logo
2025 MUAHS Awards: Make-Up and Hair Stylists Guild honors ‘The Substance,' ‘Wicked,' ‘The Last Showgirl' — and ‘SNL'

2025 MUAHS Awards: Make-Up and Hair Stylists Guild honors ‘The Substance,' ‘Wicked,' ‘The Last Showgirl' — and ‘SNL'

Yahoo16-02-2025

The Make-Up and Hair Stylists Guild (IATSE Local 706) announced its 12th Annual MUAHS Awards in 23 film, TV, music, and theater categories on Saturday night, honoring top Oscar contenders The Substance and Wicked with a pair of awards apiece and The Last Showgirl with a single win in the five motion picture categories during ceremonies at the Fairmont Century Plaza Hotel that were livestreamed via YouTube and Vimeo. The Substance took home trophies for contemporary make-up and special make-up effects, while Wicked was cited for period/character make-up and period/character hair styling. Last Showgirl won for contemporary hair styling.
In television, no show was more dominant than Saturday Night Live. The sketch comedy series that's now celebrating its 50th season dominated the Television Special, One Hour or More Live Program Series category, earning four statuettes to lead all projects. Television series winners included Emily in Paris, Palm Royale, The Penguin, Abbott Elementary, and Bridgerton. The Jennifer Hudson Show won a pair of MUAHS honors for daytime TV.
More from GoldDerby
2025 Oscars calendar update: BAFTA Awards on Feb. 16
2025 Writers Guild Awards: 'Anora' and 'Nickel Boys' win top screenplay prizes
'SNL50': More than 90 'Saturday Night Live' cast members and 75 guest hosts attending weekend events
Special awards during the ceremony were bestowed on Oscar-winning and multiple Emmy-winning actress Allison Janney (the Distinguished Artisan Award) who is currently a regular on Palm Royale. The Emmy-winning make-up artist Todd McIntosh received the Lifetime Achievement Award for Make-Up, presented by Sarah Michelle Gellar (with whom he collaborated on Buffy the Vampire Slayer TV series). Hair stylist Peter Tothpal (Guardians of the Galaxy Vol. 3 and Terminator 3: Rise of the Machines) received the Lifetime Achievement Award for Hair Stylists. And the Vanguard Award went to the Research Council of Makeup Artists (RCMA Makeup), a pillar in the make-0up and hair styling community for more than 60 years.
Val Chmerkovskiy and wife Jenna Johnson of Dancing With the Stars fame served as the MUAHS Awards hosts. During the ceremony, in light of the devastating recent wildfires in Los Angeles, Local 706 raised funds for the to support the IATSE Walsh/Di Tolla/Spivak Foundation — which provides direct financial assistance to all IATSE union members impacted by natural disasters. IATSE President Matthew Loeb made an appearance to offer support for the union victims of the fires.
The full list of winners of the 12st Annual MUAHS Awards follows.
Best Contemporary Make-Up : Stéphanie Guillon
Best Period and/or Character Make-Up Wicked: Frances Hannon, Alice Jones, Nuria Mbomio, Johanna Nielsen, Branka Vorkapic
Best Special Make-Up Effects The Substance: Pierre-Olivier Persin
Best Contemporary Hair Styling The Last Showgirl: Katy McClintock, Marc Boyle, Stephanie Hobgood
Best Period and/or Character Hair Styling Wicked: Frances Hannon, Sarah Nuth, Sim Camps, Gabor Kerekes
Best Contemporary Make-Up Emily in Paris (Netflix): Aurelie Payen, Carole Nicolas, Fred Marin, Sarah Damen, Josephine Bouchereau
Best Period and/or Character Make-Up (Apple TV +): Tricia Sawyer, Marissa Lafayette, Marie Del Prete, Simone Almekias-Siegl, Marja Webster
Best Special Make-Up Effects The Penguin (HBO Max): Mike Marino, Michael Fontaine, Crystal Jurado, Diana Y. Choi, Claire Flewin
Best Contemporary Hair Styling Abbott Elementary (ABC): Moira Frazier, Dustin Osborne, Christina Joseph, Johnny Lomeli, LaLisa Turner
Best Period and/or Character Hair Styling Bridgerton (Netflix): Erika Okvist, Farida Ghwedar, Emma Rigby
Best Contemporary Make-Up Saturday Night Live' (NBC): Louie Zakarian, Amy Tagliamonti, Jason Milani, Young Bek, Daniela Zivkovic
Best Period and/or Character Make-Up Saturday Night Live (NBC): Louie Zakarian, Amy Tagliamonti, Jason Milani, Craig Lindberg, Rachel Pagani
Best Special Make-Up Effects Saturday Night Live (NBC): Louie Zakarian, Jason Milani, Brandon Grether, Amy Tagliamonti, Tom Denier Jr.
Best Contemporary Hair Styling Dancing with the Stars (ABC, Disney): Kimi Messina, Joe Matke, Marion Rogers, Amber Nicholle Maher, Florence Witherspoon
Best Period and/or Character Hair Styling Saturday Night Live (NBC): Jodi Mancuso, Cara Hannah, Inga Thrasher, Joe Whitmeyer, Amanda Duffy Evans
Best Make-Up (Fox): Jen Fregozo, Adam Burrell
Best Hair Styling The Jennifer Hudson Show (Fox): Robear Landeros, Albert Morrison
Best Make-Up Danger Force (Nickelodeon): Michael Johnston, Brad Look, Kevin Westmore, Kim Perrodin, Kato DeStefan
Best Hair Styling Avatar: The Last Airbender (Netflix): Julie McHaffie, Dianne Holme, Codey Blair, Sandi Hall
Best Make-Up Secret – Beetlejuice Beetlejuice: Lifesaver: Scotia Boyd, Julie Hassett, Bianca Appice
Best Hair Styling : Pavy Olivarez, Taylor Tanaka-Suitt
California Regional Live Theater Production: Make-Up and Hair Styling LA Opera's Madame Butterfly: Samantha Wiener, Maggie Clark, Brandi Strona, Nicole Rodrigues, Kelso Millett
Broadway and International Live Theater Production: Make-Up and Hair Styling (New Award) (Broadway): Kevin Thomas Garcia, Christine Hutcheson, Michael Duschl, Britt Griffith
SIGN UP for Gold Derby's free newsletter with latest predictions
Best of GoldDerby
2025 Oscars calendar update: BAFTA Awards on Feb. 16
'A Complete Unknown' recreated an iconic Bob Dylan costume design fit for the film's finale: 'A great rock archetype that still echoes to this day'
Frances Hannon's 'Wicked' makeup and hair magic: From Elphaba's complexion to Galinda's 'old Hollywood' glam
Click here to read the full article.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

