logo
6 Apple TV+ shows that are so good, I wish I could enjoy them for the first time all over again

6 Apple TV+ shows that are so good, I wish I could enjoy them for the first time all over again

Yahoo11 hours ago

If you purchase an independently reviewed product or service through a link on our website, BGR may receive an affiliate commission.
There's a particular kind of magic that only comes with a first watch of a TV series — the sort of thing that makes you gasp at a twist you didn't see coming, get emotionally invested in a story and its characters, and whisks you away someplace else thanks to the visual magic of the medium. I've actually thought about this a lot while watching Apple TV+. It's no secret that Apple doesn't release as much content as most of the other streamers, but whenever Apple does get it right the result is often unforgettable.
On that score, I've rounded up six Apple TV+ series below that are honestly so good, I wish I could erase them from memory just so I could experience them again for the first time. They range from heartwarming comedy to spy adventures and prestige drama that's as good as anything Hollywood has done in years.
Today's Top Deals
Best deals: Tech, laptops, TVs, and more sales
Best Ring Video Doorbell deals
Memorial Day security camera deals: Reolink's unbeatable sale has prices from $29.98
Bright, joyful, and full of heart, Acapulco has loads of How I Met Your Mother/The Wonder Years energy, thanks to narration by an older version of the show's main character — Maximo Gallardo, who as a young man in 1984 lands his dream job at the Las Colinas beach resort in Acapulco. The coming-of-age story unfolds with such a deft balance of charm and depth that by the end of each episode, you're either grinning or teary-eyed — and many times, both.
The pastel-colored aesthetic and overall wholesome introduction to Mexico's culture certainly made me want to dig out my passport for that first visit to Mexico I keep planning.
It somehow feels like underselling this next Apple TV+ standout by describing it as a mere TV show. Drops of God is a feast for the senses disguised as a family drama — sort of like a wine industry version of Succession. At the center of it all is a globe-spanning narrative stemming from the death of a wine expert who sets up a series of tests in order to determine who will inherit his estate: Will it be his estranged daughter, or his prized pupil?
The series is tense, beautiful, and quietly devastating. And befitting its subject, the cinematography here is as intoxicating as an aged Bourdeaux.
This dreamy adaptation of Min Jin Lee's award-winning novel is, without question, one of the most extraordinary things I've ever seen on television.
It begins in Japanese-occupied Korea and follows Sunja, a young woman whose decisions echo across generations, as her family migrates to Japan and struggles to carve out a life amid war, discrimination, and dislocation. The title refers to the Japanese gambling game — one the family eventually turns into a livelihood — but it's also a haunting metaphor for the randomness of life, the slim odds of success, and the quiet resilience of those determined to endure.
Here again, this is an Apple TV+ show that's on par with cinema. The visuals, the acting, and the storytelling in Pachinko are each breathtaking in their own right. Watching the show, dare I say, might even change you, not unlike the way traveling outside one's home country for the first time makes a profound impression on you.
This next one broke the internet just a few months ago, with its jaw-dropping and supremely addictive second season.
The premise behind Severance sounds simple: What if you could split your work and personal memories into two separate lives? The execution ended up being a masterclass in slow-burn tension, eerie world-building, and existential dread. Severance is actually so good, it's now the most-watched Apple TV+ series of all time, according to the streamer, and I envy anyone discovering this puzzle box for the very first time.
It's rare for a spy thriller to be both razor-sharp and grimy, but Slow Horses pulls off that quirky balancing act thanks in large part to Gary Oldman's glorious mess of a lead performance. The show also pulls off a neat trick — it turns the espionage genre on its head by focusing on a team of MI5 outcasts rather than more competent secret agents with movie star good looks. The resulting story somehow makes these characters' loser status feel both hilarious and heroic. This is basically espionage with a hangover. It's messy and unpredictable.
In a genre obsessed with perfection, Slow Horses makes failure look like a superpower.
From its opening moments, Tehran grabs you and doesn't let go. This tightly-wound espionage thriller follows Tamar, a Mossad hacker sent undercover in Iran's capital, where one wrong move could mean the end — not just for her mission, but for her life. What makes the show stand out isn't just the cat-and-mouse plotting, but the emotional depth running beneath every decision Tamar makes. It's a story about identity, loyalty, and the psychological cost of living a lie.
The upcoming third season has me especially excited — not just because Tehran raised its game significantly in Season 2, but also thanks to the arrival of Hugh Laurie, who joins the cast as a nuclear plant supervisor. When spy thrillers are done right, avoiding tired tropes and leaning into sharp writing and believable tradecraft, they're among my favorite kinds of shows to stream. And Tehran delivers so strongly, fans of The Bureau and The Americans will feel right at home here. With a lead actress who commands every scene and a constant undercurrent of tension, double-crosses, and moral ambiguity, Tehran stays a step ahead at every turn.
Don't Miss: Today's deals: Nintendo Switch games, $5 smart plugs, $150 Vizio soundbar, $100 Beats Pill speaker, more
More Top Deals
Amazon gift card deals, offers & coupons 2025: Get $2,000+ free
See the

