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‘A Thousand Blows': Stephen Graham on his physical transformation for huge new role

‘A Thousand Blows': Stephen Graham on his physical transformation for huge new role

Yahoo26-02-2025

Stephen Graham has opened up on the dramatic physical transformation he underwent for his leading role in new drama A Thousand Blows.
The acclaimed new Disney+ drama from Peaky Blinders creator Steven Knight is set in Victorian London and sees Graham star as bare-knuckle fighter Sugar Goodson, whose status is threatened when newcomer Hezekiah Moscow (Malachi Kirby) arrives in the capital from Jamaica.
The pair's rivalry is at the front and centre, but Erin Doherty also stars Mary Carr, the queen of the Forty Elephants, a real-life all female shoplifting ring who targeted shops in the city at the time.
Graham is the physical shape of his life for the role, after undergoing a strict six month training regime to portray the bruising and brooding fighter.
'I had six months ahead of the project starting so I spent that whole time getting into shape. It was a case of 5 days a meal, lots of protein, clean carbs, steak, broccoli and all that stuff,' he told Rolling Stone UK.
'I had a great trainer and a great boxing coach so we really worked hard on that. I'm not the tallest of people either so we wanted to make me look like a bit of a bulldog.'
As for specific inspirations, Graham explained how he studied the fights of Mike Tyson and legendary bareknuckle fighter Lenny 'The Guvnor' McLean.
'The brutality and the strength, that explosion he brought to a fight,' said Graham of McLean. 'We tried to combine both of those techniques and then take that into the fight for me. Lenny's a very interesting one because he was a huge man and I'm not, but that's the beauty of cinema. Making you look like you're 10 times bigger than you actually are. It was just the way I hold my shoulders or the physicality.'
Graham, who said he's managed to maintain the strict health regime, also explained how the celebrated physicality of hard-men actors such as the late Bob Hoskins and Ray Winstone informed his take on the character.
'Bob Hoskins is one of my all time heroes and it's the same with Ray Winstone,' he explained. 'So I watched a lot of their stuff and watched their physicality and what they bring to their roles. Because Sugar is a million miles away from me, I wear my heart on my sleeve and I'm very open, but with Sugar me and Steve had some really interesting conversations right at the very beginning and I wanted play that man of old that we don't see anymore.
'Most actors are like magpies, so I learned a lot from watching those people again and taking little bits because there's only so many notes on a piano. They're the reasons why I wanted to be an actor in the first place.'
And as for the world of the show, Graham explained that the expansive set – which dropped the stars right into the heart of Victorian London. 'I'm basically a grown up Mr Benn,' Graham joked.
'I go to the shop and put my clothes on and I'm in this world. It was amazing, it was really was, but the attention to detail was incredible. It was a feat we don't normally see in this country. It's the kind of thing that you normally see in America, so to be able to walk around it and be a part of it and breathe it in was just amazing. It made our job very easy.'

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Review: ‘Alice's Adventures in Wonderland' is Joffrey Ballet's wacky and wonderful season closer
Review: ‘Alice's Adventures in Wonderland' is Joffrey Ballet's wacky and wonderful season closer

Chicago Tribune

time32 minutes ago

  • Chicago Tribune

Review: ‘Alice's Adventures in Wonderland' is Joffrey Ballet's wacky and wonderful season closer

