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Fragrance Experts Say the Biggest Summer Perfume Trend Is Smelling Like a Hot, Sweaty Vacation

Fragrance Experts Say the Biggest Summer Perfume Trend Is Smelling Like a Hot, Sweaty Vacation

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Brat summer this, hot girl summer that—IDK what type of summer we're about to have, but I do have an idea of what summer 2025 will smell like. 'It'll be all about lightness but with an undercurrent of intimacy and nostalgia,' says Cherry Cheng, perfumery student and founder and creative director of Jouissance Parfums. 'Expect familiarity reimagined in quieter, more personal ways.' Cheng pictures 'sensual minimalism—dreamy yet grounded, where clarity and emotion coexist.' What exactly does that mean for summer fragrance trends though?
'There's a clear shift away from overly engineered, hyper-clean compositions and more of a focus on something poetic and subtle: fragrances that feel like whispered stories rather than bold statements,' Cheng says. Sure, you could always opt for your go-to vanilla perfume or whatever classic summer fragrance you always wear. But where's the fun in that? Ahead, experts told me what this summer's new crop of perfumes will smell like and how we'll be wearing them.
Summer without tropical scents just doesn't feel right. But we're gearing up for something a bit more refined than the white florals and plasticy pool-float vibes of the past. 'While sunscreen-adjacent scents will always evoke summer nostalgia, this season marks a shift toward the fresh and savory,' says Tanya Gonzalez, cofounder and CEO of Eauso Vert. 'Think water, not milk: coconut water, sea salt, aquatic notes, and mineral-marine accords that deliver summer's essence through a lens of renewal.'
In 2025, creating a quintessential summer scent is 'less about obvious coconut sunscreen vibes and more about creating that authentic neurochemical response we get from actual sunshine,' Gonzalez adds. Citrus notes—bergamot, lemon, orange, grapefruit—perform super well in heat (ever notice how a perfume can smell quite different on a hot summer day?). Another way perfumers inject that fresh, sun-kissed-skin vibe is by adding a pinch of saltiness (usually with ambergris and ambrox, which both create that musky, sweaty, salty air-like scent). 'These notes give that tropical, beachy vibe and help mimic the natural serotonin boost you get from increased sun exposure,' Gonzalez explains.$38.00 at sephora.com$150.00 at bergdorfgoodman.com
'I'm also predicting that tea notes (i.e., matcha, green tea, milk tea) will be popular this summer,' says Susan Wai Hnin, cofounder and COO of Gabar. Spritzing on a perfume that smells like a glass of tea naturally cools you down because it's also usually combined with notes like eucalyptus, sage, jasmine, or neroli. 'They're light and refreshing, perfect for the summer,' Wai Hnin adds.$54.00 at revolve.com$164.00 at nordstrom.com
Move over, vanilla—there's a new It Girl. People are still really craving comfort, but Fino's seeing a rise in 'warm, creamy fig-forward fragrances that offer a more nuanced sweetness.' These perfumes smell 'fresh and luminous, yet softened by intimate skin musks or a faint trace of resin,' says Cheng. They tend to have a brighter opening than a standard sweet scent, making them feel a bit lighter for summertime. 'Fig brings a soft, skin-like quality that feels both modern and grounding,' Fino says.$26.00 at sephora.com$65.00 at ulta.com
As we've reached peak yummy gourmand, things are starting to move in a more savory direction. 'I predict we'll see more summer-adjacent notes represented within fragrance….Think herb gardens, aperitivo hour, and homemade preserves,' says Gonzalez. It's all the things we 'know and love about summer that don't always show up in your perfume bottle,' she adds. Fragrance creator and expert Paul Fino agrees. 'We're moving beyond just sweet and edible aromas—now it's about transportive, borderline surreal scents,' he says.
A key note we'll see here is tomato—it adds a juicy freshness to a scent that can be played up with more green notes or brought down with other spices and soft skin musks. Fino and I have both seen Bath and Body Works' Off the Vine all over our FYPs. 'This one caught me off guard in the best way,' he says. 'With heirloom tomato, geranium, and Mediterranean moss, it's earthy, zesty, and so unexpected for summer.'$17.95 at $165.00 at sephora.com
B-A-N-A-N—sorry, my millennial is showing. But it's hard not to burst into 'Hollaback Girl' these days, when my inbox is filled with new banana perfume launches. 'They're playful, nostalgic, and surprisingly versatile,' says Fino, who declares we're in a huge banana moment right now. It's sweet but in a fun, tropical way. A lot of these scents feel like a vacation in a bottle, evoking the vibes of old-school sunscreen and piña coladas by the pool.$35.00 at ellisbrooklyn.com$100.00 at sephora.com
New age gourmands will feature more unexpected notes for a complex scent that feels hot to the nose, says Wai Hnin. 'Gourmands have been all the rage in the industry for the past few years, and the trend's not going away anytime soon,' she reassures. But we'll start seeing an influx of fragrances that utilize spices, like chili and Szechuanpeppers, to push the boundary and heat things up. They're often mixed with floral and woody notes that act as the base of the scent, but the teensy bit of spice makes the concoction smell so unique.$170.00 at obviousparfums.us$380.00 at saksfifthavenue.com
'People are also embracing scent layering with contrasted yet complementary combinations,' says Gonzalez. 'Though minimalist 'clean girl' fragrances haven't disappeared, we're witnessing the rise of olfactory maximalism as the playfulness seen in fashion and makeup extends to personal scent.' We don't really have to settle for a single signature scent that everyone else is already wearing anymore. Instead, you can craft your own with a mix of shower gels, body oils, body sprays, eau de parfums, and hair perfumes.$20.00 at ulta.com$32.00 at sephora.com
Cherry Cheng is a perfumery student in London and also the founder and creative director of Jouissance Parfums, a line that mixes erotic literature with scent.
Tanya Gonzalez is the cofounder and CEO of Eauso Vert, a brand that's focused on creating unique scents in sustainable packaging.
is a fragrance creator and expert. He's known for his perfume reviews to his over 2.2 million TikTok followers on his @paulreactss account.
Susan Wai Hnin is the cofounder and COO at Gabar, a Southeast Asian fragrance brand rooted in slow softness.
Beth Gillette is the beauty editor at Cosmopolitan and has seven years of experience researching, writing, and editing skincare stories that range from reviewing Glossier perfumes to Le Labo Santal 33 dupes. She regularly tests and analyzes perfumes while working with the industry's top fragrance experts to assess new formulas, brands, and trends.
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15 Summer Wedding Guest Dresses Guaranteed to Make You Best-Dressed
15 Summer Wedding Guest Dresses Guaranteed to Make You Best-Dressed