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

2 Reasons AMC Stock Is Soaring in June
2 Reasons AMC Stock Is Soaring in June

Yahoo

time22 minutes ago

  • Yahoo

2 Reasons AMC Stock Is Soaring in June

Memorial Day weekend set moviegoing records, and a lot of the sales went to AMC as the largest theater chain. With many expected hit movies slated for release, management thinks it's turned a corner. AMC stock is still down year to date and the company has a lot to prove. 10 stocks we like better than AMC Entertainment › AMC (NYSE: AMC) is the largest movie theater operator in the world, but being the leader in a troubled industry hasn't done much for the company over the past few years. With the advent of streaming and residual fears from the pandemic, moviegoing just isn't what it once was and AMC continues to struggle. However, Memorial Day weekend was a boon for the company and AMC stock has been climbing. Let's see why and what it means for the future. Streaming from home has taken a toll on the box office, but there is still life left in theaters. Four of the top 10 highest-grossing films ever were released since the pandemic started, including Avatar: The Way of Water in the No. 3 spot and last year's Inside Out 2. People are still going to the movies. That fact was reinforced with a record Memorial Day weekend in May. Disney's live-action remake of Lilo & Stitch had the highest-ever four-day Memorial Day opening, and it was buttressed by a strong showing for Paramount's Mission: Impossible -- The Final Reckoning. Altogether, these two topped a blowout weekend with $326.7 million in domestic ticket sales, and Lilo & Stitch is already the second-highest-grossing domestic film of the year. Of course, that success trickled down to generate incredible financial results for AMC. Management said it set an all-time record for admissions revenue, food and beverage revenue, and total revenue for a weekend Memorial Day opening, and that the five-day stretch was the third-highest revenue for any five-day slot in more than 10 years. As for attendance, this was the highest-attended weekend and highest-attended five-day period of the year, both domestically and globally. Management didn't provide specific financial metrics for the weekend, so investors aren't likely to hear the nitty-gritty details until the second-quarter earnings release sometime in July or August. But management's update and optimism are boosting investor confidence. It's nice for the company to have a solid, record-breaking opening, but can it last? Management thinks so, and the market may be pricing that in. CEO Adam Aron said that after this weekend, AMC has turned a corner. "With many more potentially huge movies coming in June all the way through the end of 2025, and beyond that deeply into 2026 as well," he said, "we firmly expect to be enjoying a robust theatrical box office as we look ahead." Here's what to be excited about. Disney has a full slate of films coming out over the next few years, including the third film in the Avatar series. The first two are the highest-grossing and third-highest-grossing films ever, and the next film is slated for release this coming December. It also has the next Frozen film and other top franchises coming out soon. Warner Bros. has its own expected hits coming out, including a new Superman, and Comcast's Universal Studios has the next installment of Wicked and a new Shrek. Sequels to popular franchises can be big business. But the company is still reporting revenue declines and losses as of the 2025 first quarter. It will take some time to see if AMC has indeed turned a corner. As the price has increased in June, so has the short interest in AMC, hitting almost 15% of all outstanding shares. These investors are betting on this being a short-term boost and that the price will fall from this surge. Even though AMC stock is up 29% over the past month, it's still down 15% year-to-date. Unless the company releases incredibly strong earnings for the second quarter and keeps up its performance, the price jump may not last. Part of what's frustrating about that for investors is that many variables are beyond the company's control. It's up to film producers to create hit movies that bring viewers into theaters and to make the decision to keep them there long enough before they hit streaming services. That can be quite lumpy. You need to have real confidence in the future of the film industry and the resilience of theaters as a beckoning call for die-hard fans to want to invest in AMC's future, and for most investors, that time isn't now. Before you buy stock in AMC Entertainment, consider this: The Motley Fool Stock Advisor analyst team just identified what they believe are the for investors to buy now… and AMC Entertainment wasn't one of them. The 10 stocks that made the cut could produce monster returns in the coming years. Consider when Netflix made this list on December 17, 2004... if you invested $1,000 at the time of our recommendation, you'd have $674,395!* Or when Nvidia made this list on April 15, 2005... if you invested $1,000 at the time of our recommendation, you'd have $858,011!* Now, it's worth noting Stock Advisor's total average return is 997% — a market-crushing outperformance compared to 172% for the S&P 500. Don't miss out on the latest top 10 list, available when you join . See the 10 stocks » *Stock Advisor returns as of June 2, 2025 Jennifer Saibil has positions in Walt Disney. The Motley Fool has positions in and recommends Walt Disney. The Motley Fool recommends Comcast. The Motley Fool has a disclosure policy. 2 Reasons AMC Stock Is Soaring in June was originally published by The Motley Fool Error in retrieving data Sign in to access your portfolio Error in retrieving data Error in retrieving data Error in retrieving data Error in retrieving data