The Joffrey Ballet's season rarely extends this far into summer, but it's safe to say 'Alice's Adventures in Wonderland' was worth the wait. This beast of a ballet by the Tony Award-winning choreographer Christopher Wheeldon had its North American premiere at the Lyric Opera House on Thursday. If, like for me, Lewis Carroll's 1865 fairy tale about a girl who stumbles into Wonderland is a core memory, all those beloved characters are there, with a splendidly cogent (and at times delightfully grotesque) libretto. It's more Tim Burton than Disney, but you'll recognize moments no matter your preferred version (including my personal favorite, the 1985 TV movie musical starring Jayne Meadows and Carol Channing). Following a drowse-inducing garden party at her Victorian Oxford estate, Alice (magnificently danced Thursday by Amanda Assucena) awakens to find an anxiously tardy White Rabbit (Stefan Gonçalvez). She of course must follow him, kicking off a series of Don Quixote-style adventures with wild, wacky and terrifying characters. Letting her curiosity guide her, she encounters a tea party hosted by a tap-dancing Mad Hatter (Edson Barbosa) and a slithering Cheshire Cat (whose dismantlement is made possible by a corps of dancer-puppeteers). Indeed, 'Alice's Adventures in Wonderland' will resonate strongly with those who adore 'Alice' — so much so that Joffrey extended the production to three weekends before it opened. In any case, exploiting its usefulness as a ballet was far overdue. There is much within Wheeldon's zany world for everyone to admire. Very small children may not appreciate some scarier moments, most notably a scene at the Duchess' house, in which viewers quite literally see how the sausage gets made. The brutish Duchess (Dylan Gutierrez) and her ax-wielding cook (Lucia Connolly) contribute some of the night's most, um, salient imagery. The pair of them (along with henchmen Valentino Moneglia Zamora, Hyuma Kiyosawa and Xavier Núñez) are terrifically terrifying. 'Alice's' third and final act is devoted almost wholly to the search for who stole the Queen of Hearts' tart. It begins with a game of croquet, played with bendy flamingoes on pointe as the mallets, striking adorable summersaulting hedgehogs. This not-so-regal realm, ruled by prima ballerina Victoria Jaiani as supreme leader, embarks on a tribunal when it's uncovered that the Knave of Hearts — a two-eyed Jack danced by the princely Alberto Velazquez — is most likely the offender and about to lose his head. Hilarity ensues. As hard as it will be to peel your eyes from Jaiani, every once in a while, be sure to glimpse her ridiculous King (marking David Gombert's glorious return to the Joffrey stage 15 years after retirement). There are tender moments, too, particularly in a satisfyingly sweet duet for Assucena and Velazquez as Alice tries to accept the blame in tart-gate. She eventually prevails, if only by waking up back in Oxford. If there's a lesson to be learned from 'Alice's Adventures in Wonderland,' it might be that taking the blame for your boyfriend's impropriety could turn out poorly. That, and vindictive, power-hungry leaders whose kingdoms are built on a literal house of cards are not likely to succeed. Cleverly, 'Alice' borrows hallmarks from the ballets of Carroll's time, winking at canonical works like 'The Nutcracker,' 'Sleeping Beauty' and 'Cinderella.' There's a waltz of flowers; a for our protagonist and her scrappy love interest; a hilariously satirized 'Rose Adagio' for the Queen of Hearts and four suitors (in this case, hearts and clubs); and a shirtless, hookah-smoking sultan-turned-Caterpillar (Jonathan Dole) performing a seductive take on 'the worm' with a quartet of scantily clad temple women. I'm pretty sure we didn't need that last one when 'Alice' premiered in London in 2011, and I'm certain we don't need it in 2025 — though I'll take the cameo of academy kids as sparkly pointe-shoed caterpillar legs all day, every day, plus Sunday. To be clear, such tongue-and-cheek references now to 19th century ballet are generally welcome and especially fun for those who see the parallels — perhaps even more so to those familiar with Wheeldon's catalog, too, which includes Joffrey's nearly decade-old 'Nutcracker.' In some instances, that ballet and this one parrot one another; Wheeldon went so far as to use some of the exact same ideas in his 'Nutcracker's' transformation and snow scenes, further tugging the plot parallels to these two coming-of-age stories set in magical fairy lands that may or may not have all been a dream. But 'Alice's' superpowers, all due respect to 'The Nutcracker,' are its magnificently evocative original score (by Joby Talbot) and Wheeldon's pinpointed attention to detail in every character, masterfully embraced by the Joffrey's excellent dancers, whose full-throttled performances and comedic prowess grab you and hold on for the entirety of this (very, very long) spectacle. Another thing: Wheeldon's imagination could only run this wild in a superbly-crafted Wonderland, made possible through the ingenuity of scenic and costume designer Bob Crowley, lighting designer Natasha Katz, projectionists Jon Driscoll and Gemma Carrington and puppeteer Toby Olié — seamlessly executed by a Joffrey team that, frankly, has never attempted something this big. 'Alice' was originally created for London's Royal Ballet, a company of 100 dancers and nearly 10 times Joffrey's budget. Until Thursday, it had not been performed this side of the Atlantic. Pulling it off was going to be a challenge. But they did. And Wonderland turned out to be a risk that will pay off in Joffrey Ballet presents 'Alice's Adventures in Wonderland' (4 stars) When: Through June 22 Where: Lyric Opera House, 20 N. Wacker Drive Running time: 2 hours, 50 minutes with 2 intermissions Tickets: $45-$233 at 312-386-8905 and