'Maybe Happy Ending' tops Broadway's Tony Awards
'Maybe Happy Ending' tops Broadway's Tony Awards

Yahoo

time15 minutes ago

  • Yahoo

'Maybe Happy Ending' tops Broadway's Tony Awards

"Maybe Happy Ending," a South Korean musical adapted for Broadway about two robots who find connection, won big at Sunday's Tony Awards, scooping up six prizes at the gala celebrating the best in American theater. Stars of the season Cole Escola and Nicole Scherzinger also won their first Tonys, on a night that celebrated Broadway's revival after a years-long pandemic slump. Cynthia Erivo -- the Oscar-nominated "Wicked" star who herself boasts a Tony -- hosted the ceremony at Manhattan's Radio City Music Hall honoring this year's buzzy, diverse competitive slate . It was Broadway's most financially lucrative year ever, she told the crowd. "Broadway is officially back -- provided we don't run out of cast members from 'Succession,'" she joked, referring to the decorated TV dramedy about a family's media empire. Sarah Snook -- who scored an Emmy for her role in "Succession" -- won the Tony for best leading actress in a play, taking on all 26 roles in the stage adaptation of Oscar Wilde's novel "The Picture of Dorian Gray." A host of new shows and stars drew 14.7 million people to the Broadway performances this season, grossing $1.89 billion at the box office. Some of showbiz's biggest names graced New York's stages, including George Clooney, Denzel Washington, Jake Gyllenhaal -- and Snook's "Succession" co-stars Kieran Culkin and Jeremy Strong. "Please go to the theater, whether it's a Broadway show or a school play," said Michael Arden, who won a Tony for best direction of a musical for "Maybe Happy Ending." Darren Criss of "Glee" fame -- already an Emmy winner for portraying killer Andrew Cunanan in "The Assassination of Gianni Versace: American Crime Story" -- won the Tony for lead actor in that musical. "I have such immense pride to get to be part of this notably diverse exquisite Broadway season this year," he told the audience as he accepted his award. Scherzinger bested a packed field including the legendary Audra McDonald -- the performer with the most Tonys in history -- for best actress in a musical for her role as faded star Norma Desmond in "Sunset Boulevard," which also won for best revival of a musical. "If there's anyone out there who feels like they don't belong or your time hasn't come, don't give up," said an emotional Scherzinger, who once fronted the pop girl group The Pussycat Dolls. "Just keep on giving and giving because the world needs your love and your light now more than ever. This is a testament that love always wins." - 'Oh, Mary!' - Even though Escola's hit dark comedy "Oh, Mary!" was the favorite for best new play, the award went to intense family portrait "Purpose" by Branden Jacobs-Jenkins, which also won the 2025 Pulitzer Prize for Drama. But Escola still won big for their unhinged performance in the one-act reimagining of Abraham Lincoln's assassination through the eyes of his wife -- a raging alcoholic who dreams of life as a cabaret star. Escola bested a stacked field that included Clooney. "Oh, Mary!" also snagged the prize for best direction, won by Sam Pinkleton. "You have taught me to make what you love and not what you think people want to see," Pinkleton said in his speech, speaking directly to a tearful Escola. "We can bring joy to people at the end of a crappy day and that feels like a big deal to me," Pinkleton added to ardent applause. The night's rollicking performances included a gripping rendition of "Rose's Turn" from McDonald, and a captivating performance of "As If We Never Said Goodbye" from Scherzinger. The gala also featured a much-touted reunion of the original cast of "Hamilton," as that groundbreaking smash musical by Lin-Manuel Miranda celebrates its 10th anniversary. A heartfelt segment honored those the theater community lost over the past year, with Erivo and Sara Bareilles delivering the classic "Tomorrow" from "Annie." The song's composer, Charles Strouse, died last month. Some acceptance speeches made oblique references to ongoing political turmoil across the United States, as President Donald Trump's immigration raids trigger protests. But Trump was not explicitly mentioned. mdo/sst

‘What's next?': Allison Janney on playing a ‘badass' on ‘The Diplomat,' ‘West Wing' 25 years later
‘What's next?': Allison Janney on playing a ‘badass' on ‘The Diplomat,' ‘West Wing' 25 years later

Yahoo

time27 minutes ago

  • Yahoo

‘What's next?': Allison Janney on playing a ‘badass' on ‘The Diplomat,' ‘West Wing' 25 years later

