logo
Buddy Guy on ‘Sinners': ‘This May Help the Blues Stay Alive'

Buddy Guy on ‘Sinners': ‘This May Help the Blues Stay Alive'

New York Times30-04-2025

Buddy Guy would do just about anything for the blues. So when the guitarist and singer got the call for a role in Ryan Coogler's musical horror period-drama 'Sinners,' the answer was an easy yes.
Then the nerves kicked in.
'Man, I had goose pimples everywhere. I couldn't hardly sleep that night after shooting and the night before,' Guy, who turns 89 in July, said in a phone interview from his home in Chicago. In his main scene opposite Michael B. Jordan and Hailee Steinfeld, in a bar after the film jumps from the 1930s to the '90s, he said he almost needed a stiff drink.
'I never did drink alcohol until I met Muddy Waters and them, and they said, 'If you drink a little schoolboy Scotch, Buddy, your nerves would be a little better off.' And that wasn't schoolboy Scotch during filming, that was just water, but I hoped they would bring me a shot because I didn't want them to see me shaking,' he said with a laugh.
In the film, which has become a box office and critical smash, and a cultural phenomenon, Guy portrays the older version of Sammie Moore, a blues musician played by Miles Caton in his earlier years. (The plot revolves around the Smokestack twins, both played by Jordan, and their efforts to ward off vampires, who offer Sammie eternal life.) Guy said he hadn't watched the entire film yet — 'I'm afraid to see it because I don't want to say if I'm bad or good' — but he's hoping 'Sinners' bridges the gap between younger audiences and the blues, and shines a light on the genre's legacy.
'I saw a little clip of the movie and said, 'Wow, this may help the blues stay alive.' Some kid who never heard of the blues might wake up and say, 'I better check that out,'' Guy said. 'Blues has been treated like a stepchild ever since the big FM stations came out,' he added. He said he made a promise to Waters and B.B. King 'that I would try to keep the blues alive because the blues is the history of all music.'
The frequent Coogler collaborator Ludwig Goransson, the composer and an executive producer of 'Sinners,' geeked out when he went to Chicago to record a new song with Guy, a spare 12-bar blues called 'Travelin'.' Goransson, who grew up in Sweden, learned to play the guitar as a child and shares his love for the instrument with his father, who is a blues guitarist and guitar teacher.
'Half of the day was just me asking questions and getting a bunch of useful information because, I mean, he's obviously a living legend,' the 40-year-old musician said. 'Telling my dad that I'm going to the studio with Buddy Guy was surreal.' (Coogler's film is personal for the director too; it's in part a tribute to his uncle James, who was from Mississippi and loved blues music.)
Goransson said the influential bluesman Son House was one of Coogler's models for 'Sinners,' and before meeting Guy, Goransson watched a YouTube clip of the two playing guitar and discussing the evolution of music. 'That's part of what the movie is,' the composer said, adding that he sees its final minutes, when Guy picks up the guitar, as the most powerful part of the film. 'It's just how he plays it. You can hear all the music in that one-and-a-half minute of him playing.'
The blues sound is at the center of 'Sinners' and its main inspiration is the blues legend Robert Johnson's mythical encounter with the devil, in which he exchanged his soul for musical prowess. 'That story has been out for a while,' Guy said, 'but I'm from Louisiana and I don't believe in all of it.' He waved off the idea of voodoo: 'In my mind, I say, 'Oh Buddy, you don't believe in that whole stuff.' Because a fortuneteller can tell you how to make money, but he can't tell himself how to make money — so I never did fall for that.'
'Sinners' has a 22-song soundtrack that features a mix of originals and older tracks, including the gospel classic 'This Little Light of Mine' and the folk tune 'Will Ye Go, Lassie, Go?,' along with Guy's 'Travelin'' and contributions from Bobby Rush, Brittany Howard, James Blake, Rod Wave, Rhiannon Giddens and Don Toliver.
Goransson said he was obviously impressed with Guy's musicianship onscreen, but his acting chops were noteworthy, too: 'When we tested this film, as soon as he showed up in the movie, people immediately knew this is someone very special.'
'Sinners' isn't Guy's first film: He technically made his acting debut in the 2009 thriller 'In the Electric Mist,' a film set in Louisiana starring Tommy Lee Jones that had a limited release in the United States.
'I don't know if it was just because I was from Louisiana, but they got me to do that,' said Guy, who was born and raised in Lettsworth, a small town about 60 miles from Baton Rouge. 'But I was surprised then. I wasn't as surprised as I am by this one because every time I turn around somebody calls at me and says, 'Man, Buddy, did you see the movie?''
He compared the success of 'Sinners' to meeting his blues idols for the first time: 'When I first saw B.B. King, I was afraid to say anything, him and Muddy Waters and all those great people, Son House, Fred McDowell. And you can't dream of that where I come from. This is a dream come true.'
Guy will hit the road next month — 'when you get my age you can't jump off the stage like I did when I was 23, but I'm going to still give 100 percent' — and remains dedicated to getting himself, and his fellow blues greats, their proper due.
'If you got any flowers for me, give them to me so I can smell them because I ain't going to smell them on the casket,' he recalled telling Louisiana state officials before the naming of Buddy Guy Way in 2018. (The highway runs in front of the plantation where his parents were sharecroppers, and where he picked cotton as a child.) He also led the charge to get a street in Marksville, about 30 miles from where he grew up, named after the harmonica pioneer Little Walter. It happened last year.
'I don't cry that much, but I cried that day because a lot of musicians should be more recognized than we are,' he said. 'I'll be fighting for that as long as I'm alive because that music has led to the music you got today. And they should be remembered.'
That's why he was so excited to be part of 'Sinners': 'I kept pinching myself, saying, 'Are you really Buddy? Is this you Buddy?' Because I didn't have a high school education and I always felt like, 'Be quiet Buddy. Just listen.'' But he's learned to speak out — especially when it comes to the blues. That could even mean more acting.
'Whatever it takes to keep the blues alive,' he said, 'just ask me and I'll be there before the sunrise.'

