
Arts supporter Sarah Marks Richards led $32MHawaii Theatre restoration efforts
COURTESY HAWAII THEATRE Sarah Marks Richards COURTESY HAWAII THEATRE Sarah Marks Richards Sarah Marks Richards, a 'powerhouse ' in the Hawaii arts community who helped raise $32 million to restore the historic Hawaii Theatre to become a major performing arts center in downtown Honolulu, died Jan. 26 at Kahala Nui. She was 83.
Richards was a founder and president of Hawaii Opera Theatre, leading the organization's independence from its parent, the Honolulu Symphony. In 1980, she was named executive director of the State Foundation on Culture and the Arts, overseeing the agency's growth and achieving a national ranking for Hawaii as No. 1 in per capita state support for the arts.
Richards also served as president and, later, executive director, of Hawaii Theatre Center for 25 years before retiring in 2014. Following the restoration campaign, the center was named in 2005 as the Most Outstanding Historic Theater in America.
Gregory D. Dunn, president and CEO of Hawaii Theatre Center since 2017, recalled her as 'the undeniable powerhouse nonprofit executive ' in Honolulu.
'She had overseen what many had for years considered the impossible—the restoration of the iconic Hawaii Theatre—pulling many local businessmen and women along with her in the largest community effort of its kind at the time. It's awe-inspiring to think that she and the board, led by Robert Midkiff, successfully raised over $32 million ($66 million in today's dollars ) to save and restore this community treasure.'
Midkiff's daughter, Mary M. Fiedler, said Richards knew how to get things done.
Don 't miss out on what 's happening !
Stay in touch with breaking news, as it happens, conveniently in your email inbox. It 's FREE !
Email 28141 Sign Up By clicking to sign up, you agree to Star-Advertiser 's and Google 's and. This form is protected by reCAPTCHA.
'She was a lovely person. She was very determined, but she was always gracious, well-mannered and civilized. She knew what she wanted to do, and she was forthright about it, but she got it done, ' Fiedler said.
Andrew Morgan, general director and CEO of Hawaii Opera Theatre, described Richards as 'a staunch advocate for the arts.'
'The entire Honolulu arts community has lost a tireless patron, advocate, and friend, ' Morgan said in a email sent to HOT supporters. 'Sarah was instrumental in establishing HOT as an independent non-profit corporation in 1980 and served as the first President of the Board. She remained a valued and active member of the Board and the HOT ohana through all those years … .'
Richards came to the islands with an impressive list of life experiences. Born Dec. 31, 1941, in rural Sullivan, Ind., she rode her horse to school. After graduating in 1959 from Washington High School in Washington, Ind., she studied voice at the Cincinnati College Conservatory of Music, earned a degree in English and music at DePauw University, got a teaching license and taught school in Denver before taking a year off to explore Europe with a friend.
Back in the U.S., she earned a graduate degree in higher education administration and psychology. At 26, she became dean of women at Albion College in Michigan, and after two years there was recruited to teach creative writing at Kamehameha Schools, moving to Hawaii in 1970. Richards said that when she discovered that no one at Kamehameha was interested in creative writing, she ended up teaching swimming instead.
That somehow led to her being hired as dean of students at Chaminade University.
She met her husband-to-be, Manning Richards, in 1972 when she was the head of the education committee for Hawaii Opera Theatre and he was playing a bare-chested Egyptian priest in a production of 'Aida.'
'He was singing in the chorus, ' Sarah Richards told PBS Hawaii's 'Long Story Short ' host Leslie Wilcox in 2016. 'My friends were fixing me up with the star, who sang the role of the king, who was a real opera star, Archie Drake. I went to the cast party with the king … but then (Manning and I ) were introduced at the cast party. We were introduced in February of 1972, and we were married in December of'72.'
It was a love to last a lifetime.
'Over the last 25-plus years of having the privilege of knowing her, I was always struck by the kind and loving relationship she shared with the love of her life, Manning Richards, ' Dunn said. 'Remembering the way they cared for and took care of each other over the years brings a smile to my face even today. For me, it was a lasting reminder of the importance of placing … one's family and loved ones over all else, even when you're tasked with such an important job.'
Richards' lifetime support of the arts and arts education in Hawaii was recognized in 2015 when she received Hawaii Arts Alliance's Alfred Preis Honor.
Richards' departure from Hawaii Theatre Center wasn't the end of her commitment to arts in Hawaii. She spent more time with HOT and joined the board of Hawaiian Mission Houses Historic Site and Archives. She also established the Sarah Marks Richards Opera Program Endowment in DePauw University's School of Music.
In addition to her husband, Richards is survived by nieces and nephews.