'At that time, I never dreamed that it would go where it's gone,' says Allison Janney of her acting career, when she's told it has been 25 years since she won her first Emmy Award. In 2000, she won in the Outstanding Supporting Actress in a Drama Series for her role as C.J. Cregg on The West Wing (she'd also win the following year in the same category, as well as two more times in 2002 and 2004 as Lead Actress). She'd later add three more trophies — two for Mom and one for Masters of Sex. 'I feel pretty damn lucky that I've been able to work as much as I have and in my career,' she says. "I love the community it creates for me. With each project, you have a whole new group of people and relationships and camaraderie. I felt so lucky to be on two shows last year working on Palm Royale and The Diplomat, both completely different. It's been an embarrassment of riches this past year." More from GoldDerby 2025 Tony Awards: Complete list of winners (updating live) 'Ran' turns 40: How a clerical error and bad blood cost Akira Kurosawa an Oscar 'Sinners' bonus feature, 'Good Night' live, Sabrina's song of the summer, 'Fantastic Four' theme, and what to stream this weekend Here, Janney talks to Gold Derby about stepping into The Diplomat in the role of Vice President Grace Penn after being a fan of its freshman season. She also offers up a few teases about the upcoming third season of the Netflix drama, when Penn will be the president after sitting POTUS, William Rayburn (Michael McKean), died unexpectedly in the season finale. SEEAllison Janney enters Emmy race as a supporting actress for 'The Diplomat' (exclusive) Gold Derby: When you first heard about Grace Penn, what were your impressions of her and how you would take her on? Allison Janney: My first conversation was with Debora Cahn [creator and executive producer], who I knew from my West Wing days. I didn't really have to think hard about it because I loved her writing, and I also was a huge fan of the first season of The Diplomat. She said, "You might be a bad guy." She was giving me a hint to what my character would be, and I just was up for any challenge she wanted to throw my way. Then when I read it, I thought, "OK, I see how you might see her as a bad guy." But I see her as a badass. I see her as someone who makes difficult decisions and knows that in the balance, some lives could be lost, but in the long run, many lives will be saved. She's a woman who is up for making the hard decisions, and that excited me about her. Also, the way she wrote my relationship with Keri Russell's character, Kate. It was so much fun to want to come and hate this woman but then end up sort of admiring her. I think Grace sees a younger version of herself in Kate. I mean, that scene where I got to dress her down and tell her, 'Well, you need to get a bra, you need to change your hair…' It was cold the way she delivered it, but she was really helping her. The dynamics between the two of us were always fun. Grace and Kate do actually form a nice bond that quickly goes off the rails as events evolve. Do you see Grace as lonely in her role as VP? I think they do [form a bond]. They could be great friends in any other situation, but in their friendship, they have to be cautious with each other and can't trust each other completely because, of course, Kate was supposed to take Grace's job. And that's always on the back burner of that possibility happening. And then you learn a lot more in season three about Grace's private life. But I would imagine for any woman at the top in that arena, it's gotta be a little lonely to be someone who's always underestimated, someone who's always second-guessed for being a woman. Grace is someone who's found a way to use that to her advantage. SEE'It just worked out really perfectly': 'The Diplomat' casting director on landing Allison Janney as the vice president You said we find out more about her in season three. Did you know a lot of this already in shooting the second season or did you just trust Debora's writing? I trusted Debora. Then she came to me at some point and said, "How would you feel about Brad Whitford playing your husband?" I was like, "Well, this just keeps getting better!' And the stuff that goes on, the brilliance between the private-facing Grace and the public-facing Grace, her relationship with her husband and that new dynamic with me being the president and he now being the first gentleman, it's kind of wild. The genius of the show is also seeing that dynamic go on between Kate and Hal [Rufus Sewell] and seeing them behind the doors. It's endlessly fascinating and fun. You've said you threw the script