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15 Summer Wedding Guest Dresses Guaranteed to Make You Best-Dressed

"Hearst Magazines and Yahoo may earn commission or revenue on some items through these links." Whether you're preparing to attend one wedding or a string of celebrations over the next few months, finding the best summer wedding guest dress is always a challenge. If the bride or groom-to-be doesn't have a specific dress code to abide by, this is a great time to invest in a dress that can be worn for both special occasions and more casual affairs, to extend its life well beyond the wedding. Opt for classic cuts—billowy maxis and sleek slips—in bold colorways or a fun print. As for material, stick with natural fibers like cotton and linen, or moisture-wicking tencel to ensure you get the most wear out of your piece even at peak summer temperatures. Below, we've shopped out the best wedding guest dress styles from breezy maxi dresses and structured mini shifts that will easily transition from the reception to business meetings and weekend brunches long after the ceremony its breezy eyelet fabric cut to an elegant, collarbone-framing fit, this versatile style from Zara is a piece you'll cherish for years to come. After the beach wedding, wear it for a summertime date or a scenic stroll at the park. Materials: cotton, viscose Sizes: XS-XL Color: black $80.00 at colorful striped dress takes the guest work out of styling the trending pattern. Pair with understated jewelry and a sleek clutch. Material: linen Sizes: XS-2XL Color: green $390.00 at dreamy green gown balances out an elegant cowl neck with a slightly more daring open back for a effect that is both polished yet unstuffy. 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Can Celibacy Unlock Heightened Levels of Pleasure?
Can Celibacy Unlock Heightened Levels of Pleasure?

