
Why Prime Video's ‘Invincible' could be the antidote to your superhero fatigue
Welcome to Screen Gab, the newsletter for everyone who needs a refreshing spin on the superhero.
Whether or not you call it fatigue, Prime Video's 'Invincible' — which draws inspiration from both Superman and coming-of-age dramas — brings new perspectives to the familiar genre, staff writer Tracy Brown explains in this week's Catch Up.
Plus, we discuss the importance of the next year's inaugural casting Oscar with the president of the Casting Society and offer streaming recommendations for your weekend.
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Recommendations from the film and TV experts at The Times
'Wayne' (YouTube)
A precious relic from YouTube's brief adventure into original scripted programming (from back in the days — 2019 — when most every platform or channel signaled its seriousness with original scripted programming). Created by Shawn Simmons, who would later write the John Wick prequel 'The Continental,' it tells the story of Wayne (Mark McKenna) and Del (Ciara Bravo), working-class Massachusetts teenagers traveling by motorcycle to Florida to reclaim a 1979 gold Trans Am he considers his birthright. Like Dostoyevsky's Prince Myshkin, Wayne is a naturally good, pure character, albeit one who often thinks with his fists. It's a widescreen action epic with an indie film air, violent and profane, yet delicately conceived and very much a comedy and very much an (arm's length) love story. As the series was canceled after one season, it has no ending other than that which fate imposed, but those 10 great episodes are still available on a dedicated 'Wayne' channel on YouTube Premium, and may be found on non-Premium YouTube as well. — Robert Lloyd
'Sing Sing' (VOD, multiple platforms)
My first thought upon watching 'Sing Sing' last year: This movie is arguably the most precise portrayal of acting ever captured on film. Not the global industry that now exists around acting, or the glory that's felt because of acting — two topics on which Hollywood loves to center its movies. But rather the simple act of playing pretend, which, when done in a maximum security prison facility and by men of color specifically, can be a defiant, life-affirming and rehabilitating act in itself. Greg Kwedar directs this intimate drama, starring Colman Domingo as the leader of a prison's theater program, Clarence Maclin as its newest addition and an ensemble cast of formerly incarcerated actors. After watching it yourself, you might agree with me that the A24 release, which received three Oscar nods, deserved a fourth acknowledgement: a nomination for best picture. — Ashley Lee
Everything you need to know about the film or TV series everyone's talking about
I don't really believe in the idea of 'superhero fatigue,' but Prime Video's 'Invincible,' which returned this week for its third season, could be an antidote for those who do. The adult animated coming-of-age drama is an adaptation of Robert Kirkman's comic book series of the same name, following teenager Mark Grayson as he navigates life, identity and what it means to be a hero.
Mark's mother is human but his father is a Viltrumite — an alien from the planet Viltrum — and superhero known as Omni-Man. With enhanced strength and the ability to fly (think Superman), Omni-Man supposedly arrived on Earth on a mission to protect it.
The first season sees Mark's superpowers finally awaken and the high schooler is excited to follow in his father's footsteps, using the alias Invincible. But the teen quickly learns that being a superhero is not easy. In addition to juggling school, romance, team-ups with other teen superheroes and maintaining a secret identity, Mark discovers that Viltrumites are not as benevolent as he was raised to believe. His father was actually sent to Earth to prepare it to be invaded and conquered by the Viltrum Empire and he expects his son to join him. The two come to blows and the second season involves Mark having to deal with the fallout while still trying to be the superhero he believes he is meant to be. Season 2 also introduces the multiverse and many more aliens, including the introduction of Mark's younger half-brother.
In case it wasn't obvious, 'Invincible' is not for the squeamish: the show features plenty of blood, violence, weird creatures and moral ambiguity. And while there is plenty of action, the way it subverts and parodies some of the more common conventions of superhero comics is what separates it from the pack. — Tracy Brown
READ MORE: Why TV's next Golden Age might come thanks to adult animation
A weekly chat with actors, writers, directors and more about what they're working on — and what they're watching
The Academy Award for casting has been a long time coming. And with her own guild's Artios Awards marking their 40th anniversary on Wednesday, Casting Society President Destiny Lilly would know. As the 'Only Murders in the Building' and 'The Color Purple' casting director tells Screen Gab, casting is as much an 'art form' as any of the other crafts celebrated during award season, and recognition at next year's Oscars will bring greater awareness of that fact than ever. (And in the meantime, many of this year's top contenders, including 'A Complete Unknown,' 'Dune: Part Two,' 'Conclave' and 'Wicked,' will compete at Artios first.) Lilly also shared what she's watching, what good casting requires and more. — Matt Brennan
What have you watched recently that you're recommending to everyone you know?