when you read the season two finale. Have any season three scripts caused you to throw anything across the room? I'm excited to act every page that Debora's written, but that one was just so shocking — I just did not see that coming at all! It was just a crazy moment for me. It was so wild. I didn't throw the script for season three but I loved every single page I read. You've also mentioned Hillary Clinton as an inspiration for Grace. Did you hear from her or any real politicians about the show? I didn't reach out to Hillary. I don't know her, and I didn't really need to. I just wanted to look at women who have spent their life in public service and grown up in it and what that must have been like to be a woman in those arenas and just be the only woman in the room and prove that you can be in the room. It's always having to prove yourself, and I just imagine that would be difficult. Also in West Wing, C.J. was the only woman in the room a lot of times, so I felt like I knew what that was to play. The show is so tense pretty much every scene, every moment. How is that to be on that set and do those scenes that have that kind of non-stop tension? Well, fortunately, as I like to say about this whole cast, we take our work seriously but we don't take ourselves too seriously. We had to play those scenes and play that tension and that's just fun for this cast. And then when we cut, we can laugh about something and it's not as tense. We know how to jump into that and turn it on and turn it off. Like that scene with Hal and Kate with me at the dinner [in the season two finale] and how insulting he was to Grace, and just having to listen to him and take it and not react. That's a lot of the great thing I love about Grace is how still she is and she's doesn't overreact to anything. She's learned to just not react but she'll remember. I can't say more, but there's so many fun things that are coming. You had watched the first season of the show and then came in during Season 2. As an actor, how do you prepare for that? You know, for someone who watched the show and immediately loved it, I was a little starstruck when I got on the set. I knew all these characters from watching them and loving them. And I felt a little like, "Oh my God, this is Kate and Hal!" It took me a while just to get past that because I'm just like anybody else. Definitely having [director] Alex Graves and Debora there to encourage me, I felt immediately comfortable. And also this group of actors is so incredibly lovely and welcoming and just embraced me. It also felt nice to be in that world of politics again, especially international politics. It's sexy and fun and dangerous and I love it. It's been 25 years since you won your first Emmy for C.J. That's wild. What was your vision for your career at the time and where you wanted to go? I was so thrilled to win that Emmy. That was an extraordinary night for me winning that. I was so happy to be on The West Wing. I loved that group of people. I would stop and go, "This is amazing. Just remember this." I did that so many times during that job. And it was all consuming. It was 18-hour days and we didn't have cellphones then so I lost track with people. My family was so furious with me. I spent more time with these people than I spent with my family. And I just loved what that show did for me. When it ended, I thought, "I have no idea what's going to happen now. I'm terrified." I think every actor always feels that when you finish a job, you go, "Is that it? Am I going to work again?" And then I went right into 9 to 5, the musical [on Broadway]. I thought, "Well, let's do something completely different than West Wing" so that fit that bill. I find it always a little scary because it doesn't always guarantee that you're going to get the next job or the next job. I feel pretty damn lucky that I've been able to work as much as I have in my career. I'm very grateful. And I can't see retiring anytime soon either. I just want to keep doing it and keep being challenged. I can't wait to see what's next. As Bartlett would say, "What's next?" But I can't wait for people to see season three of The Diplomat. I don't even know when it's coming out, but it's going to be fantastic. Best of GoldDerby 'Say Nothing' star Anthony Boyle on playing IRA activist Brendan Hughes: We 'get to the humanity as opposed to the mythology' The Making of 'The Eyes of the World: From D-Day to VE Day': PBS variety special 'comes from the heart' From 'Hot Rod' to 'Eastbound' to 'Gemstones,' Danny McBride breaks down his most righteous roles: 'It's been an absolute blast' Click here to read the full article.

2025 Tony Awards highlights: The best, the worst, and the ‘Hamilton' mixtape
2025 Tony Awards highlights: The best, the worst, and the ‘Hamilton' mixtape

Yahoo

time27 minutes ago

  • Yahoo

2025 Tony Awards highlights: The best, the worst, and the ‘Hamilton' mixtape

With a Wicked host at the helm — that would be Elphaba actress and Tony winner Cynthia Erivo — it's no surprise the 78th annual Tony Awards had its fair share of magical moments. The evening, celebrating the best and brightest of the 2024-25 Broadway season, aired live from Radio City Music Hall in New York and had no shortage of star power, thrilling performances, and a few surprises hiding in the wings. Read on for the highlights (and a few lowlights) from the 2025 Tonys telecast. More from GoldDerby Tonys 2025: Best prediction scores by Gold Derby experts, editors, and users 2025 Tony Awards first-timers club: Half of this year's acting winners triumphed for their Broadway debuts 2025 Tony Awards: 'Maybe Happy Ending' dominates with 6 wins, Nicole Scherzinger shocks with Best Actress win over Audra McDonald Some Tony Awards openers go full tilt — loads of dancers and props and shiny bells and whistles, but when you have Cynthia Erivo, what compares to that voice? After a set-up where she kindly declines advice for what she should do to open the show, and some affirmation from Oprah Winfrey herself that 'the only thing you need to do is just be yourself,' she shows us that simple can be just as powerful as spectacle. She filled the massive Radio City theater with a ballad — written by Benj Pasek and Justin Paul of Dear Evan Hansen fame, and Marc Shaiman and Scott Wittman, the duo behind shows like Hairspray and this season's Smash — that promises that sometimes, 'all you need is a song.' When Broadway Inspirational Voices choir came up the aisles to join her, it became an even greater pleasure. It's a gripe that many theater lovers come back to year after year: splitting the Tony honors between the Act One preshow on Pluto TV and the main CBS broadcast means the creative awards and special honors don't get the same spotlight as the bigger, buzzier categories. And it's so much nicer to see the Tony-winning choreography in a show like Buena Vista Social Club (which performed on the main telecast) after watching Patricia Delgado and Justin Peck win the award for their work. Same goes for the special Tony honors, which are always reliably heartwarming, and this year went to beloved theater community members like Harvey Fierstein, Celia Keenan-Bolger, and St. Louis institution the Muny. Tony Awards winners didn't wade directly into political discourse this year, but many touched on the importance of representation and the power of the theater community. Francis Jue, winning for his supporting role in Yellow Face, told the crowd that he was wearing a tux given to him by fellow actor Alvin Ing from the 1976 opening of Pacific Overtures, who asked that he wear it to accept his Tony Award. 'I'm only here because of the encouragement and inspiration of generations of wonderful Asian artists who came before me and never got the opportunity that I've had,' he said, adding, 'For those who don't feel seen, for those being targeted in authoritarian times, I see you.' Harvey Fierstein, accepting a lifetime achievement award, spoke about gay rights and the acceptance of the theater community, while costume designer Paul Tazewell, winning for Death Becomes Her on the heels of his Oscar for Wicked, marveled that 'the Black queer little boy in Akron, Ohio had no idea that in 2025 he would have the year that he had.' These moments were touching, and as delivered by theater kids to a room (and audience watching at home) full of them, never felt overwrought. 'They'll play you off, or I'll sing you off,' Erivo warned. 