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Can Celibacy Unlock Heightened Levels of Pleasure?

"Hearst Magazines and Yahoo may earn commission or revenue on some items through these links." What if abstaining from sex and romance wasn't a retreat from intimacy but a pathway to deeper self-knowledge, creative clarity, and radical autonomy? In The Dry Season, writer Melissa Febos chronicles a year of intentional celibacy—an experiment that began in the wreckage of a devastating breakup and transformed into a radical reclamation of self. What started as a 90-day pause from sex and dating in 2016 extended into a full year of disentanglement from romantic attachment. But rather than deprivation, Febos discovered joy, clarity, and sensual fulfillment on her own terms. Her celibacy was not an escape but a deep inquiry into desire, intimacy, and autonomy—a way to interrogate how socialized narratives of love and devotion had shaped her identity as a queer woman. Abstaining from romance didn't mean denying pleasure—it meant redefining it. Through solitude, Febos reconnected with neglected friendships, deepened her creative life, and uncovered new modes of intimacy outside the bounds of romance or sex. Using what she describes as a '12-step-style inventory' of her romantic past, she traced how her relationships had often been marked by performance, self-erasure, and dependence. Far from isolating, her celibate year became rich with connection. Seeking models beyond the cultural obsession with coupledom, Febos turned to a lineage of women who embraced solitude as a source of power, from 11th-century mystic Hildegard von Bingen and the beguines of medieval Europe to 20th-century icons like Virginia Woolf and Octavia Butler. These figures served as both companions and intellectual ancestors, helping her situate her experience within a feminist tradition of resistance to conformity and the marriage-industrial complex. A memoirist by trade, Febos has previously written about sex, gender, and power through the lens of her own life. In 2010, she published Whip Smart, about her three and a half years working as a dominatrix, while 2021's Girlhood, a collection of essays about the pressures and societal conditioning females face, which remains a best-seller. Ahead of The Dry Season's release, Bazaar spoke with Febos about how celibacy reshaped her relationship to self-expression, attention, pleasure, and artistic purpose. Ultimately, the memoir asks readers to consider what our lives might look like if we stopped orienting them around the desire to be desired. From the age of 15 into my early 30s, I'd been in nonstop committed monogamous partnerships. I had a story about myself that I was a romantic, that I was a very passionate person; I just fell in love a lot. But in my early 30s, I got into a relationship that I think is safe to characterize as addicting. At that point, I had been sober for 10 years, but I experienced depths of addiction in that relationship that were worse than anything I'd ever experienced when I was a heroin addict. It was very obsessive. I was crying all the time. I lost friends. I crashed my car. My health suffered, and when the relationship finally ended, I looked around and I thought, Damn, I feel like I should be better at this, having been doing it for so long. How did I get here? So I thought, okay, let me take stock and see what's actually going on here, because this was the most painful experience of my life, and I would not like to repeat it. So, I started with 90 days celibate. That was laughable to some of my friends, but it was a familiar unit of time; 90 days is seen as a good metric for how long it takes to let go of a habit and see your situation more clearly. But it was also as long as I could imagine going. 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I had vastly underestimated the amount of time and energy I had been devoting to these romantic pursuits for my entire adult life, and when I recouped that time and energy for myself, I got to spend it on every other passion that I had. I was having long, fun, languorous conversations on the phone with my friends. I was visiting family. I was writing more. I was exercising more. I donated a bunch of clothes, got a haircut, hit all my deadlines, taught better classes than I had been before. It really felt like I got infused attention and energy into every other area of my life, and I started having a great time. at I had much more emotional capacity. I had this joke when I was spending that time celibate where I started saying to my friends, 'Yeah, I'm making celibacy hot again,' which is really corny and kind of embarrassing but also was very true. I think our culture suffers from an obsession with categories. We consider our sex life and our home life and our work life as separate, but they're not; we're the same person in all of those parts of our lives, and they're deeply intertwined. I had designated sex and love as the area where I experienced some sensual pleasures of being human and living in a body, and it's where I had also located emotional intimacy. And when I sort of shut down that category, those experiences started to surface in so many other areas of my life. I had erotic experiences eating watermelon that summer that I was celibate; I had incredibly romantic experiences with dear friends of mine that were not sexual but that had a similar quality. I realized that I had been dramatically limiting myself and narrowing the aperture of my own experiences by only looking for the erotic or the sublime in lovers, when actually there were opportunities for it everywhere I looked. I also went dancing more that year than any other year of my life. I started an email list of all my friends, and every weekend, I was like, 'Who's coming dancing with me?' We would go dancing until, like, two in the morning. I also had a really fun time exploring and redefining my relationship to food and