Lucasfilm "Likely" Replacing Kathleen Kennedy at Lucasfilm with Dave Filoni and Carrie Beck — GeekTyrant
Lucasfilm "Likely" Replacing Kathleen Kennedy at Lucasfilm with Dave Filoni and Carrie Beck — GeekTyrant

Geek Tyrant

time40 minutes ago

  • Geek Tyrant

Lucasfilm "Likely" Replacing Kathleen Kennedy at Lucasfilm with Dave Filoni and Carrie Beck — GeekTyrant

It looks like big changes are brewing at Lucasfilm. According to a new reprot from The Hollywood Reporter about the shifting power dynamics at Disney, Kathleen Kennedy's time as president of Lucasfilm is winding down, and the studio may be headed in a new, but familiar, direction. The names being floated to 'likely' replace her are Dave Filoni and Carrie Beck. Filoni currently serves as Chief Creative Officer at Lucasfilm and is also producing several Star Wars TV and film projects. The report notes: 'The current thinking is a scenario where chief creative officer Dave Filoni and production head Carrie Beck — both Lucasfilm vets — take co-head roles. Even as an arm of Disney, Lucasfilm remains, in many ways, a family business, and as a George Lucas protégé Filoni long has been considered a golden boy.' Filoni's rise is no surprise to anyone who's followed Star Wars since The Clone Wars . His creative connection to George Lucas and the way he's carried forward that legacy with Rebels , The Mandalorian , and Ahsoka has earned him a loyal following, and he's their guy. However, not everyone in the room is sold. The same THR piece offers this commentary: 'But the knock against him is that he might be too steeped in Star Wars lore and risks steering a show into dense mythology that loses a broader audience. 'He's not the Andor guy, he's the Ahsoka guy,' says one Disney insider. 'Beck, who joined the company in 2012, knows the ins and outs, but neither she nor Filoni has much film experience, which could be mitigated by Kennedy's continued presence as a producer on certain Star Wars projects, ensuring quality control in the short term.' That's a fair point. While Filoni thrives in the animated and live-action series space, Star Wars hasn't exactly had a smooth run on the big screen lately, and neither he nor Beck has much experience steering theatrical releases. That's where Kennedy may linger for a while longer, potentially sticking around to produce key projects and maintain consistency as they transition. Still, fans online are already drawing battle lines. For many, the idea of a 'Lucas guy' who lives and breathes Star Wars mythology is exactly what Lucasfilm needs. After all, the most frustrating part of the franchise's modern era has often been its uneven grasp of what makes Star Wars feel like Star Wars . And yet… Andor exists. It's a perfect example of what Star Wars can be when it steps outside of the mythological comfort zone, when it slows down, digs into real human struggles, and reimagines the galaxy far, far away with grounded stakes. So here we are, at a crossroads. Lucasfilm seems like they are preparing to pass the lightsaber to two trusted veterans who've built their reputations inside the galaxy. The next era of Star Wars is about to begin, and even if Filoni isn't taking the lead, as continuing CCO, the franchise is going to have Filoni's fingerprints all over it.

2025 French Open: How to watch the men's semifinals, new channels, full schedule and more
2025 French Open: How to watch the men's semifinals, new channels, full schedule and more

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timean hour ago

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2025 French Open: How to watch the men's semifinals, new channels, full schedule and more