'Don't mess with me, I've been known to cast a few spells in my time.' (She meant it, too — if anyone went on too long, she started singing 'My Way.') Awards shows absolutely need to be kept on track, but with the countdown clock already going by the time the winners hit the podium, it's not nearly enough time to let people have their say. Four nominations in as many years, and now Kara Young has made history as the first Black performer to win two consecutive Tony Awards. The actress won this year for her featured role in Brandon Jacobs-Jenkins' Pulitzer-winning family drama Purpose (which also won the Tony for Best Play on Sunday), after winning the same category last year for Purlie Victorious. A visibly moved Young thanked her family, Jacobs-Jenkins, and her co-stars, but then became the first person to come up against Erivo's threat to sing people off who went over the 90-second speech rule — cutting her off, unfortunately, just as she was stressing how the theater is 'a sacred space.' ('Sorry, Cynthia,' she added as she finished up.) The Tonys happen every year, and yet it seems the broadcast team is always battling sound issues. This time it first showed up when Keanu Reeves and Alex Winter were presenting, cutting Reeves off as he announced the winner. As the night went on, other stars battled against muffled mics during awards and performances. The original cast of Hamilton reuniting for its 10th anniversary was one of the most anticipated performances heading into Tonys night, and the celebration of the musical phenomenon did not disappoint. Trading in Hamilton's Paul Tazewell-designed costumes for all-black ensembles — save for Jonathan Groff, who donned a red jacket befitting his King George III role — the cast sped through a medley of the show's most memorable hits, from Lin-Manuel Miranda rapping 'My Shot' to Renée Elise Goldsberry, Philippa Soo, and Jasmine Cephas Jones' going to 'work!' on 'The Schuyler Sisters'; Daveed Diggs' lightning-fast lyrics in 'Guns and Ships'; and Leslie Odom Jr.'s kinetic 'The Room Where It Happens.' The world may feel very different 10 years on, but this reunion proved why the show's staying power hasn't waned. Cole Escola's win was one of the earliest locks this Tonys season, but it was still exciting to see the writer-performer accept the Tony for their hilarious portrayal of drunken, aspiring cabaret star Mary Todd Lincoln. Dressed in a gown that paid homage to Bernadette Peters, Escola gave a speech thanking their co-stars, fellow nominees, friends in the audience and watching at home, a match from Grindr, and Amy Sedaris, 'who always reminds me how important she is to me.' A mix of silly and sincere, much like Oh, Mary! There's an art to choosing what song to perform on the Tonys telecast. Capturing your whole musical in a number that embodies what the show is about, satisfies those who have already seen it, and introduces it to countless others — and by proxy, encouraging them to buy tickets — while also looking good on TV? No pressure! Jonathan Groff's charm was on full display as he mounted Keanu Reeves' seat and commanded the stage while singing a medley from Just in Time. Nicole Scherzinger brought Norma Desmond's adoring public to its feet with her formidable performance of 'As If We Never Said Goodbye' from Sunset Boulevard. Dead Outlaw and Operation Mincemeat made the most of their you-can't-make-this-up premises. And there was never a question that Audra McDonald would unleash her wrenching 'Rose's Turn' from Gypsy, or that it would wreck us. But even while delivering standout performances, a few shows should have maybe gone back to their song list. 'Never Fly Away,' from Maybe Happy Ending, didn't feel as poignant outside the context of what happens in the story leading up to it, and the fireflies that make that song feel magical didn't have the same effect on camera as did on stage. Likewise, Death Becomes Her chose a Megan Hilty number, the costume and sparkles-filled, wordplay-packed 'For the Gaze,' but while loads of fun in the theater and on the telecast, the show's true heart — and most of the snippets that went viral over the last few months — comes from Hilty and fellow nominee Jennifer Simard's wickedly fun chemistry. Not letting them sing together? That. Was. Rude. That was pretty. F—ing. Rude!!! Best of GoldDerby 'Maybe Happy Ending' star Darren Criss on his Tony nomination for playing a robot: 'Getting to do this is the true win' Who Needs a Tony to Reach EGOT? Sadie Sink on her character's 'emotional rage' in 'John Proctor Is the Villain' and her reaction to 'Stranger Things: The First Shadow' Click here to read the full article.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store