8 films that changed the way we talk about horror
Edgar Wright and Simon Pegg's horror-rom-com mashup was as gut-busting as the cricket bat Shaun used to take on the undead. Mixing horror homage with uniquely British humour, it made riding out the apocalypse in a Crouch End pub seem like the only sensible choice. With witty callbacks, clever foreshadowing, and killer gags, Shaun of the Dead showed us that vinyl records can hurt, and turned Simon Pegg and Nick Frost into household names.
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South Wales Guardian
2 hours ago
- South Wales Guardian
Aimee Lou Wood and Walton Goggins on ‘ridiculous' feud rumours
There has been speculation that the two co-stars had drifted apart after being on the HBO show, which follows the lives of guests and staff at a luxury resort as dark secrets are revealed and tensions rise over the course of the holiday. The third series sees the positive Chelsea, played by British actress Wood, 31, try to keep her mysterious older boyfriend, Rick, played by 53-year-old US actor Goggins, calm in Thailand. Following the 2025 series, Goggins appeared to step away from his fellow co-stars, and unfollow Greater Manchester-born Wood on Instagram. They both addressed the swirling rumours during a joint interview for US publication Variety, which was published on Wednesday. Goggins said: 'There is no feud. I adore, I love this woman (Aimee) madly, and she is so important to me.' He added that 'she's special', and explained he had not addressed the reports before as he did not want to talk about Wood when she was not there. 'I think it's such a comment on where we're at culturally. Why is everyone obsessing over Instagram? That is irrelevant. We don't give a shite about Instagram,' Wood said. Goggins said that when he finished The White Lotus he 'needed to just back away from everyone', as it is his 'process' when filming a project ends. 'It's all so ridiculous,' he said. 'It's just a part of me just saying goodbye to this character so that now Aimee and I will be friends for f****** ever.' Wood previously criticised a Saturday Night Live sketch, with an cast member impersonating her with exaggerated prosthetic teeth, calling it 'mean and unfunny' on Instagram. She told Variety that it 'felt misogynistic. It felt like the punchline was a woman's appearance, which is just not funny. It's not cool'. Goggins shared the same sketch online and praised Jon Hamm for playing a version of his character, before deleting the Instagram post, ahead of hosting SNL> He said he was 'gonna say it (something) to your face', and added: 'I don't use social media in any way, and I'm not a mean guy.' SNL apologised for the April sketch, according to Wood, and the comedian and cast member who impersonated her, Sarah Sherman, sent her flowers to apologise. Wood is also known for Netflix teen show Sex Education, BBC comedy Daddy Issues and the 2022 drama film Living with Bill Nighy. Goggins has been in Western series Justified, post-apocalyptic series Fallout, and drama Sons Of Anarchy. He has had two Emmy nods, while Wood has won a TV Bafta for Sex Education and been given a Rising Star Bafta nomination.
Leader Live
2 hours ago
- Leader Live
Aimee Lou Wood and Walton Goggins on ‘ridiculous' feud rumours
There has been speculation that the two co-stars had drifted apart after being on the HBO show, which follows the lives of guests and staff at a luxury resort as dark secrets are revealed and tensions rise over the course of the holiday. The third series sees the positive Chelsea, played by British actress Wood, 31, try to keep her mysterious older boyfriend, Rick, played by 53-year-old US actor Goggins, calm in Thailand. Following the 2025 series, Goggins appeared to step away from his fellow co-stars, and unfollow Greater Manchester-born Wood on Instagram. They both addressed the swirling rumours during a joint interview for US publication Variety, which was published on Wednesday. Goggins said: 'There is no feud. I adore, I love this woman (Aimee) madly, and she is so important to me.' He added that 'she's special', and explained he had not addressed the reports before as he did not want to talk about Wood when she was not there. 'I think it's such a comment on where we're at culturally. Why is everyone obsessing over Instagram? That is irrelevant. We don't give a shite about Instagram,' Wood said. Goggins said that when he finished The White Lotus he 'needed to just back away from everyone', as it is his 'process' when filming a project ends. 'It's all so ridiculous,' he said. 'It's just a part of me just saying goodbye to this character so that now Aimee and I will be friends for f****** ever.' Wood previously criticised a Saturday Night Live sketch, with an cast member impersonating her with exaggerated prosthetic teeth, calling it 'mean and unfunny' on Instagram. She told Variety that it 'felt misogynistic. It felt like the punchline was a woman's appearance, which is just not funny. It's not cool'. Goggins shared the same sketch online and praised Jon Hamm for playing a version of his character, before deleting the Instagram post, ahead of hosting SNL> He said he was 'gonna say it (something) to your face', and added: 'I don't use social media in any way, and I'm not a mean guy.' SNL apologised for the April sketch, according to Wood, and the comedian and cast member who impersonated her, Sarah Sherman, sent her flowers to apologise. Wood is also known for Netflix teen show Sex Education, BBC comedy Daddy Issues and the 2022 drama film Living with Bill Nighy. Goggins has been in Western series Justified, post-apocalyptic series Fallout, and drama Sons Of Anarchy. He has had two Emmy nods, while Wood has won a TV Bafta for Sex Education and been given a Rising Star Bafta nomination.
Spectator
3 hours ago
- Spectator
Thrilling: Garsington's Queen of Spades reviewed
Tchaikovsky's The Queen of Spades is one of those operas that under-promises on paper but over-delivers on stage. It's hard to summarise the plot in a way that makes it sound theatrical, even if you've read Pushkin's novella, and I've never found a recording that really hits the spot. And yet, time and again, in the theatre: wham! It goes up like a petrol bomb. With a good production and performers, Tchaikovsky hurls you out at the far end feeling almost hungover – head swimming, and wondering where those three hours went. The cast and staging at Garsington are very, very good. True, you'd expect great things from any production that can afford to cast Roderick Williams (Yeletsky) and Robert Hayward (Tomsky) in what are essentially supporting roles, and the director is Jack Furness, who at his best (like his Garsington Rusalka in 2022) has been responsible for some of the most compelling British opera of the past decade. Furness is on top form here, delivering multilayered storytelling underpinned by subtle characterisation. He has an eye for spectacle, as well as the tiny details that speaks volumes. The Philharmonia is the orchestra, and while they haven't always brought their A-game to Garsington, they've typically responded well to the festival's artistic director Douglas Boyd. Good news: he's conducting The Queen of Spades, and from the first notes – the clarinet's question in the silence; that hot-breathed surge of string tone – it's as tense as a guilty conscience. Cue baleful brass chords, aching woodwinds and those quiet, nagging ostinatos which mean that like the opera's anti-hero Herman (Aaron Cawley), we never really get to relax.
