logo
Sundance Film Festival picks Boulder as host city for 2027 and beyond

Sundance Film Festival picks Boulder as host city for 2027 and beyond

The Sundance Film Festival will move to Boulder, Colo., beginning with the 2027 edition, a transformative change for one of the independent film community's key annual events.
Following a vote on Wednesday by the Sundance Institute's board of trustees, the city was chosen over the other two finalists, Cincinnati and Salt Lake City, Utah.
'There was overwhelming support for Boulder,' said Ebs Burnough, Sundance Institute's board chair, in an interview on Thursday morning. 'There certainly was robust conversation, but we as a board have been going through this process for about 18 months now, so there's been a lot of consistent conversation and an evolving conversation and evolving process.'
'One of the things that's really important to us is thinking about our ethos,' said Amanda Kelso, Sundance Institute's acting CEO, on Thursday. 'And our ethos is steeped in this notion that Robert Redford had put forward in our founding principles, which is this idea of coming to a place for the Sundance Film Festival that has a sense of space and a sense of place.
'It's an awesome town,' added Kelso. 'It has this wonderful vibe to it. You can go hiking or biking nearby. But it's also an art town, it's a tech town, it's a college town. So it's a really vibrant place.'
It was in April of last year that Sundance formally announced the possibility of leaving the festival's longtime home in Park City, Utah, when a contract with the city was up for renewal beginning in 2027. Some 67 locations submitted requests for information, while requests for proposals then were sent to 13 potential sites, with subsequent visits to six cities that were then narrowed down to the final three.
The festival's move comes at a time when the film industry at large is also undergoing continued uncertainty at all levels, from production to distribution and exhibition. The community around Sundance has been deeply affected by evolving business issues.
'This is a festival that has been undergoing change for the past five years, and this is the next step,' said Eugene Hernandez, Sundance's festival director and head of public programming, on Thursday. 'Sundance as an institute and as a festival, in its commitment to artists, its commitment to being a festival of global discovery, is unchanged and unwavered. And yet at the same time, [it's been] an institute and a festival that has been willing and open to evolve.'
In time, such Boulder venues as Macky Auditorium, the Boulder Theater and the Dairy Arts Center may become as familiar to Sundance attendees as the Eccles Theatre, Egyptian Theatre and Park City Library are to them now.
'I think this is a really important time for us as an institute, but specifically for the festival as well,' said Kelso. 'I think one of the things that we're so excited about is having the space to actually be more expansive in the way that we think about the festival. So this is an opportunity for us to give ourselves space for growth.'
According to materials provided by Sundance Institute, the decision-making process included seven overarching focus areas: ethos, event capability, transportation, hospitality, inclusion and accessibility, financial sustainability and host partner support.
Among the factors under consideration were whether there was at least one performance hall with capacity for 1300 people for film premieres, at least six screening spaces with capacities ranging from 150 to 1300, an international airport with direct flights from Los Angeles, New York, London and Paris within three hours of the location, lodging within a 25-mile radius for a peak of 30,000 people and any preexisting contracts that might overlap or impact infrastructure or operational capacity, such as the Olympics.
Both Salt Lake City and Cincinnati were perceived as blue cities within red states, while Boulder is seen as a blue city in a blue state. With controversial legislative proposals now being considered in both Utah and Ohio that would be in conflict with the inclusive worldview that is an intrinsic part of Sundance, the move to Boulder seemingly lessens what could have been a source of increasing tensions for the festival.
'What we've been looking at is how do we evolve?' said Burnough. 'And one of the great things that Bob Redford instilled in our ethos as an institution is evolving and taking risks and not being afraid. And so politics hasn't weighed on us. We've always dealt with the politics as it comes. We loved all three of the cities that were the finalist cities. And they all showed up in really strong ways. But the alchemy that led us to Boulder was just a very special mix.'
In a statement, Colorado Governor Jared Polis said, 'Here in our state we celebrate the arts and film industry as a key economic driver, job creator and important contributor to our thriving culture. Now, with the addition of the iconic Sundance Film Festival, we can expect even more jobs, a huge benefit for our small businesses including stores and restaurants.'
In its more than 40 years in Utah, the Sundance Film Festival has helped boost filmmakers including Quentin Tarantino, Ava DuVernay, Steven Soderbergh, Ryan Coogler and countless others, while seeing the film industry through multiple eras of change. The festival will now try to create a new home in Boulder as it moves with the industry into an uncertain future.
'As change is inevitable, we must always evolve and grow, which has been at the core of our survival,' said Robert Redford, Sundance Institute president and founder, in a statement. 'This move will ensure that the festival continues its work of risk taking, supporting innovative storytellers, fostering independence, and entertaining and enlightening audiences. I am grateful to the Boulder community for its support, and I look forward to seeing what the future holds for the festival there.'
The final Sundance Film Festival in Utah, with in-person events in Park City and Salt Lake City, will take place Jan. 22 to Feb. 1, 2026.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Watch: Logan Lerman, Molly Gordon play sex games in 'Oh, Hi!'
Watch: Logan Lerman, Molly Gordon play sex games in 'Oh, Hi!'

