logo
Arts Council director Maureen Kennelly to stand down in wake of botched IT contract

Arts Council director Maureen Kennelly to stand down in wake of botched IT contract

Irish Times28-05-2025

Maureen Kennelly
has announced her intention to resign as director of the
Arts Council
next month.
It comes as the council is due to appear before the
Public Accounts Committee
on Thursday concerning the
failed project to develop an IT system for the organisation which cost nearly €6.7 million.
In communications to staff, Ms Kennelly said she will be leaving her position soon after the Oireachtas committee hearings are complete.
The controversial project sparked a full review into the operations of the council, after Minister for Arts and Culture
Patrick O'Donovan
said an initial report found it was not prepared for the scale of the IT project.
READ MORE
Ms Kennelly, who was appointed in April 2020, told staff her term as director was due to finish this month, adding that last December, the board of the Arts Council made a business case for her contract to be renewed for a further five-year term.
However, following the publication of the Arts Council's annual report in February, which included details of the IT project costs, Ms Kennelly said the Minister refused to sanction the renewal.
The board subsequently suggested that a decision on the renewal of Ms Kennelly's contract be deferred until after the work of the review group was complete, she said.
Ms Kennelly told staff the board was 'disappointed' that the department could not see a way to do this, adding that she was subsequently offered a short-term contract with conditions she felt she 'could not accept.'
She told staff it has been an honour to lead the council through 'tumultuous and exciting times' in the arts.
In a statement, the board said it was with 'deep regret' that Ms Kennelly will step down as director in June.
'Maureen concluded her five-year term on 4 May and has generously agreed to remain in her role to represent the Arts Council at upcoming Public Accounts Committee and Oireachtas hearings,' it said.
Noting that Ms Kennelly was appointed during the 'height of the Covid-19 pandemic,' the board said she led the organisation through an 'exceptionally challenging time.'
'Under her leadership, the Arts Council underwent a period of significant cultural change, with a strong focus on organisational development and staff wellbeing.
'She successfully resolved long-standing legacy challenges and brought renewed strategic clarity to the council's work.
'Together with the council, she secured unprecedented increases in State funding for the arts – enabling artists and organisations across the country to create and present work of outstanding quality. She also championed higher professional standards and fostered a climate of trust and respect across the wider arts sector,' it said.
Maura McGrath, chair of the Arts Council, said Ms Kennelly is 'truly of the arts.'
'For her, the role of director was a vocation, not merely a job. Her commitment and passion were evident every day and are widely acknowledged across the sector. We are deeply grateful for her unwavering dedication and her loyal service to the arts community,' she said.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

‘I'm not even a bit stressed,' Honor goes, ‘I haven't done a focking tap for these exams'
‘I'm not even a bit stressed,' Honor goes, ‘I haven't done a focking tap for these exams'

Irish Times

time2 hours ago

  • Irish Times

‘I'm not even a bit stressed,' Honor goes, ‘I haven't done a focking tap for these exams'

