Demi Moore on Her Next Chapter: ‘There's More Work to Be Done'
When asked about her reaction to industry peers saying she should've won an Oscar at the 2025 Academy Awards, Demi Moore revealed at Wednesday's TIME100 Summit that that's not the way she thinks about what happened. 'I really do subscribe to this idea that everything in life is happening for me, not to me,' she told TIME Editorial Director Lucy Feldman while onstage in New York City with her micro Chihuahua dog Pilaf. 'That doesn't mean there isn't disappointment or pain. But when I look at it through that lens, it allows me to step back and say, 'What is this trying to give me?'' Moore, 62, was nominated for her first Oscar earlier this year for her role as aging star Elisabeth Sparkle in director Coralie Fargeat's body-horror hit The Substance, but ultimately lost the Best Actress race to Anora lead Mikey Madison—whom Moore noted delivered 'an incredible performance.' Madison's somewhat unexpected win came in the wake of Moore taking home the Golden Globe for Best Performance by a Female Actor in a Motion Picture – Musical or Comedy in January and stating in her acceptance speech that it was the first real award she'd received in her more than 45 years in Hollywood. However, while she shared that winning the Oscar would've felt like a 'completion' to what started when The Substance premiered to rave reviews at the 2024 Cannes Film Festival, she believes there's a reason she came away empty-handed.
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2 hours ago
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‘Ran' turns 40: How a clerical error and bad blood cost Akira Kurosawa an Oscar
Forty years ago, a clerical error and bad blood cost Akira Kurosawa an Oscar. The legendary Japanese filmmaker's Ran proved the final samurai masterpiece of his distinguished career. His third Shakespeare adaptation, the film is epic in every sense of the word — massive in scale, shot in glorious color, with vicious betrayal and intense action and emotion. At the time of its release in 1985, Kurosawa was certainly well-regarded by the Motion Picture Academy, receiving an Honorary Award for Outstanding Foreign-Language Film for Rashomon, followed by Best Foreign-Language Film in 1976 for Dersu Uzala. The 58th Academy Awards found Ran competing for four awards, including Kurosawa's only Best Director nod — despite not being submitted for Best Foreign-Language Film, a snub that was the product of a messy history. 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International fame aside, Kurosawa's relationship with the Japanese film industry was significantly strained in the late-'60s through early '70s. He was hired to direct the Japanese section of the 1970's Toei-Fox. coproduction Tora! Tora! Tora!, but had difficulty dealing with Fox's communication, editors, and oversight, and spent considerable time in the thick of a mental crisis. He was prescribed two months of rest, so producer Darryl F. Zanuck's son, Richard, flew to Japan to personally fire Kurosawa. Japanese funding for his projects became scarce, and he relied on external financing support from friends for financing Dodes'ka-den. Between health problems and career turmoil, at a particularly low point, Kurosawa attempted to take his own life late in 1971, though he survived and recovered. The career that followed cemented his trajectory of international acclaim with minimal support from the Japanese film industry. In 1972, the Soviet studio Mosfilm approached the director for what became 1975's Academy Award-winning Dersu Uzala, but despite bringing numerous awards home to Japan, he again had difficulties funding his next epic, Kagemusha. Kurosawa met George Lucas and Frances Ford Coppola in 1978 while preparing for the project, and the pair were wowed by Kurosawa's vision. Coming off the success of Star Wars, Lucas convinced 20th Century Fox head Alan Ladd Jr. to provide a reported $6 million in 1979 to complete the film's funding. The film was a success, and Kurosawa ultimately referred to Kagemusha as a 'dress rehearsal' for his biggest project yet: Ran. Used to funding sources outside Japan, for Ran, Kurosawa secured the involvement of French producer Serge Silberman (The Discreet Charm of the Bourgeoisie), alongside Japan's Nippon Herald Ace, to make the film, which opened in U.S. theaters on June 1, 1985. 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4 hours ago
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