
Morbid reason controversial festival has come back to life this year with massive crowds
The Dark Mofo festival is roaring back to life, offering brave punters a chance to lie in a coffin.
Artist Simon Zoric's Coffin Rides performance piece in Hobart resulted from the realisation that humans spend more time lying in these six-foot boxes after death than they do being alive.
'I find it strange that you would spend all this time in a coffin but never know what it felt like,' Zoric said.
Early figures show Dark Mofo has already welcomed 210,000 visitors, an improvement of some 30,000 on the first week of the festival's last full-scale program in 2023.
The event took a little lie down itself in 2024 to contend with a massive hike in production costs, but the first few days of the 2025 festival show Hobart's main winter attraction is back at full force.
'I do think interest this year is very strong, and perhaps last year had something to do with that,' Dark Mofo executive director Melissa Edwards said.
Attendance peaked at more than 16,000 people Saturday evening, and artistic director Chris Twite says the feedback so far has been great.
'I get a chance to talk to people on the street and see the city alive and full,' he said at a media event on Thursday.
'I think a lot of people are really excited - locals and businesses and tourists.'
The excitement is happening under the eyes of an unmissable five-metre-high giant hand/face sculpture affixed to the roof of a hotel on the Hobart waterfront.
Ronnie Van Hout's sculpture Quasi was controversial during its original installation in Christchurch - it looks a little bit like Donald Trump, or possibly Elon Musk - and it is yet to be seen whether the artwork will meet with the general approval of Hobartians.
An exhibition at MONA by artist Arcangelo Sassolino has attracted more than 11,000 people across four days to see liquid steel - heated to 1500C - showering from the ceiling of a darkened gallery.
The festival's second week features DIIV and The Horrors at Hobart's Odeon Theatre, and Methyl Ethel at the Princess Theatre in Launceston.
Also still to come are the traditional winter feast and Ogoh Ogoh procession, during which a giant model Maugean skate is set on fire, followed by the Nude Solstice Swim on June 21.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Sun
3 hours ago
- The Sun
Who is Nick Kyrgios' ex-girlfriend? Meet the French Open tennis star's ex Costeen Hatzi
NICK KYRGIOS split with influencer Costeen Hatzi earlier in 2025, after dating her since 2021. The controversial Aussie ace, who was AXED from BBC coverage of Wimbledon 2025, had been in a relationship with Costeen since late 2021. 1 Who is Costeen Hatzi? Nick Kyrgios ' ex-girlfriend is a Sydney-based blogger. She also has her own business, Casa Amor Interiors, which focuses on minimalist home decor. As of June 2025, Costeen has 177,000 followers on Instagram. She is five years Kyrgios ' junior, and, like Kyrgios, she is of Greek descent. In 2023 Netflix documentary Break Point, Costeen admitted she had never watched a game of tennis in her life before meeting Kyrgios. She graduated from Australian Catholic University in May 2021 with a bachelor of psychological sciences, but works as an online influencer and interior designer. Kyrgios and Hatzi split in 2025, with the 30-year-old tennis star saying: "Things happen. I wish her nothing but the best. So many incredible memories that will stay with me." Influencer Costeen has also spoken publicly about the break-up. She recently told the Herald Sun: "I'm loving my work and doing content every day. "We haven't spoken, relationships come to an end. I believe it's for the best. Nick Kyrgios smashes racket, throws bottle on court and spits towards his team after US Open defeat "I hope he finds peace and happiness within himself. "I definitely entered the relationship with pure intentions. I loved him, thought we had a great connection." Who has Kyrgios dated before? Kyrgios has a chequered past when it comes to relationships. He dated fellow Aussie tennis player Alja Tomljanovic before a short stint with Russian ace Anna Kalinskaya which ended in an alleged acrimonious split. The former world No13 was in an on-off relationship with Chiara Passari but endured a rocky time from first dating in July 2020 to its end in October 2023. They got into a heated argument during hotel quarantine upon arrival back in Australia together and police were called to split them into separate rooms as they separated for good.


The Guardian
4 hours ago
- The Guardian
Stephen Page: ‘Am I old? Am I not old? Can I still create?'