UPI

time3 hours ago

  • UPI

Watch: Logan Lerman, Molly Gordon play sex games in 'Oh, Hi!'

1 of 5 | Logan Lerman and Molly Gordon star in "Oh, Hi!", in theaters July 25. Photo courtesy of Sony Pictures Classics June 9 (UPI) -- Sony Pictures Classics released the trailer for Oh, Hi! on Monday. The romantic comedy opens July 25 in theaters. Molly Gordon and Logan Lerman play Iris and Isaac, a couple who go away to a remote house for a weekend. There, they discover bondage gear and Iris handcuffs Isaac to the bed. While still cuffed, Isaac says he's not interested in a relationship. So Iris leaves him cuffed for the weekend to try to convince him to get serious with her. The situation is further complicated when a friend (Geraldine Viswanathan) and her boyfriend (John Reynolds) visit and witness what Iris has done. David Cross also plays a role. Oh, Hi! Premiered at the Sundance Film Festival this year and later played at the Tribeca Film Festival. Sophie Brooks wrote and directed from a story by Brooks and Gordon. Brooks previously wrote and directed the film The Boy Downstairs. Gordon co-wrote, co-directed and starred in Theater Camp, which premiered at Sundance in 2023.

Joe Manganiello, Who Starred in ‘Pee-wee's Big Holiday,' Chokes Up Remembering Late Friend Paul Reubens: 'I Was His Biggest Fan'
Joe Manganiello, Who Starred in ‘Pee-wee's Big Holiday,' Chokes Up Remembering Late Friend Paul Reubens: 'I Was His Biggest Fan'

Yahoo

time4 hours ago

  • Yahoo

Joe Manganiello, Who Starred in ‘Pee-wee's Big Holiday,' Chokes Up Remembering Late Friend Paul Reubens: 'I Was His Biggest Fan'

There's renewed interest in the life and career of Paul Reubens thanks to the critically acclaimed two-part documentary Pee-Wee as Himself from HBO Max. The film, from filmmaker Matt Wolf, recently hit the streamer after a world premiere at the Sundance Film Festival in January. Wolf worked closely with Reubens in pulling together the project, culled from more than 40 hours of on-camera interviews and 1,000 hours of archival footage and shaped over what turned out to be an emotional rollercoaster lasting four years. More from The Hollywood Reporter Matt Wolf Says Filmmaker Buddies Convinced Him to Re-Cut 'Pee-wee as Himself' to Include ... Himself Netflix EMEA Content Boss Touts 'Adolescence,' Debunks a "Myth," Talks Ted Sarandos' Acting Debut 'Lost in Starlight' Director Han Ji-won on Blending Romance and Sci-Fi for Netflix's Breakthrough Korean Animated Feature On the heels of Sundance revealing the 2025 lineup last December, The Hollywood Reporter happened to be on Zoom with Joe Manganiello to discuss the latest season of his buzzy new reality competition series Deal or No Deal Island. As the interview was winding down, THR asked Manganiello about the documentary and Reubens, someone he got to know quite well when he filmed a starring role in Netflix's 2016 film Pee-Wee's Big Holiday. As it turned out, Manganiello had been thinking a lot about his friend, who died on July 30, 2023, following a private battle with cancer. 'I love Paul and I miss Paul a lot,' Manganiello said, adding that he had recently woken up after having a dream about Reubens. 'Paul showed up and pranked me with a practical joke in my dream. It was one of those dreams when you wake up and it feels really real. It was so vivid. I just thought, gosh, if there was anyone on the planet who would use the afterlife to figure out how to play a practical joke on his friends and prank them in their sleep, it would be Paul. He was so generous.' As has been well-documented, Reubens loved birthdays and would never let one slip by without making it special. 'When he found out when your birthday was, he would bombard you with birthday cards, birthday messages, birthday texts, birthday videos the entire day,' Manganiello recalled. 'Friends of mine who just met him in passing through me, he would get their numbers and do it to 'em, too.' In the film, Manganiello plays himself and the actor recalled that Reubens wrote the part specifically for him, calling the gesture 'a validation that one of the great comedic geniuses would call me up' to be his partner on the film. 'He was such a genius, but he didn't demand that you treated him that way. I remember when we went to set the first day, I said, 'Paul, when we get there, am I calling you Paul or am I calling you Pee-wee? Are you in character?' He said, 'No, I'm Paul.' When I got there, he was there in a full-on suit and bow-tie [like Pee-Wee] but he was still Paul. He really wanted to set you up to win.' Starring Reubens as the iconic Pee-wee Herman, the John Lee-directed Pee-wee's Big Holiday follows the adventures of the title character after a fateful meeting with a mysterious stranger inspires him to take his first-ever holiday in this epic story of friendship and destiny. The cast also includes Jessica Pohly, Alia Shawkat and Stephanie Beatriz. Reubens co-wrote the film with Paul Rust and produced it alongside Judd Apatow. As for the doc, at the time of THR's interview, Manganiello hadn't yet seen Pee-Wee as Himself, but he was excited by the fact that it exists. 'It's a good time for it and I think it's going to be really effective since it comes from his perspective,' said the veteran star. 'I think there's a lot of confusion with people about out what he was in trouble for and what he wasn't in trouble for, and that narrative has gotten really muddy. I think that he really did get a raw deal, and it really hurt him deeply. He was someone that felt things really deeply, and it's sad for me because I look back and I think about what the world would've been like had he not had to go into this self-imposed exile or this kind of society-imposed exile. It was dumb.' Manganiello, like so many of Reubens' close friends and collaborators, did not know about his years-long battle with cancer. And speaking about him in the interview caused him to get choked up and fight back tears, an emotional moment that he later discussed with People Magazine. 'I think about him all the time. I miss him a lot. He was like a family member. He would come over for Thanksgiving, he would come over to the house all the time, or I'd go to his [house],' recalled Manganiello, getting teary. 'He sent me a video before he passed away. It was just him talking about how much he loved me and how great I was in the movie and how funny he thought I was, how great of an actor he thought I was. It was just this glowing, unbelievable video. I didn't realize that he was sending that because he knew that his time was going to be short. I still have it in my phone and it's hard knowing that it's in there, but that's just the kind of person that he was. He let everybody that he loved know that he loved him all the time. I just feel so privileged to have had the chance to work with him on that intimate of a level and to get to know him as a person. I was his biggest fan. I loved him. I'll always miss him.' Best of The Hollywood Reporter Hollywood's Most Notable Deaths of 2025 Harvey Weinstein's "Jane Doe 1" Victim Reveals Identity: "I'm Tired of Hiding" 'Awards Chatter' Podcast: 'Sopranos' Creator David Chase Finally Reveals What Happened to Tony (Exclusive)

