
Stop swiping, start swapping
In South Korean speed dating, 'the one' could sit down right next to you
Letting love in can be harder than completing a 42-kilometer marathon for some.
That's because fairy tales like Samantha Montgomery and Austin Ames in rom-com movie "A Cinderella Story" rarely ever comes true. Looking for romance at work, school or even developing a romantic relationship with friends is extremely tough. And that gets harder as you get older.
In South Korea, dating doesn't get any better online. That's because dating app users here are often preoccupied with appearances and make a wild number of swipes to find "the one." Even if they are initially attracted by profile photos, developing romantic feelings while meeting face-to-face is another hurdle that needs to be overcome.
Now, South Koreans are turning to the aptly named "rotation sogaeting" in search of love. It is a type of speed dating where an even number of men and women -- from eight to 32 -- gather at a venue, usually a quiet pub. Participants switch seats to engage in brief, timed conversations that typically last about 15 minutes. Each hours-long session is priced between 50,000 won ($34.51) and 70,000 won.
Many find they have a higher chance of meeting their future partner this way, saving time and money, compared to traditional one-on-one sogaeting, which refers to blind dates with people introduced by family members or friends.
On Blind, an anonymous online forum for verified employees, there are posts looking for rotation sogaeting participants after work. According to the official website of Talk Blossom, a company that organizes speed dates, it has organized over 500 speed dates from 2022 to 2024, with more than 6,000 people participating.
Cho Joo-hyun, 33, who recently went on one, pointed out that fast-paced rotation sogaeting sessions enable people to meet multiple potential partners in one evening.
"I've tried meeting people online and gone on numerous one-on-one blind dates, but that did not work because profiles and texts can't always predict real-life attraction, which often leads to disappointing first meetings," the Seoul resident told The Korea Herald.
"But rotation sogaeting sessions have hosts that ease the awkwardness by suggesting (to people) what to ask each other and offer programs that boost love hormones. Also, the participants who came to find true love were decent-looking. I believe the program is attractive enough for singles to try," Cho said.
Switch seats to meet multiple potential partners
Single and ready to mingle, I went to my first rotation sogaeting session, involving four men and four women, in Hapjeong, Seoul, after work one late January day. I hoped to meet my ideal type: a man resembling rapper Beenzino in looks, as well as someone who is caring, funny, humorous, has a stable job and grew up abroad.
While rotation sogaeting programs differ depending on the organizers, mine was a two-hour-long session inspired by the movie "About Time."
Participants adopt the names of actors, rather than using their real names, to keep things mysterious and exciting. For the first part, participants wear blindfolds to get to know the other person through their words, without revealing their age or job. Such details are disclosed in the second part when blindfolds are taken off. At that point, participants then are asked to handwrite a letter to each partner about today's date and ask those they find attractive for a second date.
As the clock struck 8 p.m., the hosts told everyone to cover their eyes. A minute later, the first man -- who nicknamed himself with the name of actor Park Jung-min – sat down to my right. I asked him a string of the usual questions to break the ice: What does he like to do after work? What are his hobbies? But he wasn't easy to talk to and was not an attentive listener. I realized that getting a conversation going with finesse is needed to spark chemistry.
My hopes now dashed somewhat, a man who nicknamed himself after action movie star Ma Dong-seok came over to sit next to me. He had a great voice, and the conversation went well. We had much in common: from working out to having a similar MBTI, or personality type.
When it was time to meet my third potential partner, the hosts switched things up a little. As soon as a guy going by the name of actor Roh Jae-won sat down beside me, participants were told to smell their partners' fragrances by grabbing each other's wrists.
And then came actor Stephen Chow -- my fourth option in this session. He was the first to speak, asking about my hobbies. He was easy to talk to and the conversation never felt awkward after learning we were both avid soccer fans.
The highlight of the session came when taking off our blindfolds -- a moment met either with more anticipation or disappointment upon seeing each other's faces.
I was drawn to Ma Dong-seok, Roh Jae-won and Stephen Chow because -- to be brutally honest -- of the way they looked, but also by our fun chats. All three asked me for a second date, but I'll leave it to your imagination whether I ended up going on a second date with each of them or not.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Korea Herald
4 hours ago
- Korea Herald
Interview: Korean adaptation of 'Carthage' draws steady support for universal themes
Intense whodunit asks how much society should intervene in people's lives For British playwright Chris Thompson, 'Carthage' holds a special place in his heart. It was his debut work, the first of his plays to be adapted into another language and an honest response to his 12 years of service as a social worker in London. Now, the third Korean-language production of "Carthage," staged by theater company Secret Base under the direction of Shin Ji-ho, is enjoying yet another sold-out run. "Carthage" is being staged at the Quad Theater in Seoul's Daehangno theater district through Sunday. In Korea for the first time to see a performance, Thompson described the experience of watching his own words unfold in another language as 'strange and surreal.' 'It hit me in a visceral way, rather than being about the language,' Thompson said in a postshow conversation with The Korea Herald last week. 'I wrote this play 10 years ago while I was still working as a social worker. So this play and the characters have lived in my heart for a very long time. I wanted to write something honest and responsible that reflected the world that I was working in.' 'Carthage' begins with the death of a teenager named Tommy, who was born in prison. The story jumps through time to unravel who is to blame: his mother, Annie? Marcus, the prison officer who was present at the time of his death? Or Sue, the social worker who cared for both Tommy and his mother? The open-stage design of the drama places the audience on all sides of the stage, evoking feelings of a jury in a courtroom, silently deliberating on guilt and responsibility. Despite the play's grounding in the UK's social care system, its popularity in Korea suggests the themes transcend borders. 'I think the structure of the story pulls people in because it's basically a whodunit,' Thompson said. 'We always want the easy answer, like in an Agatha Christie murder revelation, but it's not that simple.' And even though the play was written in a very UK-specific context, Thompson said he was trying to write something universal about guilt, blame and responsibility. 'I think people recognize the characters and the conflicts, the dynamics, the dilemmas that are going on.' The idea for the play came from a study Thompson read, which found that some juvenile offenders in prison would deliberately create situations in which they were restrained and held by prison officers because they were not receiving hugs, affection or natural intimacy from their families. Reflecting on his years in the field, Thompson admitted that the most honest response he could give about intervention by authorities was 'often more about wishing we had the courage to leave them alone and accept the risk.' "If I'm honest, would (children) have been better off if we had left them alone and not brought them into the system? Because the system that is designed to help can do more harm than good. The children in the UK, the ones that come out the other end, sometimes come out worse, even though we've tried to help them.' Emotional balance For director Shin, who brought the drama to Korea, it was the play's exploration of social structures, institutional systems and issues facing youth that drew him in. 'And what I focused on most was balancing the characters' positions — their professional standpoint and their personal, human one,' said Shin. 'If we approach them purely through their roles, they feel overly institutional. But if we lean too far into emotion, they become untethered from their professional identities, and we end up empathizing with them too much, losing a sense of critical distance. I was constantly trying to walk that middle line.' He also chose not to give the audience too many clues about Tommy's death. 'The entire play moves toward Tommy's death, but I wanted the audience to encounter fragments of events, just like we do in real life — when one incident occurs, we're often left to piece together meaning from scattered assumptions and speculation. I wanted to condense that chaos into something more focused.' He layered in tools like overlapping voice-overs and audio recalls that both expand the storytelling and subtly plant narrative hints. One of Shin's most intentional choices in this third run was to resist immersion. 'Most importantly, I didn't want the audience to get too emotionally absorbed. Just because something is portrayed realistically doesn't mean I want it invading people's own lives. I thought a lot about preventing that,' he explained. That is why the director added an unexpected video segment at the end, right after Tommy's death, that is seemingly irrelevant but very much on purpose. 'Well-made, polished theatrical worlds don't interest me much anymore. I wanted to twist it at the end and disrupt that illusion a little.' hwangdh@


Korea Herald
6 hours ago
- Korea Herald
'Maybe Happy Ending' continues its Broadway ascent with Drama Desk sweep
Winning streak fuels Tony Award hopes 'Maybe Happy Ending,' the Broadway adaptation of the beloved South Korean musical, added to its accolades on Sunday, taking home six honors at the 69th Annual Drama Desk Awards in New York. Among the night's biggest winners, the show claimed outstanding musical and outstanding director for Michael Arden. Writers Will Aronson and Park Chun-hue, also known as Hue Park, achieved a sweep in the musical writing categories, winning outstanding music, lyrics, and book of a musical. These wins mark a major milestone in the show's remarkable journey from small theaters in Seoul to the heart of Broadway. Last month, 'Maybe Happy Ending' was also named best musical by the New York Drama Critics' Circle — America's second-oldest theater award after the Pulitzer Prize. Sunday's win fuels hopes for the show's prospects at the upcoming Tony Awards, for which the musical earned 10 nominations, including best musical, best direction for Arden and best actor in a musical for Darren Criss. The winners will be announced at the 78th Annual Tony Awards on June 8. Set in a near-future Seoul, 'Maybe Happy Ending' follows the story of Oliver and Claire — two outdated HelperBot androids discarded by their human owners — who find each other and form a bond neither expected. Starring Darren Criss as Oliver and Broadway newcomer Helen J. Shen as Claire, the show blends science fiction with poignant emotional realism, bringing themes of connection, obsolescence and hope to life. The show's origins go back to 2014, when it was developed with funding from Korea's Wooran Foundation. It premiered in Seoul in 2016 and ran for five seasons in small theaters in Daehagno, before its English-language adaptation made it to New York's Belasco Theatre in November 2024. Marking the 10th anniversary of its creation, the original Korean-language version of "Maybe Happy Ending" will return to the stage in Seoul in October. gypark@


Korea Herald
a day ago
- Korea Herald
'Hi-Five' tops weekend box office, edging out 'Mission: Impossible 8'
South Korean action comedy "Hi-Five" seized the top spot at the local weekend box office, unseating the latest "Mission: Impossible" installment, data showed Monday. According to the Korean Film Council, the comedy movie, directed by Kang Hyeong-cheol, drew approximately 380,000 moviegoers from Friday to Sunday. Premiering Friday, the movie follows five ordinary people whose lives take a dramatic turn after receiving organ transplants. "Hi-Five" ended the reign of "Mission: Impossible -- The Final Reckoning," Tom Cruise's eighth installment of the popular action franchise, which had held the No. 1 position since its local theatrical debut May 17. It has attracted a cumulative audience of 2.47 million to date. During the weekend, the film attracted about 371,000 moviegoers. Coming in third was "Big Deal," starring Lee Je-hoon and Yoo Hae-jin, which sold 131,000 tickets over the weekend. Inspired by a real-life story, the film revolves around two men entangled in a merger case during the 1997-98 Asian financial crisis. (Yonhap)