logo
After 10 Years, My Favorite Chambray Shirt Got an Upgrade

After 10 Years, My Favorite Chambray Shirt Got an Upgrade

New York Times22-04-2025

I was wearing a light blue chambray shirt from J.Crew on the night I first met my wife. It was 2016, and I'd just turned 25. And, having bought the shirt with my first substantial freelance paycheck, I wore it everywhere: to interviews, on road trips and airplanes, on assignments, and, evidently, to dinner parties on the Upper East Side.
Amid the squall of untucked gingham shirts and Patagonia vests in style at the time, the textured ruggedness of chambray jumped out at me when I saw this shirt on the rack. It felt like something that belonged in the closet of Indiana Jones or Robert Redford rather than in my own. Something about the irregularity of its yarns and its not-quite-slim fit felt impossibly cool yet unpretentious, at ease without looking careless, elegant yet decidedly not fussy. It was, in short, everything I was not and everything I wanted to be.
For nearly 10 years, I wore this shirt, almost to tatters. Over time, the cloth faded to a pale, whitish shade of blue, the fabric at the elbows became almost sheer, and the hems started to unfurl. But I refused to give up on my longtime staple.
So I returned to J.Crew to buy a replacement, and in its place I found something new: a chambray shirt full of small improvements yet still bearing all the charm of the one I had bought in my 20s.
A refresh of a longtime J.Crew staple, this latest version comes with a few thoughtful upgrades and can be worn almost anywhere.
While the chambray button-down has been one of J.Crew's longtime staples, chambray itself predates the US as a country. It is one of two cotton fabrics that originated in France before being incorporated into American workwear and military clothing. The other fabric is chambray's doppelgänger, denim.
Unlike denim, which is woven in a twill (a fabric defined by its dimensional, diagonal ridges), chambray is a plain weave, more akin to the flat fabric of cotton dress shirts. Although chambray can be any color, it is usually woven from a combination of blue and white yarns; this produces chambray's signature two-toned, subtly cross-hatched, denim-like appearance. Compared with those of dress shirts, these bicolor yarns are also typically chunkier, which can give the fabric a more textured, casual appearance.
'It was never meant to be a dress-shirt fabric,' Carl Goldberg, custom shirtmaker and founder of CEGO, told me in an interview. (Goldberg recently made Walton Goggins's iconic aloha shirt for the third season of HBO's The White Lotus .) 'It was meant for workwear and military usage, but similar to the blue French worker's jacket, it became chic.' After nearly a decade of heavy wear and tear, my shirt has faded significantly. Alexander Aciman/NYT Wirecutter The gridlike appearance of chambray (top) and the twill, diagonal weave of denim (bottom). Alexander Aciman/NYT Wirecutter My 10-year-old chambray shirt beside its replacement. Alexander Aciman/NYT Wirecutter After nearly a decade of heavy wear and tear, my shirt has faded significantly. Alexander Aciman/NYT Wirecutter
J.Crew's chambray shirt has a button-down collar and is made from a crisp, lightly peached fabric. Its charm stems from that counterintuitive chicness Goldberg describes. Along with the unpredictable nature of the shirt's fabric, this quality makes it neither an oxford, nor a dress shirt, nor a western shirt, but something in a category all its own. The J.Crew button-down eludes simple categorization and is therefore one of the most versatile garments a person can own.
This shirt can be worn tucked or untucked, in summer and in winter, under a tweed blazer, or as a layer over a T-shirt. It can be worn with blue denim jeans — without looking like a Canadian tuxedo. And it looks no less at home worn with shorts and sandals at the beach than it does under a sweater with olive trousers. Style writers have long expounded on the virtues of clothes that can be dressed up or dressed down. But a chambray shirt is one of the few items that is capable of both simultaneously: It can be, at the same time, both Brooks Brothers and Levi Strauss. Chambray's texture pairs well with chunky knitwear in fall outfits. Rebecca Hartje The shirt's muted indigo blue is neutral enough to fit in with a range of other colors. Rebecca Hartje I feel the need. The need for tweed. Rebecca Hartje Chambray's texture pairs well with chunky knitwear in fall outfits. Rebecca Hartje
Due to its shapeshifting nature, this shirt immediately became a staple of my daily wardrobe. At times, every outfit I wanted to wear seemed to revolve around it — my chambray button-down was the foundation of how I wanted to see myself and how I wanted the world to see me. I searched for its limits — wearing it with everything from sport coats to black jeans to swim shorts — but I never quite found them.
Above all else, the shirt is flourishing as part of my travel wardrobe. It comes with me on every trip I take. If I have enough room in my bag for only one collared shirt, there's no doubt which one it should be. J.Crew's shirt is casual enough to be worn around any city and durable enough to act as a layer on light hikes or on chilly days. I particularly like having it with me in the event that I might need to look presentable — I've never felt out of place in a nice restaurant while wearing this shirt.
Because the shirt's fabric is made with thicker yarns than a standard flat-weave cotton shirt, it sheds wrinkles with ease; this allows me to wear it straight out of my bag, no need to iron. I've used it to put together a week of travel outfits without ever feeling like I'm wearing the same thing twice. And in a pinch, I've used it as a blanket or a pillow. Fuji Instax photos taken by my wife on our honeymoon, featuring my favorite chambray shirt. Rebecca Hartje Chambray makes an excellent summer layer, even when paired with swim trunks and Crocs. Rebecca Hartje Fuji Instax photos taken by my wife on our honeymoon, featuring my favorite chambray shirt. Rebecca Hartje
Time and probably hundreds of trips through the wash have softened the fabric considerably, imparting a plush, almost flannel-like texture that I find comforting. It has all of the traits of lovingly worn-in vintage items that boutique thrift stores list at exorbitant prices. It has aged with me over the past decade, and it's now an old friend; I am most myself in this shirt, and it is strange to think back to a time when it represented something alien and excitingly aspirational.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Sydney Sweeney has become more 'guarded'
Sydney Sweeney has become more 'guarded'

