logo
Dave Franco & Alison Brie Accused Of Copyright Infringement In ‘Together' Suit

Dave Franco & Alison Brie Accused Of Copyright Infringement In ‘Together' Suit

Yahoo15-05-2025

Along with Michael Shanks, the writer and director of upcoming body horror film Together, actor-producers Alison Brie and Dave Franco have been named as defendants in a lawsuit alleging copyright infringement.
Other defendants in the suit, filed Tuesday, include WME, which reps Shanks, Brie and Franco, and the film's distributor Neon, which snapped up rights out of the Sundance Film Festival for $17 million in the biggest deal this year out of Park City.
More from Deadline
First Sundance Deal Near As Neon Emerges From Bidding Battle Near $15M+ WW Deal For 'Together': The Dish
'Together' Trailer: Alison Brie & Dave Franco Take Codependency To A New Level In Neon Body Horror
Marvel Studios 'Ironheart' Actress Dominique Thorne Signs With WME
The lawsuit (read it here) alleges that Together is a 'blatant rip-off' of Better Half, a 2023 indie written and directed by Patrick Henry Phelan. Phelan, a former New York assistant director and USC MFA graduate, made the film as his feature debut through the production company StudioFest, the sole plaintiff in the suit.
A spokesperson for WME called the lawsuit 'frivolous and without merit, adding, 'The facts in this case are clear and we plan to vigorously defend ourselves.' We've also reached out to Neon for comment.
According to the filing, the script for Better Half was pitched to Franco and Brie in August 2020, when a casting director sent the material to their agents at WME and approached them for the lead roles. It's alleged that Brie and Franco rejected the offer because 'they wanted to produce the film themselves and have WME package the project with one of the agency's own writers.' StudioFest became aware that Franco and Brie were producing and starring in Together in January 2025, ahead of the film's Sundance launch.
'Together is a blatant rip-off of Better Half,' the suit states. 'Both works center around a couple who wake up to find their bodies physically fused together as a metaphor for codependency. The similarities do not end there. Defendants lifted wholesale creative elements, including but not limited to, plot, themes, characters, dialogue, mood, setting, pace, and sequence of events.'
StudioFest is seeking damages and an injunction to prevent further infringement of its copyright.
Together follows a couple that wakes up after a bitter argument to discover their bodies have been inexplicably fused together, forcing them to confront the toxic codependency that binds them. The film is slated for release July 30.
Best of Deadline
Everything We Know About The 'Hunger Games: Sunrise On The Reaping' Movie So Far
TV Show Book Adaptations Arriving In 2025 So Far
Book-To-Movie Adaptations Coming Out In 2025

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

When 'The Life of Chuck' Will Be Available to Stream and How to Watch
When 'The Life of Chuck' Will Be Available to Stream and How to Watch

Cosmopolitan

timean hour ago

  • Cosmopolitan

When 'The Life of Chuck' Will Be Available to Stream and How to Watch

When you hear about a Mike Flanagan and Stephen King collab, you're definitely thinking that these kings of horror are getting ready to give us the scare of our life. But, shockingly, The Life of Chuck is anything but! Based off a small story by the iconic author, Mike Flanagan brings this hopeful science fiction story to the big screen! Oh, and did we mention that it stars Tom Hiddleston? Yeah, you're definitely going to want to watch for yourself! Here's everything you need to know about watching The Life of Chuck. The new Neon film came out as a limited release on June 6th and will soon move nationwide on June 13! Since it's a limited release for it's initial release, you might have to travel a bit if you want to see it on the big screen during its first weekend. Fans in Phoenix, Los Angeles, San Fransisco, Denver, Chicago, Boston, and New York can catch the movie starting on June 6. Fans at other cities will have wait June 13, but like all of our favorite films, it won't be on the big screen forever. Make sure to grab tickets ASAP before it leaves your local theater! Since it just came out in theaters, it's still a little too early to catch it on the smaller screen, but that doesn't mean you won't be able to watch it soon! Like most Neon films, there's a good chance that it'll land on Hulu after the two studios struck up a deal to them there. An exact date hasn't been announced yet, but we'll keep an eye out! But if you're not a subscriber, you can still rent or buy it at home via online stores like Prime Video, iTunes, Fandango at Home, YouTube, or Google Play. Or if you're a huge fan, you'll also be able to buy it on Blu-ray and DVD!