Stephen Page stands wrapped in scarf and beanie against the morning winter chill at Sydney's Marrinawi (big canoe) cove, at the northern end of Barangaroo reserve. 'This mouth of water, one of the biggest in the world, it's an operatic landscape and it was so inspirational,' he says. As he looks past the sculpted sandstone across the harbour, the acclaimed choreographer recollects the Eora nation stories that prompted some of his best-known dance works during his 31 years as artistic director of the Sydney-based Bangarra Dance Theatre. There was, for instance, Patyegarang, in 2014, about the Cammeraygal teenager who taught the English astronomer William Dawes her language; and Bennelong, in 2017, about the Wangal man who developed a close bond with the New South Wales governor Arthur Phillip but died addicted to alcohol. Set to turn 60 this December, Page is relaxed these days, and makes an excellent walking companion as we stroll past the Sydney red gums and coastal banksias. Having offered a hearty hug upon our meeting, he leans in along this waterside walk named Wulugul (kingfish), laughing often. By contrast, in his final years before departing Bangarra in 2022, he drove himself hard. Leaving Bangarra was 'bittersweet', he recalls, 'because I was dealing with the grieving of stepping down from that'. But while he was saying goodbye to the company he had devoted most of his adult life to, he was also pushing through grief after the sudden death in 2016 of his older brother David Page, Bangarra's longtime music director and composer. Three Page brothers had each been a key part of the company: Stephen, David and Russell, a charismatic dancer who died by suicide in 2002, aged 34. By the time Stephen stepped away, he was the last of the brothers left at Bangarra, even as he built a clan of dancers around him. It magnified his sense of loss. 'David and Russell would always be quite vivid images and visions in my memory. David's music is always in our mind.' Page talks readily about David, with an awe. It all comes back to when they were kids, the solidarity of growing up with little money in a family of 12 children who loved pop culture and musicals, putting on concerts in their back yard in the working-class Brisbane suburb of Mount Gravatt. The enigmatic David, who had a brief career as the child pop star Little Davey Page, would turn the rotary clothesline into a merry-go-round, and film them all with a Super8 camera. The children would dress up as the Jackson Five and perform to neighbours on their laundry roof. It was their playground, and their training ground. Page recalls that the family bond was deeper and stronger than any material absence: 'When there was struggling, when there was no food, when they couldn't pay bills, it was about telling stories and humour and performance. David and I and Russell, we digested that creative instinct to carry it through into our professional lives.' Page laughs at the memory of some of the play the three brothers had in rehearsing together over the years. They had found a creative haven together, he says. 'We would talk about the spirit of story constantly, and it was always about the emotional [aspects] and the psychology for us.' It took Page more than a year after leaving Bangarra to feel like his old self. 'I had time to think. I had to see my good old therapist, because I was like, 'What's going on?' They're like, 'Stephen, you're grieving, you're leaving something after 31 years'.' Page is far from retired, 'creating better than I ever have', he reflects, as we pass hard-hatted workers drilling at the Cutaway, the large below-ground sandstone venue being turned into a gallery and events hall (but not an Indigenous cultural centre as earlier mooted). Page says David's 'spirit and energy has inspired' his newest works. He feels 'cleansed' through these latest stories. His first major post-Bangarra work is Baleen Moondjan, a story of grief, love and kinship, which opened the 2024 Adelaide festival on Glenelg beach, and will now be adapted for performance on a barge for the Brisbane festival this September. Page says his late mother, Doreen, would have loved this story being staged close to where she raised her family. The song and dance cycle will feature giant replica whale bones, a totem figure for Doreen's Nunukul/Ngugi saltwater maternal line from Minjerribah (Stradbroke Island). His mother had been forbidden by her English/Irish father from acknowledging her Aboriginality: he told her instead to say she was Indian. The whale story is based on cultural knowledge passed on by Doreen's older sister, Auntie Joyce, after their own mother died. 'I wanted to use the metaphor of the whale as a sense of empowerment and strength that sits within my mother's matriarchal kinship system,' Page says. 'It's about continuing the spirit of stories. I thought, 'Mum, I'm going to give you a gift, and David, your spirit is going to help me create Baleen Moondjan'.' It follows Page's final work for Bangarra, Wudjang: Not the Past, in 2022, an ode to his late father, Roy, a Munaldjali bushman from the Yugambeh nation, who during his childhood was forbidden from speaking his language. Page's parents nonetheless both became great storytellers who instilled a respect for Country in their large brood. Roy died in 2010 and Doreen in 2018. Both productions honouring their parents essentially began with David's legacy: a three-minute recording uncovered in the late composer's office based on a song Roy had given him in his own Yugambeh language, which he spoke on his deathbed, as well as notations written in Jandai, the traditional language of their mother. Page in the past has spoken of the challenge of living in two worlds, of being denied a traditional language because he has come from 'a forbidden generation, an assimilated generation'. Page once recalled Roy using the term 'whispering language' because Stephen's grandmother could only whisper their language to Roy at night. Loss is profound throughout the family, thus dance and what Page calls his 'blackfella operas' became a medicine, a means of reconnection. 'Mum's last years, she didn't have quality of life, she didn't speak,' Page recalls. 'She was at Georgina Hostel, a First Nations old age home. She had dementia, Alzheimer's. 