clothes. I had identified as a high femme for most of my adult life, and I had almost every day since my late teens. And during my celibacy, I started wearing sneakers all the time, and the clothes I was wearing suddenly started to change and get more comfortable and weirder. I had no idea how much my personal style was actually defined based on the imagined gaze of strangers or potential lovers or how I might appeal to the other instead of myself. And in the absence of that, I was actually trying to repel the gaze of others. After the first few weeks [of celibacy], I started to understand how deeply entrenched and embedded in my consciousness the issues in my relationship to love and sex were, and if I really wanted long-term change, I had to take a more active role in it. For me, because I had a lot of experience [with the] 12-step [program] and because I love making lists, I thought, okay, let me start by really taking stock and seeing what I've actually been up to. It was becoming clear to me that the story I had about myself and relationships was probably not true, because there was a common denominator among them all, and it was me. If I was the romantic, devoted partner that I had always thought myself to be, why was I bottoming out in such an ugly way? And why were all my relationships ending on similar grounds? So I started making a list of everyone I had ever been in a relationship with: major crushes, entanglements, one-night stands, everybody. I was looking for patterns, and they very quickly emerged. I found when I really committed to an honest accounting of my own behavior and relationships, it started to become really clear to me that I hadn't been honest with my partners and that, in fact, the behavior that I've characterized as devoted and self-sacrificing and accommodating of other people had actually been a form of manipulation. My project of celibacy had almost everything to do with the emotional part of it. The sexual symptoms that I wanted to change were consequences of the emotional dynamics more than anything else. Not having sex with other people for a year was not very hard. There were only a couple of times where I felt tempted and I clicked back into my old operating system, but for the most part, I was incredibly relieved to set down those preoccupations and all of the energy and the inner conflicts that I experienced around them. The emotional part of it was a lot harder. Making a conscious decision to change your own orientation to a part of life for which we have really, really strong cultural stories is challenging. If I'm honest, a huge part of that work has happened since my celibacy. It wasn't until I engaged in relationships with other people that the rubber really hit the road, and I got to learn how to actually practice those things. My marriage has been the greatest education of putting ideals into practice, and I got really lucky to have a good collaborator in that. The emotional rewards of doing that work has made it entirely worth it, and nothing has brought me closer to other people. I started doing research during my celibate year because once I was celibate for a while and I started to change my ideal for who I wanted to be in relationships, I realized that I needed some new role models. Before that, I had looked to women who had been artistically fulfilled but had also been really messy and chaotic in their love lives, like me. I wanted to find some people whose behavior, not just in their romantic lives but in their lives, was really aligned with what they believed. I wanted my actions and my beliefs to be more congruent. I started by reading about women who were voluntarily celibate, and almost immediately I got deeply obsessed with a lot of nuns and spiritual ladies, especially those living in medieval times, like Hildegard von Bingen, who was a naturalist and a politician and an artist and wrote a language for her nuns to speak. This lady was tied to the Catholic Church, and she lived in a stone room for 35 years and managed to do all of that after she got out. I also became super obsessed with the set of religious laywomen called the Belgian beguines, who flourished in Europe in the 13th century. They lived in separatist communes and were financially independent and made art, wrote poetry, preached; they did a lot of service in their communities. They worked as nurses and teachers and performed last rites for the dying. It was unheard of at the time for women to be living that independently. It was actually illegal in multiple ways. And eventually, a lot of the beguines were burned as heretics. At a time when it's so easy to feel discouraged by the erosion of civil rights in our country and other countries, I am so grateful to have the touch of these women who were living against the grain and leading these incredibly brave, self-actualized, joyful, fulfilled lives at a time when their lives were in danger because of it. If they could do it in the Middle Ages, I can muster the gumption today to enjoy so many of the freedoms that they didn't. After the first three months, I extended it, and then I extended it again, and when I got past the nine month mark, I was so happy and so disinclined to re enter that world that I stopped counting. I just thought, I am deeply uninterested in being in a relationship with another person. But shortly after the year mark, I started corresponding with a woman who would become my wife. Our communication didn't start as flirtation. We had read each other's work and became friends out of a sense of mutual artistic admiration. When we met, it was instant chemistry. I thought, Okay, I want to pursue this, but I want to do it really differently. I communicated that to her right off the bat, and she was like, that sounds really cool. We've been together ever since. You Might Also Like 4 Investment-Worthy Skincare Finds From Sephora The 17 Best Retinol Creams Worth Adding to Your Skin Care Routine