Sorcha thinks we should maybe check on Honor and there's an air of definite excitement in her voice when she says it? Yeah, no, it's the night before the stort of the Leaving Cert and my wife is absolutely determined that this should be one of those mother-daughter moments. She goes, 'The Leaving Cert puts – oh my God – so much pressure on young people. But it's not the be-all and end-all. I read an orticle online about all the famous people who failed the Leaving Cert.' I'm there, ' I failed the Leaving Cert – in fairness to me.' She's like, 'I'm talking about people who went on to actually achieve things?' READ MORE And I'm there, 'Yeah, no, thanks for that, Sorcha.' 'I just remember that – oh my God – my Mom had this amazing, amazing talk with me the night before I storted mine ? She just said, you know, the importance of exams is, like, totally overblown and that the Leaving Cert shouldn't define you for the rest of your life.' 'That's easy for you to say. Didn't you get, like, maximum points?' 'Well, not quite maximum points? I got, like, a B in Honours English, remember?' How could I forget? Her old man spent years appealing it. I think the case was still trundling through the courts when she was pregnant with Honor. 'Come on,' she goes, 'let's go and talk to her,' and I follow her up the stairs to Honor's room. Sorcha knocks and she's like, 'Honor, dorling?' then she pushes the door and looks around it like she's sticking her head in a lion's mouth. Honor isn't studying. That's the first thing I notice. She's sorting through her wardrobe and taking photographs of herself in various outfits with one hand on her hip and her cheeks sucked in. Sorcha goes, 'We're sorry to bother you, Honor. We were just wondering how the study was going?' I don't know where she's getting this we from? Honor's like, 'It's going great – as you can probably see.' 'Well,' Sorcha goes, 'we just wanted to say that, even though it may seem like it now, the Leaving Certificate is not the be-all and end-all.' I'm there, 'I'm living proof of that, Honor.' But Sorcha's like, 'Why don't you leave the talking to me, Ross? What we're trying to say, Honor – and I'm echoing my own mother's words here – is that it doesn't define you as, like, a person ?' Honor's there, 'Why do I buy so many clothes in taupe? It looks so focking meh on me.' Sorcha goes, 'The important thing – as my mom famously said – is that you turn out a happy, well-adjusted girl with a fully functioning moral compass.' Honor's like, 'Does this top make my face look washed out? You can tell me.' [ Honor goes, 'I'm editing the school yearbook photographs of anyone who pissed me off' Opens in new window ] 'What I'm saying,' Sorcha goes, 'is that our results-focused secondary education system sometimes forgets that schools have a role to play in preparing young people for life and not just exams.' 'I hate all my focking clothes.' 'I was just thinking back to my own Leaving Cert – wasn't I, Ross? At the time, I thought it was the most important thing in the world. But if you were to ask me what did I get in, say, Maths or History now, I'd have to actually rack my brains.' 'Didn't you get As in everything?' Honor goes. I'm like, 'Except English – and her old man spent eight years in the courts trying get her B upgraded.' Honor gives her one of her crocodile smiles and goes, 'So much for results not being important. Anyway, for your information, I'm not even a bit stressed?' I'm like, 'Oh, that's good – isn't it, Sorcha?' And Sorcha's there, 'Er, yeah – I suppose it is.' 'As a matter of fact,' Honor goes, 'I haven't done a focking tap for these exams.' And I'm like, 'I'm going to say fair focks to you, Honor. I think I speak for both of us when I say you've put our minds at ease. Come on, Sorcha, let's leave her to it.' But Sorcha's mind isn't at ease? Outside on the landing, she goes, 'What do you think she meant when she said she hasn't done a tap?' I'm there, 'Excuse me?' 'Like, did she mean it in the same way that I used to say it? Look, I'm not saying I was a secret studier – which is what all the girls used to say about me – but I was, like, naturally bright and I had an amazing, amazing memory.' 'Again, fair focks.' [ Honor is staring at Brett like he's an ATM and she's sitting in a JCB, trying to work the levers Opens in new window ] 'Or was she saying that she hasn't done a tap in the same way that – no offence, Ross – you didn't do a tap, as in, like, literally?' 'What does it matter? The important thing is that she's a happy girl with a fully functioning whatever-you-said.' 'Yes, Ross – but within reason.' 'Within reason?' 'I mean, it's also important that she gets into a good college. And into a degree course that's, like, high points.' 'But I thought you said–' 'Never mind what I said. What the fock is she doing in there?' 'I think she was questioning some of her 2024 wardrobe choices.' She goes, 'Did she even have a book open?' and before I can answer no, she bursts into Honor's room again, with no knock this time, and she's like, 'Why aren't you studying?' Honor goes, 'Excuse me?' Sorcha's there, 'You have an exam tomorrow! Where are your books? Where are your cog notes?' [ 'That picture The Last Supper is weird. They're all sitting on the same side of the table' Opens in new window ] Honor's like, 'I thought you said the Leaving Cert doesn't matter.' Sorcha goes, 'I didn't mean it literally doesn't matter. Oh my God, what happens in the next fortnight is going to shape the rest of your life, Honor! What are you going to do if you don't get into college? Stort an OnlyFans account? Live on the streets? Become a ketamine addict?' Honor looks her in the eye and goes, 'I have to leave the exam an hour early tomorrow. I have, like, a nails appointment?' Sorcha ends up totally flipping out and I have to put my orm around her shoulder and escort her out of there like my old dear being helped out of the prosecco tent at Bloom. She's like, 'You might be fine with having a daughter who fails her Leaving Cert, Ross, but I am not.'

