'The Handmaid's Tale' Season 6, Episode 5 Recap: June And Moria's Undercover Mission Hits Some Snags

Elle

2 days ago

Spoilers below.
If there is one thing June Osborne (Elisabeth Moss) knows on The Handmaid's Tale, it's that nothing ever goes according to plan in the fight against Gilead. But this uncertainty has made June an expert at adapting to tricky situations, which she puts into practice when the undercover mission to Jezebel's with Moira (Samira Wiley) hits major snags that require quick thinking from the pair. Given how tense it was between the best friends last week, it isn't surprising that this tension boils over in these fraught circumstances.
FIND OUT MORE ON ELLE COLLECTIVE
June and Moira aren't the only ones finding themselves in a tricky predicament; Nick (Max Minghella) has to clean up a mess of his own making, and Commander Lawrence (Bradley Whitford) isn't as popular as he thought he was. Plus, Serena (Yvonne Strahovski) receives a surprise offer that could change her entire trajectory in the final season.
Getting into Jezebel's is easy. There is nothing unusual about two Marthas arriving in a delivery van (Luke is the driver), and it helps that Moira and June's faces are partially covered, which are now part of the uniform. The plan is to find Janine (Madeline Brewer), tell her about the Mayday plan to assassinate commanders in the penthouse, and then get out unnoticed. Sounds simple enough, but when they try to locate Janine, they learn that the commanders are making an unscheduled visit to Jezebel's. Rather than bail, June talks their way upstairs under the guise of making final preparations for the commanders.
Time and circumstances lead to a more muted reunion, but Janine's face still lights up when she finds out a rescue and assassination plan is in motion. Janine gives June a keycard to one of the bedrooms, telling them to wait until she can slip away. Upon arriving, Commander Bell (Timothy Simons) tells the Martha pair to 'get your ugly butts out'. He also uses the spilled champagne to humiliate one of the Marthas, telling June to kneel and clean his pants. Lawrence stops this, and June purposefully turns her face away so he can't see her eyes. Yet, Lawrence has the look of recognition (but can't put his finger on why) as she walks away. June tells Moria that Lawrence's attendance is a surprise, as he 'was never a Jezebel's guy'. Maybe she doesn't know him as well as she thinks she does?
Later, emotions run high when June tells Janine the plan details. Janine has letters the other women have written to their families for June to deliver. To aid their operation, Janine gives an updated map of the private elevator and the pass code. In the heat of the moment, June tells Janine to leave with them today, and someone else can coordinate with the other women. Janine says she can't 'leave without my girls' and will wait a week until Mayday comes in, guns blazing.
After Janine leaves, Moira lets June know how irresponsible that was. June admits that the impulsive offer was her way of making up for her leaving Janine in Chicago. But if Janine had gone with them, security at Jezebel's would be impossible to penetrate, and the main plan would fail. June mentions how guilty she feels, leading Moira to vent her pent-up frustrations against her BFF. 'Your guilt. Your feelings. Your friends. Your trauma. You, you, you, you. Do you have any idea how fucking sick of you I am?!' This confrontation has been a long time coming, as June is always the center of everything. Moira raises multiple valid points.
'Do I get to have PTSD? Do I get to have guilt? Friends? Trauma?' Moira continues. Moira is living in a nightmare too, yet it is always about June. As they compare their horrifying experiences, the conversation starts with anger, followed by laughter, and then understanding. The mood quickly shifts once more because as Moira and June are making up, a guardian comes into the room and finds the materials Janine left behind. He locks the letters and map in a safe and will only give them back after he has raped both women. The Handmaid's Tale is at its most horrifying when it goes from memories of abuse and rape to it happening in real time. Moira fights back with June quickly joining in, and with two against one, they overpower the guardian. Moira wraps a phone cord around his neck, killing the man.
But they can't get the letters and map out of the safe, and the dead body will definitely put an end to the plan. Moira quickly thinks of an alternative solution to buy them time. They wheel his body to the incinerator in the basement in the laundry, and are disposing of the remains when the guardian check-in call comes over the radio. The pair doesn't have long to get out before a complete lockdown. Unfortunately, security stops Luke (O-T Fagbenle) from making a pickup, and they have to find an alternative escape. Luckily, Lawrence is leaving in his car, and June uses her gut that he is the man she thought he was.
'Ah, hell no,' says Lawrence when she steps out in front of his car. June begs him to take her and Moira, and he relents. They get in the trunk, but don't know if he can get them out of Gilead. Are they stuck here?
Perhaps Lawrence should've listened to his wife, Naomi (Ever Carradine), who said that the high commanders associate virility with power. At Jezebel's, Lawrence keeps up appearances, but still thinks his reforms are the key to power. First, he overrules Bell when it comes to Janine telling the high commander he is 'a pig' and 'no one here likes you, no one, and no one respects you.' Bell might be vile, yet he still has the ear of the other men.
When Janine takes Lawrence into the adjoining bedroom, she reveals a peephole that the girls of Jezebel's use to get an idea of the men they are dealing with. Janine also tells Lawrence, 'You're not a good guy,' but he is in comparison to the other high commanders. She then makes her excuses before heading to see June and Moira.
Lawrence's eyes are opened when he learns he is part of a long con to get as many people back to Gilead before they close New Bethlehem and the borders, and the country returns to its harshest practices. Lawrence will be blamed, and then Bell will want to see him on the wall. The others are hesitant about the latter, but Bell convinces them it is the way forward. Lawrence takes his glasses off in disbelief. Mayday might just have a new ally in the making.
Commander Wharton (Josh Charles) checks in with Nick about the busy day in New Bethlehem, as 26 more families reunite?. The question of security comes up, and Nick says it is his highest priority, so Wharton wants to know what he is doing about the two guardians who were shot in no man's land by rebels, as it was an 'alarming breach' on Nick's watch. Nick is surprised to learn that one of the men is recovering from being shot point-blank, and tries to sound happy about it. Nick was the man who pulled the trigger (to aid June, Luke, and Moira's escape), and must keep this involvement from his father-in-law (and everyone else in Gilead).
Nick visits Toby, the surviving guardian, in hospital, and is warmly greeted by Toby's mother. Though Toby has been mumbling so far, the chances of a full recovery are slim. Nick tells his mother to take a break, offering to stay with Toby. She calls Nick an angel, but little does she know the commander is the culprit. After she has gone, Toby's heart rate goes up when he sees Nick, suggesting recognition. However, he says something unrelated about his dog. Nick briefly leaves, but returns to the room as it is far too dangerous for him to leave a loose end. We don't see Nick killing Toby, but the locked door and ominous music suggest Toby will not be identifying the person who shot him.
What is doing the right thing in Gilead? How can someone make up for all their wrongs? Aunt Lydia (Ann Dowd) continues to make a case for saving Janine and the other former handmaids from Jezebel's, turning to Serena for help. Lydia says that her girls suffered greatly in Serena's house, and Serena replies that they also suffered greatly in Lydia's house. Neither is wrong—the unifying factor in Gilead is hypocrisy.
Serena thinks opening a fertility clinic in New Bethlehem could be a suitable place for former handmaids to be assigned, as fertility is a handmaid's brand (Lydia bristles at this wording, calling it a 'divine calling'). During Lydia's visit, Serena receives a giant bouquet, and Lydia wants to know if Serena is going dancing with Commander Wharton again. Serena tries to play it down, but the commander wants to see her before he goes back to Washington for work.
Wharton has a big gesture planned under the guise of picking a new name for the library. A mock-up reveals his preferred choice is the 'Serena Joy & Gabriel Wharton Library'. Yep, this is a proposal, and it catches Serena off guard. She didn't come back to be a wife. Wharton reassures her he will be everything Fred was not, and she doesn't have to move or stop working. The influential high commanders want to change the world together, convincing Serena that this will be a true partnership. Wharton gets down on one knee, and Serena says yes. Like June, Lawrence, and Nick, she makes a gut decision. Will she regret returning to this path? Only time will tell.
ELLE Collective is a new community of fashion, beauty and culture lovers. For access to exclusive content, events, inspiring advice from our Editors and industry experts, as well the opportunity to meet designers, thought-leaders and stylists, become a member today HERE.
Emma Fraser is a freelance culture writer with a focus on TV, movies, and costume design. You can find her talking about all of these things on Twitter.