continued: 'No, there weren't a lot. If I was going in for an audition - you have to remember this was a very different time than it is now - it was Girl Next Door. 'That was typically blond-haired, blue-eyed and a certain look. But because I'm half white, I would also be submitted for those roles and then if it was a character that had any sort of ethnicity, there was always a bit of a edge to those characters. 'But I'd be submitted for those roles and I also, to a lot of people in casting, they thought I was Latina. So I share that because, and I've shared this before, because it was a numbers game. 'If I'm only up for 10 parts, that could be 10 nos, but if I'm up for 30 parts because I can fit into so many different rooms, that could be 30 nos. That is a lot to chip away that is a lot to chip away at your self-esteem - that is really hard.' The Duchess said that she 'went through my chapter of self-doubt as an auditioning actor and beyond that', adding that 'when you're so consumed with what everyone around you thinks of you, that can be a really hard way to live'. She told how in her 40s and as a mother, she wanted to set an example for what her children Prince Archie and Princess Lilibet are 'going to think about themselves'. Meghan continued: 'You can't have an imposter syndrome around. You have to be so authentically the role model and the example of confidence, self-forgiveness, kindness, fun - all of those things, you can't fake that. 'You want to model that for them, so all of that really shifted in the past six years of becoming a mom for me.' Meghan played paralegal-turned-lawyer Rachel Zane in Suits. She also had parts in CSI: Miami, sci-fi show Fringe and movies such as Get Him To The Greek, Remember Me and Horrible Bosses. In addition, the Duchess a 'briefcase girl' – one of the models who hold the suitcases full of cash – on the US version of Deal Or No Deal. Later in the podcast discussion, which came out yesterday, Grede asked Meghan whether she had any skills from her acting career that were transferable into the 'new entrepreneurial world that you're in'. And the Duchess replied: 'Of course. I mean, again, having a thick skin - partnerships and the value of you know having great relationships when what you when you're building certainly lots of different SKUs (stock keeping units) is key. 'And so a piece of advice I was given years ago as an auditioning actress was don't try to book the part, book the room. Meaning it doesn't matter if you don't get that role, you might not be right for it, you might remind the director of an ex-girlfriend that broke his heart. 'It could be any number of reasons - it's not about the part. You're going to see those producers and those casting directors at so many other opportunities - book the room, let them see that you're talented, let them see you have something to bring to the table. 'Treat them with kindness, all of those relationships end up coming to fruition - you don't know when. But just like with life, relationships matter. So I learned that in the very long road of auditioning, for sure.' The Duchess was also asked whether she ever missed acting, and said: 'Sometimes, sometimes. 'But you know what, actually, having a large team being back on set with With Love, Meghan was great because I realised how much I had missed my crew. I love being around a crew.' Meghan has previously spoken in her own podcast about how being mixed race impacted her acting auditions. During episode five of Confessions of a Female Founder, released on May 5, she said: 'I heard 'no' all the time, especially because I wasn't cookie cutter for a specific type. At the start of my auditioning career you were either the black girl or the while girl or the Latina girl. 'Everything was typecast, so being mixed I could get into a lot of rooms, that meant as a numbers game I heard 'no' even more.' During the latest podcast, Grede also asked Meghan: 'I want to say this to you in the best way, because I wonder if you could rewrite your public narrative from scratch, is there anything that you would do differently?' The Duchess replied calmly: 'Yes, I would ask people to tell the truth.' Meghan gave no specifics about to whom who she was referring, but later referred to a 'lie' told eight years ago - in another apparent dig about her life in the public eye as a member of the Royal Family since she began a relationship with Harry. Grede, a founding partner of Kim Kardashian's shapewear brand Skims, said: 'You're very measured about it. I would just get so angry if I felt like everyone was lying about me all the time ...' Meghan said: 'Peaks and valleys... Of course, I've gone through those chapters and you do a lot of work, you do a lot of self work and go, what's the why? It's happening for a reason.' She added that her 'dear friend' tennis champion Serena Williams told her 'a lie can't live forever'. The Duchess said: 'She told me years ago, a lie can't live forever. Eight years is a long time, but not forever.' Eight years ago, in 2017, Meghan was dating and became engaged to Prince Harry, and began preparing for life as a member of the royal family. The year also included Meghan's first meeting with Kate and the beginnings of Prince William's fall out with Harry after William urged his brother not to rush into the relationship.


The Guardian
29 minutes ago
- The Guardian
Deliver Me From Nowhere: first trailer for Oscar-tipped Bruce Springsteen biopic
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The Guardian
an hour ago
- The Guardian
‘Grown-ass men cry in our arms!' The political, powerful music of soul band Durand Jones and the Indications
If you looked to the skies in the UK on 12 May, you'd have seen the flower moon, the name given to that month's full moon. Also known in agricultural circles as the hare moon or the corn planting moon, it's closely associated with new life and new beginnings. 'Happy flower moon day!' beams Durand Jones, leader of soul outfit Durand Jones and the Indications, whose forthcoming album Flowers – led by the single Flower Moon – also deals with the theme of fresh starts. We're serendipitously speaking on 12 May, along with his bandmates Aaron Frazer and Blake Rhein. Jones is at home in New Orleans, and dressed rather fabulously in a kimono and a battered old baseball cap. Frazer, the band's falsetto-singing drummer, is in Los Angeles, where he moved in 2024 after 10 years or so in New York, while Rhein, in Chicago, doesn't turn his camera on throughout our interview and – despite being the band's guitarist and core producer – interjects only once or twice over the course of our hour-long conversation. Fittingly, there's been a great deal of growth and maturation since Durand Jones and the Indications' 2021 album Private Space. We're still in the world of retro soul with modern, hip-hop-tinged production, but the disco and funk influences of that third album have given way to gentler, altogether more romantic moods; the O'Jays, William DeVaughn and other Philadelphia soul heavyweights; the Chi-Lites and even Barry White. Their popularity is certainly blooming: they're gearing up for a long US tour, followed by European shows in early 2026, and have just got off the road supporting Lenny Kravitz in arenas. Frazer says the experience was 'absolutely sick' and, pleasingly, they never once saw him not wearing sunglasses. 'Whether it's on stage or in the hallways, no cameras or crowds, his default is strut,' Frazer says. 'That brand of rock'n'roll, with the tight leather pants and the swagger, has been mimicked so much, but when you see an original version of it, it's super cool.' On the personal side, meanwhile, the past couple of years have also been transformative. Jones used his 2023 solo album Wait Til I Get Over to open up about being queer, something he tells me has set him free in every aspect of his life. 'The biggest thing I realised was that I had spent most of my life trying to make people around me feel comfortable, and I hadn't realised I wasn't comfortable myself,' he says. 'Now, I feel like a whole different person. I feel settled. With my solo album, my intent was to put out art, but it was also a chance to reflect on the things that I felt most insecure about. Coming back to the Indications, I felt ready to be vulnerable with my art in a way that I wasn't before.' Frazer also got candid for his second solo album, last year's Into the Blue, mining heartbreak, grief and loneliness in the aftermath of a breakup and relocation to LA. There is a worry that a group with two vocalists, both of whom release solo material, could have an inherent tension, perhaps exacerbated by the trio living in three separate corners of the US. But Flowers could not sound more harmonious, and Frazer says 'the emotional health of this unit has never been better'. Their extracurricular activities only serve to enhance the spirit of collaboration once the band reconvenes, he argues, and 'having other avenues for expression only helps longevity'. The band (which features two further auxiliary members) formed after Jones, a virtuoso saxophonist, met Frazer and Rhein in 2012 at Indiana University's Jacobs School of Music. They released their self-titled debut album in 2016, a collection of gloriously retro gems rooted in 50s doo-wop and early 60s vocal harmony groups. Their music caught the ear of the Chicano lowrider community, who became fierce champions of the band, and the album was rereleased to wide acclaim in 2018. Second album American Love Call took the Indications further towards the mainstream. Released in 2019, a year before George Floyd's murder and the rise of the Black Lives Matter movement, it was prescient and politically charged, examining the fractures in American society and the crisis in racial equality. But no matter how despairing ('It's morning in America / but I can't see the dawn'), the band's music is underpinned by the idea that love will always win. Flowers is no different, although Jones and Frazer say it can be hard to remain positive in the face of such dire politics. 'It's so scary to see what's going down here in the US. It feels like the start of a dictatorship,' says Jones. 'To see this administration literally disregard the orders of the supreme court is insane. Fascism starts with silencing folks, and we're seeing that. After you've silenced the news media, you go after the arts. We're starting to see that and it's alarming. I am afraid, and that's crazy to say out loud. It's only been a little over 100 days, but there's a lot of … what's the word … evil happening in America. And I feel as if I'm idly standing by.' One song on Flowers, I Need the Answer, Jones's favourite, takes a softer, conciliatory approach. 'We've been out on the streets protesting, and we've been trying to talk to our fellow man in many ways, about the injustices that we feel. I Need the Answer is about just stopping and saying: 'I disagree with you, you disagree with me, but let's sit down and talk about this.' I think we can find some ground that we can walk on together. We have to.' A source of power for him and Frazer in the face of such polarised times is the number of fans who have approached them to tell him how the Indications' music has changed their lives. 'I've lost count of the number of grown-ass men who have cried in my arms,' says Jones. 'People on the brink of suicide who say our music has saved them.' 'These interactions mean more than any interview, radio play, TV appearance or whatever,' continues Frazer. 'Getting to hear from someone about how your music is in their life, or seeing a video of a marriage proposal and your song is playing in the background is just incredible,' he says. 'It doesn't even faze me any more when someone says we're on their sex playlist. I say: 'Great, very happy you invited us into your space, glad we could help.' 'I heard from a janitor who told me our music helps them get through a shift, someone who was locked up in a state penitentiary who told me our music was played by people waiting out their sentences. Hearing that our music has a very concrete role in someone's life, that, to me, feels like making it. 'And to take a song like I Need the Answer, that's a salve. We can be a soundtrack to someone's lovemaking or their work or their cooking or whatever. We have the opportunity to speak to people with an open mind.' Flowers is released via Dead Oceans on 27 June. Durand Jones and the Indications are at Rough Trade East, London, on 3 July, Love Supreme Jazz festival, East Sussex, on 4 July and will be touring the UK in February 2026.