Support, don't star: rethinking the Arts Council's role
Support, don't star: rethinking the Arts Council's role

RTÉ News​

time4 hours ago

  • RTÉ News​

Support, don't star: rethinking the Arts Council's role

Theatremaker Dan Colley asks: Has the Arts Council of Ireland taken on too much 'main character energy'? I would like to propose a gear shift with the appointment of the next Director of the Council. The next Director should reorient the Arts Council into the role of supporting character in the story of the arts. It will take a really adept leader not to try and fix everything that's wrong with the organisation from within, but instead to follow. From the outset I want to acknowledge the many dedicated public servants who work at the Arts Council - people who care deeply about the arts and have served tirelessly through periods of huge change. Not least among them Maureen Kennelly, the outgoing Director of the Arts Council, who enjoys widespread support and respect among the community. Her commitment to artists, particularly during the pandemic, has been felt and appreciated. The Arts Council is the national agency for funding, developing and promoting the arts in Ireland. The money it gets from Government to fulfil that mandate has gone from €75 million in 2019, to €140 million in 2025. An 86.5% increase in six years. It's a credit to the people at the Arts Council, and to the volunteer advocates at the National Campaign for the Arts, that they have helped bring greater public and political understanding of the arts—not just as an economic or reputational asset, but as an essential part of Irish life and a foundation of a healthy society. So why, when the Arts Council has more money than ever before, does it feel harder than ever to make theatre? I'm a theatre maker, and that question brought a group of my peers together last year - trying to make sense of an increasingly precarious sector. Theatre funding has effectively stagnated - rising only 5.8% since 2008 - an increase that's been outstripped by inflation. And yet the Arts Council more than doubled its staff since 2020. While additional capacity at the Arts Council may have been necessary, the lack of parallel investment in their clients has created a gulf between the people who produce art and the agency that manages the funding. No theatre has doubled its staff. No plays have doubled its cast. Over 800 artists signed an open letter calling for emergency investment in the sector which was delivered in December 2024. The feeling was widespread: theatre in Ireland is struggling, not because there's no funding, but because of how it's being distributed. The problem is not about people. It's about systems. The Arts Council is a public body with a wide remit, serving everything from festivals to literature, music, venues, visual art, as well as the more nebulous idea of 'promoting the arts in Ireland'. But its most essential function - getting funding to artists and the people who connect art with the public - is not working. If the Arts Council were truly attuned to the interests of artists, it would see the current delays in funding decisions as an organisational crisis. Radical measures would be considered - like redeploying staff or drastically simplifying processes - to get investment to artists in time. If it were more attuned to artists' interests, the fact that only 15% of eligible theatre applications are funded wouldn't be brushed off as "the competitive context." It would be treated as an emergency. The next Director should make the Arts Council a supporting character - one that enables, rather than directs. If it were aligned with artists' interests', the Council's budget submission to Government would not be built around what it thinks it can get, or what looks tidy on paper, but on the real cost of funding all the applications it has already judged to be worthy. They would base it on the real demand, no matter how big that number is. These are questions I've been asking, along with many others, not out of hostility, but out of necessity. These failures are not moral ones. They are systemic. Systems respond to power and, as it stands, the Arts Council responds most clearly to the pressures it is most exposed to - be they departmental, political, or bureaucratic. The artist's voice is still too faint in that chorus. That's why I've been part of a group that formed the Theatre Artists Assembly - an attempt to give the arts practitioners a unified, democratic voice. Not to shout louder, but to speak more clearly and together about what we need to do our work. I would like to see assemblies like this being integrated into Arts Council decision-making processes. I would like to see artist and practitioner-led groups taking power and responsibility over the decisions that affect them. Yes, even the difficult and unpopular decisions. We have seen in citizens' assemblies how groups of people can come together and, when provided with the facts, expertise, and time to digest them and come to a conclusion, they do so with remarkable civility and clarity. I think this could be an experiment in co-creation of state policy. This could be a way of making institutions work in ways that reflect the interests of its stakeholders. It could be something we so acutely need; a form of democracy that happens between elections. This approach could strengthen and renew the principle of the Arts Council's 'arms-length' from Government. This is the principle, established in the Arts Art, that keeps decisions about what kind of art to produce and who to fund to do it, out of the realm of party politics. This could be a way of affirming that distance from the political system, while establishing community-voice and democratic responsibility. The next Director should make the Arts Council a supporting character - one that enables, rather than directs. They should build models for democratic decision-making - not merely "consultation" but real decision-making power. It will take a deft leader to resist the urge to fix everything from within, and instead recognise that real leadership often means creating space for others to shape the path. In short, they should lead by following.