Amanda Seyfried Grossed Out She Invited ‘Dictator' Harvey Weinstein to Past Sundance Premiere: ‘It's Just the Way It Was — We All Needed Him'
Amanda Seyfried Grossed Out She Invited ‘Dictator' Harvey Weinstein to Past Sundance Premiere: ‘It's Just the Way It Was — We All Needed Him'

Yahoo

time5 hours ago

  • Yahoo

Amanda Seyfried Grossed Out She Invited ‘Dictator' Harvey Weinstein to Past Sundance Premiere: ‘It's Just the Way It Was — We All Needed Him'

Actor Amanda Seyfried said Hollywood is a 'safer' place since the downfall of Harvey Weinstein, while cringing over the influence the movie mogul used to wield. In a roving conversation for Variety's 'Actors on Actors,' Seyfried and two-time co-star Adam Brody reflected on how filmmakers would court Weinstein's attention for indie projects – including their own 'Lovelace,' a 2013 Sundance Film Festival selection that Weinstein ended up acquiring for distribution. More from Variety Amanda Seyfried and Adam Brody on Making 'Jennifer's Body,' Surviving 'O.C.' Fame and 'Mean Girls': 'Paramount Still Owes Me Money for the Likeness' Harvey Weinstein Says He Has 'Regrets' and 'Acted Immorally' Ahead of New York Retrial Verdict: 'But Never Illegal, Never Criminal' Kate Hudson, Adam Brody and the Cast of 'Yellowjackets' Kick Off the Inaugural Newport Beach TV Fest Over a decade ago in Park City, Utah, Seyfried recalled seeing Weinstein 'in a car. Slow motion, he's like rolling down his window and I'm like, 'Are you going to come to 'Lovelace' tomorrow?'' Weinstein told Seyfried he was meant to fly home during her screening but wound up delaying his trip, she told Brody. The 'Mamma Mia' and 'Long Bright River' star said she and her agent celebrated in that moment. 'Lovelace' followed mainstream adult film star Linda Lovelace and her infamous 1972 movie 'Deep Throat.' Brody played her X-rated scene partner. After the premiere screening in Sundance, Seyfried said Weinstein approached her and said he'd bought the project in the room for $3 million. 'I gave him the biggest hug… And it was actually his brother [Bob Weinstein]'s company called Radius, who just fucking trashed it and threw it away and didn't do anything with it and that's fine,' Seyfried said, also using the word 'dictator' to describe the studio head. 'The whole room was buzzing [because Harvey bought it]. He was like the big papa of the room … But it's just the way it was — we all needed him to want our project if it was an indie, because that meant it was going to go somewhere.' Brody remembered Weinstein as 'setting a tone' of fear, before deadpanning: 'What is he doing [now]?' Weinstein is currently sitting trial for sex crimes in New York. As for 'Lovelace,' Seyfried wasn't kidding. The project went on to gross only $1.5 million at the worldwide box office on a reported $10 million budget. Seyfried, currently an Emmy contender for her Peacock cop drama 'Long Bright River,' is grateful that Weinstein's reign of terror has ended. 'Hollywood's a safer place,' she said. 'People were scared of him. And when people are scared of someone, the right things don't happen.' Best of Variety 25 Hollywood Legends Who Deserve an Honorary Oscar New Movies Out Now in Theaters: What to See This Week Emmy Predictions: Animated Program — Can Netflix Score Big With 'Arcane,' 'Devil May Cry' and the Final Season of 'Big Mouth?'

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store