One of my favorite shows of the last few years is 'Slow Horses' [Apple TV+]. People who know me are probably sick of hearing about it, but I really love that show. The show manages to be truly funny and deathly serious at the same time. The cast is brilliant across the board. The incredible casting by Nina Gold is the hallmark of the show.
What's your go-to comfort watch, the film or TV show you return to again and again?
I love to watch old sitcoms like 'The Golden Girls' [Hulu], '227' [Pluto], 'Cheers' [Paramount+], and 'Frasier' [Prime Video]. It's just so relaxing to get into those familiar rhythms and see some great comedic geniuses at the height of their powers. The work that Shelley Long, Jackée Harry, and all of the Golden Girls were doing was next level.
I also love an original recipe 'Law & Order' [Peacock] marathon. I didn't realize it at the time, but watching 'Law & Order' as a kid was great preparation for my life as a casting director because so many great New York theater actors appeared on the show.
What's the number one skill a casting director needs to be successful that you don't think a layperson would expect?
I think flexibility is very important. The ability to pivot and change course and still guide a process is key. You have to be able to rethink and start over, to look at the process with fresh eyes and understand other people's perspectives. You have to be open: to new ideas, new ways of working and new people. Learning not to be rigid allows me to create my best work through innovation and collaboration.
The 2026 ceremony will inaugurate a new casting Oscar. What do you think that platform will bring to the understanding and appreciation of casting directors' work that isn't there now?
Multiple generations of casting directors fought to be included in the Oscars and their tireless work has truly paid off. Casting directors have often been hidden and sometimes forgotten, and acknowledgement by the Academy is an incredible honor and a huge step toward getting the respect casting directors deserve. I hope that people watching at home will see casting as an art form alongside our peers in other crafts.
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34 minutes ago
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New on Prime Video: Full List of Movies, Shows Hitting the Streaming Platform in June 2025
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Yahoo
an hour ago
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Five Movies Worth a Repeat Watch
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When you buy a book using a link in this newsletter, we receive a commission. Thank you for supporting The Atlantic. Article originally published at The Atlantic


Atlantic
2 hours ago
- Atlantic
Five Movies Worth a Repeat Watch
This is an edition of The Atlantic Daily, a newsletter that guides you through the biggest stories of the day, helps you discover new ideas, and recommends the best in culture. Sign up for it here. Welcome back to The Daily's Sunday culture edition. Not all movies are meant to be watched twice. Some leave a glancing effect; others emanate so much intensity that the idea of sitting through them again feels unbearable. But then there are those films that draw you back in, even after you've seen it all before. So we asked The Atlantic 's writers and editors: What's a movie you can watch over and over again? Raising Arizona (available to rent on Prime Video) I've probably seen Raising Arizona, the Coen brothers' 1987 classic with Holly Hunter and a 22-year-old Nicholas Cage, a half dozen times over the years. But I've watched the opening sequence many, many more times than that. It's a whole movie-within-the-movie, building up to the title shot with Cage's deadpan narration, rapid-cut scenes, and a jaunty musical bed that goes from whistling and humming to weird ululating. The screenwriting has some all-time great lines ('I tried to stand up and fly straight, but it wasn't easy with that sumbitch Reagan in the White House,' says Cage, with wild hair, aviators, and a 12-gauge shotgun, preparing to stick up a convenience store). The other day, I made my 12-year-old watch it for the first time. When Cage says to his chatty prison bunkmate, incredulously, 'You ate sand?!' my son nearly fell on the floor. A true marker of timelessness. — Nick Miroff, staff writer White Christmas (streaming on Prime Video) It makes me miserable to contemplate how many people have never once seen the 1954 film White Christmas, let alone given it 10 to 20 percent of their attention while focusing on other activities, which is the ideal way to view it. Then again, the film's surprising obscurity is its hidden ace: From the moment you press 'Play' on White Christmas, no one who glances at the screen will be able to predict or even comprehend any aspect of the Technicolor encephalitic fever dream exploding