
Blackpool Zoo gives penguins pedicures to stop mix-ups
A zoo has given its penguin chicks a "delightful pedicure" as a "creative and colourful" way of telling them apart.One chick from each pair of newborn Magellanic penguins at Blackpool Zoo has had blue nail varnish painted on their claws to ensure keepers "can accurately record health checks, weight and developmental progress", a representative said.Senior keeper Jason Keller said the move was necessary as it was "easy to confuse them, especially with multiple chicks in some nest boxes and markings that are very similar"."Painting the toenails... means we can be sure we are recording all their information correctly," he added.
'Explore the pool'
The chicks recently hatched at the zoo's expanded Penguin Cove area, which saw a new sanded beach area added in 2024 and the number of nest boxes increased from six to 11. The zoo representative said the cove was home to 10 males and 13 female Magellanic penguins, a species native to the coasts of Argentina and Chile.They said the gender of the chicks would be confirmed when feather samples were analysed at the age of about 12 weeks old."Once this is confirmed they will be named and have an ID band fitted for identification," the representative said. "They will also start to slowly explore the pool around this time, with their parents teaching them how to swim."
Listen to the best of BBC Radio Lancashire on Sounds and follow BBC Lancashire on Facebook, X and Instagram. You can also send story ideas via Whatsapp to 0808 100 2230.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Times
an hour ago
- Times
Lalo Schifrin obituary: composer of the Mission Impossible theme
He may not have been a secret government agent like the heroes of the Mission: Impossible TV series or Tom Cruise movies which featured his thrilling theme music, but Lalo Schifrin was an expert at covert operations thanks to his passion for a banned art form. As a jazz-mad teenager growing up in Buenos Aires in the late 1940s, he had to be sneaky in order to feed his voracious appetite for bebop. The Argentinian leader, the dictator Juan Perón, had issued a blanket ban on jazz, so there was none to be heard on the radio or in nightclubs. 'Peron had made a law that Argentinian popular music had to be promoted. And in every theatre, between movies, they had some kind of folk music act with singers doing so-called national music, which was horrible. Or, if the music was good, the singers were bad. So the people would go to the lobby, waiting for them to finish, and then they would go back to see the movie.' The young Schifrin bought his records from an American merchant marine skipper sailing from New Orleans. He would pay for the records in advance, then wait 40 days for their arrival. When he went down to the docks to collect his stash, he wore a long raincoat under which he could hide his latest acquisitions. 'In a way, I was smuggling records, but not for sale,' Schifrin said in 1996. 'They were for my own private collection.' Schifrin was born Boris Claudio Schifrin in Buenos Aires in 1932. His father, Luis, was the concertmaster for the Buenos Aires Philharmonic Orchestra, and the young Schifrin was exposed to the great classical composers from birth and classically trained on piano from a young age. Hearing Duke Ellington's music for the first time as a teen was, he said, 'like a religious conversion, and that conversion became more refined, focused and passionate when I discovered Charlie Parker, Dizzy Gillespie and Bud Powell'. He briefly studied law before going to France to study music at the Paris Conservatoire, where his teachers included the composer Olivier Messiaen, and he fell in love with the edgy sounds of the modern composers. Ironically, it was there that his love for Latin American music was kindled after he attended a lecture and workshop given by the Cuban composer and author Julio Gutiérrez, who had written a book entitled Mambology. It was also in Paris that he began playing jazz professionally. He said: 'I led a double life. I was a classical pianist during the day, and a jazz musician at night.' Returning to a post-Peron Argentina in 1956, he started a big band. Later that year, Gillespie's big band toured Argentina, and Schifrin's outfit was booked to play at a reception in his honour. Gillespie liked what he heard, asked the young Argentinian if he had written the arrangements for the band and suggested he work for him in the States. Schifrin and his first wife, Silvia, moved to New York in 1958. They divorced in 1970, and Schifrin is survived by his second wife Donna (née Cockrell) and his three children — William and Frances, from his first marriage, and Ryan, all of whom work in film and TV production. Aged 26, he composed Gillespiana — a five-movement suite based in part on baroque music forms and scored for a traditional big band minus saxophones, but augmented by four French horns, two percussionists and a tuba. With Schifrin on piano, Gillespie's band performed the piece throughout Europe and the United States. It established him as a composer who could elegantly blend classical music with jazz, and it was a logical step for him to head next to Hollywood, where Elmer Bernstein and Johnny Mandel were taking the same approach to movie scores. Among the early films he scored were Cool Hand Luke (1967) and Bullitt (1968), Kelly's Heroes (1970) and Enter the Dragon (1973), along with Dirty Harry (1971) and several of its sequels. But it was the suitably 'groovy' and exciting music