Services will be held at 9 a.m. March 1 at Central Union Church. In lieu of flowers, the family requests donations to Hawaii Theatre, Hawaii Opera Theatre and Hawaiian Mission Houses.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
5 hours ago
- Yahoo
London museum opens vast 'on-demand' storehouse to public
Imagine being able to visit a museum and examine up close thousand-year-old pottery, revel alone in jewellery from centuries past, or peer inside a Versace bag. Now London's V&A has launched a revolutionary new exhibition space, where visitors can choose from some 250,000 objects, order something they want to spend time looking at, and have it delivered to a room for a private viewing. Most museums have thousands of precious and historic items hidden away in their stores, which the public never gets to see or enjoy. But the V&A Storehouse, which opened on May 31 in a specially converted warehouse, has come up with a radical new concept. And it is totally free. "Museums should be and are for everybody ... the V&A's collection is for everybody. It belongs to everybody, and everyone should be able to have free, equitable, and meaningful access to it," said senior curator Georgia Haseldine. "So this is a world first, never has anyone been able to be invited freely, without having to book into the same space as a national collection, on this scale." One fifth of the museum's total collection is now available to be viewed and enjoyed in the four-storey building on the former site of the 2012 London Olympic Games. - No protective glass - "It's fantastic, it's so much better than an ordinary museum," enthused retired physics teacher Jane Bailey as she toured the floors. "I'm just really, really impressed by it. We've only just heard about it, but it's phenomenal." She was transfixed by the sight of the black and red drum kit which belonged to Keith Moon, from the band The Who, saying it would be great to be able to resuscitate the legendary drummer who died in 1978, to play a set for them. Jostling for space, side-by-side on shelves in a massive hanger which resembles a DIY commercial warehouse and stretches for more than 30 basketball courts, are everything from ceramics and tapestries, to paintings and toys from the Tudor period. There is even the whole 15th-century gilded wooden ceiling from the now-lost Torrijos Palace, and the Kaufmann Office, a panelled room which is the only complete Frank Lloyd Wright interior outside of the United States. Hanging on display is the stunning stage front cloth made for "Le Train Bleu" - a copy of a Pablo Picasso painting it was specially designed for the 1924 Ballets Russes production. At 12 metres, its huge size means it has rarely been seen since its stage debut. There is no protective glass. One of the first visitors to the Storehouse was Princess Catherine, a patron of the V&A and keen art lover, who took a tour on Tuesday. She described the collection as "eclectic" as she used the "order an object" system to look at a samples book from renowned 19th century English textiles designer William Morris as well as rolls of ornate textiles and a musical instrument. All the works are available to the public seven days a week, and can be reserved via an online booking system for a private viewing at a date and time of your choice. Members of staff are on hand paying close attention as visitors don purple gloves and satisfy their curiosity, spending time with the object of their choice. - 'Love letter' - It's a huge departure from the usual admonishment of "Don't touch!" found in most museums seeking to protect their objects from damage. Curator Haseldine acknowledged "we have certainly met with some levels of scepticism and worry". But she said once the idea was explained properly including "how meaningful it is to ... start to open up and give collections back to a community ...people just start to think creatively about how we can do this". American national Manuel Garza living in London said he thought the V&A Storehouse was "one of the most interesting spaces that just opened up here in London". Haseldine said "this building is a love letter to objects". "To be able to see around the back of an object, to be able to look inside a dress, to be able to see the bottom of a pot, all these things are how we really learn about our material culture," she added. Expert Kate Hill, who teaches cultural history at Lincoln University, said "it's pretty unusual for museums to open up their storehouses". "Most of the time they offer some 'behind the scene' tour, but their objets are not accessible. It's visible but not accessible." Visitor Jane Bailey said: "I would hope that this is the museum of the future, because some are very, very stuffy. We went to one recently and it was excruciating." adm/jkb/yad
Yahoo
5 hours ago
- Yahoo
Elizabeth Hurley Cast in 'Mischievous' Career-First Role and Fans Are Already 'Obsessed'