before them unless they have previously seen White Christmas. In any given frame, a viewer might be confronted with a horde of people cavorting inside a giant purple void, waggling tambourines adorned with women's faces; the bombed-out smoldering remains of 1944 Europe; or the virtuoso dancer Vera-Ellen, in head-to-heel chartreuse, executing pirouettes at faster-than-heartbeat speeds (for no defined reason). Muted, it makes for terrific social lubricant at a party—there's something dazzling to remark upon nearly every second if conversation lags. Don't concern yourself with the plot; the film's writers did not. — Caity Weaver, staff writer The Lord of the Rings franchise (streaming on Max) I suppose my answer is less of a love letter to a movie than it is one to my family. My husband is the movie buff in our family—I'll rarely be caught rewatching movies. But his undying loyalty to the Lord of the Rings franchise means we've watched the trilogy together multiple times, more than once in an 11-plus-hour binge. (Yeah … it's the extended editions, every time.) The movies are a genuinely gorgeous feat of storytelling, bested only by the books; fantasy and action sequences aside, they spotlight friendship, loyalty, and the dueling motivations of pride, duty, and greed. And for our family, at least, they'll be a regular feature—I'm pretty sure it was implicit in our wedding vows that we'd indoctrinate our kids into the LOTR lore—which means that the films are about carving out time for one another as well. — Katherine J. Wu, staff writer All Your Faces (available to rent on Google Play and Apple TV) I've watched the French film All Your Faces three times in the past eight months. The movie isn't a documentary, but it's based on real restorative-justice programs in France that were introduced about a decade ago. Why did I repeatedly return to a film about an idiosyncratic feature of a foreign country's criminal-justice system? There's something about the encounter between victim and perpetrator, and the instability and unpredictability of these interactions, that surprised me each time I watched it. Equally intense was the tenderness between the instructors and the programs' participants, most evident between the characters played by Adèle Exarchopoulos and Élodie Bouchez. But it's Miou-Miou, playing an elderly victim of petty street crime, who delivers the most haunting line in the movie: 'I don't understand the violence.' A mantra for our time. — Isaac Stanley-Becker, staff writer Little Women (streaming on Hulu) Little Women first came to me as a comfort movie. Based on Louisa May Alcott's 1868 novel, Greta Gerwig's 2019 film adaptation features not so much plot as simply vibes: a familiar tale of four sisters and their childhood friend, scenes of a snowy Christmas morning perfect for the holidays. But with each subsequent encounter during my lonely postgraduate months in a new city, I began to appreciate the little rebellions that make Gerwig's Little Women so special. The story is full of moments of seeing: Professor Bhaer turns around to watch Jo watching a play, Laurie gazes into the Marches' windows, and we, as viewers, feel seen by Jo's boyish brashness. But Gerwig also chooses to focus on Jo's many anxieties. Early in the film, Jo uncharacteristically dismisses her own writing ('Those are just stories,' she says. Just!); later, her monologue reveals a vulnerable desire for companionship (But I'm so lonely!). Gerwig honors the story's essence, but her version is not a granular retelling; rather, it serves as a homage to the art of writing itself—and women's mundane, humble stories, which Jo and Alcott are desperate to tell. The Week Ahead Ballerina, an action movie in the John Wick franchise starring Ana de Armas as an assassin bent on avenging her father's death (in theaters Friday) Season 3 of Ginny & Georgia, a comedy-drama series about a single mom and two kids trying to settle down in a new town (premieres Thursday on Netflix) The Haves and the Have-Yachts, a book by the journalist Evan Osnos featuring dispatches on the ultrarich (out Tuesday) Essay Diddy's Defenders Diddy—whose legal name is Sean Combs—has pleaded not guilty to the charges he faces of racketeering conspiracy and sex trafficking. Many Americans have taken to the comment sections to offer their full-throated belief in his innocence. Despite the video evidence of domestic violence, the photos of Combs's guns with serial numbers removed, and the multiple witnesses testifying that Combs threatened to kill them, this group insists that Diddy's biggest sin is nothing more than being a hypermasculine celebrity with 'libertine' sexual tastes. More in Culture Catch Up on The Atlantic Photo Album Take a look at the beauty of the North. These photographs are by Olivier Morin, who captures remarkable images of the natural world, largely focusing on northern climates.