logo
How did Richard Satchwell get away with the murder of his wife Tina for eight years?

How did Richard Satchwell get away with the murder of his wife Tina for eight years?

Irish Timesa day ago

From the moment he reported her missing in 2017,
Richard Satchwell
stuck to his story that his wife Tina had run off.
His many media appeals begged her to come home. But as the jury heard during his five-week trial in the Central Criminal Court for her murder,
she was indeed home and she had been all along
.
Richard had killed her in
2017
, dug a hole under the stairs of their terraced Youghal home and buried her.
The Garda did look for her – as a missing person – but '
red flags
' emerged soon after her disappearance were 'simply ignored' by gardaí, the court was told.
READ MORE
What were they? And why did it take until six years after her disappearance for a thorough search of the Satchwell house to take place?
Irish Times legal affairs correspondent Mary Carolan tells In the News how the court case unfolded and what happens next.
Presented by Bernice Harrison. Produced by Declan Conlon and John Casey.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Motorcyclist involved in collision with Garda Kevin Flately dies in hospital
Motorcyclist involved in collision with Garda Kevin Flately dies in hospital

Irish Times

timean hour ago

  • Irish Times

Motorcyclist involved in collision with Garda Kevin Flately dies in hospital

The motorcyclist involved in the checkpoint collision that killed Garda Kevin Flatley last month has died. The man, who was in his 30s, was admitted to hospital after the incident at Lissenhall near Swords, North Dublin, on May 11th. Gardaí said the man was pronounced dead at Beaumont Hospital on Saturday evening. Garda family liaison officers are providing ongoing support and information to both families involved. READ MORE Garda Flatley (49), who lived in the Balbriggan area, was hit by a motorcycle while carrying out a speed checkpoint. Investigations are ongoing.

The Swell Season in Dublin review: Not a dry eye on the balcony for Glen Hansard and Markéta Irglová
The Swell Season in Dublin review: Not a dry eye on the balcony for Glen Hansard and Markéta Irglová

Irish Times

time3 hours ago

  • Irish Times

The Swell Season in Dublin review: Not a dry eye on the balcony for Glen Hansard and Markéta Irglová

The Swell Season – Glen Hansard and Markéta Irglová National Concert Hall, Dublin ★★★★☆ Many European tours by international bands conclude with at least one show in Dublin . When the gig is more a homecoming than a visit, there is always more reason to celebrate the end of living out of a suitcase. Saturday's show was more than just another performance for Dubliner Glen Hansard and his one-time partner, Markéta Irglová . It was a means by which to remember old times and reclaim lost ground, a time to dedicate songs to friends ( Damien Dempsey , John Carney ), family (Hansard's young son, Christy), and other musicians ( Billie Eilish , Van Morrison ). It was also, perhaps, recognition of relationships started in flurries of optimism and finished in squalls of despair. This is best exemplified by the delicate ballad People We Used to Be, one of several tracks from the Swell Season's forthcoming album, Forward, receiving its first live airing in Ireland. Irglová, who sits at her piano throughout, takes the lead vocal on a wise, semi-autobiographical song that outlines how, over time, the heart's heavy bruising can disappear. 'Things were easier once, when our hearts were light, we'd stay up talking late and put all the world to right,' she sings. 'How I miss the people we used to be and all those things that you brought out in me.' Was there a dry eye in the house? Not on the balcony, there wasn't. It was surely written in the stars that the pair would reunite for another outing. Hansard is a relentless seeker of collaborations, always on the mooch for a session or a singsong with like-minded musicians, and always true to his humane intentions. Irglová (the youngest ever recipient of an Academy Award in a non-acting capacity for her co-written Best Original Song, Falling Slowly, from 2007's lo-fi indie movie, Once) is on a hiatus from her solo career. Of the two, Hansard is by far the most successful, but based on Saturday's show, we should never underestimate Irglová's abilities to occasionally put a halt to her friend's unbridled gallop. READ MORE There are marked differences between the older and newer songs. Those from the Once years, notably When Your Mind's Made Up and the still untainted Falling Slowly, embody young love in all its naivety, insecurity, and commitment. The songs from Forward represent tension, doubt, and a world in disarray. [ Glen Hansard on fatherhood at 52: 'I can't believe I didn't do it before now' Opens in new window ] Factory Street Bells talks of leaving loved ones behind, the Nick Cave/Bob Dylan hybrid A Great Weight Has Lifted obliquely references Gaza, while Irglová's sublime I Leave Everything To You could be a lost tune from the Wicked soundtrack. The pacing throughout the 140-minute set is deftly handled, from tender ballads to string-breaking guitar shredders, with covers (Van Morrison's Into the Mystic and Gloria, Fergus O'Farrell's Gold, a snippet of Leonard Cohen's Bird On a Wire) as well as spoken word (Stephen James Smith performing his potent new poem, Talk to Me). The show ends, unsurprisingly, with a bunch of flowers for Irglová and a collective thumbs-up for Hansard.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store