Yahoo

time2 hours ago

  • Yahoo

Sydney Sweeney has become more 'guarded'

Sydney Sweeney has become more "guarded" since shooting to fame. The 27-year-old actress has been working in show business since she was a teenager but her fame has increased over the last few years after she landed a high profile role in TV series 'Euphoria' and went on to star in 'The White Lotus', rom-com 'Anyone but You' and Marvel movie 'Madame Web' - and Sydney admits being well-known is difficult because she had "no idea" how much she valued her privacy until she lost it. She told The Times newspaper: "I've always been guarded. Definitely more so now. You let a few people in who you trust ... "A lot is gone, like privacy. Which is huge. You don't realise how much that means until you lose it. I see all the time: 'Oh, they sold themselves, they knew what they were signing up for.' But 18-year-old me had no idea what she was signing up for." Sydney went on to admit it is women who give her "the hardest time", insisting she has to work hard to be taken seriously in her work. She explained: "I have to be like, I want to be in the room, I want to sit in every single meeting and want to be involved in every decision, I want to be taken seriously as a producer. "I'm very direct, I'm very blunt ... To be honest, actually, I always find that it's the women who give me the hardest time ... "I see it all the time [in auditions] where they don't think I am right for [a role] because they watched [her character] Cassie in 'Euphoria'. "Especially because Cassie was such a sexualised character - that puts a wall up for people. I feel like I'm constantly having to be like, no, no, I'm an actor, I'm supposed to be different characters." It comes after Sydney - who now has her own production company, Fifty-Fifty Films - admitted the entertainment industry is tough, but she continues to be fascinated by it. She told Empire: "This industry is so fascinating. There are so many chats, pieces and moves to make, and I find that really exhilarating. "It's constantly changing. I love acting, but being able to step outside of that and then see how everything comes together, and understand what every crew member needs and what it takes to get a project from imagination to conception ... "When people see it in the theatres or on screen, it's been a really long, hard process, but I love it."

Sydney Sweeney's New Soap Collab Will Be Made With 'Her Actual Bathwater'
Sydney Sweeney's New Soap Collab Will Be Made With 'Her Actual Bathwater'

Yahoo

time6 hours ago

  • Yahoo

Sydney Sweeney's New Soap Collab Will Be Made With 'Her Actual Bathwater'