The Best Tech Gifts for Father's Day 2025
The Best Tech Gifts for Father's Day 2025

Gizmodo

time2 hours ago

  • Gizmodo

The Best Tech Gifts for Father's Day 2025

Getting a gift for Father's Day (reminder: it's Sunday, June 15) is no easy task. What more could the dad in your life need other than your unconditional love? Turns out, physical gifts—preferably something useful or entertaining—are exactly what he needs to escape the hellscape that is our current timeline. Like we did for Mother's Day, we've curated a selection of the finest tech to get your favorite dad. With options for budgets under $100, under $300, under $500, and over $500, we're sure pops will like something from this list. Gifts Under $100 Anker 6-Foot USB-C Cable ($10) Nothing screams 'man of the house' like a 6-foot USB-C cable that can probably reach any outlet from the couch. For $10, you get two of 'em. Gotta keep the phone charged up when the commercials on the big screen hit. Buy at Amazon 8BitDo USB Wireless Adapter 2 ($20) It'll feel wrong at first to use a PS5 controller to play Xbox and vice versa, but it beats buying a completely new gamepad when you can just pair existing ones to your consoles using this USB dongle. The 8BitDo USB Wireless Adapter 2 even works with Switch, so dad can play Super Smash Bros. Ultimate with a PS5 or Xbox controller. Buy at Amazon Apple in China: The Capture of the World's Greatest Company ($30) Whether dad loves Apple or hates it, the company's sheer scale producing devices like the iPhone and iPad unexpectedly gave birth to China's technology scene and helped give rise to its largest Asian competitors such as Xiaomi and Huawei. Apple in China is a fascinating dive into how Apple's growth has made the world go round. Buy at Amazon Clair Obscur: Expedition 33 ($50) It's the talk of the gaming scene for good reason. Clair Obscur: Expedition 33 offers a feast for the eyes and ears, and a wonderful story wrapped in gameplay that feels new while scratching the itch of any dad still nostalgic for early Final Fantasy titles. Buy at Amazon Arcs ($60) Leder Games' Arcs is the kind of board game that does so much in such a small space. It's a trick-taking conquest game about gaining space supremacy in the vein of 4X games on PC. If you want to make it extra spicy, also buy the Blighted Reach expansion to connect multiple games into epic, multi-session storylines. Buy at Amazon Anbernic 34XXSP ($67) Anbernic's latest Game Boy Advance SP mimic is the kind of device that will put a smile on the face of any dad who grew up with a Game Boy in tow. The 34XXSP is powerful enough to play most games from early handhelds, and even a select few games from the N64 or Dreamcast era. Buy at Anbernic SETI: Search for Extraterrestrial Intelligence ($70) SETI: Search for Extraterrestrial Life is one of those games that will get both the space-loving and mechanics-minded dads excited to sit at the table with you. It's a game that will run for several hours, but it ends with such an epic climax that everyone will be jonesing for another round anyway. Buy at Amazon Xbox Design Lab Controller ($80) That skin oil-worn controller he's using to play Xbox may work just fine, but that doesn't mean he wouldn't love an upgrade. Microsoft's Design Lab is full of unique customization options—from colors to patterns to grips and more. Buy at Xbox Gifts Under $300 Backbone One ($100) A quality mobile controller may be the perfect gift if he has ever complained about aching thumbs while trying to play a game on a phone. Our current choice remains the Backbone One, but if you want to spend more, the Backbone Pro is a good upgrade with tighter controls. Buy at Amazon Govee Gaming Pixel Light ($120) Your dad deserves to jazz up his decor beyond bland paintings you can find at a thrift shop. The Govee Gaming Pixel Light lets the man in your life add his favorite 8-bit art (32×32 pixels) to his wall. Buy at Amazon Razer Pro Click V2 Vertical Edition ($120) Logitech's Lift is the go-to for vertical mice, but if your dad wants one for gaming, Razer's Pro Click V2 Vertical is the only way to go. Not only does it come with a more ergonomic design, but it also has more programmable buttons, faster polling rates for gaming, and RGB—gotta have RGB for dad to prove he's a real gamer. Buy at Amazon Nothing Ear ($130) There are a lot of wireless earbuds out there, but not everyone (dads included) is okay with defaulting to AirPods. Nothing's Ear, with its ceramic drivers, is fantastic for a dad who needs great audio with a style that's just a little bit different than most. Buy at Amazon Klipsch One Plus Premium ($170) Without making any assumptions about your dad, there's a chance that he may appreciate tech that's a little more analog. Klipsch's Bluetooth speaker brings great sound but also a slick mid-century design with knobs to boot—a design that combines modern tech with a vintage look. Buy at Amazon Lego Mario Kart ($170) What better way to spend time with a dad than over a Lego set? Even better is when that Lego set is a giant Mario riding a go-kart. 