Michelle Obama reveals daughter Malia Obama's name change
Michelle Obama reveals daughter Malia Obama's name change

Yahoo

time2 hours ago

  • Yahoo

Michelle Obama reveals daughter Malia Obama's name change

Michelle Obama is breaking her silence on eldest daughter Malia Obama's decision to drop her last name. Malia Ann, who is pursuing a film career in Hollywood, used her middle name as her artistic name for the credits of short film "The Heart" which she wrote and directed, that premiered at the Sundance Film Festival in 2024. During a Wednesday, June 4, appearance on the "Sibling Revelry" podcast cohosted by Oliver and Kate Hudson, Obama addressed Malia's decision to ditch Obama after former President Barack Obama's second term. The Obamas also share University of Southern California alum Sasha Obama. Michelle Obama to publish new book 'The Look' this fall and 'reclaim' fashion story "Our daughters (Malia and Sasha) are 25 and 23. They are young adult women, but they definitely went through a period in their teen years where it was the push away. … They're still doing that," Obama told the Hudson siblings, noting that "you guys know this as the children of parents who are known." Michelle Obama says 'everyone' would know if she divorced Barack Obama: 'I'm not a martyr' The Hudsons are the children of actress Goldie Hawn and previously estranged dad, musician Bill Hudson, although they count Hawn's longterm partner Kurt Russell as a father figure. "It is very important for my kids to feel like they've earned what they are getting in the world, and they don't want people to assume that they don't work hard, that they're just naturally, just handed things," the "Becoming" author added. "They're very sensitive to that – they want to be their own people."On Malia's first project "she took off her last name, and we were like, they're still going to know it's you, Malia," Obama continued. "But we respected the fact that she's trying to make her way." Obama told the Hudson siblings, during the appearance alongside her own brother and "IMO" podcast co-host Craig Robinson, that "our daughters didn't want to be little princesses in the White House." "They wanted to push the envelope; they needed some rope. They wanted to try some things, they wanted to be out in the world, and I knew that under the circumstances, they needed more rope than I probably would've given them if I were my mom," Obama said. This article originally appeared on USA TODAY: Did Malia Obama change her name? Michelle Obama on daughter's change

For ‘The Life of Chuck,' the road from TIFF to the Oscars could be a long march
For ‘The Life of Chuck,' the road from TIFF to the Oscars could be a long march

Los Angeles Times

time5 hours ago

  • Los Angeles Times

For ‘The Life of Chuck,' the road from TIFF to the Oscars could be a long march

If a movie inspires you to get up in the middle of a Koreatown steakhouse and do the robot with your waiter, isn't that worthy of some kind of award, even if it's not an Oscar? I'm Glenn Whipp, columnist for the Los Angeles Times and host of The Envelope newsletter. Let's talk about 'The Life of Chuck,' the latest Stephen King adaptation, a film possessing the pedigree of an Oscar best picture contender. The last 12 movies to win the Toronto International Film Festival's People's Choice Award have gone on to earn an Oscar nomination for best picture. It's a list that includes eventual Oscar winners like '12 Years a Slave,' 'Green Book' and 'Nomadland.' Two years ago, Cord Jefferson's 'American Fiction' premiered at Toronto and parlayed the momentum from its People's Choice prize into an adapted screenplay victory for Jefferson. Suffice it to say, it's a prime precursor. Which makes the arrival of 'The Life of Chuck,' last year's People's Choice winner, all the more of a curiosity. Neon, the indie studio behind best picture winners 'Anora' and 'Parasite,' bought the film out of Toronto after it won the award, voted on by festivalgoers. With not enough time to craft a marketing or awards season campaign, the studio slotted the movie for the summer of 2025. It opens in limited release today — you can find it in five theaters in the Los Angeles area — and will expand nationwide next week. 'The Life of Chuck,' adapted from a 50-page Stephen King story published in 2020, is feel-good tale about the end of the world. It is indeed about the life of Chuck, a prototypical King everyman, an ordinary accountant we don't meet until the the second part of the movie's backward-moving triptych. But we know about him because in the film's opening section, the one with the world ending and California tumbling into the sea (Steely Dan was right!), Earth's inhabitants are inundated with baffling billboards and ads featuring a picture of Chuck, thanking him for 39 great years. We eventually learn that Chuck, played as an adult by Tom Hiddleston, is a remarkable dancer and has lived a life filled with loss. In between the tragedies, there were moments of pure, unadulterated joy. The movie, faithfully adapted and competently directed by Mike Flanagan (the man behind Netflix's 'The Haunting of Hill House' and other horror tales), wants to leave you with the message that such moments are enough. And also to remind you that when these occasions come, we should recognize them and store them away as found gold. It's an original story arriving in a summer movie landscape dominated by sequels and retreads. Call it counterprogramming. Critics have been split, which isn't surprising. You either suspend disbelief and settle into this movie's vibe or you find yourself unmoved and checking the time, thinking that, in the momentary pleasure department, a root beer float would go down easier. I liked it well enough, but given the choice, I'd probably opt for the ice cream. For 'The Life of Chuck' to be an awards season play, moviegoers will need to fall for it as hard as audiences did at Toronto. That feels like a long shot, though maybe the film's sweetness and optimism will resonate in the current moment. Times film critic Amy Nicholson was mixed on the movie and yet, as I mentioned at the outset, it did make her 'make magic out of the mundane' and boogie with a waiter. She sent me the video. Don't let her tell you otherwise ... she's a dancing machine. Want to catch the Envelope in person? RSVP for our free live screening and Q&A with the stars of 'Landman,' Billy Bob Thornton, Ali Larter, Andy Garcia and Jacob Lofland. When: Saturday, June 7 at 2 The Culver Theater Since I'm being a little wistful here, let me call your attention to a recent column I wrote about the late, great Linda Lavin, a singular talent who never won an Emmy. That may surprise you, particularly if you were around when Lavin headlined the long-running CBS sitcom 'Alice,' in which she played a widowed mom working as a waitress while pursuing her dream of singing. The series ran from 1976 to 1985, piling up more than 200 episodes, a spinoff for Polly Holliday (Flo, the 'kiss my grits' sass-flinger) and a lasting reputation for presenting an early, understated feminist role model. Alice wasn't nearly as brash as Bea Arthur's Maude or quite as lovable as Jean Stapleton's Edith Bunker, but like her contemporary Mary Tyler Moore, she could turn the world on with her smile. Lavin, who died in December at 87, did earn two Golden Globes for the role and, after 'Alice' ended, she won a Tony Award in 1987 for lead actress in a play for her turn as a Jewish mother navigating a changing world in Neil Simon's 'Broadway Bound.' 'It was one of the greatest stage performances I have ever seen, and I told her that the first day I met her,' says Nathan Lane, who had the opportunity to share his enthusiasm with Lavin when they worked together on the Hulu sitcom 'Mid-Century Modern.' Lane recalls watching the play and choking up when Lavin absent-mindedly wiped off a phone receiver — her character was always cleaning — right after a wrenching phone call. 'She could do anything and make it look effortless,' Lane says. 'Working with her was the happiest experience I've ever had in television.' In Emmy history, 33 actors — 22 men and 11 women — have been posthumously nominated. Most recently, Treat Williams earned a nod last year for his supporting turn in the FX limited series 'Feud: Capote vs. the Swans.' Ray Liotta was nominated in 2023 in the same category for 'Black Bird.' And in 1978, Will Geer received three posthumous nominations, including his last season on 'The Waltons.' (He lost all three.) Lavin has a legitimate case. She elevates 'Mid-Century Modern' every time she's onscreen with her vitality and comic timing. In April, she picked up a comedy supporting actress nod from the Gotham Television Awards. You can read the entire column, which includes some terrific stories from 'Mid-Century Modern' showrunners Max Mutchnick and David Kohan, here. Have a great weekend. Hope you find a moment to dance.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store