If you buy something through a link in this article, we may earn commission. Pricing and availability are subject to change. The second grand slam of the year is ongoing at Roland-Garros. The 2025 French Open has reached the men's semifinals. Defending champion, Carlos Alcaraz has made it through to the semis. Defending champ Iga Swiatek was knocked out in her semis match by the top seed of the women's tournament, Aryna Sabalenka — who will face No. 2 Coco Gauff in the women's final this Saturday. In the U.S., coverage of this year's tournament is airing on TNT and truTV, and every match is streaming live on HBO Max. Are you ready to watch the men's semis at the French Open? Here's how to follow all the action down on the clay courts at Roland-Garros. How to watch the 2025 French Open: Dates: May 25 - June 8 Advertisement Time: Play starts daily at 5 a.m. ET Location: Stade Roland-Garros TV channel: TNT, truTV Streaming: HBO Max When is the 2025 French Open? The 2025 French Open will take place between May 25 and June 8. Singles play begins May 25, with the men's final closing things out on June 8. French Open time difference: Thanks to the time difference between the U.S. and France, the tennis tournament at Roland-Garros will start daily play at 5 a.m. ET/3 a.m. PT. 2025 French Open channel: In a shift from last year, the 2025 Roland-Garros tennis tournament will air across TNT and truTV — with all matches streaming on Max (soon to be officially re-named HBO Max). How to watch the French Open without cable: Disney Best bundle with French Open coverage Max, Disney+ and Hulu bundle (ad-free) The Disney+, Hulu, Max bundle gets you exactly what it sounds like: access to Disney+, Hulu and Max. If you go ad-free ($29.99/month) you'll save up to 38% off compared to individually paying for all three services — and gain access to all French Open coverage. If you don't already have access to these platforms, this is a great option that really covers your bases, streaming-wise. You'll get access to three vast libraries, fully stocked with everything MCU, all those Disney princesses (new and old), Hulu's robust catalog of shows on-demand the day after they air, including the latest episodes of Abbott Elementary, Grey's Anatomy and more, and the most recent seasons of The Last of Us, The Pitt and White Lotus. $29.99/month at Disney How to watch the French Open with a VPN: If you want to catch every match of the French Open and don't currently subscribe to HBO Max or a live TV streaming service, in Australia a majority of the action is streaming free with ads on 9Now, and in Austria it's all streaming free with ads on ServusTV. Advertisement Don't live in either of those places? Don't worry, you can still stream like you do with the help of a VPN. 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ExpressVPN's added protection, speed and range of location options make it an excellent choice for first-time VPN users looking to stretch their streaming abilities, plus, it's Engadget's top pick for the best streaming VPN. New users can save 61% when they sign up for ExpressVPN's 2-year subscription. Plus, the service offers a 30-day money-back guarantee, in case you're nervous about trying a VPN. From $4.99/month at ExpressVPN French Open order of play: Here's the full rundown of who is playing at the 2025 French Open today. See order of play 2025 French Open schedule: June 3: Quarterfinals singles play begins Advertisement June 4: Quarterfinals singles play continues June 5: Women's semifinals singles play June 6: Men's semifinals singles play June 7: Women's final June 8: Men's final French Open 2025 men's seeds: Jannik Sinner Carlos Alcaraz Alexander Zverev Taylor Fritz Jack Draper Novak Djokovic Casper Ruud Lorenzo Musetti Alex de Minaur Holger Rune Daniil Medvedev Tommy Paul Ben Shelton Arthur Fils Frances Tiafoe Grigor Dimitrov Andrey Rublev Francisco Cerúndolo Jakub Menšík Stefanos Tsitsipas Tomáš Macháč Ugo Humbert Sebastian Korda Karen Khachanov Alexei Popyrin Alejandro Davidovich Fokina Denis Shapovalov Brandon Nakashima Félix Auger-Aliassime Hubert Hurkacz Giovanni Mpetshi Perricard Alex Michelsen French Open 2025 women's seeds: Aryna Sabalenka Coco Gauff Jessica Pegula Jasmine Paolini Iga Świątek Mirra Andreeva Madison Keys Zheng Qinwen Emma Navarro Paula Badosa Diana Shnaider Elena Rybakina Elina Svitolina Karolína Muchová Barbora Krejčíková Amanda Anisimova Daria Kasatkina Donna Vekić Liudmila Samsonova Ekaterina Alexandrova Jeļena Ostapenko Clara Tauson Beatriz Haddad Maia Elise Mertens Magdalena Fręch Marta Kostyuk Leylah Fernandez Peyton Stearns Linda Nosková Anna Kalinskaya Sofia Kenin Yulia Putintseva More ways to watch the 2025 French Open:

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