Israel refuses entry to EU lawmaker accused of promoting boycotts of the country
TEL AVIV, Israel — Israel denied entry to European Parliament member Rima Hassan on Monday after accusing her of promoting boycotts of the country.
Interior Minister Moshe Arbel said French politician Hassan has 'consistently worked to promote boycotts against Israel in addition to numerous public statements both on social media and in media interviews.'
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Los Angeles Times
an hour ago
- Los Angeles Times
A tale of two eras: Terri Lyne Carrington pays tribute to the revolutionary spirit of Max Roach on ‘We Insist 2025!'
'The more things change, the more they stay the same,' French writer Jean-Baptiste Alphonse Kerr said in 1849. Nearly 200 years later, that is sadly true of the greatest protest songs. In 2025, songs like Bob Dylan's 'Masters of War' and Sam Cooke's 'A Change Is Gonna Come' are as needed for their messages as they were when they were written more than 60 years ago. So when Grammy-winning jazz drummer Terri Lyne Carrington set out this year to pay homage to one of her stick-wielding idols, the legendary Max Roach, by revisiting his seminal 1961 album, 'We Insist!,' it turned out to be more than a musical tribute. In the process of recording the album 'We Insist 2025!,' Carrington took time to reflect on how issues of inequality, racism and more that Roach fought against in 1961 are unfortunately just as prevalent today. 'Wow, I can't believe that this stuff is still relevant,' Carrington says. 'When we look at these examples of how things have shifted in some ways, but not in other ways, it can be very depressing, especially right now. When we started this record, the election hadn't happened yet. I thought I knew what was going to happen during this election, and it was still relevant. But now it's even more relevant.' Now 59, Carrington, who also serves as Zildjian Chair in Performance at Berklee College of Music in Boston, is ready to pass along some of the fight for social justice to the younger generation. 'I do feel like it's a youthful game. I had an uncle that I would talk to when I was in my 20s, who has since passed. He would say that this is your fight now, and I would be mad at him, feeling like he wasn't doing more,' she recalls. 'And he would say, 'No, this is your fight now. I've done it, I've been there, I'm tired.' I get that sentiment too. I'm going to do whatever I do, but I'm relying on the younger generation and how pissed off I feel like they are and what that will do.' Among her many ventures to champion the jazz music she loves so much is A&R for iconic jazz label Candid Records, founded by the great jazz writer Nat Hentoff in 1960. So, she called on the younger generation to help share her vision of 'We Insist 2025!' 'I thought of calling the people that had been signed or were being signed to Candid Records because I do A&R for Candid. So I thought this would be a great opportunity to also shine a light on a lot of these artists, young people and progressive artists that are being signed right now to Candid. It's kind of like a family gathering; we all came together to pay tribute to this great artist and this great project,' she says. At the center of the next generation of jazz artists on the album is vocalist Christie Dashiell, with whom Carrington collaborates on the album. 'Somebody like Christie Dashiell was really important to the project, because I felt like the voice is so out front. It's what people relate to; the average ear relates to the voice the most,' Carrington says. 'I just feel like she perfectly embodies all these different areas of Black music traditions. That was really important, so I started there. What is the voice that's going to work with this idea?' Having toured with Herbie Hancock and played with giants as Dizzy Gillespie and Stan Getz, Carrington has a strong sense of jazz history and rightly sees herself as a bridge between the history and future of jazz. She made sure that bridge was strong on 'We Insist 2025!' by including trombonist Julian Priester on the record, who, at 89, is the last living musician who appeared on Roach's 1961 work. 'Jazz has always been about these kinds of bridges between generations. It's been such an important part of jazz. Mentorship, apprenticeships — it's an apprenticeship art form,' she says. 'So we did contemporary things with this music, but it wasn't so contemporary that there was no place for a Julian Priester. I think that the ability to be a bridge is important — pointing to past legacies, to the foundation of what we stand on, while trying to also point to the future or reflect the present is important.' As much as the album's original political message weighs in this turbulent current climate, and as much as Carrington wanted to make the record a vehicle for younger artists, the impetus for 'We Insist 2025!' was to pay tribute to Roach for the centennial anniversary of his birth. For Carrington, the heart of her interpretation was to honor the music and spirit Roach created on 'We Insist!' 'I had a history with reimagining projects in other people's work, and helping that legacy continue, but doing it in a way that also has my own identity involved in a way that really feels new, in a sense,' she says. 'The music is not new, but so many elements around those things are new. So I feel like it's reshaping these things a little, even though we didn't change the lyric content. By changing the music around the lyrics, it gives the lyric a different slant.' As one of the country's primary ambassadors of jazz music today, Carrington hopes the record will introduce new fans to Roach's considerable legacy while helping to revive the soul of protest music. To that end, she has discussed bigger plans with his family. 'I've talked to Max's son, Raul Roach, quite a bit about trying to collaborate by doing shows that would be expansive. Doing some of this music, maybe doing some other Max music, like some of the double quartet music,' she says. 'So we've talked about finding ways to continue this celebration of Max Roach and his artistry. There's a lot there as a foundation that can be expanded upon.'
Newsweek
2 hours ago
- Newsweek
Donald Trump's 'Les Miserables' Appearance Sparks Avalanche of Jokes, Memes
Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content. President Donald Trump's attendance at a performance of Les Miserables at the John F. Kennedy Center for the Performing Arts, during which he received cheers and boos from sections of the crowd, triggered a wave of jokes and memes on social media. Newsweek contacted the White House and the Kennedy Center for comment on Thursday via email and online inquiry form, respectively, outside regular office hours. Why It Matters Following his second presidential inauguration in January, Trump fired most of the Kennedy Center's board of trustees, replacing them with allies and appointing himself as chairman. The president attended the show in Washington, D.C., against a backdrop of days of anti-immigration enforcement protests in Los Angeles, some of which have turned violent. In response, his administration ordered 4,000 California National Guard troops and 700 Marines against the wishes of Democratic Governor Gavin Newsom. What To Know On Wednesday, the president and first lady Melania Trump attended the opening night of Les Miserables at the Kennedy Center. Other prominent figures in attendance included Vice President JD Vance, Treasury Secretary Scott Bessent and Attorney General Pam Bondi. Footage of the event shows Trump receiving cheers and boos from the audience. According to CNN, one woman appeared to be escorted out after shouting, "Convicted felon, rapist!" Les Miserables is a musical adaptation of the Victor Hugo novel of the same name. It is set against the backdrop of the 1832 June Rebellion in Paris, a failed insurrection against French King Louis Philippe that was suppressed by government troops. President Donald Trump and first lady Melania Trump arriving to attend the opening night of "Les Miserables" at the Kennedy Center in Washington, D.C., on June 11. President Donald Trump and first lady Melania Trump arriving to attend the opening night of "Les Miserables" at the Kennedy Center in Washington, D.C., on June 11. ALEX WROBLEWSKI/AFP/GETTY On X, Newsom shared a screenshot of an NBC News headline about the president's attendance, writing, "Someone explain the plot to him." The post has received more than 60,000 likes and 1.9 million views. User @BlueATLGeorgia, a pro-Democrat account with 39,000 followers, wrote: "Les Misérables is a story of social unrest, especially the June Rebellion, where young idealists rise up against inequality and government oppression. "Young people fight for justice, calling for reforms and dignity for the poor. The government responds to the rebellion with heavy force, resulting in bloodshed. Sound familiar?" A Michigan business called That Gay Guy Candle Co. wrote: "Trump's going to see Les Mis tonight? That's ironic." User @Betches_News told its 25,000 followers, "Trump and Melania watching Les Mis at the Kennedy Center tonight like." Below the caption, it shared a photo of a shocked woman asking: "Wait. Is this f*****g play about us?" User @toyjawn1 wrote, "Trump ... watching Les Mis ... with tickets upwards of the amount of an ordinary person's whole life wages," above a GIF of a man rubbing his face with an iron. During Thursday's performance, a number of drag performers sat below the presidential box in what one described as a "message of inclusivity." Before the performance, Trump attended a VIP reception with paid attendees. He told reporters that $10 million was raised for the Kennedy Center. What People Are Saying Kennedy Center Interim Director Richard Grenell, commenting on reports that some actors did not want to perform in front of President Donald Trump, said: "Any performer who isn't professional enough to perform for patrons of all backgrounds, regardless of political affiliation, won't be welcomed. In fact, we think it would be important to out those vapid and intolerant artists to ensure producers know who they shouldn't hire—and that the public knows which shows have political litmus tests to sit in the audience." Darlene Webb, a Trump supporter who was at the performance, told CNN about the jeers: "I just wanted to clap and yell over it, because at this type of performance I don't think it was good for them to do that, professionally." Cara Segur, Webb's friend, told the outlet: "Seeing some of the actors and actresses, it looked like they were singing at him, instead of just singing to the crowd. And it felt really powerful and I liked it." What Happens Next On Saturday, a military parade is due to take place in Washington, D.C., to celebrate the 250th anniversary of the U.S. Army. The day also marks Trump's 79th birthday. The "No Kings" movement has organized demonstrations against Trump across the U.S., with 1,800 events planned for Saturday.
CNBC
4 hours ago
- CNBC
Nvidia's first GPU was made in France — Macron wants the country to produce cutting edge chips again
French President Emmanuel Macron on Wednesday made a pitch for his country to manufacture the most advanced chips in the world, in a bid to position itself as a critical tech hub in Europe. The comments come as European tech companies and countries are reassessing their reliance on foreign technology firms for critical technology and infrastructure. Chipmaking in particular arose as a topic after Nvidia CEO Jensen Huang, who was doing a panel talk alongside Macron and Mistral AI CEO Arthur Mensch, said on Wednesday that the company's first graphics processing unit (GPU) was manufactured in France by SGS Thomson Microelectronics, now known as STMicroelectronics. Yet STMicroelectronics is currently not at the leading edge of semiconductor manufacturing. Most of the chips it makes are for industries like the automotive one, which don't required the most cutting-edge semiconductors. Macron nevertheless laid his ambition out for France to be able to manufacture semiconductors in the range of 2 nanometers to 10 nanometers. "If we want to consolidate our industry, we have now to get more and more of the chips at the right scale," Macron said on Wednesday. The smaller the nanometer number, the more transistors that can be fit into a chip, leading to a more powerful semiconductor. Apple's latest iPhone chips, for instance, are based on 3 nanometer technology. Very few companies are able to manufacture chips at this level and on a large scale, with Samsung and Nvidia provider Taiwan Semiconductor Manufacturing Co. (TSMC) leading the pack. If France wants to produce these cutting-edge chips, it will likely need TSMC or Samsung to build a factory locally — something that has been happening in the U.S. TSMC has now committed billions of dollars to build more factories Stateside. Macron touted a deal between Thales, Radiall and Taiwan's Foxconn, which are exploring setting up a semiconductor assembly and test facility in France. "I want to convince them to make the manufacturing in France," Macron said during VivaTech — one of France's biggest tech events — on the same day Nvidia's Huang announced a slew of deals to build more artificial intelligence infrastructure in Europe. One key partnership announced by Huang is between Nvidia and French AI model firm Mistral to build a so-called "AI cloud." France has looked to build out its AI infrastructure and Macron in February said that the country's AI sector would receive 109 billion euros ($125.6 billion) in private investments in the coming years. Macron touted the Nvidia and Mistral deal as an extension of France's AI buildout. "We are deepening them [investments] and we are accelerating. And what Mistral AI and Nvidia announced this morning is a game-changer as well," Macron told CNBC on Wednesday.