'It's-a-me-Mario!' voice not included. Buy at Lego Shun Classic Chef Knife ($170) This isn't the most high-tech product on this list, but it may be among the most practical. We can say with conviction that dad will never struggle with carving a bird ever again if you give the gift of Japanese steel. Buy at Macy's Polaroid Flip ($200) The Polaroid Flip is all nostalgia wrapped in a retro veneer, and it's now one of the better ways to take full-size instant photos at home. The camera is a hefty device, so dad may feel like a big, strong man lugging it around. Buy at Best Buy Flipper Zero ($200) The hardware-hacking dad in your life interested in his next DIY project would be absolutely thrilled to have the Flipper Zero. It's a signal multitool that can connect with various RFID and other radio protocols, plus the GPIO pins and custom firmware can be used to create a whole host of interesting use cases. Buy at Flipper Zero Boox Palma ($246) Kindles and Kobo e-readers are great for reading ebooks, but they don't fit into pockets. The Boox Palma is exactly the solution—a phone-sized e-reader that runs Android apps (though using it for anything more than ebooks is slow AF) that dad can actually grip with one hand. Buy at Amazon Meater Pro XL ($280) Grill dads who don't want to stand by the open flame constantly for every cookout will appreciate the Meater Pro XL. The device's four smart meat probes will let him monitor the temperatures and finish times for multiple meals through a single app, which means no more sprinting back and forth between oven and grill. Buy at Amazon Gifts Under $500 Meta Quest 3S ($300) Has your dad ever expressed any interest in VR, or even doing some at-home workouts? Set him up with the Quest 3S, and he won't need anything more. Buy at Amazon Philips Hue Play Sync Box ($334) If your dad needs an upgrade to his entertainment system, Philips' Hue Play Sync Box has him covered. This tiny box can coordinate the lighting of a movie with Hue smart lights and syncs TV content at 8K 60Hz and 4K 120Hz for a unique home theater experience. Buy at Amazon Google Pixel Watch 3 ($350) Everyone has an Apple Watch. Let dad feel different with the Google Pixel Watch. It tracks almost everything an Apple Watch does, including health and fitness, and the battery life is excellent. The only caveat is that it works with Android phones, not iPhones. Buy at Amazon Meta Ray-Bans ($350) Smart glasses might seem like an overboard gift if dad isn't tech-inclined, but Meta's Ray-Bans might be the right ratio of tech-to-style goodness. They have a classic look and are surprisingly nice for Bluetooth audio. Buy at Amazon Breville Paradice 9 ($395) Don't fault dad if his knife skills are subpar. Fortunately, a high-powered food processor like the Breville Paradice 9 can slice and dice just about any ingredient more evenly and faster. Technology saves time! Who'd have thunk it? Buy at Amazon Sony WH-1000XM8 ($448) Whether it's blocking out a crying baby or angsty teenager, Sony's latest WH-1000XM6 over-ear headphones deliver best-in-class active noise cancellation. Bonus points: they fold up neatly and come with a case that doesn't look like a bra (looking at you AirPods Max Smart Case). Buy at Amazon Gifts Over $500 Xreal One ($500) Maybe some lucky dads will get a $3,500 Apple Vision Pro for Father's Day, but if all dad needs is a pair of video glasses for watching Netflix and YouTube, Xreal's One is more than good enough and stupid easy to setup (just plug it into any device that supports USB-C video out). They're barely larger than a pair of sunglasses, the 1080p video is super sharp, and the screens even dim for a see-through effect. Buy at Amazon reMarkable Paper Pro ($680) If you're gonna get dad an e-reader and can splurge for the very best, the reMarkable Paper Pro is the one to get. It's got a color E Ink screen that's great for reading comics, supports a stylus for notetaking, and you can even get a keyboard folio case for it. Buy at Amazon

‘Somebody hug me!' 7 Emmy hopefuls on staying calm, hitting their marks and more
‘Somebody hug me!' 7 Emmy hopefuls on staying calm, hitting their marks and more

Los Angeles Times

time9 hours ago

  • Los Angeles Times

‘Somebody hug me!' 7 Emmy hopefuls on staying calm, hitting their marks and more

The Emmys' limited series/TV movie acting categories have come to represent some of the best and most-talked-about shows on television, and this year's crop of contenders is no exception. The seven actors who joined the 2025 Envelope Roundtable were Javier Bardem, who plays father, victim and alleged molester Jose Menendez in Netflix's 'Monsters: The Lyle and Erik Menendez Story'; Renée Zellweger, who reprises her role as the British romantic heroine in 'Bridget Jones: Mad About the Boy'; Stephen Graham, who co-created and stars in 'Adolescence' as the father of a teenage boy who commits a heinous murder; Jenny Slate, who plays the best friend of a terminally ill woman in FX's 'Dying for Sex'; Brian Tyree Henry, who portrays a man posing as a federal agent in order to rip off drug dealers in Apple TV+'s 'Dope Thief'; Elizabeth Banks, who takes on the role of an estranged sibling and recovering alcoholic in Prime Video's 'The Better Sister'; and Sacha Baron Cohen, who appears as the deceived husband of a successful filmmaker in Apple TV+'s 'Disclaimer.' The Times' news and culture critic Lorraine Ali spoke to the group about the emotional fallout of a heavy scene, the art of defying expectations and more. Read highlights from their conversation below and watch video of the roundtable above. Many of you move between drama and comedy. People often think, 'Drama's very serious and difficult, comedy's light and easy.' Is that true? Banks: I think the degree of difficulty with comedy is much higher. It's really hard to sustainably make people laugh over time, whereas [with] drama, everyone relates to loss and pining for love that's unrequited. Not everybody has great timing or is funny or gets satire. Henry: There's something fun about how closely intertwined they are. In my series, I'm playing a heroin addict running for my life, and I have this codependency with this friend … There's a scene where I've been looking for him, and I'm high out of my mind, and I find him in my attic, and all he's talking about is how he has to take a s—. And I'm like, 'But they're trying to kill us.' You just see him wincing and going through all these [groans]. It is so funny, but at the same time, you're just terrified for both. There's always humor somewhere in the drama. Banks: There's a reason why the theater [symbol] is a happy face/sad face. They're very intertwined. Renée, with Bridget Jones — how has she changed over the last 25 years and where is she now with 'Mad About the Boy'? Zellweger: Nobody's the same from one moment to the next, one chapter to the next and certainly not from one year to the next. It's been a really interesting sort of experiment to revisit a character in the different phases of her life. What I'm really grateful for is that the timing runs in parallel to the sort of experiences that you have in your early 20s, 30s and so on. With each iteration, I don't have to pretend that I'm less than I am, because I don't want to be the character that I was, or played, when she was 29, 35. I don't want to do that, and I certainly don't want to do that now. So it was really nice to meet her again in this place of what she's experiencing in the moment, which is bereavement and the loss of her great love, and being a mom, and trying to be responsible, and reevaluating what she values, and how she comports herself, and what's important and all of that, because, of course, I relate to that in this moment. Stephen, 'Adolescence' follows a family dealing with the fallout of their 13-year-old son being accused of a brutal murder. You direct and star in the series. What was it like being immersed in such heavy subject matter? Did it come home with you? Graham: We did that first episode, the end of it was quite heavy and quite emotional. When we said, 'Cut,' all of us older actors and the crew were very emotional. There were hugs and a bit of applause. And then everyone would be like, 'Where's Owen?' [Cooper, the teenage actor who plays Graham's character's son]. 'Is Owen OK? Is he with his child psychologist?' No, Owen's upstairs playing swing ball with his tutor. It was like OK, that's the way to do this — not to take myself too seriously when we say, 'Cut,' but when I am there, immerse myself in it. Let's be honest, we can all be slightly self-obsessed. My missus, she's the best for me because I'd phone her and say, 'I had a really tough day. I had to cry all day. My wife's died of cancer, and it was a really tough one.' She goes, 'The dog s— all over the living room. I had to go shopping and the f— bag split when I got to Tesco. There was a flat tire. They've let the kids out of school early because there's been a flood. And you've had a hard day pretending to be sad?' Bardem: I totally agree with what Stephen says. You have a life with your family and your children that you have to really pay attention to. This is a job, and you just do the job as good as you can with your own limitations. You put everything into it when they say, 'Action,' and when you're out, you just leave it behind. Otherwise, it's too much. Certain scenes, certain moments stay with you because we work with what we are. But I think it doesn't make you a better actor to really stay in character, as they say, for 24 hours. That doesn't work for me. It actually makes me feel very confused if I do that. On the show 'Monsters' I tried to protect Cooper [Koch] and Nicholas [Alexander Chavez], the actors who play the children, because they were carrying the heavy weight on the show every day. I was trying to make them feel protected and loved and accompanied by us, the adults, and let them know that we are there for them and that this is fiction. Because they were going really deep into it, and they did an amazing job. Elizabeth, in 'The Better Sister,' you portray Nicky, a sister estranged from her sibling who's been through quite a bit of her own trauma. Banks: I play a drunk who's lost her child and her husband, basically, to her little sister, played by Jessica Biel. She is grappling with trauma from her childhood, which she's trying not to bring forward. She's been working [with] Alcoholics Anonymous, an incredible program, to get through her stuff. But she's also a fish out of water when she visits her sister, who [lives in a] very rarefied New York, literary, fancy rich world. My character basically lives in a trailer park in Ohio. There's a lot going on. And there's a murder mystery. I loved the complication … but it brought up all of those things for me. I do think you absolutely leave most of that [heaviness] on set. You are mining it all for the character work, so you've got to find it, but I don't need to then infect my own children with it. Sacha, you have played and created these really gregarious characters like Ali G or Borat. Your character in 'Disclaimer,' he's not a character you created, but he is very understated. Was that a challenge? Cohen: It took me a long time to work out who the character was. I said to [director] Alfonso [Cuarón], 'I don't understand why this guy goes on that journey from where we see him in Act 1.' For me it was, how do you make this person unique? We worked a lot through the specificity of what words he uses and what he actually says to explain and give hints for me as an actor. A lot of that was Alfonso Cuarón saying, 'Take it down.' And there was a lot of rewriting and loads of drafts before I even understood how this guy reacts to the news and information that he believes about his wife. Jenny, 'Dying for Sex' is based on a true story about two friends. One has terminal cancer, and the other — your character — supports her right up until the end. Talk about what it was like to play that role in a series that alternates between biting humor and deep grief. Slate: Michelle Williams, who does a brilliant job in this show, her energy is extending outward and [her character] is trying to experiment before she does the greatest experiment of all, which is to cross over into the other side. My character is really out there, not out there willy-nilly, but she will yell at people if they are being rude, wasteful or if she feels it's unjust. [And she's] going from blasting to taking all that energy and making it this tight laser, and pointing it right into care, and knowing more about herself at the end. I am a peppy person, and I felt so excited to have the job that a lot of my day started with calming myself down. I'm at work with Michelle Williams and Sissy Spacek and Liz Meriwether and Shannon Murphy and being, like, 'Siri, set a meditation timer for 10 minutes,' and making myself do alternate nostril breathing [exercises]. Brian, many people came to know you from your role as Paper Boi in 'Atlanta.' The series was groundbreaking and like nothing else on television. What was it like moving out of that world and onto other projects? Henry: People really thought that I was this rapper that they pulled off the street from Atlanta. To me, that's the greatest compliment … When I did 'Bullet Train,' I was shocked at how many people thought I was British. I was like, 'Oh, right. Now I've twisted your mind this way.' I was [the voice of] Megatron at one point, and now I've twisted your mind that way. My path in is always going to be stretching people's imaginations, because they get so attached to characters that I've played that they really believe that I'm that person. People feel like they have an ownership of who you are. I love the challenge of having to force the imaginations of the viewers and myself to see me in a departure [from] what they saw me [as] previously. Because I realize that when I walk in a room, before I even open my mouth, there's 90 different things that are put on me or taken away from me because of how I look and how I carry myself. Javier, since doing the series are you now frequently asked about your own opinions on the Menendez case? The brothers claim their father molested them, and that is in part what led to them murdering their parents. Bardem: I don't think anybody knows. That's the point. That was the great thing about playing that character, is you have to play it in a way that it's not obvious that he did those things that he was accused of, because nobody knows, but at the same time you have to make people believe that he was capable. I did say to Ryan [Murphy] that I can't do a scene with a kid. Because in the beginning, they do drafts, and there were certain moments where I said, 'I can't. It's not needed.' The only moment that I had a hard time was when [Jose] has to face [his] young kid. It was only a moment where Jose was mean to him. That's not in my nature. Henry: I discovered, while doing my series, 'My body doesn't know this isn't real.' There's an episode where I'm shot in the leg, and I'm bleeding out and I'm on all this different morphine and drugs and all this stuff, and I'm literally lying on this ground, take after take, having to mime this. To go through the delusion of this pain ... in the middle of the takes, it was just so crazy. I would literally look at the crew and say, 'Somebody hug me! Somebody!' Stephen, that scene where you confront the boys in the parking lot with the bike, I was just like, 'Oh, my God, how many times did he have to do that?' This kid gets in your face, and I was like, 'Punch the kid!' My heart went out to you, man, not just as the character but as you being in there. Graham: Because we did it all in one take, we had that unique quality. You're using the best of two mediums. You've got that beauty and that spontaneity and that reality of the theater, and then you have the naturalism and the truth that we have with film and television. So by the time I get to that final bit, we've been through all those emotions. When I open the door and go into [Jamie's] room, everything's shaken. But it's not you. It's an out-of-body experience and just comes from somewhere else. Bardem: Listen, we don't do brain surgery, but let's give ourselves some credit. We are generous in what we do because we are putting our bodies into an experience. We are doing this for something bigger than us, and that is the story that we're telling. What have been some of the more challenging or difficult moments for you, either in your career or your recent series? Zellweger: Trying not to do what you're feeling in the moment sometimes, because it's not appropriate to what you're telling. That happens in most shows, most things that you do. I think everybody experiences it where you're bringing something from home and it doesn't belong on the set. It's impossible to leave it behind when you walk in because it's bigger than you are in that moment. Banks: I would say that the thing that I worked on the most for 'The Better Sister' was [understanding] sobriety. I'm not sober. I love a bubbly rosé. So it really did bring up how much I think about drinking and how social it is and what that ritual is for me, and how this character is thinking about it every day and deciding every day to stay sober or not. I am also a huge fan of AA and sobriety programs. I think they're incredible tools for everybody who works those programs. I was grateful for the access to all of that as I was making the series. But that's what you get to do in TV. You get to explore episode by episode. You get to play out a lot more than just three acts. Stephen, about the continuous single shot. It seems like it's an incredibly difficult and complex way to shoot a series. Why do it? Graham: It's exceptionally difficult, I'm not going to lie. It's like a swan glides across the water beautifully, but the legs are going rapidly underneath. A lot of it is done in preparation. We spend a whole week learning the script, and then the second week is just with the camera crew and the rest of the crew. It's a choreography that you work out, getting an idea of where they want the camera to go, and the opportunity to embody the space ourselves. Cohen: That reminds me of a bit of doing the undercover movies that I do because you have one take. ... I did a scene where I'm wearing a bulletproof vest. There were a lot of the people in the audience who'd gone to this rally, a lot of them had machine guns. We knew they were going to get angry, but you've got to do the scene. You've got one time to get the scene right. But you also go, 'OK, those guys have got guns. They're trying to storm the stage. I haven't quite finished the scene. When do I leave?' But you've got to get the scene. I could get shot, but that's not important. Henry: There's a certain level of sociopathy. Slate: I feel like I'm never on my mark, and it was always a very kind camera operator being like, 'Hey, Jenny, you weren't in the shot shoulder-wise.' I feel like such an idiot. Part of it is working through lifelong, longstanding feelings of 'I'm a fool and my foolishness is going to make people incredibly angry with me.' And then really still wanting to participate and having no real certainty that I'm going to be able to do anything but just make all of my fears real. Part of the thing that I love about performance is I just want to experience the version of myself that does not collapse into useless fragments when I face the thing that scares me the most. I do that, and then I feel the appetite for performance again. Do you see yourself in roles when you're watching other people's films or TV show? Graham: At the end of the day, we're all big fans of acting. That's why we do it. Because when we were young, we were inspired by people on the screen, or we were inspired by places where we could put ourselves and lose our imaginations. We have a lot of t— in this industry. But I think if we fight hard enough, we can come through. Do you know what I mean? It's people that are here for the right reasons. It's a collective. Acting is not a game of golf. It's a team. It's in front and it's behind the camera. I think it's important that we nourish that. Henry: And remember that none of us are t—. Bardem: What is a t—? I may be one of them and I don't know it. Graham: I'll explain it to you later.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store