Men like Sydney Sweeney. How much do they like her? Well, men's personal hygiene company Dr. Squatch is making a new soap with a secret ingredient: Sydney Sweeney's actual bathwater. For real. 'You kept asking about my bathwater after the @drsquatch ad … so we kept it,' Sweeney (Euphoria, The White Lotus season one) posted to her Instagram account on Thursday. Called 'Sydney's Bathwater Bliss,' the bricc (what Dr. Squatch calls its soap bars) is a 'very real, very limited-edition soap made with my actual bathwater,' Sweeney wrote. More from The Hollywood Reporter Sydney Sweeney, Jennifer Lawrence and Robert Pattinson, Michelle Yeoh Films Sell Wide at Cannes Sydney Sweeney Teases "Unhinged" 'Euphoria' Season 3 Sydney Sweeney, Halsey Get Violent While Hunting Down a Rare Artifact in 'Americana' Trailer Why do this? Well, you know why: because men are gross. So now they can cleanse themselves — well, their skin at least — with saponified oils (of olive, sustainable palm and coconut), shea butter, natural fragrance, Sydney's bath water, sand, mica, kaolin clay and sea salt. God knows what else they'll do with it: Dr. Squatch called Sweeney's bathwater 'one of nature's finest aphrodisiacs.' Don't try to check us on that 'men are gross' thing. First of all, I'm a man and I'm gross. But more relevant here are the multiple stalker fan letters to Dr. Squatch asking for this exact product — and definitely asking for worse things. Here's a relatively tame one: Unfortunately, there's a lot more where that came from; swipe right on the post. Clearly, the personal-care company (and Sweeney, whom Dr. Squatch calls a 'legend' for this) are leaning in. Days ago, the collab was teased by a Dr. Squatch post that read: 'Wanna take a shower with Sydney Sweeney?' Well, come June 6, you can. Sort of. The medium grit bar soap has 'refreshing notes of pine, Douglas fir and earthy moss,' per the manufacturer. Naturally, Dr. Squatch named the scent 'morning wood.' Sydney's Bathwater Bliss is 'a perfect combination of the two best places on the planet: The outdoors and Sydney Sweeney's bathtub,' the company continued. It appears that 100 creeps lucky winners will get a bricc made with Sweeney's actual bathwater. (To win one, you have to be '18+.' This bath soap couldn't get pornier.) The rest of you can buy a bar next week for $8. The Hollywood Reporter has reached out to Dr. Squatch and Sweeney's reps for more info. Best of The Hollywood Reporter From 'Lady in the Lake' to 'It Ends With Us': 29 New and Upcoming Book Adaptations in 2024 Meet the Superstars Who Glam Up Hollywood's A-List Rosie O'Donnell on Ellen, Madonna, Trump and 40 Years in the Queer Spotlight

Snapping Tel Aviv: Alex Levac on capturing the city that never sleeps
Snapping Tel Aviv: Alex Levac on capturing the city that never sleeps