2025 French Open brackets: Schedule, results from Roland Garros
2025 French Open brackets: Schedule, results from Roland Garros

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2025 French Open brackets: Schedule, results from Roland Garros

USA TODAY and Yahoo may earn commission from links in this article. Pricing and availability subject to change. The 2025 French Open is into its second week, and the stakes are only getting higher. Defending champions Iga Swiatek and Carlos Alcaraz are still alive in their bids to repeat on the storied clay courts of Roland Garros. But they still face a difficult road to get back to the winner's circle. Swiatek knows how to navigate that road better than anyone, however, having won the title each of the last three years. Advertisement The second Grand Slam tournament of the 2025 tennis season will culminate with the women's final on Saturday, June 7 and the men's final on Sunday, June 8. Here are the latest results and schedule from Paris. DAY 10 UPDATES: France's Lois Boisson upends Jessica Pegula to reach quarterfinals How to watch the 2025 French Open Date: Ongoing through Sunday, June 8 Where: Stade Roland Garros in Paris, France TV: TNT, TBS, truTV Stream: Sling TV, YouTube TV 2025 French Open: Men's singles bracket For a full list of results, visit the Roland-Garros 2025 tournament site. Tuesday, June 3 Quarterfinal round 8-Lorenzo Musetti (Italy) def. 15-Frances Tiafoe (U.S.) 6-2, 4-6, 7-5, 6-2 2-Carlos Alcaraz (Spain) vs. 12-Tommy Paul (U.S.) Wednesday, June 4 Quarterfinal round 1-Jannik Sinner (Italy) vs. Alexander Bublik (Kazakhstan) Advertisement 3-Alexander Zverev (Germany) vs. 6-Novak Djokovic (Serbia) Friday, June 6 Semifinal round 8-Lorenzo Musetti (Italy) vs. TBA TBA vs. TBA American Frances Tiafoe, the 15th seed, saw his run at the French Open end in the quarterfinal round with a loss to No. 7 seed Lorenzo Musetti of Italy. 2025 French Open: Women's singles bracket Tuesday, June 3 Quarterfinal round 1-Aryna Sabalenka def. Zheng Qinwen (China) 7-6 (3), 6-3 5-Iga Swiatek (Poland) def. 13-Elina Svitolina (Ukraine) 6-1, 7-5 Wednesday, June 4 Quarterfinal round 7-Madison Keys (U.S.) vs. 2-Coco Gauff (U.S.) 6-Mirra Andreeva (Russia) vs. Lois Boisson (France) Thursday, June 5 Semifinal round 1-Aryna Sabalenka vs. 5-Iga Swiatek (Poland) TBA vs TBA This article originally appeared on USA TODAY: French Open 2025: Men's and women's brackets, schedule, results

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