'The night before David passed, late at night, she was wailing, making these noises, and the nurses told my sister the next day. They were like, 'We haven't heard her talk or make a sound for 18 months'. I think she knew [David was passing away], and that always stayed with me.' Page's renewal and cleansing has been aided by his son, actor and writer Hunter Page-Lochard, 32, who founded the production company Djali House, for which father and son are billed as co-directors, although Page insists Hunter is his 'boss'. One gets the impression he enjoys working with his son so much because it reminds him of the creative energy of working with David and Russell: wherever the urban mob is, that's his creative home. The pair have four development projects on their slate, including an imminent adaptation of David's one-man autobiographical play, Page 8, into a narrative feature film with the working title of Songman. 'It's been really beautiful to work with Hunter, and also to see the first [full-length feature] story that we birth through Djali House is our story, through the lens of David's life,' says Page. The generations continue to unfold. Page, who also has a stepdaughter, Tanika, glows when asked about Page-Lochard's two daughters, Mila, 6, and Evara, 3. 'It just makes this crazy world and life worth living for,' he says of becoming a grandfather. 'The combination of that, going through and reflecting the Bangarra chapter of my life, and then finding a sacred stability, of feeling recharged and reawakened for the next chapter. 'You go, am I old? Am I not old? Can I still create? But the reason Hunter started Djali House is we have imagination, we have creativity, we have vision. We love stories. Walking with Page, there's a sense he is seizing the moment, surveying the Country and water before us for the next story, plugging into youthful energy. But that was how it always was with the big Page mob. 'I've always started with a blank canvas for my work. David would jump on, and with our creative clan we'd just paint the story and bring it to life.' Baleen Moondjan is at Queen's Wharf, Brisbane festival, September 18-21


The Guardian
4 hours ago
- The Guardian
Footy, rock'n'roll and the PM: how the Community Cup gained a cult following
Footy, fun and rock'n'roll awaits when this year's Reclink Community Cup kicks off on Sunday at Victoria Park in Melbourne. So promises Chris Gill, a veteran player who will take to the field for the 17th time this year. 'It's a super-funky, family-friendly day. Actually, quite a fantastical day,' the record store owner and radio host says. Since the inaugural match in Melbourne in 1993, the Community Cup has gone national and gained a cult following, with games scheduled later this year in Sydney, Brisbane, Adelaide, Hobart, Canberra and Perth. Sunday's event will draw a 'massive crowd of music fans, there to eyeball the cultural athletes' and support a charitable cause, Gill says, as it pits local musicians (aptly named the Rockdogs in black, red and yellow) against the Megahertz, a team made up of community radio presenters from Triple R and PBS (in red and white stripes), with live bands playing throughout the day. Sign up for Guardian Australia's breaking news email Gill says that the combination of footy, mud, crazy costumes and rock'n'roll gives rise to some of the funniest moments you're ever likely to see on a sports field. 'Some of the funniest moments have occurred when streakers have taken to the field, including one memorable year when a family of four streaked – that was weird … Or when we all did the flashmob of Time Warp during the game, or the time the WAM-BULANCE came out to help people who were having time out on the sidelines.' He also recalls speaking with Anthony Albanese on the footy field in 2019 and asking him if he'd heard the awesome new single by Kaiit called Miss Shiney. 'He was like, 'Yes, it's a monster single, she's a legend.' And she is!!!' Albanese has in previous years pulled on a guernsey for the Western Walers at Henson Park in Marrickville, and DJ'd at fundraising gigs at venues including the Corner hotel in Melbourne. 'As a proud Waler, I've had the privilege of seeing this event grow and evolve while always staying true to its community connections and its cause,' the prime minister says. He says the Cup is 'a tribute to the power of sport and music to bring us together and an extraordinary example of Australian kindness'. 'I wish I could be there this weekend to put my hamstrings to the test and have a crack on the decks after. I'll be following closely from the G7 in Canada. Long live the Community Cup.' Phoebe Crehan, who presents the program The Planetarium on Triple R and will be playing with the Megahertz this year for the second time, says growing up she 'never saw footy as a sport I could be involved in'. 'It felt super intimidating. Last year was the first time I ever kicked a footy, let alone play in a match.' Crehan says she was drawn to the Community Cup because it 'is all about encouraging each other to have a go and enjoy ourselves, while letting the crowd feel a part of the fun too'. 'The true heroes are Reclink though, as they do this all year round, nurturing inclusivity and connection for people who might otherwise miss out.' According to Dave Wells, CEO of Reclink Australia, the Community Cup generates more than $250,000 each year for the organisation, which works with Australians experiencing serious disadvantages by connecting communities through sport and recreation to improve mental and physical health and reduce social isolation. 'We look at the Cup as essentially a one-day music festival that just happens to be interrupted by a fairly average game of Aussie Rules,' he says. 'This means that people of all genders and abilities are welcome and able to play on the same field, in a version of the game that is designed to maximise participation, and with less focus on the actual score.' The Community Cup has hosted its share of Australian rock legends over the years, including such luminaries as Tim Rogers, Dan Sultan, Adalita, Courtney Barnett and Regurgitator, some of whom have pulled on footy boots as well as performing. Australian rock darlings Frente will head up the music lineup on Sunday, and their beloved track Ordinary Angels has been adopted as this year's theme song for the annual fundraising event, celebrating the 'unsung legends of community – the ones who show up, uplift others, and create joy on and off the field'. This year for the first time a green vinyl compilation record will be released featuring some of the musical history of the Cup, with tracks from Rockdogs former coach Paul Kelly, and other past performers including TISM, Baker Boy, Hiatus Kaiyote and Archie Roach, who was honoured posthumously at the Cup in 2022.