Yahoo

time6 hours ago

  • Yahoo

Snapping Tel Aviv: Alex Levac on capturing the city that never sleeps

Israel's city that never sleeps was founded over Passover, 1909, during the counting of the Omer leading up to Shavuot. Photographer Alex Levac sees things the average person on the street doesn't catch. When we meet up at his Tel Aviv apartment, a stone's throw away from the beach, I ask the evergreen octogenarian, who was awarded the Israel Prize for his groundbreaking photography 20 years ago, where the notion of snapping incongruous yet complementary overlaps first emerged. 'I don't know. Perhaps I got it from the French photographers, like Robert Doisneau and Henri Cartier-Bresson,' he suggests bringing the lauded humanist documentarists into the philosophical equation. 'But, it was mostly a British photographer called Tony Ray-Jones.' Those men were powerful sources of inspiration, who shined a bright light on his own path to visual expression, Levac says. 'I didn't invent anything. You know, you see something you like and you think, 'I'll try to do something like that.'' The above lauded trio may have sparked the young Israeli's imagination and sowed the seeds for one of his main lines of thought and endeavor, but it was something of a slow burner. 'I left Israel for London in late 1967,' he says. 'I left Israel for a year and stayed 14 years. But I came back from time to time, to visit family and friends.' And snap a few frames, he may have added. Levac studied photography in London in its Swinging Sixties heyday, and subsequently worked in the field in Britain. But the time and, in particular, the place were not aligned with Levac's native cultural continuum. 'I don't think, then, I looked for these [idiosyncratic] confluences. That didn't interest me outside the Israeli context.' But the idea of getting into that after he returned here to roost was gestating just below the surface. 'I thought that it was more interesting to do in Israel because I am more familiar with the culture and the visual language.' Evidently, there is more to what Levac does than observing quotidian jigsaw pieces align themselves and pressing the shutter release button at exactly the right happenstance microsecond. 'It is not just a combination of all sorts of anecdotal elements. There is, here, also a statement about the Israeli public domain.' The dynamics of human behavior, of course, can vary a lot between differing societies. In Israel, we are much more physically expressive than the average Brit or, for that matter, Japanese. ONCE RESETTLED in the Middle East, the mix-and-match line of photography soon took on tangible form, without too much premeditation. 'I don't remember exactly when it started but I took one of the first shots one day when I was in Ashkelon. I lived there at the time with my first wife. I started seeing a lot of contrasts on the street, coming together at the same time.' It was around that time that still largely conservative Israel got its first tabloid newspaper, Hadashot, which shook up the industry and Israeli society, and introduced it to risqué material and full-color photographs. Levac was soon on board and, before too long, also found himself in hot water as a result of the now-famous news picture he took. 'That was Kav 300 (Bus 300),' he recalls. The said snap was of a terrorist being led away from the scene after IDF soldiers stormed an Egged bus in which passengers were being held captive. The initial official IDF report was that all four Palestinian terrorists had been killed in the attack. However, Levac's picture provided irrefutable evidence that one of the terrorists was still alive after the operation was over. 'They shut the paper down for a while after that.' Brief hiatus notwithstanding, Levac had, by then, established himself as a bona fide photojournalist here. 'I had a regular column in a Hadashot supplement called 'Segol' (purple). They had very visual-oriented editors at the time, so photographers were given a lot of column space. Then I got my regular weekly spot. I've been doing that for around 40 years, every single week. That's crazy!' That may be wonderful, but it comes with a commitment to produce the visually left-field goods, week in and week out. 'Sometimes I can just pop out and I'll find something really good, very quickly. Other times, it can take a while, and there are times I come back without having taken a photograph,' he says. After all these years, Levac's sixth sense is constantly primed and ready to pick up on some unexpected sequence of events that could fuse into an amusing or captivating frame. Anyone who has seen his candid snaps, which have been running in the Haaretz newspaper for the past three-plus decades, will have a good idea of his special acumen for noting and documenting surprising, and often humorous, street-level juxtapositions. 'By now, I see those kinds of things more than I see the ordinary stuff,' he smiles. 'I also look for that, like Gadi.' GADI ROYZ is a hi-tech entrepreneur and enthusiastic amateur photographer. Levac recalls that 'Gadi came up to me one day and told me he'd attended a lecture of mine and began taking photographs,' he recalls. At first, Levac wasn't sure where it was leading. 'You know, you get nudniks telling me how much they like my photographs and all that,' he chuckles. 'You have to be nice when people do that, but it can get a bit tiresome.' However, it quickly became clear that Royz was in a different league and had serious plans for the two of them. 'Gadi didn't just want to be complimentary; he said, 'Let's do a book together.'' Producing a book with high-quality prints can be a financially challenging business. But, it seems, Royz didn't just bring boundless enthusiasm and artistic talent to the venture; he also helped with the nuts and bolts of putting the proposition into attractive corporeal practice. In fact, the book, which goes by the intriguing name of A City of Refuge, is a co-production together with Royz, who, judging by his around 40 prints in the book, also has a gift for discerning the extraordinary in everyday situations, and capturing them to good aesthetic and compelling effect. The city in question is, of course, Tel Aviv, where Levac was born and has lived for most of his life. 'Gadi said he had the money to get the book done,' Levac notes. That sounded tempting, but Levac still wanted to be sure the end product would be worth the effort. 'We sat down together, and I saw some of his photographs. I liked them, so I said, 'Let's go for it.'' And so A City of Refuge came to be. There are around 100 prints in the plushly produced volume. All offer fascinating added visual and cerebral value. There is always some surprise in store for the viewer, although it can take a moment to absorb it, which, in this day and age of lightning speed instantaneous gratification, is a palliative boon. The unlikely interfaces, which can be topical or simply contextually aesthetic, may be comical, arresting, or even a little emotive. Every picture demands a moment or two of your time and, as Levac noted in the dedication he generously wrote for me in my copy of the book, can be revisited for further pondering and enjoyment. The book is great fun to leaf through. One of Levac's more sophisticated items shows a man sitting on a bench with a serious expression on his face, which is echoed and amplified by a childish figure on the wall behind him of a character with a look of utter glumness. There's a smile-inducing shot by Royz (following in Levac's photographic footsteps) with a young, heavily pregnant woman walking from the left, about to pass behind a spiraling tree trunk with a hefty protrusion of its own. Royz also has a classic picture of Yaacov Agam's famed fire and water sculpture, in its original polychromic rendition in Dizengoff Square of several years ago. The picture shows two workers cleaning the work, each on a different level. The worker on the top level is visible from his stomach upward, while his colleague, on the street level, can only be seen from his waist down. Together, they looked like an extremely elongated character, something along the lines of a Tallest Man in the World circus performer. It is often a matter of camera angle, such as Royz's shot of a wheelie bin in Yarkon Park with a giant hot balloon-looking orb looking like it is billowing out of the trash can. And Levac's delightfully crafted frame of an elegant, long-haired blonde striding along the sidewalk led by her sleek canine pal, which appears to have an even more graceful step, poses a question about the human-animal grace divide. I wondered whether, in this day and age if – when we all take countless photos with our smartphones, of everything and everyone around us – his job has become harder. 'Quite the opposite,' he exclaims. 'Now that everyone takes pictures, people notice me less, which means I can do what I want and snap with greater freedom.' Long may that continue. ■

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store