he wrote for the TV series Mission: Impossible in 1966 which put him on the map. It was composed before the title credits were created, and the only inspiration the producers could offer was a cryptic instruction about a 'lit fuse'. Written with an unconventional 5/4 time signature it injected, he explained: 'A little humour and lightness that didn't take itself too seriously.' Thirty years later, when the show was turned into a blockbuster action film starring Tom Cruise, the star told him that retaining the original pulsating and suspenseful theme music had been a deal-breaker when he took on the project. Since that first Mission: Impossible movie in 1996, there have been a further seven films in the series — all with that 'earworm' Schifrin theme. The most recent was released this year and made almost £400 million worldwide. Alongside his film and TV work, he was kept busy with commissions, including the grand finale music for the 1990 World Cup Championship in Italy, when The Three Tenors — Luciano Pavarotti, Plácido Domingo and José Carreras — sang together for the first time. He worked with Carreras and the London Symphony Orchestra on the album Friends for Life in 1992, and again with the LSO on Symphonic Impressions of Oman, a piece commissioned by the Sultan of Oman and released on CD in 2003. He was in demand as a conductor with orchestras across the world, including the London Symphony Orchestra and the London Philharmonic Orchestra — which recorded his Concerto for Guitar and Orchestra, featuring the soloist Angel Romero, in 1984. In the late 1980s, he was musical director of the new Paris Philharmonic Orchestra, formed with the express purpose of recording music for films, performing concerts and participating in TV shows, and he operated as both pianist and conductor for the successful series of Jazz Meets the Symphony recordings, with the LPO, through the 1990s and early 2000s. Along the way, he also wrote compositions which added Latin American influences into the mix. 'People ask me how it is that I'm so 'versatile,'' he said in 1996. 'But I say, 'I'm not versatile. I just don't see limits. To me, all music is one music.' Lalo Schifrin, pianist, composer and conductor, was born on June 21, 1932. He died on June 26, 2025, aged 93


The Sun
3 hours ago
- The Sun
Lionel Messi gets stand named after him at club he never played for as fans are left baffled
LIONEL MESSI saw a football club naming a stand after him... even though he never played for that team. Messi, 38, is considered by many as the greatest player of all time after winning a record eight Ballon d'Or honours throughout his glittering 21-year career. 5 5 5 5 The star forward's brilliant legacy was carved out at Barcelona where he spent 17 successful years that saw him winning 10 LaLiga titles, seven Copa del Rey honours and four Champions League trophies. The Argentina captain didn't enjoy the same level of success at Paris Saint-Germain where he played for two years after his heartbreaking exit from Barca in 2021. And now the Inter Miami superstar is enjoying the winter of his career in the MLS where he has fallen off the radar despite a string of impressive performances for David Beckham 's club. But it was Newell's Old Boys that gave Messi the ultimate honour by naming one of their stadium's stands after him. The Argentine great has history with the club as he joined their academy at the age of eight and spent five years within their youth ranks before moving to Barcelona esteemed La Masia set up. However, the legendary footballer never picked up a senior appearance with the Argentinean outfit. Nevertheless, Messi has always been a fan of the club and has repeatedly expressed his support. Old Boys issued photos of their new stand on social media and added the following caption: "Our home. The house of football history." Some fans were left baffled and expressed frustration with the club for honouring a player that never competed for the team at senior level - even if it is someone of Messi's caliber. And a section of the fanbase was also angry with the powers that be as they didn't bother to repaint the bottom part of the stand. Watch Messi score stunning free-kick as Inter Miami stun Porto 2-1m One fan tweeted: "@Grok how many senior appearances has Lionel Messi made for Newells Old Boys?" Another commented: "I thought it was us messing around, but no, they're just that clueless." A third wrote: "Can you give me the info on the number of official goals scored by Messi?" This fan said: "How sloppy, they didn't even paint below!! No wonder Messi didn't even thank them." And that one stated: "I feel second-hand embarrassment."


The Sun
5 hours ago
- The Sun
Lalo Schifrin dead aged 93: Oscar-winning composer who wrote iconic Mission: Impossible theme song dies from pneumonia
LALO Schifrin, the composer who wrote the theme for Mission: Impossible has died aged 93. Schifrin's son Ryan confirmed that the legend died due to complications from pneumonia. He died peacefully in his home in Los Angeles, surrounded by family. 1 The Argentine won four Grammys and was nominated for six Oscars, including five for original score for Cool Hand Luke, The Fox, Voyage of the Damned, The Amityville Horror and The Sting II. He also wrote the grand finale musical performance for the World Cup championship in Italy in 1990, in which the Three Tenors Plcido Domingo, Luciano Pavarotti and Jos Carreras sang together for the first time. The work became one of the biggest sellers in the history of classical music. .