Elizabeth Hurley has landed a head-turning new gig! Marking her return to TV screens—her last TV show appearances included Runaways and The Royals from 2015 through 2019—the 59-year-old actress has been cast as 'The Deceseased,' a dead, glamorous benefactor in a gripping new series. Appearing in The Inheritance, which will air on the UK's Channel 4, it also marks her foray into a competition series that's described as very high-stakes. Per the synopsis, 'Thirteen strangers are summoned to a grand stately home. They are there to compete for part of the fortune left in the will of The Deceased.' It teases that 'winning the money won't be easy' as 'The Deceased had a wicked sense of humor and has designed a mischievous game to ensure only the best players can get their hands on her inheritance.' The executor and trusted legal counsel for Hurley's character, who will be keeping a "watchful eye," will be played by lawyer and British TV personality Robert Rinder. Contestants will have to work as a team to complete The Deceased's final request, including 'a series of devilishly difficult assignments that will demand they are clever, collaborative and cunning,' however, the twist is that only one player can claim the money gained in each request. Hurley released a statement calling it a 'thrill to be part of this clever game.' And fans shouldn't be surprised that the model will bring her A-game, noting, 'It all takes place on her huge estate in the English countryside, and she dresses to the nines in every scene.' Fans can also expect it to be as gripping and have the same allure as The Traitors, considering it hails from the same team, Studio Lambert. Steven Handley, Channel 4's Head of Reality & Entertainment, described the upcoming 12-episode show as "part Knives Out, part Succession", previously teasing the inclusion of "British icon" now revealed to be Hurley. 'The Inheritance isn't just a battle of strategy, alliances, and inevitable betrayals - it's a cocktail of drama, jeopardy, and outright mischief that Reality fans love. I can't wait to see how our players handle the challenges, the twists, and a few sneaky surprises, Handley revealed, per Deadline. Immediately following the reveal, fans took to the comments with reactions such as, "This looks insane 😍" "Hooked already ❤️ can't wait to see" "Obsessed already" and "This sounds very hardly wait to see it !!! ❤️🙌🔥😍🌟💞👌." 🎬 SIGN UP for Parade's Daily newsletter to get the latest pop culture news & celebrity interviews delivered right to your inbox 🎬
Yahoo
6 hours ago
- Yahoo
Lorde Calls Charli xcx, Chappell Roan & Gracie Abrams on Live Radio & Catches One of Them Mid-Hangover
Lorde was on the air with BBC Radio 1 recently — and unbeknownst at first to Gracie Abrams, Charli xcx and Chappell Roan, they were, too. In a TikTok clip posted Wednesday (June 11), the New Zealand native played a hilarious game of 'Sitting or Standing' on the English radio station, during which she was tasked with guessing whether a few of the famous friends in her contact list were on their feet or seated at that very moment before calling to check. Starting with the 'That's So True' singer, Lorde incorrectly bet that she would be sitting. More from Billboard Everything We Know About Lorde's 'Virgin' So Far DJ Akademiks Denies Taking Payola From Drake During Kendrick Battle Raekwon and Ghostface Killah Release Trailer for 'Only Built 4 Cuban Linx' Documentary 'I'm standing, should I sit?' a confused-sounding Abrams answered after picking up the phone, sweetly adding, 'I love you.' The Auckland native was 0 for 2 when she also guessed that the 'Pink Pony Club' artist would be sitting down. 'I'm so sorry, I'm on Radio 1, I'm doing this horrible show where they make me ask this ridiculous question,' a playfully frustrated Lorde explained to Roan after hearing her answer, to which the perplexed latter asked, 'Wait, so is this on the radio?' When it came time to call Charli, the 'Von Dutch' singer was immediately suspicious as Lorde asked whether she was sitting or standing. 'What is happening?' she said warily. 'I'm lying down.' 'I'm so hungover,' Charli drawled as the 'Royals' singer laughed. 'Oh, hi everyone. I can't believe I'm on the radio like this.' 'You're perfect,' Lorde responded. 'Keep lying down, I love you. I owe you.' The two-time Grammy winner has strong friendships with all three of the artists she called. In her April Billboard cover story, Abrams gushed that her pal is 'like 800 years old inside … whenever we're together, I feel my nervous system regulate differently,' while Roan said last year that Lorde reached out and gave her a list of advice for handling the 'abusive' elements of fame. Lorde's relationship with Charli has been a little bumpier, with the two women going through a rough patch before publicly resolving their issues on the 'Girl, So Confusing' remix supporting Charli's Brat album. They would later team up to perform the track during Charli's Coachella set earlier this year. The 'Green Light' artist is now gearing up to drop an LP titled Virgin on June 27, marking her first full-length in four years. So far, she's shared two singles from the project: 'What Was That' and 'Man of the Year,' which has recently been taking flight on TikTok thanks to a trend that finds users posting screenshots of toxic messages sent by ex-boyfriends. Also on Monday, Lorde hilariously reacted to the trend by posting a video of herself widening her eyes and shaking her head in disappointment. 'These messages…….,' she wrote in her caption. Watch Lorde call up Abrams, Roan and Charli on BBC Radio 1 and check out her 'Man of the Year' TikTok below. Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart