logo
Production Assistants, Seeing Work Dwindle, View a Union as Their Future

Production Assistants, Seeing Work Dwindle, View a Union as Their Future

Yahoo02-05-2025

On a scale of 'highly valued' to 'thankless,' the roles that production assistants play on film and television sets can swing towards the latter. Delivering lunch, escorting cast members, managing background actors, maintaining radio equipment — it's all in production assistants' repertoires, with the general expectation being that, as entry-level workers in a cutthroat creative industry, they are eager to please as they work lengthy hours for around minimum wage.
But one group believes longstanding norms around these roles can and should change. For a bit less than a year, Production Assistants United has been taking steps to unionize these workers nationwide with the backing of Burbank-based LiUNA Local 724, which represents electricians, plumbers and carpenters on Hollywood productions. Organizers are aiming to increase wages, enshrine turnaround times and provide access to union health benefits — in other words, to give these workers some of the same benefits as their union colleagues on set.
More from The Hollywood Reporter
Writers Guild West Staff Union Voluntarily Recognized
Cinematographers Guild Elects John Lindley Its National President
SAG-AFTRA Launches Influencer Committee Amid Further Push Into Creator Economy
It's a bold move at a time when U.S. production is lagging and set jobs are harder to come by than they were during the Peak TV boom times. Union organizing always involves a level of risk, which early-career workers might be less eager to undertake when times are tough. That hasn't deterred Production Assistants United and LiUNA Local 724, which are pushing ahead and making a bid for further visibility with a rally on Sunday at IATSE Local 80's Burbank headquarters.
Clio Byrne-Gudding, one of the group's L.A.-based organizers, says they want Sunday's event to send the message that 'this isn't just an ambitious and kind of underdog movement, but is actually legitimate. It's real.' Echoes Alex Aguilar, LiUNA Local 724's business manager, 'We're here and we're not going away.'
Still, the effort faces an upward climb. Starting as a grassroots group spurred to action by the 2023 writers' and actors strikes, the next year Production Assistants United set out publicly to unionize all types of production assistants, assistants and production secretaries for narrative film and television across the U.S., a group they currently estimate numbers more than 10,000 people.
Their bid to represent this sprawling group only got more difficult once it became clear over the course of 2024 and into 2025 that production wasn't going to be roaring back in the U.S. post-strikes. According to the latest report from L.A.'s film office, production days on location decreased more than 22 percent in the first quarter of 2025 compared with an already meek period in 2024.
'This is definitely the biggest challenge I've ever faced,' admits Aguilar, who says that effort has received backing from Local 724's Washington, D.C.-based umbrella union, which has devoted financial, organizational, training and education resources. 'But I'm up for it. And I think so is our organizing committee.'
So far organizers have broken up their undertaking by region, with an early focus on the film hubs of Los Angeles, New York City, Chicago and Atlanta, including their surrounding areas, as well as Texas. They debuted union authorization cards — which labor groups use to demonstrate the level of support they enjoy within a particular workforce — in February. The group plans to target studios in the Alliance of Motion Picture and Television Producers individually once they decide they have majority support amongst that company's production assistants.
That's been a moving target. Production assistants' top issues, in this particular political climate, have shifted from higher pay to having reliable work, says L.A.-based organizer Nalani Rodgers.
The state of the business has also complicated matters. Sometimes when organizers make cold calls to production assistants, their effort is received like a service organization, says Byrne-Gudding. 'They're like, 'Oh, it's so great what you guys are doing,' when in fact the only way that this is going to happen is if they take action,' they say. 'Which is kind of a difficult thing to communicate to someone because times are so hopeless right now.'
During this period of industry pessimism, the group has placed an emphasis on emboldening production assistants and teaching them more about labor organizing. As they're calling workers and visiting them on sets prior to call times, they're trying to instill the idea of 'these productions cannot be run without you,' says L.A.-based organizer Ethan Ravens.
The group also made fiery speeches at Sen. Bernie Sanders' and U.S. Rep. Alexandria Ocasio-Cortez's 'Fighting Oligarchy' tour stop in Los Angeles on April 12, portraying production assistants as essential but downtrodden workers for some of the U.S.' biggest corporate players, including Apple and Amazon. 'We're organizing not just to fix one job but to transform the entire industry for future generations of workers,' Ravens said in his speech.
Sunday's rally will likely tap into some of the same themes — of channeling the leverage that production assistants have on sets and building a brighter future for Hollywood workers — while also demonstrating that the movement has the support of other Hollywood labor organizations. So far, Teamsters Local 399 leader Lindsay Dougherty, Writers Guild of America West board member Adam Conover and SAG-AFTRA secretary-treasurer Joely Fisher have been announced as speakers.
Will production assistants embrace the call to start making moves at such a challenging moment? The answer will become clearer over the next few months, with attendance at Sunday's event in L.A., and at satellite events in Chicago and New York City, serving as a key bellwether. Says Aguilar, 'It's never the perfect time to organize. You just have to organize.'
Best of The Hollywood Reporter
How the Warner Brothers Got Their Film Business Started
Meet the World Builders: Hollywood's Top Physical Production Executives of 2023
Men in Blazers, Hollywood's Favorite Soccer Podcast, Aims for a Global Empire

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

The Trilogy Tapes Returns With More Abstract Summer Statements
The Trilogy Tapes Returns With More Abstract Summer Statements

Hypebeast

time18 minutes ago

  • Hypebeast

The Trilogy Tapes Returns With More Abstract Summer Statements

London-based labelThe Trilogy Tapesis heralded for its avant-garde graphic streetwear statements, and for Summer 2025, the brand is leaning into its cult's favorites with a suite of abstract sweaters, tops, trousers, and more. Key pieces in the collection include the Overdye Crew in 'Grey/Blue,' which boasts an aqua glow around the perimeter of its oversized silhouette, and the TTT Cross Head T-shirt, which dons enlarged iterations of the brand's artistic emblems in black and red hues. Elsewhere, glow-in-the-dark shirts appear next to tops with all sorts of geometric patterns, and a series of shorts feature the same Cross Head design all over the body. Accessories include packable ripstop couriers, heart-shaped logo totes, TTT bucket hats, six-panel trail caps, 'Pain' trucker hats, 'Come Down' socks, and more logomanic items. Notably, the line arrives alongside a kaleidoscopic video campaign directed by Studio Info, which you can watch on Instagram below. The Trilogy Tapes' Summer 2025 collection is now available to shop on the label's brand newwebsiteand at Palace brick-and-mortar locations, with prices ranging from £17 GBP to £166 GBP. Take a look at the lineup in the gallery above.

Patchy Mix predicts rebound after upset loss to Mario Bautista in debut at UFC 316
Patchy Mix predicts rebound after upset loss to Mario Bautista in debut at UFC 316

USA Today

time2 hours ago

  • USA Today

Patchy Mix predicts rebound after upset loss to Mario Bautista in debut at UFC 316

Patchy Mix predicts rebound after upset loss to Mario Bautista in debut at UFC 316 Patchy Mix experienced what many other first-time UFC fighters go through Saturday. After UFC 316, the former Bellator bantamweight champion acknowledged the disappointment and said he'll rebound. Mix (20-2 MMA, 0-1 UFC) made his highly anticipated promotional debut at Prudential Center in Newark, N.J., as a betting favorite against Mario Bautista (16-2 MMA, 10-2 UFC), but never seemed to get started in a unanimous decision loss (30-27, 30-27, 29-28). "Tough night for me in the office," Mix posted on Facebook. "But I appreciate the people that have supported and been along for the ride. Would have liked to do more and made adjustments. I will come back stronger from this moment." Bautista outstruck Mix every round and won his eighth straight fight. The victory is on the heels of a decision win over former featherweight champion Jose Aldo. Mix, whose fiancee is recent UFC women's flyweight title challenger Tatiana Suarez, had not fought in a little more than a year after an unceremonious exit from the PFL after it bought Bellator and folded the promotion. Mix was about a 2-1 betting favorite in the fight, and the consensus was that he would beat Bautista and might even find himself promptly in the bantamweight title picture. In fact, his manager predicted that might be the case with a win. In the MMA Junkie reader predictions, Mix got nearly 80 percent of the vote, and he was a unanimous pick from MMA Junkie's 11 staff members. The 31-year-old Las Vegas-based Mix hadn't lost since 2020, when he was upset by Juan Archuleta in Bellator's bantamweight tournament. But less than three years later, he won Bellator's belt and a $1 million prize against Raufeon Stots, then had title defenses against Sergio Pettis and Magomed Magomedov before he arrived in the UFC.

Charlotte Le Bon is focused on directing, but has ideas for a ‘White Lotus' return
Charlotte Le Bon is focused on directing, but has ideas for a ‘White Lotus' return

Hamilton Spectator

time5 hours ago

  • Hamilton Spectator

Charlotte Le Bon is focused on directing, but has ideas for a ‘White Lotus' return

TORONTO - Since her breakout role in season 3 of HBO's hit dramedy 'White Lotus,' acting offers have been pouring in for Charlotte Le Bon. But for now, the Montreal native is just not interested. 'Making films is my main focus more than acting, to be honest,' Le Bon said during a sit-down interview in Toronto Thursday. Le Bon recently returned from the Cannes Film Festival, where she held meetings in search of a financing partner for her sophomore feature — a still-untitled Montreal-shot drama exploring themes of loss. 'It's autobiographique,' says the bilingual actor, reluctant to reveal too much. 'It's a very, very personal movie and I think the goal is to try to make a very light-hearted movie on grief. It's a challenge, but that's what I'm aiming for.' The Montreal-based Le Bon was in town for Bell Media's 2025/26 programming showcase, where Etalk hosts interviewed her during a splashy event for media buyers about the last season of 'The White Lotus,' which streams on Crave. In Mike White's eat-the-rich anthology series she plays Chloe, a socially savvy French-Canadian expat living in Thailand with her much older boyfriend, and the series' main antagonist, Greg, who now goes by 'Gary.' She's seemingly unaware of Greg's history: in Season 2, he pulled off a plot to murder his wife Tanya, played by Jennifer Coolidge, in order to inherit her wealth. Le Bon says she was ready to take a hiatus from acting when she was offered the 'White Lotus' role. Though she'd built a successful career — with roles opposite Joseph Gordon-Levitt in the 2015 biographical drama 'The Walk' and Christian Bale in the 2016 war epic 'The Promise' — her passion had shifted to working behind the camera. Her 2023 horror-romance 'Falcon Lake,' which she directed and co-wrote, premiered at Cannes to strong critical acclaim. 'I was thinking about taking a break from acting because I was like, 'Oh, I don't know if I still like it.' I was just asking myself some questions about it... I sometimes played characters that were not really inspiring for me for some reason,' she says. 'And then 'White Lotus' arrived and I was like, 'There's no way I can not do this. It's just an amazing opportunity'... Between the moment where I sent the self-tape and the moment I was in the plane flying to Thailand, there were probably like 10 days.' Le Bon says the experience of being part of such a pop-culture juggernaut was hard to wrap her head around. 'It's kind of overwhelming when you're taking part in such an important thing in culture. Even when it started to come out, when I started to see memes on it on social media, it was really exciting,' she says. While acting isn't her current focus, Le Bon says she would be down to return for Season 4 — and has some ideas about how it could play out. 'If their relationship is based on true love, which I think it is, then maybe she'll come back with Greg, because Greg has to come back, for sure,' she says. Le Bon muses that Chloe could be Greg's accomplice or even the one who serves him his inevitable comeuppance. 'She could either become Greg's ally and they can be like a duo of villains, or she can maybe be the one who will create the karma for Greg. Maybe she'll give it to him,' she says. 'He has to get it at some point, so we'll see what happens.' While Chloe's relationship with Greg may seem transactional on the surface, Le Bon argues the two share a deeper 'understanding' of one another. 'I think what she likes in this relationship is she thinks she's found a way to be free… just by spending a lot of money and partying and having sex with whoever she wants,' Le Bon says. 'I think they find an agreement by the end of the season where it's clear that's her intention and maybe he can take part in this and have fun with it as well.' If that setup sounds peculiar, Le Bon says that's just the kind of thing that interests her. 'There needs to be a singular aspect to a part that really inspires me in order for me to move my butt and be an actress again,' she says. 'It needs to be weird.' This report by The Canadian Press was first published June 7, 2025.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store