The Irish economy grew by 22% over the past year. Yes, you read that right
The Irish economy grew by 22% over the past year. Yes, you read that right

Irish Times

time5 hours ago

  • Irish Times

The Irish economy grew by 22% over the past year. Yes, you read that right

Ireland's economic data was always going to be a bit special at the start of this year. But Thursday's figures were mind-bending. It is impossible to overstate the extent to which we now stand out in international comparisons. And this is not just a curiosity – it matters. The economy, as measured by gross domestic product (GDP) , was 22 per cent larger in the first quarter of 2025 than one year earlier, according to the latest estimates from the Central Statistics Office . Think about it. The figures suggest that for every €1 of activity last year, there was €1.22 in 2025. Even comparing GDP in the first quarter of this year with the last quarter of 2024, there is a rise of close to 10 per cent – this is roughly the extent of growth across the euro zone over the past decade. Of course this bonkers data is not real, in the sense that it does not reflect what is happening in the underlying economy in which we all live. How could it? As has been long discussed the headline economic data is entirely distorted by the activities and tax planning of a small number of very big US tech and pharma companies. From time to time, this has created huge distortions in the figures. A decade ago, top US economist Paul Krugman famously described a 26 per cent GDP growth rate reported for the Irish economy (later revised up to over 30 per cent) as 'leprechaun' economics . At the time the figures were distorted by massive tax-driven investments by the companies concerned, including Apple, essentially a manoeuvre by the companies involved to try to keep their tax bills down as international rules changed. READ MORE Now, as one observer put it, we are seeing another 'Krugman' moment. This time the reasons are different. Big pharma companies have been rushing product over to the US to try to get drugs and key ingredients into the market before Donald Trump announces tariffs on the sector. This has led to a surge in exports, feeding into the GDP data. Many of these are manufactured here – and some are made elsewhere but organised by Irish subsidiaries and so also show up in our figures. And so we see a massive surge in Irish GDP in the first quarter of this year. A big – temporary – decline in pharma exports in GDP will follow at some stage, as the firms involved must now have massive stocks jammed into every free warehouse in the US. Much will depend on how the tariffs story plays out. [ Welcome (back) to the era of Leprechaun economics Opens in new window ] Whether Krugman renews his leprechaun offensive or not, let's not pretend this won't be noticed. Ireland's GDP data is not some irrelevance in a quirky economic corner. The amounts of money being moved through Ireland are now enormous. Daniel Kral, chief economist at Oxford Economics , calculates that Ireland – which accounts for 4 per cent of the euro zone economy – accounted for half its total growth over the past year. Analysts have taken to looking at the figures 'excluding Ireland'. How do we pull back from all of this to judge the underlying health of the economy? Total demand in the domestic economy – adjusted by the CSO to remove the multinational factors - rose just 1 per cent over the year. But we need to look under the surface here, too. Consumer spending, a good measure of how we feel, was up by a decent 2.5 per cent. But the overall figure was dragged down by a fall in business investment, presumably reflecting the international uncertainty. So households continued to spend in the first part of the year, but businesses are taking a wait-and-see approach to big capital spending. This is likely to be reflected in the jobs market as the year goes on – and here AI is also changing the game in many sectors. Consumers may get more cautious too. Uncertainty is starting to slow the economy and this is a trend we need to watch as the year goes on. The piece of data that seemed a bit out of line this week was a 30 per cent fall in corporation tax in May compared with the same month last year. This was affected by the comparison with a strong May last year – which the Department of Finance suggests was boosted by once-off factors. Two of our biggest taxpayers, Pfizer and Microsoft – pay significant amounts of tax that month. But the key early indicator for most of the big companies is June – and what happens here will give a good pointer for the year as a whole. The figures do underline one point. It is our huge reliance on the opaque affairs of four or five massive companies – and our exposure to the sectors they operate in, their own performance and complex decisions on how their tax structures are set up. Our latest bout of data exceptionalism again puts Ireland in the spotlight, when it would have been better to keep the head down. It underlines the outsize take Ireland is getting from pharma and tech activity in the EU – both contentious points in the White House. Notably, the US added Ireland to an economic watch list this week, based on the size of our trade surplus. We are very much on the radar in Washington. Our corporate tax take and manufacturing base are looked on enviously not only from the US , but from elsewhere in Europe. [ 'No long-term commitments to anything' – Ireland's economy is experiencing a silent slowdown Opens in new window ] The advance shipping of products again focuses attention on the scale of activity and tax planning in Ireland by big pharma companies. And this causes a rollercoaster of cyclical activity. But what really counts is longer-term, structural issues. Will these pharma giants decide over time – and it would take years – to relocate some of their production to the US? Will their profits and thus tax payments here be hit by Trump's policies? Or will they – or some of the tech giants – alter their corporate structures so that they pay significantly less tax here? It comes down to whether Trump's policies change the way the economic and corporate world operates fundamentally, a fair bit or not much at all. As Ireland benefits from the current system so much, the more it changes, the more risks there are for us. The coming months will tell a lot.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store