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Sky Sports News' golden age at an end as rival platforms turn up the volume
Sky Sports News' golden age at an end as rival platforms turn up the volume

Yahoo

time4 hours ago

  • Yahoo

Sky Sports News' golden age at an end as rival platforms turn up the volume

A constant in pubs, gyms and hotel breakfast rooms, almost always with the sound down. Perhaps not since cinema's silent age have faces been so familiar without the general public knowing their voices. The vibe is more casual than in previous times, shirt sleeves rather than business suits, but the formula remains the same: a carousel of news, clips, quotes, quips, centred around highlights, all framed within a constant flow of results, fixtures and league tables. Sky Sports News hits 27 years of broadcasting in August, having been launched for the 1998-99 football season by BSkyB. As the domestic football season concluded, news came of changes within the Osterley-based newsroom. Seven members of the broadcast talent team would be leaving, including the long-serving Rob Wotton and the senior football reporter Melissa Reddy, within a process of voluntary redundancies. Advertisement Sky sources – not those Sky sources – are keen to state the changes are not a cost-cutting exercise, instead a redress of SSN's place within a changing media environment. Ronan Kemp, the One Show presenter and Celebrity Goggleboxer, is understood to be in discussions to join Sky and despite Wotton's departure, Ref Watch will still be serving those who get their kicks from re-refereeing matches and VAR calls. Rolling news, which became common currency around the time of the initial Gulf war with Iraq is no longer the go-to information environment. Sky News, SSN's sister organisation, is going through similar changes, including the loss of the veteran anchor Kay Burley. The smartphone, where news alerts supplant even social media, takes the strain of keeping the world informed of Micky van de Ven's latest hamstring injury. Desperate to hear even more from Jamie Carragher and Gary Neville? There are podcasts and YouTube channels available at a swipe. In the US, ESPN's SportsCenter and its accompanying ESPNews channel were the progenitors of a medium copied globally and by Sky in launching SSN. SportsCenter is a flagship in marked decline from a golden 1990s era that made American household names of presenters such as Stuart Scott, Keith Olbermann and Dan Patrick. ESPN, an organisation in the process of taking itself to digital platforms as cable TV gets mothballed, closed SportsCenter's Los Angeles studio in March. Linear TV's death will be slow, but it is dying nonetheless as streaming, all bundles and consumer choice, takes hold. Meanwhile, YouTube channels, with production values way below industry standard, amass huge audiences for fan-owned, independent media. Advertisement The time of viewers tuning in for 10pm highlights voiced over by presenters' catchphrases – Scott's 'boo yah!' being the prime example – has long passed. Social media and YouTube have killed the demand. Though live sports remain the foundation of broadcasting contracts, highlights and analysis can be watched at the time of the viewers' choice. Digital is where the eyeballs go, and what the advertising dollar is attracted to, despite the ubiquity of Go Compare et al. Viewing figures remain healthy but the game is now about far more than ratings. SSN's imperial period was the early millennium days of Dave Clark and Kirsty Gallacher's toothsome double act, to a time when the yellow ticker of breaking news held great sway, though not always delivering on its promise of earthquake journalism (news of Nicky Shorey's Reading contract extension, anyone?). Millie Clode, Di Stewart, Charlotte Jackson, Kelly Cates: a nation turned its lonely eyes to them. Then there was transfer deadline day, more important than the football itself. Long, frantic hours spent hearing Jim White's Glaswegian whine declare anything could happen on this day of days. In the early years it often did, from Peter Odemwingie's mercy dash to Loftus Road to the brandishing of a sex toy in the earhole of reporter Alan Irwin outside Everton's training ground. Another reporter, Andy 'four phones' Burton, labelled the night the 2008 window closed: 'The best day of my life, apart from when my son was born.' Eventually, though, it became too knowing. Not even White's yellow tie, as garish as his hype, accompanied by Natalie Sawyer's yellow dress, could stop the event from becoming desperate hours chasing diminishing returns. Live television is a challenging environment, especially with nothing to feed off. Advertisement Though many presenters have been lampooned – abused in the more carrion social media age – the difficulty of 'going live' with an earpiece full of instructions and timings should never be underestimated. How does Mike Wedderburn, the channel's first presenter, make it look so easy? When, in a broadcasting-carriage dispute between Virgin and Sky, Setanta Sports News was given brief life in 2007 – 22 months as the Dagmar to Sky's Queen Vic – it was made apparent how hard, and costly, the business can be. Over-exposure to SSN – as happens when someone works in a newspaper sports department, say – can lead to contempt. The joins can be seen, too. Haven't they done that same gag for the past six hours and each time pretended it was an ad lib? Just what is Gary Cotterill up to this time? Why did Bryan Swanson always use such portentous tones? From morning till night, it would be ever-present. On weekend evenings, when you caught the skilled veteran duo of Julian Waters and the late David Bobin running through the day's events, you knew it was time to leave the office, down that late drink, question your life choices, the pair's clipped tones taking on the effect of a lonely late-night cab ride. SSN is forced to move with the times. As is the case across the industry, journalists have often been supplanted by influencers, as the mythical, perhaps unreachable, 'younger audience' is chased. That is not to say the channel is short of decent reporting. In the aftermath of the 2022 Champions League final in Paris, chief reporter Kaveh Solhekol produced a superb account of the ensuing chaos and danger while others floundered for detail. Advertisement SSN, like SportsCenter across the Atlantic, is now more a production factory for content being sent across the internet, published to multiple platforms, than it is a rolling news channel. Within press statements around the redundancies there was the word 'agile', a term repurposed – and overused – in the business world, but meaning doing more with less. Next season, as heavily trailed on SSN right now, Sky will have 215 Premier League live matches to show, including every game played on Sundays. That requires the company's shift in focus, for Sky Sports News in particular. Though look up wherever you are and it will still be on in the corner, almost certainly with the sound down.

Dwayne ‘The Rock' Johnson reveals frustrating gut-health issue that took him years to fix
Dwayne ‘The Rock' Johnson reveals frustrating gut-health issue that took him years to fix

New York Post

time4 hours ago

  • New York Post

Dwayne ‘The Rock' Johnson reveals frustrating gut-health issue that took him years to fix

Dwayne 'The Rock' Johnson had a digestive issue that he couldn't kick — and no answers in sight. Johnson, one of WWE and Hollywood's biggest stars, opened up about his health journey during a recent conversation with the man who saw him through to the other side in Dr. Mark Hyman. The 53-year-old, after years of dealing with the gut issue, had a conversation with former agent and longtime business partner Ari Emanuel about it at the end of 2023. Advertisement 3 Dwayne 'The Rock' Johnson speaks on his gut-health issues. The Mark Hyman Show/YouTube 'He's like, 'What's going on?' I said, 'I've seen doctors and I can't quite nail it. I can't quite fix it. It's in my digestion,' Johnson said during 'The Mark Hyman Show.' 'I feel great — and that's the odd thing — but I just can't crack it.'' Emanuel, the CEO of Endeavor and WWE's parent company, TKO, mentioned seeing Hyman, who practices functional medicine. Advertisement The two eventually connected for a virtual visit. Johnson admitted he knew nothing about functional medicine, which, according to the Institute for Functional Medicine, provides a framework to systematically identify and address the underlying processes and dysfunctions that are causing imbalance and disease in each individual. 'You said, very succinctly, 'I'm not going to treat your symptoms. I'm going to go deeper than that and treat the root cause of what's going on,'' Johnson said. 'And I said, 'I love that.'' Advertisement The treatment began in early 2024, with Johnson set to begin his 'Final Boss' run to WrestleMania 40 with WWE. Getting to what was holding Johnson back took some heavy digging, Hyman noted. They did blood panels and a stool test, among other things, to get to the source of the problem. Johnson was in for a grueling year with WWE commitments, the release of 'Red One' and 'Moana 2,' and filming for his upcoming movie 'The Smashing Machine.' 3 Dwayne Johnson attends the 'Moana 2' UK Premiere at Cineworld Leicester Square on November 24, 2024 in London, England. Getty Images 'That was at the beginning of 2024, and I was just getting ready to launch into what would become a nine-month workload for me — nonstop work,' Johnson said. 'And I was thinking, 'Holy s–t, how am I going to get through this with my gut issues? I'm not digesting properly.'' Advertisement Luckily, Hyman was able to provide Johnson some relief, finding the issue began after he took multiple rounds of antibiotics, which messed with the bacteria in his gut. He was missing Akkermansia, which coats the lining of the intestine and protects from inflammation and a leaky gut, Hyman said. 3 Dwayne 'The Rock' Johnson and John Cena fight during Night 2 at Lincoln Financial Field on April 7, 2024 in Philadelphia. Getty Images 'We basically rehabbed your gut. Gave you probiotics and plant compounds—pomegranate, green tea, cranberry — to help rebuild it,' Hyman said. 'And we made you this amazing gut health shake with 10-plus ingredients personalized for you.' Johnson hasn't wrestled in WWE since, but was the catalyst for John Cena's heel turn earlier this year.

YouTube says its ecosystem created 490K jobs and added $55B to the US GDP in 2024
YouTube says its ecosystem created 490K jobs and added $55B to the US GDP in 2024

Yahoo

time4 hours ago

  • Yahoo

YouTube says its ecosystem created 490K jobs and added $55B to the US GDP in 2024

YouTube released a report on Tuesday that shows just how influential the creator economy has become. YouTube says that its creative ecosystem contributed over $55 billion to the U.S. GDP and supported more than 490,000 full-time jobs, according to research by Oxford Economics. When YouTube talks about its creative ecosystem, it's not just talking about creators. This includes anyone who works with YouTube creators (video editors, assistants, publicists), as well as people who work for creator-oriented companies (Patreon, Spotter, Linktree, etc.). But these figures continue to grow, even in a time when venture capitalists are no longer pouring money into the industry like they were about four years ago. In 2022, YouTube and Oxford Economics reported that its creative ecosystem created about 390,000 jobs and contributed over $35 billion to the U.S. GDP, meaning that these 2024 figures jumped by 100,000 jobs and $20 billion. These numbers are so large because YouTube provides the most consistent and lucrative opportunities for creators. Those who qualify for YouTube's Partner Program can earn 55% of revenue earned from ads; even for mid-range creators (not the MrBeasts of the world), that can amount to several thousand dollars a month. While TikTok and YouTube Shorts have tried to monetize their platforms, the industry hasn't figured out a way to reliably distribute ad revenue among short-form creators. As both a fast-growing and often misunderstood sector, creators have been advocating for American institutions, from banks to the government, to better serve their industry. Some creators struggle to qualify for business credit cards or get certain business loans, regardless of their demonstrable financial solvency. These issues have become common enough to draw attention. Just last week, U.S. Representatives Yvette Clark (D-NY) and Beth Van Duyne (R-TX) announced their bipartisan Congressional Creators Caucus to support and recognize the potential of the creator economy. Sign in to access your portfolio

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store